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***OFFICIAL*** Guitar Guys Thread -- all axes, all the time (1 Viewer)

Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...
Beautiful!!! Let us know how it plays once you get it. But you sold the SG? I've sold one guitar my entire life. I get too attached to them once I own them. Still have my first electric guitar purchased in 1984.

How's your Partscaster build coming along, BB?
I need to put a light polycrylic finish on the body before assembling and haven't gotten around to it yet. Also still toying with ideas on the electronics.
 
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:

 
By the way, the Gibson semi-hollows are, to the guys in the know, typically of much lower quality than other cheaper options, and way overpriced for what you get. These Japanese premium semi-hollows blow them out of the water. Another great option are Heritage guitars, which are made by the guys at the old Gibson plant (former Gibson employees who didn't move with the company when Gibson moved). They are supposedly better quality than the Gibson counterparts and a bunch cheaper. Never played one, but they're next on my list of guitars to add to the collection.

Turns out in guitars, like everything else, label whores pay more for less...
Heritage usese solid wood. Even the premium Gibsons use plywood. Seems like an easy choice to me since the price of the high end models is very close.

 
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.

 
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
If you ever want a handmade axe, my buddy does amazing work.

 
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
>

Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
If you ever want a handmade axe, my buddy does amazing work.
Nice. I'd love to retire early and build custom guitars.

 
Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
>>

Any new CL purchases, O?
Just today pulled the trigger on a guitar I've been lusting after.

My main axe right now is the Yamaha SA2200. What a guitar. I'm looking to add to the collection Heritage 535/555 and more recently an Ibanez JSM100 (the John Scofield signature model).

After trolling CL, eBay and other for weeks for the JSM100, I was near ready to pull the trigger on one used -- they seem to go generally in the $1800+ range used. I checked in on my usual troll through new eBay listings during my train ride home tonight, and I see one for under $1400 with free shipping. Couldn't hit the Buy It Now button fast enough. The best part is I just sold off a Gibson SG that I bought and never played and an Eastman hollowbody that I haven't touched in months, and those two funded this purchase completely.

Pics

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01429.jpg

http://img.photobucket.com/albums/v206/jazzrat/Ibanez%20JSM100%20Scofield/DSC01436.jpg

Can't wait to get it...

How's your Partscaster build coming along, BB?
I can't say enough about Heritage. My Sweet 16 is beautiful. I bet that Scofield model sounds amazing :thumbup:
Love those Seeet 16s. The Super Eagles are pretty awesome too.
If you ever want a handmade axe, my buddy does amazing work.
Nice. I'd love to retire early and build custom guitars.
Totally. We have a lot of lutheirs here in Northern Cali.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
IN.I will definitely be challenged to keep up, but I'll give it a go.
 
Anybody else with a Taylor get the stain from the inside of the case? Such bull####. I really hate them at this point.
I have a Taylor. No idea what you're talking about.
I noticed a stain on the top of my guitar and assumed it came from one of the many latenight booze sessions at my place after I closed the bar and had people over. I couldn't get it off and just lived with it for a few years now. Finally out of curiosity I googled how to clean it and came up with a bunch of results from people with Taylors explaining exactly what happened to me, and that it's from the inside of the case somehow. It almost looks like a water stain, but it isn't. Or if you're familiar with what fungus on greens look like on a golf course...same look, just greyish.

And you and your family are in my thoughts, GB.

 
Anybody else with a Taylor get the stain from the inside of the case? Such bull####. I really hate them at this point.
I have a Taylor. No idea what you're talking about.
I noticed a stain on the top of my guitar and assumed it came from one of the many latenight booze sessions at my place after I closed the bar and had people over. I couldn't get it off and just lived with it for a few years now. Finally out of curiosity I googled how to clean it and came up with a bunch of results from people with Taylors explaining exactly what happened to me, and that it's from the inside of the case somehow. It almost looks like a water stain, but it isn't. Or if you're familiar with what fungus on greens look like on a golf course...same look, just greyish. And you and your family are in my thoughts, GB.
Thanks. Geez, that sucks. It's a Taylor case, I presume? That's weird (and completely frustrating, I imagine).
 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
In.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?

 
A couple other great resources I stumbled across for learning the jazz standards.

Here are backing tracks, so you can practice playing the melody and improving over it:

http://www.ralphpatt.com/Backing.html

Here are basic chord structures for each song:

http://www.ralphpatt.com/VBook.html

Not idea as the chord structure is super basic and doesn't include tabs, and we also don't have tabs for the melodies themselves. But we should be able to find all of that stuff on a song-by-song basis as we go forward, and these may just be helpful backup tools.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
This is a cool idea. I'm :blackdot: ing to follow along, but I am an uber novice. I will be watching and try to use the sources to see what I can do. I'd love to teach myself how to play, so I'm giving this a shot (in the background).

 
Otis said:
jdoggydogg said:
Otis said:
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
Two weeks is better for me if that works.

 
Does anyone have any positive / negative thoughts on these guitar brands? I already have a Jazz instrument, and I've always wanted a flying V with a locking tremelo:

bc rich

esp

jackson

jackson 2

jackson 3

jackson 4

cavallo
I've owned bc rich, Jackson, carvin, charvellle, Kramer, ibanez and a slew of metal types of guitars. I like the build quality of ESP most of the lot but that might just be personal preference. The biggest thing IMO is to make sure the pickup holes are a tight fit with the pickups. Some of them - especially Kramer - had a slew of guitars where it looks like the saw was drunk when cutting. Hard to explain but the ESP I have had always felt better put together. That said, if you want a metal guitar with an Un orthodox shape the Jackson Kelly or Robyn machete are excellent choices.

 
Does anyone have any positive / negative thoughts on these guitar brands? I already have a Jazz instrument, and I've always wanted a flying V with a locking tremelo:

bc rich

esp

jackson

jackson 2

jackson 3

jackson 4

cavallo
I've owned bc rich, Jackson, carvin, charvellle, Kramer, ibanez and a slew of metal types of guitars. I like the build quality of ESP most of the lot but that might just be personal preference. The biggest thing IMO is to make sure the pickup holes are a tight fit with the pickups. Some of them - especially Kramer - had a slew of guitars where it looks like the saw was drunk when cutting. Hard to explain but the ESP I have had always felt better put together.That said, if you want a metal guitar with an Un orthodox shape the Jackson Kelly or Robyn machete are excellent choices.
Thanks for the info. I had it in my head that ESP made better guitars, but I had little evidence to back that up.

 
Does anyone have any positive / negative thoughts on these guitar brands? I already have a Jazz instrument, and I've always wanted a flying V with a locking tremelo:

bc rich

esp

jackson

jackson 2

jackson 3

jackson 4

cavallo
I've owned bc rich, Jackson, carvin, charvellle, Kramer, ibanez and a slew of metal types of guitars. I like the build quality of ESP most of the lot but that might just be personal preference. The biggest thing IMO is to make sure the pickup holes are a tight fit with the pickups. Some of them - especially Kramer - had a slew of guitars where it looks like the saw was drunk when cutting. Hard to explain but the ESP I have had always felt better put together.That said, if you want a metal guitar with an Un orthodox shape the Jackson Kelly or Robyn machete are excellent choices.
I've heard little about the Cavallo other than it's the guy that used to be with Dean. That is one sweet looking guitar, though.

 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
Otis, you should choose the first standard.

 
Been playing bass for years. Own a Mexican Fender Jazz Bass and I play that one most of the time and a Hofner 500/1 1963 reissue.

Recently, however, I wanted to get back into playing guitar, so I got an Epiphone EJ-160. I love it. Love the way it looks. Love the way it feels. Don't have an amp for it because I haven't really gotten that far where I need one, but if I were to buy an amp, BB, which one would you recommend for that guitar?? We're talking playing mostly classic rock and playing mostly rhythm guitar. I'm not going to be playing anything much bigger than a gymnasium or occasionally a small festival. I want something solid with good tone that won't necessarily break the bank, but has decent power. In the future, when I buy a solid body electric, I would probably go Fender's way. Probably a Strat.

What do you think???

edit: One more thing, because I've mostly played bass the last 20 years, I am having a hard time with a pick. It just feels like a foreign object to me, so I've mostly been playing with my fingers. Don't know if that changes your answer, but I thought for full disclosure, I would let you know.

 
Last edited by a moderator:
Hey saintsfan: Unfortunately, I know next to nothing about amps for acoustics. That's a whole world of complexity I've avoided thus far. I just use the house PA for all our performances or our rehearsal PA for practice coupled with an LR Baggs para acoustic DI/Preamp.

I did just recently purchase a Bose L1 compact for acoustic solo/duo performances and it sounds amazing with incredible feedback control (it's placed behind you so you use it as both a compact PA and a monitor). I know a number of acoustic artists use L1 systems on stage.

Good luck!

 
Last edited by a moderator:
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
:popcorn:

 
Hey saintsfan: Unfortunately, I know next to nothing about amps for acoustics. That's a whole world of complexity I've avoided thus far. I just use the house PA for all our performances or our rehearsal PA for practice coupled with an LR Baggs para acoustic DI/Preamp.

I did just recently purchase a Bose L1 compact for acoustic solo/duo performances and it sounds amazing with incredible feedback control (it's placed behind you so you use it as both a compact PA and a monitor). I know a number of acoustic artists use L1 systems on stage.

Good luck!
Bose L1: http://youtu.be/ia-vbM4lwp0
 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
Otis, you should choose the first standard.
Okay, I think we're going to do this, seems like we have enough interest.

I was going to go straight jazz standard, because that's what I love these days and it seems to be the most typical teaching tool, but in order to have what I think will be some more widespread interest here, I'm going to go with something that I think may appeal more to the masses and have a little bit of something for everyone, and it's got a simple chord progression, and it's one we all probably know.

For the first tune, I select:

Santana - Black Magic Woman

Chord Progression (The first one listed here is accurate, not the second)

A version of the tab/solo (Haven't confirmed it's the best/most accurate)

(there are probably better ones)Git 'er done, rockers.

 
Also, it's in the key of Dm and is a standard 12 bar blues format, so you can use about a million different scales to improv over this bad boy. Most or all of Santana's soloing is based on a standard D blues/ pentatonic scale with some major notes mixed in (F major scale, I think?).

Frim Wiki (which suggests it is the mi7 chords contrary to my post above--but that doesn't sound as correct to me. Anyone?):

While the song follows the same general structure of Peter Green's version, also set in common time, in D minor and using the same melody and lyrics, it is considerably different, with a slightly altered chord pattern (Dm7– Am7–Dm7–Gm7–Dm7–Am7–Dm7), occasionally mixing between the Dorian and Aeolian modes, especially in the song's intro. A curious blend of blues, rock, jazz, 3/2 afro-Cuban son clave, and "Latin" polyrhythms, Santana's arrangement added conga, timbales and other percussion, in addition to organ and piano, to make complex polyrhythms that give the song a "voodoo" feel distinct from the original.[1]
 
I miss my ES135. Would have been perfect for those nights where an acousitic is too loud and the Les Paul (unplugged, obviously) is too quiet.

 
Walked in to a music store today that I used to frequent years and years ago. man, if I weren't married with a kid I would probably have a "new guitar every month" problem. Things that were so expensive back when I was in college seem more reasonable now. $500 for a Fender Tele of some sort....$299 for a used, gorgeous red flame Ibanez double-cutaway hollow body. Cool stuff for thsoe of you still buying and playing.

 
Okay, I think we're going to do this, seems like we have enough interest.

I was going to go straight jazz standard, because that's what I love these days and it seems to be the most typical teaching tool, but in order to have what I think will be some more widespread interest here, I'm going to go with something that I think may appeal more to the masses and have a little bit of something for everyone, and it's got a simple chord progression, and it's one we all probably know.

For the first tune, I select:

Santana - Black Magic Woman

Chord Progression (The first one listed here is accurate, not the second)

A version of the tab/solo (Haven't confirmed it's the best/most accurate)

First Im not a lead guy, and a novice rythmist at best.

The tab sounds right but the first part is tabbed in the wrong position,

from the video I watched http://www.youtube.com/watch?v=eaKnRUfh_5I

The 8/6 [g f ] pull off should be on an 3-1 on the E string

And the 797 [DED] bend on the g string should be a on the b string 3rd fret.

the next part is a A G F E shown on the E and B Strings But the video shows Carlos playnd it on the A String. Frets 12 10 8 7

Next is a G F E D again on the E and B Stings But again he plays it on the A String Frets 10 8 7 5

thats all I got for now

 
Walked in to a music store today that I used to frequent years and years ago. man, if I weren't married with a kid I would probably have a "new guitar every month" problem. Things that were so expensive back when I was in college seem more reasonable now. $500 for a Fender Tele of some sort....$299 for a used, gorgeous red flame Ibanez double-cutaway hollow body. Cool stuff for thsoe of you still buying and playing.
Finally pulled the trigger on a 2004 American Telecaster on Ebay - lucked out, the thing is a beauty and is a player....

$585 plus shipping... Gotta get a pic of this thing up - Cherry red sparkle!!!!

Bought a Pocket POD this weekend to add to my Headphone "Jam Hub" system... Not happening as often as I hoped but I can have ppl over and jam while wife and kid sleep..... Roland Drum kit rocks as well!!!!

 
Walked in to a music store today that I used to frequent years and years ago. man, if I weren't married with a kid I would probably have a "new guitar every month" problem. Things that were so expensive back when I was in college seem more reasonable now. $500 for a Fender Tele of some sort....$299 for a used, gorgeous red flame Ibanez double-cutaway hollow body. Cool stuff for thsoe of you still buying and playing.
Finally pulled the trigger on a 2004 American Telecaster on Ebay - lucked out, the thing is a beauty and is a player....$585 plus shipping... Gotta get a pic of this thing up - Cherry red sparkle!!!! Bought a Pocket POD this weekend to add to my Headphone "Jam Hub" system... Not happening as often as I hoped but I can have ppl over and jam while wife and kid sleep..... Roland Drum kit rocks as well!!!!
That is a great deal! Please post pics.
 
So who's up for learning jazz/rock standards together? We pick a song per week, link to some chords and tabs for it, we all practice and learn the song that week, upload audio/vids playing it, and then do a new tune the next week.
We should rotate who picks the standard. It'll likely make for a more diverse selection.
Exactly what I was thinking. And maybe we do two weeks per tune instead of just one to give us more time with each?
Otis, you should choose the first standard.
Okay, I think we're going to do this, seems like we have enough interest.

I was going to go straight jazz standard, because that's what I love these days and it seems to be the most typical teaching tool, but in order to have what I think will be some more widespread interest here, I'm going to go with something that I think may appeal more to the masses and have a little bit of something for everyone, and it's got a simple chord progression, and it's one we all probably know.

For the first tune, I select:

Santana - Black Magic Woman

Chord Progression (The first one listed here is accurate, not the second)

A version of the tab/solo (Haven't confirmed it's the best/most accurate)

Really need to get off my lazy ### and plug in. While I can hamfist my way through this on my acoustic, I just can't get a true feel for it.

 

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