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Full disclaimer: I know so little about hip hop music. I was certainly not aware of this song in 1982, and I didn’t hear it until years later. And even then I wasn’t able to distinguish it from other hip hop songs. A lot of people smarter than me regard “The Message” as the greatest rap song of all time. But I have no way of judging that. Still I have take it into account which is why it gets the ranking it does. Some folks here will think it too low. And they might be right. I’m just not comfortable ranking this type of music due to my ignorance of it.
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Michael never rocked harder than this IMO. Obviously one reason might be the added guitar solo by Eddie Van Halen, which reminds me of Jeff Beck’s contribution to Stevie Wonder’s “Superstition”, ten years earlier. In both cases an unusual pairing. But with or without EVH this is Michael’s song and he deserves most of the credit.
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Full disclaimer: I know so little about hip hop music. I was certainly not aware of this song in 1982, and I didn’t hear it until years later. And even then I wasn’t able to distinguish it from other hip hop songs. A lot of people smarter than me regard “The Message” as the greatest rap song of all time. But I have no way of judging that. Still I have take it into account which is why it gets the ranking it does. Some folks here will think it too low. And they might be right. I’m just not comfortable ranking this type of music due to my ignorance of it.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be
Michael never rocked harder than this IMO. Obviously one reason might be the added guitar solo by Eddie Van Halen, which reminds me of Jeff Beck’s contribution to Stevie Wonder’s “Superstition”, ten years earlier. In both cases an unusual pairing. But with or without EVH this is Michael’s song and he deserves most of the credit.
The thing I admire about Tim most is he makes these lists his own. I don’t understand how this song is ranked this high or even made the list but Tim doesn’t care how we would rank these songs. It is his list.
I know. I love all the opinions and those are what makes these threads enjoyable and interesting. Sometimes my comments may not come across as nice but I don’t mean it to be that way.
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Michael never rocked harder than this IMO. Obviously one reason might be the added guitar solo by Eddie Van Halen, which reminds me of Jeff Beck’s contribution to Stevie Wonder’s “Superstition”, ten years earlier. In both cases an unusual pairing. But with or without EVH this is Michael’s song and he deserves most of the credit.
As far as I know, Beck didn't play on the released version of "Superstition". At least, he wasn't credited and it didn't matter anyway as the "guitar" sounds came from Wonder's keyboards. Beck played on a demo he & Stevie made, and Wonder wanted to toss it to Jeff but Berry Gordy (smelling a monster hit) intervened.
As far as "Beat It" goes, I think it's one of the most exciting records ever made. EVH's solo is great, but this one would have been immortal even without it. There's a murderer's row of of musicians killing it here - they are all HOF ringers.
Beat It, and 1 other song from the album which I suppose will show up here eventually, stand out for me from the album. The rest is mostly disposable pop, but those two marked a departure into new territory for Jackson in terms of subject matter, sound, and tone. I prefer Off The Wall as an album, but these 2 songs are top of his catalog.
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I remember I really liked this song when it first came out. But I got sick of it pretty quickly. It was played endlessly, sometimes it seemed like every other song on the radio was “Hungry Like The Wolf”. I appreciate it much more now on the rare occasions I hear it.
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The British/Irish new wave/folky scene, which I associate with this song, is something I’ve always loved, though it wasn’t quite clear to me in 1982. By then I was already listening to the Boomtown Rats, and later on the Pogues. “Come On Eileen”, though a one hit wonder (many people consider this the greatest one hit wonder of all time) just seemed to fit for me with the rest. I loved it; still do.
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The British/Irish new wave/folky scene, which I associate with this song, is something I’ve always loved, though it wasn’t quite clear to me in 1982. By then I was already listening to the Boomtown Rats, and later on the Pogues. “Come On Eileen”, though a one hit wonder (many people consider this the greatest one hit wonder of all time) just seemed to fit for me with the rest. I loved it; still do.
I didn’t mind it then - was definitely a bit different. But it’s played so incessantly now on any given ‘80s station that I’d be happy never to hear it again. (And I’m also looking at you, Don’t Stop Believing)
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Michael never rocked harder than this IMO. Obviously one reason might be the added guitar solo by Eddie Van Halen, which reminds me of Jeff Beck’s contribution to Stevie Wonder’s “Superstition”, ten years earlier. In both cases an unusual pairing. But with or without EVH this is Michael’s song and he deserves most of the credit.
Southern Cross is a good song, one I remember hearing on classic rock radio a lot in the 90s. I was shocked when I eventually found out it was from 1982, as it sounds right out of the early 70s.
Late 80's I went to see CSN at the Meadowlands in NJ and they didn't play Southern Cross or Suite: Judy Blue Eyes and I was super mad. Crowd was all Grateful Dead like happy/tripped out, and hear I am this disgruntled teenage metalhead not understanding how a band could completely neglect their best songs and expect the audience to stand for it. The audience stood for it, I was the outlier. I went right back to hard rock metal where those beautiful SOBs played their best songs for us live.
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The British/Irish new wave/folky scene, which I associate with this song, is something I’ve always loved, though it wasn’t quite clear to me in 1982. By then I was already listening to the Boomtown Rats, and later on the Pogues. “Come On Eileen”, though a one hit wonder (many people consider this the greatest one hit wonder of all time) just seemed to fit for me with the rest. I loved it; still do.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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I remember I really liked this song when it first came out. But I got sick of it pretty quickly. It was played endlessly, sometimes it seemed like every other song on the radio was “Hungry Like The Wolf”. I appreciate it much more now on the rare occasions I hear it.
One last thing on Grand Master Flash....he DJ'd at a club I used to go to (can't recall the name but it was a hotspot for a few years) in the 2000s when I was living in NYC. Dancefloor was always packed. Dude can spin. His sets were pretty eclectic and not as heavy on hip hop as you might expect.
Club had a one word name and had a weird bubbly room(for lack of a better description)....if anybody else went there??
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Michael never rocked harder than this IMO. Obviously one reason might be the added guitar solo by Eddie Van Halen, which reminds me of Jeff Beck’s contribution to Stevie Wonder’s “Superstition”, ten years earlier. In both cases an unusual pairing. But with or without EVH this is Michael’s song and he deserves most of the credit.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be
The British/Irish new wave/folky scene, which I associate with this song, is something I’ve always loved, though it wasn’t quite clear to me in 1982. By then I was already listening to the Boomtown Rats, and later on the Pogues. “Come On Eileen”, though a one hit wonder (many people consider this the greatest one hit wonder of all time) just seemed to fit for me with the rest. I loved it; still do.
Well said. I get why it’s popular in a drunken stupor as a teen or young adult but now the song is obnoxious. It certainly belongs on this list though but probably way back around number 60.
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The British/Irish new wave/folky scene, which I associate with this song, is something I’ve always loved, though it wasn’t quite clear to me in 1982. By then I was already listening to the Boomtown Rats, and later on the Pogues. “Come On Eileen”, though a one hit wonder (many people consider this the greatest one hit wonder of all time) just seemed to fit for me with the rest. I loved it; still do.
Well said. I get why it’s popular in a drunken stupor as a teen or young adult but now the song is obnoxious. It certainly belongs on this list though but probably way back around number 60.
"Sexual Healing" by Marvin GayeListen to Marvin Gaye: https://MarvinGaye.lnk.to/listenYDWatch more Marvin Gaye videos: https://MarvinGaye.lnk.to/listenYD/you...
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Marvin Gaye’s last major effort is just great R&B. It’s not quite at the level of “Let’s Get It On” or “Mercy Mercy Me”, but how many songs are? This one is still a magnificent tune.
Watch the official music video for "Always On My Mind" by Willie NelsonAlways On My Mind (Official Video)Wacth here: https://youtu.be/R7f189Z0v0Y Other top v...
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Willie Nelson has had one of the strangest musical careers of all time. He had been around Nashville forever but only became a star in his 40s, and only became a superstar in his 50s. This was the song that made him the superstar. Willie didn’t write it; like him it had been around for years, performed by a number of artists (including Brenda Lee). It became Willie’s signature tune.
Aaron Sorkin in The Newsroom has his main character, Will MacAvoy (Jeff Daniels) give a great little talk about this song, how a hundred people have sung it but nobody better than Willie Nelson, etc. I’m too lazy to look it up.
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Even at 16, when I was NOT a fan of Michael Jackson or Thriller, I made this song an exception; I was struck by its sheer melodic and lyrical beauty. I still am. It’s easily my personal favorite song by this artist, and it might be his best composition. Gorgeous.
Willie Nelson has had one of the strangest musical careers of all time. He had been around Nashville forever but only became a star in his 40s, and only became a superstar in his 50s. This was the song that made him the superstar. Willie didn’t write it; like him it had been around for years, performed by a number of artists (including Brenda Lee). It became Willie’s signature tune.
Aaron Sorkin in The Newsroom has his main character, Will MacAvoy (Jeff Daniels) give a great little talk about this song, how a hundred people have sung it but nobody better than Willie Nelson, etc. I’m too lazy to look it up.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be
Even at 16, when I was NOT a fan of Michael Jackson or Thriller, I made this song an exception; I was struck by its sheer melodic and lyrical beauty. I still am. It’s easily my personal favorite song by this artist, and it might be his best composition. Gorgeous.
Willie Nelson has had one of the strangest musical careers of all time. He had been around Nashville forever but only became a star in his 40s, and only became a superstar in his 50s. This was the song that made him the superstar. Willie didn’t write it; like him it had been around for years, performed by a number of artists (including Brenda Lee). It became Willie’s signature tune.
Aaron Sorkin in The Newsroom has his main character, Will MacAvoy (Jeff Daniels) give a great little talk about this song, how a hundred people have sung it but nobody better than Willie Nelson, etc. I’m too lazy to look it up.
Okay, yesterday's songs are all ones that are okay for me, but none stand out. Human Nature is one of the Thriller songs I don't think has aged well. Granted, it is a well written song, but I just feel it's a bit too sugary sweet.
We’re approaching the top ten, and there’s still a lot of good music not mentioned yet. We already know one of my contenders for #1 didn’t even make the list, so it should be interesting to see what falls through the cracks
I always thought it was cool how Prince shared the lead vocal of this song with those in the band in the verses, with the ladies singing first, his guitarist coming in next and then Prince taking over. A major classic for sure.
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Boy George was a phenomenon in 1982: his looks, his style, his charisma in the videos. Though previous artists like David Bowie had adopted an androgynous persona, MTV and videos gave Boy George’s visual presentation a much wider audience. In that sense, Culture Club contributed significant changes to the popular culture.
But none of this would have been possible if the song wasn’t good, or catchy. It’s both, and Boy George has one of the great voices in pop history. I’ve previously compared it to Smokey Robinson.
Really good song. I enjoyed this a lot the first time I heard it and still do. Despite growing up in both a conservative house and neighborhood, I never heard any negative cracks about the video back then. I can only imagine if this video was brand new in 2023, what with both Boy George's appearance and the jury in blackface. All that aside, really good song that still sounds really good.
I get your criteria for what is 1982. And I get that cable in LA and NY was a big thing in the fall of '82, but I'm guessing for many of us in the rest of the country almost everything you've place in 1982 happened in 1983 for us.
I get your criteria for what is 1982. And I get that cable in LA and NY was a big thing in the fall of '82, but I'm guessing for many of us in the rest of the country almost everything you've place in 1982 happened in 1983 for us.
I get your criteria for what is 1982. And I get that cable in LA and NY was a big thing in the fall of '82, but I'm guessing for many of us in the rest of the country almost everything you've place in 1982 happened in 1983 for us.
Like I said I get how you are dating the songs and that market penetration for cable (and thus MTV) varies based on where you were. I'm not being argumentative or critical, just commenting that the cultural stuff that you (and my real life semi-rural cousins) were experiencing in '82 with MTV didn't make it to a lot of us until six months or a year later. We knew about MTV, of course ("I want my MTV" and all), but we didn't experience it enough for the individual acts to begin to "register" - yet. And while radio got weird in the fall of '82, spring of '83 (as in genres got all mixed up for a bit), it was also about a year behind.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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Boy George was a phenomenon in 1982: his looks, his style, his charisma in the videos. Though previous artists like David Bowie had adopted an androgynous persona, MTV and videos gave Boy George’s visual presentation a much wider audience. In that sense, Culture Club contributed significant changes to the popular culture.
But none of this would have been possible if the song wasn’t good, or catchy. It’s both, and Boy George has one of the great voices in pop history. I’ve previously compared it to Smokey Robinson.
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