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***Official Phish Thread*** (1 Viewer)

Jefferson the Caregiver said:
Sigmund Bloom said:
Meh. There I said it.
Agreed. The sets last night were all over the place. I never got comfortable at this show. Thought they had something going middle of the first set but it was crawling at the end, I am not a Prince Caspian fan. Set 2 was just Boring, very disappointing.
Some people were drooling over this show over at Oh Kee Pa forum (obviously). I'm glad this wasn't the Pit show...although I guess it could be similar still...The stream was pretty good too and I just didn't get into it that much like I had previous shows.
 
Listening to Camden right now.

Holy smokes. This Sand is phenominal. Best Phish 3.0 jam so far by a LONG way. Fantastic.

 
a little more detailed review of 6/4 and 6/5 - ill write up 6/6 and 6/7 when i get time

6/4 - A bit drizzly and cool, not summer weather at all. My first

Jones Beach show, have to say I like the great sightlines and sound,

but all reserved makes it hard to get your crew together. Also since

theres no beer for sale inside some people get a little overcooked

before the show.

Grind opener was fun, Divided Sky was glorious and nailed. Trey was

pumped up to play, he was bouncing in between songs before they'd

start. Ocelot was a fun, light tune, playful Trey led jam. Coil was

also pretty much nailed and it got the beach theme going. PYITE had a

few shaky moments, but it really got the energy going. I like Dirt

more than most, a tender ditty about wanting to get away from it all.

NICU got the energy back up, and primed the crowd for a Ghost that

started out in cow phunk, but quickly veered into a soaring

transcendent jam that has pretty much been the theme jam of the tour

far. They guided it back to a Ghost ending and into Antelope without a

pause between. Antelope was a good ole knife to the throat no nonsense

Antelope. The crowd was up up up going into the setbreak off of this

one.

Water in the Sky got us back to the rain theme, even though it was

still just drizzly, nothing compared to what was coming tomorrow, and

BOAF was well-jammed and very hot - these kinds of tunes seem to suit

Trey's sound (similar to his sound in 99) and straightforward approach

to jamming right now. Drowned got us back to the water theme and it

was played with all the urgency and intensity of a typical Drowned -

which meant there was nothing typical about it. The jam made a left

tune into meatstick, which was a blast and included the japanese

lyrics and a terrific clav section from Page. The energy came down for

TTE, which was flawlessly played. I dont know what I think about it -

it's a bit earnest and cheesy, but then again Phish's original stuff

has had those issues here and there since Farmhouse. Waste was well

played, the ballad from them to us and us to them, and of course they

brought the energy back up with YEM. Rock and Roll was a nice encore,

great note to leave on and a NYC shout out.

Nothing earthshattering, but Divided Sky and YEM were almost flawless,

Ghost-Antelope and Drowned->Meatstick were both played with tons of

intensity and they really stood out. It wasnt an instant classic, but

it had some unique combinations and a few moments that really grabbed

the crowd and pulled us in.

6/5 - Friday brought the most miserable weather I have endured for a

phish show. 50s and a driving rain that didnt let up except during the

setbreak. We talked about how Phish rewards the crowd for bad weather,

and wow did they. Here's your show of Phish 3.0 so far.

First set was very thematic. When Phish is ON, they seem to effortless

string together songs that perfectly capture the mood and setting, and

this first set did that - dark and brooding. Wilson, Buried Alive and

ACDC Bag I didnt Know were both inspired pairings and they could have

fit in an 88 show, they were all so tight. Kill Devil Falls fell in

the between the combos and had a strong birds of a feather feel - it

was weird that they played it twice at Jones Beach, but obviously they

like it. My Friend My Friend - back to the darkness. Trey didn't kill

it like in previous incarnations, but it was still hot, and was a nice

build to YaMar - instead of "PLAY IT LEO", Trey said "Leo's gonna play

it for you" in a real mellow voice, you could tell he was enjoying

everything.

Theme was perfect for a rainstorm, kept in the darkness and shadows

and Trey really played this one with effortless precision. Then came

Boogie On. Of all the songs I saw in these 4 shows, this was the most

remarkable version of any of them. Mike was a runaway train, out of

control. At least 2 or 3 minutes of Mike laying down the heavy heavy

funk with that dirty sound he uses in the song, it was mind-melting

and ###-shaking all at one. Then maybe the darkest song of them all,

Split Open and Melt, and this one was remarkable. The jam was more

cohesive than a typical Melt, but just as menacing and sinister, which

I actually preferred to the more disorientation chaotic style Melt

jams usually take.

This first set had some serious conceptual continuty and flow. with

the exception of the new song, it could have easily been a 96 or 97

first set, and everyone could feel that it was going to be the

precursor to a friday night throw down in the second set.

Of course when they come back out, it starts raining again, in fact,

during DWD was maybe the hardest it rained all night, and it was the

hardest Trey raged during the 4 shows I saw. Triumphant, strutting

Trey, even shades of Machine Gun Trey, who is still only showing up

rarely and for short periods of time if at all. just an absolute

monster of a Disease and it was jammed in a very smooth segue into

Twist, back to the darkness, this time funky, and the jam quickly

morphed into Oye Como Va, about 3 or 4 distinct sections. The band

seemed to have one mind, the sections were all tight and groovy, and

it felt like that Phish you came to know and love that pulled you into

the moment and also let the moment guide them to whatever was in the

air. They jammed back into Twist, then started Piper, lit the fuse and

exploded that bottle rocket into a Jam that kept the energy going

until they started BDTNL - a very positive and anthemic song about the

return and where we are all at in our lives - definitely a real keeper

among the new songs. Of course a huge suite like this had to be topped

off with Free, and this was like the Antelope, more no nonsense, turn

the energy up high and keep it there. We were all soaked, but inside

we were burning with love for the Phish. This was like 12/29/03 - a 45

minute non stop jam groove heat concoction, and one that really

screamed "we are back" - phish is at their best when they let go a

little bit and just let the music play them and take them where it

wants to go, and wow did they do it for this beautiful stretch.

20 years later is interesting, a bit more complex lyrically that the

other new stuff, a song about tempting fate and surviving, highs and

lows, accomplishments and low moments, and trying to make sense out of

it. The jam was more deliberate and darker than a rock/groove jam. I

liked it. they took that into 2001, and what a 2001! It was funky and

jammed out very well, but not noodle funk, a purposeful directed funk.

Ear to ear grin inducing. Wasnt Slave perfect here? I mean really

perfect, the only song they could have played - when they do that

thing where as soon as you the note, you think, it could have only

been this song. Just resplendently glorious, full of love and beauty.

This 2001>slave combo could have been the peak of any great show in

any post 93 era of Phish.

Day in the Life sent us back into the night, soaked to the bone, but

still buzzing from what we'd had experienced. This was a quantum leap

from anything they had done so far since they had been back, a night

that was a classic phish "buckle your seat belt and hang on tight"

summer tour show, even though the weather was more like October or

November.

I was so stoked to be seeing them two more times before I went back to

Texas. Now that they had played 4 shows and worked out the kinks, it

felt like we were back to "anything is possible" phish. Even though

Trey was still very tentative and deliberate - not really attacking

his solos, missing his usual acrobatic fingering and twists and turns

within solos, and just owning the songs so much that he could add

flourished and be playful with the melodies - the "not thinking" Trey

is still only surfacing here and there - he let himself go to the

point where he let the energy consume him too, and the created not

only fantastic compositions within the songs, but the show itself was

a fantastic composition. THIS was what I was missing while Phish was

gone. Not just hearing the songs live, but going to a show and seeing

a composition of songs and jams and moments that fit like a key in a

lock and stood alone as something that would never be produced again,

just for that place and time.

 
a little more detailed review of 6/4 and 6/5 - ill write up 6/6 and 6/7 when i get time6/4 - A bit drizzly and cool, not summer weather at all. My firstJones Beach show, have to say I like the great sightlines and sound,but all reserved makes it hard to get your crew together. Also sincetheres no beer for sale inside some people get a little overcookedbefore the show.Grind opener was fun, Divided Sky was glorious and nailed. Trey waspumped up to play, he was bouncing in between songs before they'dstart. Ocelot was a fun, light tune, playful Trey led jam. Coil wasalso pretty much nailed and it got the beach theme going. PYITE had afew shaky moments, but it really got the energy going. I like Dirtmore than most, a tender ditty about wanting to get away from it all.NICU got the energy back up, and primed the crowd for a Ghost thatstarted out in cow phunk, but quickly veered into a soaringtranscendent jam that has pretty much been the theme jam of the tourfar. They guided it back to a Ghost ending and into Antelope without apause between. Antelope was a good ole knife to the throat no nonsenseAntelope. The crowd was up up up going into the setbreak off of thisone.Water in the Sky got us back to the rain theme, even though it wasstill just drizzly, nothing compared to what was coming tomorrow, andBOAF was well-jammed and very hot - these kinds of tunes seem to suitTrey's sound (similar to his sound in 99) and straightforward approachto jamming right now. Drowned got us back to the water theme and itwas played with all the urgency and intensity of a typical Drowned -which meant there was nothing typical about it. The jam made a lefttune into meatstick, which was a blast and included the japaneselyrics and a terrific clav section from Page. The energy came down forTTE, which was flawlessly played. I dont know what I think about it -it's a bit earnest and cheesy, but then again Phish's original stuffhas had those issues here and there since Farmhouse. Waste was wellplayed, the ballad from them to us and us to them, and of course theybrought the energy back up with YEM. Rock and Roll was a nice encore,great note to leave on and a NYC shout out.Nothing earthshattering, but Divided Sky and YEM were almost flawless,Ghost-Antelope and Drowned->Meatstick were both played with tons ofintensity and they really stood out. It wasnt an instant classic, butit had some unique combinations and a few moments that really grabbedthe crowd and pulled us in.6/5 - Friday brought the most miserable weather I have endured for aphish show. 50s and a driving rain that didnt let up except during thesetbreak. We talked about how Phish rewards the crowd for bad weather,and wow did they. Here's your show of Phish 3.0 so far.First set was very thematic. When Phish is ON, they seem to effortlessstring together songs that perfectly capture the mood and setting, andthis first set did that - dark and brooding. Wilson, Buried Alive andACDC Bag I didnt Know were both inspired pairings and they could havefit in an 88 show, they were all so tight. Kill Devil Falls fell inthe between the combos and had a strong birds of a feather feel - itwas weird that they played it twice at Jones Beach, but obviously theylike it. My Friend My Friend - back to the darkness. Trey didn't killit like in previous incarnations, but it was still hot, and was a nicebuild to YaMar - instead of "PLAY IT LEO", Trey said "Leo's gonna playit for you" in a real mellow voice, you could tell he was enjoyingeverything.Theme was perfect for a rainstorm, kept in the darkness and shadowsand Trey really played this one with effortless precision. Then cameBoogie On. Of all the songs I saw in these 4 shows, this was the mostremarkable version of any of them. Mike was a runaway train, out ofcontrol. At least 2 or 3 minutes of Mike laying down the heavy heavyfunk with that dirty sound he uses in the song, it was mind-meltingand ###-shaking all at one. Then maybe the darkest song of them all,Split Open and Melt, and this one was remarkable. The jam was morecohesive than a typical Melt, but just as menacing and sinister, whichI actually preferred to the more disorientation chaotic style Meltjams usually take.This first set had some serious conceptual continuty and flow. withthe exception of the new song, it could have easily been a 96 or 97first set, and everyone could feel that it was going to be theprecursor to a friday night throw down in the second set.Of course when they come back out, it starts raining again, in fact,during DWD was maybe the hardest it rained all night, and it was thehardest Trey raged during the 4 shows I saw. Triumphant, struttingTrey, even shades of Machine Gun Trey, who is still only showing uprarely and for short periods of time if at all. just an absolutemonster of a Disease and it was jammed in a very smooth segue intoTwist, back to the darkness, this time funky, and the jam quicklymorphed into Oye Como Va, about 3 or 4 distinct sections. The bandseemed to have one mind, the sections were all tight and groovy, andit felt like that Phish you came to know and love that pulled you intothe moment and also let the moment guide them to whatever was in theair. They jammed back into Twist, then started Piper, lit the fuse andexploded that bottle rocket into a Jam that kept the energy goinguntil they started BDTNL - a very positive and anthemic song about thereturn and where we are all at in our lives - definitely a real keeperamong the new songs. Of course a huge suite like this had to be toppedoff with Free, and this was like the Antelope, more no nonsense, turnthe energy up high and keep it there. We were all soaked, but insidewe were burning with love for the Phish. This was like 12/29/03 - a 45minute non stop jam groove heat concoction, and one that reallyscreamed "we are back" - phish is at their best when they let go alittle bit and just let the music play them and take them where itwants to go, and wow did they do it for this beautiful stretch.20 years later is interesting, a bit more complex lyrically that theother new stuff, a song about tempting fate and surviving, highs andlows, accomplishments and low moments, and trying to make sense out ofit. The jam was more deliberate and darker than a rock/groove jam. Iliked it. they took that into 2001, and what a 2001! It was funky andjammed out very well, but not noodle funk, a purposeful directed funk.Ear to ear grin inducing. Wasnt Slave perfect here? I mean reallyperfect, the only song they could have played - when they do thatthing where as soon as you the note, you think, it could have onlybeen this song. Just resplendently glorious, full of love and beauty.This 2001>slave combo could have been the peak of any great show inany post 93 era of Phish.Day in the Life sent us back into the night, soaked to the bone, butstill buzzing from what we'd had experienced. This was a quantum leapfrom anything they had done so far since they had been back, a nightthat was a classic phish "buckle your seat belt and hang on tight"summer tour show, even though the weather was more like October orNovember.I was so stoked to be seeing them two more times before I went back toTexas. Now that they had played 4 shows and worked out the kinks, itfelt like we were back to "anything is possible" phish. Even thoughTrey was still very tentative and deliberate - not really attackinghis solos, missing his usual acrobatic fingering and twists and turnswithin solos, and just owning the songs so much that he could addflourished and be playful with the melodies - the "not thinking" Treyis still only surfacing here and there - he let himself go to thepoint where he let the energy consume him too, and the created notonly fantastic compositions within the songs, but the show itself wasa fantastic composition. THIS was what I was missing while Phish wasgone. Not just hearing the songs live, but going to a show and seeinga composition of songs and jams and moments that fit like a key in alock and stood alone as something that would never be produced again,just for that place and time.
:coffee:
 
a little more detailed review of 6/4 and 6/5 - ill write up 6/6 and 6/7 when i get time6/4 - A bit drizzly and cool, not summer weather at all. My firstJones Beach show, have to say I like the great sightlines and sound,but all reserved makes it hard to get your crew together. Also sincetheres no beer for sale inside some people get a little overcookedbefore the show.Grind opener was fun, Divided Sky was glorious and nailed. Trey waspumped up to play, he was bouncing in between songs before they'dstart. Ocelot was a fun, light tune, playful Trey led jam. Coil wasalso pretty much nailed and it got the beach theme going. PYITE had afew shaky moments, but it really got the energy going. I like Dirtmore than most, a tender ditty about wanting to get away from it all.NICU got the energy back up, and primed the crowd for a Ghost thatstarted out in cow phunk, but quickly veered into a soaringtranscendent jam that has pretty much been the theme jam of the tourfar. They guided it back to a Ghost ending and into Antelope without apause between. Antelope was a good ole knife to the throat no nonsenseAntelope. The crowd was up up up going into the setbreak off of thisone.Water in the Sky got us back to the rain theme, even though it wasstill just drizzly, nothing compared to what was coming tomorrow, andBOAF was well-jammed and very hot - these kinds of tunes seem to suitTrey's sound (similar to his sound in 99) and straightforward approachto jamming right now. Drowned got us back to the water theme and itwas played with all the urgency and intensity of a typical Drowned -which meant there was nothing typical about it. The jam made a lefttune into meatstick, which was a blast and included the japaneselyrics and a terrific clav section from Page. The energy came down forTTE, which was flawlessly played. I dont know what I think about it -it's a bit earnest and cheesy, but then again Phish's original stuffhas had those issues here and there since Farmhouse. Waste was wellplayed, the ballad from them to us and us to them, and of course theybrought the energy back up with YEM. Rock and Roll was a nice encore,great note to leave on and a NYC shout out.Nothing earthshattering, but Divided Sky and YEM were almost flawless,Ghost-Antelope and Drowned->Meatstick were both played with tons ofintensity and they really stood out. It wasnt an instant classic, butit had some unique combinations and a few moments that really grabbedthe crowd and pulled us in.6/5 - Friday brought the most miserable weather I have endured for aphish show. 50s and a driving rain that didnt let up except during thesetbreak. We talked about how Phish rewards the crowd for bad weather,and wow did they. Here's your show of Phish 3.0 so far.First set was very thematic. When Phish is ON, they seem to effortlessstring together songs that perfectly capture the mood and setting, andthis first set did that - dark and brooding. Wilson, Buried Alive andACDC Bag I didnt Know were both inspired pairings and they could havefit in an 88 show, they were all so tight. Kill Devil Falls fell inthe between the combos and had a strong birds of a feather feel - itwas weird that they played it twice at Jones Beach, but obviously theylike it. My Friend My Friend - back to the darkness. Trey didn't killit like in previous incarnations, but it was still hot, and was a nicebuild to YaMar - instead of "PLAY IT LEO", Trey said "Leo's gonna playit for you" in a real mellow voice, you could tell he was enjoyingeverything.Theme was perfect for a rainstorm, kept in the darkness and shadowsand Trey really played this one with effortless precision. Then cameBoogie On. Of all the songs I saw in these 4 shows, this was the mostremarkable version of any of them. Mike was a runaway train, out ofcontrol. At least 2 or 3 minutes of Mike laying down the heavy heavyfunk with that dirty sound he uses in the song, it was mind-meltingand ###-shaking all at one. Then maybe the darkest song of them all,Split Open and Melt, and this one was remarkable. The jam was morecohesive than a typical Melt, but just as menacing and sinister, whichI actually preferred to the more disorientation chaotic style Meltjams usually take.This first set had some serious conceptual continuty and flow. withthe exception of the new song, it could have easily been a 96 or 97first set, and everyone could feel that it was going to be theprecursor to a friday night throw down in the second set.Of course when they come back out, it starts raining again, in fact,during DWD was maybe the hardest it rained all night, and it was thehardest Trey raged during the 4 shows I saw. Triumphant, struttingTrey, even shades of Machine Gun Trey, who is still only showing uprarely and for short periods of time if at all. just an absolutemonster of a Disease and it was jammed in a very smooth segue intoTwist, back to the darkness, this time funky, and the jam quicklymorphed into Oye Como Va, about 3 or 4 distinct sections. The bandseemed to have one mind, the sections were all tight and groovy, andit felt like that Phish you came to know and love that pulled you intothe moment and also let the moment guide them to whatever was in theair. They jammed back into Twist, then started Piper, lit the fuse andexploded that bottle rocket into a Jam that kept the energy goinguntil they started BDTNL - a very positive and anthemic song about thereturn and where we are all at in our lives - definitely a real keeperamong the new songs. Of course a huge suite like this had to be toppedoff with Free, and this was like the Antelope, more no nonsense, turnthe energy up high and keep it there. We were all soaked, but insidewe were burning with love for the Phish. This was like 12/29/03 - a 45minute non stop jam groove heat concoction, and one that reallyscreamed "we are back" - phish is at their best when they let go alittle bit and just let the music play them and take them where itwants to go, and wow did they do it for this beautiful stretch.20 years later is interesting, a bit more complex lyrically that theother new stuff, a song about tempting fate and surviving, highs andlows, accomplishments and low moments, and trying to make sense out ofit. The jam was more deliberate and darker than a rock/groove jam. Iliked it. they took that into 2001, and what a 2001! It was funky andjammed out very well, but not noodle funk, a purposeful directed funk.Ear to ear grin inducing. Wasnt Slave perfect here? I mean reallyperfect, the only song they could have played - when they do thatthing where as soon as you the note, you think, it could have onlybeen this song. Just resplendently glorious, full of love and beauty.This 2001>slave combo could have been the peak of any great show inany post 93 era of Phish.Day in the Life sent us back into the night, soaked to the bone, butstill buzzing from what we'd had experienced. This was a quantum leapfrom anything they had done so far since they had been back, a nightthat was a classic phish "buckle your seat belt and hang on tight"summer tour show, even though the weather was more like October orNovember.I was so stoked to be seeing them two more times before I went back toTexas. Now that they had played 4 shows and worked out the kinks, itfelt like we were back to "anything is possible" phish. Even thoughTrey was still very tentative and deliberate - not really attackinghis solos, missing his usual acrobatic fingering and twists and turnswithin solos, and just owning the songs so much that he could addflourished and be playful with the melodies - the "not thinking" Treyis still only surfacing here and there - he let himself go to thepoint where he let the energy consume him too, and the created notonly fantastic compositions within the songs, but the show itself wasa fantastic composition. THIS was what I was missing while Phish wasgone. Not just hearing the songs live, but going to a show and seeinga composition of songs and jams and moments that fit like a key in alock and stood alone as something that would never be produced again,just for that place and time.
Great reviews, makes me look forward to shoreline!
 
Archives playlist

Born Under Punches - 10/31/96 (talking heads - David Byrne is playing Bonnaroo)

Sabotage 8/16/98 (beasties - they are playing Bonnaroo)

Ghost - epic space funk version - 5/22/00 RCMH

Lengthwise (Reggae Version) 11/19/92 - first time played

Sneakin Sally Through the Alley 9/28/99 - (Allen Toussaint is playing Bonnaroo)

Tweezer 11/23/94 - link to charlie dirksen review, who archivist Kevin Shapiro dedicated this to

Llama (acoustic into electric w/ Bela Fleck) 10/18/94 (Bela is playing Bonnaroo)

After Midnight Reprise 12/31/99

Born to Run 7/16/99 (Bruce is playing... ah you get it)

 
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:thumbup: for the heads up Bloom
:goodposting: Now will the Phish show be on there live tonight? And, is it confirmed for 1:00AM eastern?Less than one week for me!!!
midnight eastern. Were still waiting to see if we actually get video on att blueroom site. not sure about whether the show will be on the radio there or not.Will you be at Star Lake - I'll be there and Deer Creek.
Yep I'll be at Star Lake.I'll check in later to see if we have any good links going for tonight. I'll be checking the iPhone dude too...but I doubt he gets good feed tonight. Post here if you get anything. Thx!
 
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Bonnaroo Arts and Music Festival, Manchester, TNLast updated on June 13 at 03:04 am by Julia MordauntSet One * Chalk Dust Torture * Stealing Time From The Faulty Plan * The Divided Sky * Possum * Down With Disease * Alaska * Stash * Golgi Appartus * Wolfman's Brother * Poor Heart * Kill Devil Falls > * Free * Wading In The Velvet Sea * Harry Hood > * Highway To Hell > * 2001 > * You Enjou Myself > * Wilson > * You Enjoy MyselfEncore * A Day in the LifeShow Notes
:confused: I can't wait to hear "Hood" through the end.
 
Bonnaroo Arts and Music Festival, Manchester, TNLast updated on June 13 at 03:04 am by Julia MordauntSet One * Chalk Dust Torture * Stealing Time From The Faulty Plan * The Divided Sky * Possum * Down With Disease * Alaska * Stash * Golgi Appartus * Wolfman's Brother * Poor Heart * Kill Devil Falls > * Free * Wading In The Velvet Sea * Harry Hood > * Highway To Hell > * 2001 > * You Enjou Myself > * Wilson > * You Enjoy MyselfEncore * A Day in the LifeShow Notes
:thumbup: I can't wait to hear "Hood" through the end.
First Highway to Hell in 12+ years. YEM>Wilson>YEM is real tight, stuff of dreams. Hopefully we'll get Sunday night on the phishtube too.The Disease and jam from KDF>Free are also remarkable.
 
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I am convinced that almost every time they play Wolfman the show rocks.

Highway to Hell, I love it. Haven't heard that since my second Phish show eva.

Next week this time, I will be in Alpine!!!!!!!!!

 
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Triumph is at Bonnaroo (I think he did a song with Bruce).Triumph on Phish:

“Phish broke up five years ago, They could’ve played three songs in that time. The original script of the Gettysburg Address was ‘Four Phish songs and seven years ago.’”
 
Sigmund Bloom said:
Mustang Sally (first in about 21 years)

Bobby Jean>

Glory Days

all with the Boss to close the first set at Bonnaroo tonight.
That Glory Days was fantastic.
are these out there anywhere?
All the shows have been streaming here:http://www.ustream.tv/channel/phishtube

Not sure if there is an archive section of sorts, so you'll have to dig into that. I'm sure stuff will be on youtube shortly if not already. But Phishtube had solid sound quality for most of last night (although I admit I didn't make it to 2nd set).

 
Anyone who wants to meet up at Star lake or Deer Creek, PM, email, and let's make it happen. I should be there soon after the lots open.

 
Anyone who wants to meet up at Star lake or Deer Creek, PM, email, and let's make it happen. I should be there soon after the lots open.
Just talked to the ringmaster about Thursday and apparently we are not leaving Cleveland until about 4pm. I'm not too pleased with this news. We'll be traveling via limo....that's the good thing I guess. Less time in the lot, but still should be a good pre-party time, I just hate feeling like I'm rushing instead of just hanging out in the lot and relaxing.How many of these shows that list 7:30 start time have been starting at 7:30?
 
Anyone who wants to meet up at Star lake or Deer Creek, PM, email, and let's make it happen. I should be there soon after the lots open.
Just talked to the ringmaster about Thursday and apparently we are not leaving Cleveland until about 4pm. I'm not too pleased with this news. We'll be traveling via limo....that's the good thing I guess. Less time in the lot, but still should be a good pre-party time, I just hate feeling like I'm rushing instead of just hanging out in the lot and relaxing.How many of these shows that list 7:30 start time have been starting at 7:30?
Jones Beach 1 didn't start until shortly after 8 PM
 
I guess I can officially not hope for Rift, Slave, Possum, Mike's Song > I Am Hydrogen > Weekapaug Groove, and even Halley's for tomorrow night. Never know, but probably not.

But that leaves open the door for PYITE, Hood, and Maze!!!! Among MANY others!!

Can't concentrate at work right now...good thing I don't have much to do.

Anyone else going besides Bloom?

 
No Big Black Furry Creatures from Mars yet. Thought they might get into something like that in St. Louis, considering the killer venue.

Alpine??? 3 Days and counting!!!!!

 
Knoxville>Roo was a fantastic 3 show run.

The late-night set is among the best things I've EVER seen from Phish and I've been seeing them since '92. The second night had potential to match the first night but the second set faded badly down the stretch with too many slower numbers - The band seemed tired out after the Bruce fireworks.

 
Anyone who wants to meet up at Star lake or Deer Creek, PM, email, and let's make it happen. I should be there soon after the lots open.
Just talked to the ringmaster about Thursday and apparently we are not leaving Cleveland until about 4pm. I'm not too pleased with this news. We'll be traveling via limo....that's the good thing I guess. Less time in the lot, but still should be a good pre-party time, I just hate feeling like I'm rushing instead of just hanging out in the lot and relaxing.How many of these shows that list 7:30 start time have been starting at 7:30?
Sent you a pm, Bloom. I'll check back later tonight or tomorrow morning.
 
I guess I can officially not hope for Rift, Slave, Possum, Mike's Song > I Am Hydrogen > Weekapaug Groove, and even Halley's for tomorrow night. Never know, but probably not.But that leaves open the door for PYITE, Hood, and Maze!!!! Among MANY others!!Can't concentrate at work right now...good thing I don't have much to do.Anyone else going besides Bloom?
Officially out for tomorrow. Just can't make it happen. :thumbup:Enjoy! :)
 
Amazing show last night. Wish I had another lined up. Alpine is gonna be sweet for you guys...

Set One

Golgi Apparatus

Chalk Dust Torture

Bouncing Around The Room

Wolfman's Brother

The Divided Sky

Heavy Things

Walk Away

Wilson

Tube

Alaska

David Bowie

Set Two

Down With Disease >

Free

Guyute

Piper >

When The Circus Comes To Town

Harry Hood >

The Squirming Coil

You Enjoy Myself

Encore

Grind

Hello My Baby

Hold Your Head Up >

Bike >

Hold Your Head Up

Loving Cup

 

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