Watchmen is a movie that's easy to respect but hard to love. The filmmakers stayed much truer to the source material than I expected, which is part of the problem. The book was more backstory and texture than plot, which doesn't work as well in a 160 min movie. Snyder probably could have taken the minimal plot from the book and wrapped a completely different and possibly better movie around it. But by keeping so much of the book intact, it killed the forward momentum of the story. I could see how this could be frustrating to an audience who wasn't familiar with the original story. Moore's story was rooted in the language and semiotics of comic books. The page layouts, palette, transitions and flashbacks have more impact and make more sense when looking at a two page spread. Even the Watchmen motion comic, which I thought was outstanding, suffered in this regard. Watchmen was as much a comic book about comics as it was a story of superheroes or a cautionary tale for the nuclear age. Some of this was lost in the translation to a different medium.
nice review...that quite possibly might be the first time the word semiotics has been used in the FFA (or at least in a post about comics, graphic novels), but it was a fitting one...a reason moore said it was unfilmable was that it wouldn't translate to that medium... i disagree... he seems as uncompromising as rorsach...i do agree that it is a challenge, & ultimately i find the source material more satisfying... moore's prose is so dense & layered, that it practically demands lingering, pondering, savoring... same for the brilliant art, where some pages are basically works of art, more beautiful than much of what stands for art in 20th century painting (excepting artists like dali, escher, etc)...watchmen transcended the comics genre & was one of the first graphic novels to be accepted as LITERATURE (along with frank miller's dark knight)...for me, it is great art on at least four levels...1) the writing...2) the images...3) the way the writing & images tied in together4) its post-modern maturity & critique of the genre & cultureas moore has noted, with a movie, an intrinsic feature is that it races by at 24 frames for second, making it impossible in a viewing to take in all the layers & levels (of course, this critique doesn't speak to multiple viewings, comparable to multiple readings?)one advantage to a movie, of course, is the inclusion of music, & the power that comes from a well conceived & executed meshing of image & sound... there may have been others, but i think as was noted above, the use of phillip glass in the dr. manahattan flashback scenes was brilliant... hard to imagine any different music which would have served the scene better...i wish more of ozymandias back story could have been included, ideally with visual flashback structure & narration, rather than a brief, imo talky but incomplete explication to the iacoca delegation... no doubt some compromises & cuts had to be made in a 2:40 movie that could have been 4-6 hours or more, but it seems like more could have been done in just 1-2 minutes, & he was a pretty central character...i liked it a lot, personally i didn't think it dragged at all, i thought snyder was an excellent choice, though i'm sure my appreciation was helped by reading it for the first time a few weeks ago... hard to tell how easy the plot would have been to follow & how much less involved i might have been with the characters if i didn't have that background & context coming in... given that, i had no problem with the pacing...it was very faithful to the source material, as advertised (pretty astounding how much of the source material they WERE able to include... & maybe more on a directors cut, including the story-inside-the-story pirate comic, which was simultaneously released on DVD already with the theatrical version?)... not sure if a reason was given for the the change of ending... if somebody knows & can put it in a spoiler box, it would be much appreciated...BTW, it raked in $55 mil in the first weekend... should be interesting if it has legs, given the challenging source material, & the fact that non-readers may not get as much enjoyment out of it... word of mouth buzz is critical for blockbusters... its reputation precedes it, but will non-readers enjoy it enough to propogate the movie going meme?i think it will kill overseas & in the after theatrical release DVD/blu-ray market...also, i thought the casting was OUTSTANDING, & helped by the fact that (other than billy crudup, who himself isn't a massive star), there weren't a lot of well known faces to detract from the ensemble dynamic... it wouldn't have been the same (or as good) with leonard dicaprio or russel crowe, etc... agree that rorsach & nite owl portrayals were great, but i also liked the comedian, dr. manhattan & silk spectre was SMOKIN!

they all seemed to have done their homework (or were well prepped by the director) and had their respective characters down... they seemed like believable characters with fleshed out motivations that actually lived in an alternate, but parallel reality...the beginning montage was a great way to convey some of the backstory of the alternate/parallel world...dr. manhattan's perception of "time" makes for a fascinating character, & the flashback of his backstory was imo was outstanding, & maintained the spirit of the graphic novel, which was probably my favorite part or scene in THAT medium...