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Recently viewed movie thread - Rental, Streaming, Theater etc (22 Viewers)

Ilov80s said:
Continuing on my thought, why isn't Michael Curtiz ever mentioned on these lists of greatest director? Maybe he wasn't innovative and didn't have a signature style. He didn't have a large set of A list films, but the ones he has are really strong representations of styles and genres of the time. 

Horror: The Mystery of the Wax Museum

Action/Adventure Captain Blood, The Adventures of Robin Hood

Noir: Mildred Pierce

Musical: Yankee Doodle Dandy (fantastic movie and I'm not usually into musicals), White Christmas

Gangster: Angels with Dirty Faces

Drama/Romance: Casablanca 
Damn fine point. Saw Casablanca recently for the 1st time in like 5 yrs and it's immaculate - one of the very few old movies without anachronism. I wouldnt change a word. Just watched Mildred Pierce and Curtiz captured something in Crawford no one had in the Lucille LaFleur floozie years nor others in the later horrorshow eyebrow years. Color me a Curtizan.

 
Damn fine point. Saw Casablanca recently for the 1st time in like 5 yrs and it's immaculate - one of the very few old movies without anachronism. I wouldnt change a word. Just watched Mildred Pierce and Curtiz captured something in Crawford no one had in the Lucille LaFleur floozie years nor others in the later horrorshow eyebrow years. Color me a Curtizan.
And you would be hard pressed to find a director that could make a movie as dark as Pierce and as light and fun as Yankee. Two polar opposite movies and both work so well. You would never guess in a million years it was the same director.

 
Double Indemnity: 2 PM

Barbara Stanwyck, Fred MacMurray, Edward G. Robinson. Directed by Billy Wilder with a screenplay by Raymond Chandler, adopted from a story by James Cain.
Good recommendation, thank you. I enjoyed this quite a bit.

Edward G. Robinson is always awesome in everything. Though it was hard accepting the peaceful dad from My Three Sons as a bad ###.

 
And you would be hard pressed to find a director that could make a movie as dark as Pierce and as light and fun as Yankee. Two polar opposite movies and both work so well. You would never guess in a million years it was the same director.
The Lumet of his time.

 
If you are on the TCM train, 9:45 tonight is a nice Christmas movie. Remember the Night is a romantic comedy that (like Double Indemnity) features Stanwyck and MacMurray. It's written by the screwball god Preston Sturges. It's definitely worth a watch for the season.

 
Blow Out - 7.5/10

Outside of The Untouchables, I'm not a fan of DePalma at all and it initially trained my reaction to the ending of this film. I think he always adds unnecessarily over the top elements to the endings and this is no different (I'm talking about the car chase through Philly).

Having said that, this was really quite good. The ultimate ending is quite Hitchcockian. Travolta is good too.

The Criterion DVD has an interview with Nancy Allen. She looks remarkable for a 60 year old.

 
In A Lonely Place - 9/10

Starts out as film noir but then turns deftly into a character study. The murder ends up being a MacGuffin and it's not as important that we think Dixon Steele did it as it is that we know he's capable of it.

What's understated in the reviews that I read about it was Steel's war experience. The film makes a point out of explaining his involvement - he was even the C.O. of one of the other main characters. They talk about how he hasn't been able to write anything since before the war. And the shaky hand thing betrays symtoms of PTSD (although they, of course, wouldn't have known it as such at the time). His rage seems to stem from there.

And I don't know if it was intentional, but Steele returning to "walking the predetermined path" in the final shots seems to be a metaphor for how he'll live the rest of his life. 

The title, too, is perfectly worded. The characters literally live in a "lonely place" (actually two - the larger Los Angeles and their smaller apartment complex). But Dixon and Laurel are both in their own lonely places - the latter's being more implied but clearly there. They are both emotionally guarded until they fall in love with each other and dare to feel again. But then their emotions take divergent paths as the specter of the  murder hangs over them. 

If it's not clear, I really liked this movie. I'm on quite a roll with watching some really good classic movies. Maybe it's recency bias and I'm just enjoying movies again but whatever it is it's really fun. An additional benefit is becoming familiar to actors/actresses that I should have paid more attention to. Bogart is great as always here, but I wasn't all that familiar with Gloria Grahame - and she's awesome. 

 
In A Lonely Place - 9/10

Starts out as film noir but then turns deftly into a character study. The murder ends up being a MacGuffin and it's not as important that we think Dixon Steele did it as it is that we know he's capable of it.

What's understated in the reviews that I read about it was Steel's war experience. The film makes a point out of explaining his involvement - he was even the C.O. of one of the other main characters. They talk about how he hasn't been able to write anything since before the war. And the shaky hand thing betrays symtoms of PTSD (although they, of course, wouldn't have known it as such at the time). His rage seems to stem from there.

And I don't know if it was intentional, but Steele returning to "walking the predetermined path" in the final shots seems to be a metaphor for how he'll live the rest of his life. 

The title, too, is perfectly worded. The characters literally live in a "lonely place" (actually two - the larger Los Angeles and their smaller apartment complex). But Dixon and Laurel are both in their own lonely places - the latter's being more implied but clearly there. They are both emotionally guarded until they fall in love with each other and dare to feel again. But then their emotions take divergent paths as the specter of the  murder hangs over them. 

If it's not clear, I really liked this movie. I'm on quite a roll with watching some really good classic movies. Maybe it's recency bias and I'm just enjoying movies again but whatever it is it's really fun. An additional benefit is becoming familiar to actors/actresses that I should have paid more attention to. Bogart is great as always here, but I wasn't all that familiar with Gloria Grahame - and she's awesome. 
Gloria Grahame was a treasure. Almost always a floozy (a la It's a Wonderful Life), her open, earnest sluttiness and worldweary calm were a refreshing break from the scene-chewing tragic femmes of the era.

Starting to get fascinated by the postwar psyches of the two gens most afflicted and least willing to express - WW1 & 2. In the Bogie/Cagney flick Roaring 20s that was on the other day, they brought out one of the factors of prohibition-era gangsterism i hadnt considered before - so many young men coming home from Europe enured to heedless violence. Got my writerhead looking for a freshtake way to explore this.

 
Gloria Grahame was a treasure. Almost always a floozy (a la It's a Wonderful Life), her open, earnest sluttiness and worldweary calm were a refreshing break from the scene-chewing tragic femmes of the era.

Starting to get fascinated by the postwar psyches of the two gens most afflicted and least willing to express - WW1 & 2. In the Bogie/Cagney flick Roaring 20s that was on the other day, they brought out one of the factors of prohibition-era gangsterism i hadnt considered before - so many young men coming home from Europe enured to heedless violence. Got my writerhead looking for a freshtake way to explore this.
Gloria Grahame really only played one role, but she had it down perfect. Have you seen Crossfire? She is amazing in that movie.

 
My 2 TCM DVR picks for the week:

Tonight at 11:45, It Happened One Night

The first film to sweep the 5 major Oscar categories, it put Frank Capra on the map and basically invented the romantic comedy. One of the iconic pre-code screwball comedies, it's the story of a young heiress (Claudette Colbert) on the run from over her overbearing father and the rugged newspaper man (Clark Gable) that sees a chance for a big story. The chemistry between Colbert and Gable is effortless fun and in typical Capra fashion, the movie has plenty of other odd ball characters. 

Saturday at 4:00, Some Like It Hot

If "It Happened One Night" isn't the greatest classic Hollywood comedy, then it's second only to this Billy Wilder classic. When struggling musicians Jack Lemmon and Tony Curtis witness a Chicago gangland homicide, they go on the run in disguise as female musicians. That's where they run into and fall for Marilyn Monroe. The comedy, charm and sexiness of all the main performers still holds up 50 years later. There's action, comedy, sex, music and one of the greatest final lines if cinema. You can't call yourself a movie fan without having seen this.  

 
Hail Caesar....Wanted to like it but fell flat.

Josh Brolin was entertaining but the movie as a whole was not good

 
My 2 TCM DVR picks for the week:

Tonight at 11:45, It Happened One Night

The first film to sweep the 5 major Oscar categories, it put Frank Capra on the map and basically invented the romantic comedy. One of the iconic pre-code screwball comedies, it's the story of a young heiress (Claudette Colbert) on the run from over her overbearing father and the rugged newspaper man (Clark Gable) that sees a chance for a big story. The chemistry between Colbert and Gable is effortless fun and in typical Capra fashion, the movie has plenty of other odd ball characters. 

Saturday at 4:00, Some Like It Hot

If "It Happened One Night" isn't the greatest classic Hollywood comedy, then it's second only to this Billy Wilder classic. When struggling musicians Jack Lemmon and Tony Curtis witness a Chicago gangland homicide, they go on the run in disguise as female musicians. That's where they run into and fall for Marilyn Monroe. The comedy, charm and sexiness of all the main performers still holds up 50 years later. There's action, comedy, sex, music and one of the greatest final lines if cinema. You can't call yourself a movie fan without having seen this.  
Both movies deserve their plaudits. Even my wife liked IHON and she doesn't like old movies at all.

Gable's hitchhiking routine was the inspiration for some Bugs Bunny mannerisms.

 
My family has a tradition of going to see a movie on Christmas Day.  Looks like we're going to see La La Land.  I didn't really know anything about it, but it's getting awesome reviews.  Anyone seen it yet?

 
My family has a tradition of going to see a movie on Christmas Day.  Looks like we're going to see La La Land.  I didn't really know anything about it, but it's getting awesome reviews.  Anyone seen it yet?
It has a very realistic message, all the way until the point that it doesn't. Then I hated it.

 
Good recommendation, thank you. I enjoyed this quite a bit.

Edward G. Robinson is always awesome in everything. Though it was hard accepting the peaceful dad from My Three Sons as a bad ###.
Funny, I might be a bit younger so my only real knowledge of Fred is from DI and The Apartment so I have a hard time seeing him as anything but a sleazeball. 

 
Funny, I might be a bit younger so my only real knowledge of Fred is from DI and The Apartment so I have a hard time seeing him as anything but a sleazeball. 
aw, crap - McMurray was the dad in virtually every Disney family movie even before MTS, so i had the same culture shock as lefty seeing his b&w work.

 
Ilov80s said:
My 2 TCM DVR picks for the week:

Tonight at 11:45, It Happened One Night

The first film to sweep the 5 major Oscar categories, it put Frank Capra on the map and basically invented the romantic comedy. One of the iconic pre-code screwball comedies, it's the story of a young heiress (Claudette Colbert) on the run from over her overbearing father and the rugged newspaper man (Clark Gable) that sees a chance for a big story. The chemistry between Colbert and Gable is effortless fun and in typical Capra fashion, the movie has plenty of other odd ball characters. 

Saturday at 4:00, Some Like It Hot

If "It Happened One Night" isn't the greatest classic Hollywood comedy, then it's second only to this Billy Wilder classic. When struggling musicians Jack Lemmon and Tony Curtis witness a Chicago gangland homicide, they go on the run in disguise as female musicians. That's where they run into and fall for Marilyn Monroe. The comedy, charm and sexiness of all the main performers still holds up 50 years later. There's action, comedy, sex, music and one of the greatest final lines if cinema. You can't call yourself a movie fan without having seen this.  
I still have to catch up with It Happened One Night.  Some Like it Hot is So good though. 

 
I still have to catch up with It Happened One Night.  Some Like it Hot is So good though. 
It's one of those few movies that I try to record and watch every times it comes on. Casablanca, Maltese Falcon, The Apartment, Modern Times, Fargo, The Philadelphia Story, Bridge on the River Kwai also come to mind. 

 
It's one of those few movies that I try to record and watch every times it comes on. Casablanca, Maltese Falcon, The Apartment, Modern Times, Fargo, The Philadelphia Story, Bridge on the River Kwai also come to mind. 
Nice list.  The Apartment is probably my least favorite of the Wilder movies that I have seen.  Not sure what it is was that didn't click with me as much as the others of his I have seen. 

 
Gloria Grahame was a treasure. Almost always a floozy (a la It's a Wonderful Life), her open, earnest sluttiness and worldweary calm were a refreshing break from the scene-chewing tragic femmes of the era.

Starting to get fascinated by the postwar psyches of the two gens most afflicted and least willing to express - WW1 & 2. In the Bogie/Cagney flick Roaring 20s that was on the other day, they brought out one of the factors of prohibition-era gangsterism i hadnt considered before - so many young men coming home from Europe enured to heedless violence. Got my writerhead looking for a freshtake way to explore this.
I thought Boardwalk Empire did a good job with that idea in the Jimmy Dormandy character. Michael Pitt just absolutely nailed that it. As for The Roaring 20s, I am watching it now and the Bogart-Cagney dichotomy is fascinating. Their temperaments as people are so polar, but each has a magnetism. I will say, Cagney is something else though. Even next to the mega star of Humphrey Bogart, Cagney steals every scene. I don't think any actor, even Stewart, has been as charismatic as Cagney. 

Also, I feel like this movie is just begging to get remade. 

 
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Andy Dufresne said:
Both movies deserve their plaudits. Even my wife liked IHON and she doesn't like old movies at all.

Gable's hitchhiking routine was the inspiration for some Bugs Bunny mannerisms.
The WB cartoon series was heavily inspired from this movie- Shapely and his whole Doc routine. 

 
I thought Boardwalk Empire did a good job with that idea in the Jimmy Dormandy character. Michael Pitt just absolutely nailed that it. As for The Roaring 20s, I am watching it now and the Bogart-Cagney dichotomy is fascinating. Their temperaments as people are so polar, but each has a magnetism. I will say, Cagney is something else though. Even next to the mega star of Humphrey Bogart, Cagney steals every scene. I don't think any actor, even Stewart, has been as charismatic as Cagney. 

Also, I feel like this movie is just begging to get remade. 
Yeah, forgot about Dormandy. Well-played but overdrawn. And i didnt care for the way they dealt with the history in that one (quit mid S2). 

I'm becoming ever more fascinated with postwar gangsterism. I know Ireland - a yearly visit for me when i could fly - suffered terribly from it after the IRA largely disbanded. Maybe a post-Iraq thing or perhaps revisiting the Roaring 20s is the way, but its giving me an itch.

 
Yeah, forgot about Dormandy. Well-played but overdrawn. And i didnt care for the way they dealt with the history in that one (quit mid S2). 

I'm becoming ever more fascinated with postwar gangsterism. I know Ireland - a yearly visit for me when i could fly - suffered terribly from it after the IRA largely disbanded. Maybe a post-Iraq thing or perhaps revisiting the Roaring 20s is the way, but its giving me an itch.
Not Ireland, but thinking of Brighton Rock, such a damn good book. 

 
Watching "Hail the Conquering Hero" and Sturges had some dialogue that's as poignant to politics now as it was in the 40s. He really cuts deep on voters. 

"Politics is a very peculiar thing, if they (voters) want you, they want you. They don't need reasons anymore. They find their own reasons". 

"Lies? Those aren't lies, those are campaign promises. They expect'em."

"You didn't know a good man when you saw one so you always elected a phony instead. Until a still bigger phony came along then you naturally wanted him."

 
Sunset Boulevard - 8.5/10

The beauty of Gloria Swanson's performance is that she's acting as a woman who is acting - living out the only time that mattered to her or that she mattered. 

I can see why many in Hollywood hated this movie as it is quite the indictment of the system. It's poignant even today.  How many times have we seen the Norma Desmonds face to irrelevance? 

Even the dead money isn't a throwaway element. It quickly encapsulates the thinking of someone when she was queen. 

Even the name is apropos - its not called Sunrise Boulevard.

Billy Wilder was awesome.

Up next: Sweet Smell of Success

 
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Started The 100.  Its decent.  Without the blonde's rack i'd probably bail.

If u like this then Battlestar Galactica will blow ur doors off. 

 
Sunset Boulevard - 8.5/10

The beauty of Gloria Swanson's performance is that she's acting as a woman who is acting - living out the only time that mattered to her or that she mattered. 

I can see why many in Hollywood hated this movie as it is quite the indictment of the system. It's poignant even today.  How many times have we seen the Norma Desmonds face to irrelevance? 

Even the dead money isn't a throwaway element. It quickly encapsulates the thinking of someone when she was queen. 

Even the name is apropos - its not called Sunrise Boulevard.

Billy Wilder was awesome.

Up next: Sweet Smell of Success
I am assuming you have seen most of these movies before, right? If not, you are in for another treat with Sweet Smell of Success. JJ Hunsecker is such a great caracter and the movie has some of the better cinematography of the era. 

 
I am assuming you have seen most of these movies before, right? If not, you are in for another treat with Sweet Smell of Success. JJ Hunsecker is such a great caracter and the movie has some of the better cinematography of the era. 
No, I haven't. I'm glad I've waited so long to see them as I don't think a younger me would have enjoyed them as much. They seem to say more when you view them through eyes that are a bit more world weary.

 
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No, I haven't. I'm glad I've waited so long to see them as I don't think a younger me would have enjoyed them as much. They seem to say more when you view them through eyes that are a bit more world weary.
Oh, very cool. I have enjoyed your reviews, but had assumed you were revisiting movies you had seen in the past. You've made some good choices so far.

 
I've been accumulating a list of movies to watch. Rififi was mentioned in the Bones episode my wife and daughter were watching last night.

Sweet smell of Success
Night and the City
Diabolique 
Gaslight
Little Caesar
Lifeboat
Rififi
The Naked City
The Killers
The Asphalt Jungle
The Big Heat
Laura
The Big Sleep
The Postman Always Rings Twice
 

 
I've been accumulating a list of movies to watch. Rififi was mentioned in the Bones episode my wife and daughter were watching last night.

Sweet smell of Success
Night and the City
Diabolique 
Gaslight
Little Caesar
Lifeboat
Rififi
The Naked City
The Killers
The Asphalt Jungle
The Big Heat
Laura
The Big Sleep
The Postman Always Rings Twice
 
I haven't seen the bolded, but I would give  a definite thumbs up to the rest of the list. I'm pretty sure Laura is available to stream on Netflix. I think that might be the best movie on that list. 

 
No, I haven't. I'm glad I've waited so long to see them as I don't think a younger me would have enjoyed them as much. They seem to say more when you view them through eyes that are a bit more world weary.
I'm surprised how often this has happened to me recently - films like It Happened One Night which i dismissed as hokey & out-dated when i 1st saw them in the 60s/70s have come full circle with the older me. 'Course there are some - many Capra flicks, surprisingly, for example - that have fallen away, too.

If i may, I'd add Cagney's White Heat and Bogie/Huston's Treasure of Sierra Madre to your classics list if you havent seen em yet. And Grapes of Wrath, gotta be down with that.

 
No, I haven't. I'm glad I've waited so long to see them as I don't think a younger me would have enjoyed them as much. They seem to say more when you view them through eyes that are a bit more world weary.
I think it's been asked before, but my memory is ####.  How old are you, AD?

 
I haven't seen the bolded, but I would give  a definite thumbs up to the rest of the list. I'm pretty sure Laura is available to stream on Netflix. I think that might be the best movie on that list. 
Lifeboat was more interesting than good, IMO.  A lesser Hitchcock, but still worth the watch, especially if you have seen a lot of his other ones. 

 
I'm surprised how often this has happened to me recently - films like It Happened One Night which i dismissed as hokey & out-dated when i 1st saw them in the 60s/70s have come full circle with the older me. 'Course there are some - many Capra flicks, surprisingly, for example - that have fallen away, too.

If i may, I'd add Cagney's White Heat and Bogie/Huston's Treasure of Sierra Madre to your classics list if you havent seen em yet. And Grapes of Wrath, gotta be down with that.
I saw White Heat and The Public Enemy. I liked the latter more but both are good. The thing I like about Cagney movies is knowing how much people admired the man's kindness in real life.

I have a Blu Ray set of four Bogart movies, of which two I haven't seen - Treasure of the Sierra Madre and The African Queen. The other two are Casablanca and The Maltese Falcon. I intend on watching all four in the near future.

I saw Grapes of Wrath a few months back. Solid movie but one I don't need to see again.

 
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I'm surprised how often this has happened to me recently - films like It Happened One Night which i dismissed as hokey & out-dated when i 1st saw them in the 60s/70s have come full circle with the older me. 'Course there are some - many Capra flicks, surprisingly, for example - that have fallen away, too.

If i may, I'd add Cagney's White Heat and Bogie/Huston's Treasure of Sierra Madre to your classics list if you havent seen em yet. And Grapes of Wrath, gotta be down with that.
I thought about adding recommendations. White Heat and TSM were the two that immediately came to my mind. Considering all those movies seem to be crime/noir/thrillers, keeping with the theme 

 Elevator to the Gallows, Breathless, Shadow of a Doubt, Night of the Hunter

 
If I had to recommend a film to get people started with Hitchcock movies, I would recommend  Shadow of a Doubt, Notorious, or Strangers on a Train.

I know NBNW, Vertigo, Rear Window, The Birds, and Psycho are more famous, but Notorious creates the same tension without being as macabre.

 
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If I had to recommend a film to get people started with Hitchcock movies, I would recommend  Shadow of a Doubt, Notorious, or Strangers on a Train.

I know NBNW, Vertigo, Rear Window, The Birds, and Psycho are more famous, but Notorious creates the same tension without being as macabre.
All those movies are good. I see 2 types of Hitchcock movies, the fun ones and the macabre ones. NxNW, The 39 Steps, Foreign Correspondent, etc. vs Psycho, Rear WIndow, Shadow of a Doubt, etc. I might be in the minority, but I think I prefer the lighter Hitchcock movies. 

 
Started The 100.  Its decent.  Without the blonde's rack i'd probably bail.

If u like this then Battlestar Galactica will blow ur doors off. 
Agree on BSG. My son and I are in Season 2, he is watching it for the 1st time. Loves it

The 100 is very enjoyable though it takes a bit of a LOST turn in season 2

 

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