Pip’s Invitation:
I See You – Yes (The Byrds)
The Byrds are well-known for covers. Their two biggest early-career hits were covers of "Mr. Tambourine Man" by Bob Dylan, drastically rearranged to the extent it birthed the genre of "folk rock", and "Turn! Turn! Turn!", a Bible verse arranged into music by Pete Seeger. Their unpopular-at-the-time but ultimately influential album Sweetheart of the Rodeo, which may have birthed the genre of "country rock," consisted almost entirely of covers, most of them from classic country artists. Their 1990 box set has 11 (!) Dylan covers.
But they were also innovative songwriters. Eight Miles High, which I selected in the US countdown and which had a Husker Du cover in the Last 5 Out, was truly revolutionary for its time, paving the way for psychedelia to work its way into the mainstream. On that same album (Fifth Dimension) from 1966 was another song that borrowed from jazz and Indian ragas, I See You, co-written by Jim (later Roger) McGuinn and David Crosby.
Three years later, an English band named Yes released their self-titled debut album. They did not come out as a fully formed "prog" band. That genre hadn't really solidified yet, nor had the band acquired two of its most renowned instrumental wizards, Steve Howe and Rick Wakeman. Rather, the first two Yes albums (despite some questionable orchestration decisions on the second one) are adventurous and charming, and very much within the contemporary practices of mixing originals with covers and of carrying on the genre-hopping and eclectic experimentation of mid-60s bands like the Byrds and the Beatles. (It is no accident that these records also contain Beatles and Buffalo Springfield covers.)
The Yes version of I See You keeps the main structure of the Byrds' version but ups the jazz quotient, lengthening the song and creating plenty of room for solos, but also remaining very much a group effort, with the force of the rhythms and melodies never being undermined. This is the track from the debut album that best showcases the talents of bassist Chris Squire and drummer Bill Bruford, who would go on to amass legions of devotees of their instrumental prowess. It is also the best performance that original guitarist Peter Banks gave during his two-album tenure. The band improved in skill when Howe replaced Banks for their third album, but the freewheeling, charming vibe the band gave off here also left with him. Starting in 1971, Yes became Serious Business.
I See You is one of two of my favorite covers Yes performed. I wrote about the other one
in my 1975 countdown.
Original:
https://www.youtube.com/watch?v=MuSsXlNw7TA