All the bikini wax in the world wasn't going to slip that one by you.*whistle* Intentional G-string, Bach in the Back, Holding (a joke too long), Illegal Formation, Roughing the Snapper, 15 yards, last down *whistle*
Might as well make it the full 9 and go out to the Ode to Joy.Beethoven's First through Sixth![]()
That is just the best
I struggle a bit with most classical vocal music. The lyrics usually aren't in English so I have no idea what they're saying (although I assume this one has something do with Mom). The formality of the vocal style is kind of jarring to my pop sensibilities. The tone singers get singing from the back of their throat is technically amazing but I'd rather hear rock or soul music with more nose and tongue in their voice.Ilov80s said:
I can see it being an acquired taste. I try to hear the voice as I would any other instrument. So in that sense the literal meaning of the words is not that important. The feeling is what matters.I struggle a bit with most classical vocal music. The lyrics usually aren't in English so I have no idea what they're saying (although I assume this one has something do with Mom). The formality of the vocal style is kind of jarring to my pop sensibilities. The tone singers get singing from the back of their throat is technically amazing but I'd rather hear rock or soul music with more nose and tongue in their voice.
On a more practical level, I avoid concerts with vocal soloists because our preferred (cheap) seats for the SF Symphony are behind the orchestra above the percussionists. Singers are the hardest soloists to hear from behind. Our package this season includes the Czech Philharmonic performing an all-Dvorak program. The orchestra traces its lineage back to Dvorak conducting his own music so I'm really looking forward to this one.
To me, that sometimes is a plus. It allows you to concentrate on the chords, the harmony etc.I struggle a bit with most classical vocal music. The lyrics usually aren't in English so I have no idea what they're saying (although I assume this one has something do with Mom). The formality of the vocal style is kind of jarring to my pop sensibilities. The tone singers get singing from the back of their throat is technically amazing but I'd rather hear rock or soul music with more nose and tongue in their voice.
On a more practical level, I avoid concerts with vocal soloists because our preferred (cheap) seats for the SF Symphony are behind the orchestra above the percussionists. Singers are the hardest soloists to hear from behind. Our package this season includes the Czech Philharmonic performing an all-Dvorak program. The orchestra traces its lineage back to Dvorak conducting his own music so I'm really looking forward to this one.
I wondered if I was the only one that did that. I don’t write but when I read a book, I’ll listen to the same music every time I read that book.A shout out to Chopin's nocturnes. I listen to solo piano music - Bill Evans, Bach, Scarlatti, Keith Jarrett as well as regular doses of Chopin - virtually alldayeveryday anyway, but one of my dozen or so open writing files is a vampire novel that i've been working on a lot lately and i always choose a specific music to listen to - it's been everything from marimba music to Mogwai to Astor Piazzolla to Monk to Willis Alan Ramsey, depending on the project - to set the mood of a file. Of course nocturnes & vampirism go together like cocaine & cocktail waitresses, but i'll have to say that the nocturnes really hold their majesty & mystery thru repeated listenings. Si, if you need eine kleine nachtmuzik this Halloween season, Chopin's your boy.
I really liked The Bad Plus' version of Stravinsky's The Rite of Spring.he's a jazz guy, but Brad Mehldau's Three Pieces After Bach deserves a place in this thread
Very cool. What instrument do you play?The orchestra I play with is doing Beethoven's 3rd symphony for our next concert. It reminded me how much I love the 2nd movement and in particular these 2+ minutes of pure intensity.
When the horns come in at 9:30.....oh man. Then the final climax at the 10 minute mark. No words.
Odd that i was recently writing in here about the music i choose for writing projects, because i used this movement for one.The orchestra I play with is doing Beethoven's 3rd symphony for our next concert. It reminded me how much I love the 2nd movement and in particular these 2+ minutes of pure intensity.
When the horns come in at 9:30.....oh man. Then the final climax at the 10 minute mark. No words.
Chopin's in my top five favorite composer list, and his nocturnes are about as beautiful as anything the human race ever created.A shout out to Chopin's nocturnes.
when I played piano, his etudes were the stuff only the advnced upper elite people played. fortunately, he had a lot of stuff for the rest of us that was beautiful and easy. like ned's mom.Chopin's in my top five favorite composer list, and his nocturnes are about as beautiful as anything the human race ever created.
Music theory is a wonderful, magical world.floppinho's new school for jr high- the special music school- is teaching him 2 private lessons per week along with 2 music theory classes and music history (all as part of the school day) . I was trying to help out on his first essay for music theory... about rondos.. and realized he's going to be waay past my knowledge base within a few weeks at this place. I'm looking forward to hearing these kids play- it's k-12 (HS is in another building) and the one show I saw last year that floppinho played in as a guest, and only percussionist (mostly marimba, etc)- these kids are amazing.
I reached a point in my piano days when my teacher wanted me to take the next step from local competitions to regional/larger and essentially forced me to undertake a whole theory component to my lessons with homework and tests and crap. I just liked playing the thing and wanted nothing more- so quit.Music theory is a wonderful, magical world.
I dig. Theory seems impenetrable at first. But once you get in the swing of things, concepts and harmonies that once seemed like alien languages suddenly are very accessible.I reached a point in my piano days when my teacher wanted me to take the next step from local competitions to regional/larger and essentially forced me to undertake a whole theory component to my lessons with homework and tests and crap. I just liked playing the thing and wanted nothing more- so quit.
this was about when I started HS. lasted about a month and thankfully we both realized it was better for me to keep playing than stop. as a result, theory for me is a complete void- I'm hoping to pick stuff up by osmosis hanging around #1 son.
Anyone ever watch the Bernstein's Young People's Concerts? They are an entire music theory course in themselves. Really great stuff.
for a short time when i was a teen, i lived in a huge loft in Boston's Back Bay, divided into like 40 'rooms' by twine & blankets & such like hippies did in those days. because Berklee School of Music was nearby, a lot of students lived there. Legendary vibraphonist Gary Burton taught a notoriously difficult music theory & composition class then and our loft had more groans of utter despair from his students doing their homework than from drugs, homosexual panic & existential dread combined. matter of fact, we had a saying, "if you see someone walking down Mass Ave talking to himself, he's either a hobo or a Burton Comp student".I reached a point in my piano days when my teacher wanted me to take the next step from local competitions to regional/larger and essentially forced me to undertake a whole theory component to my lessons with homework and tests and crap. I just liked playing the thing and wanted nothing more- so quit.
this was about when I started HS. lasted about a month and thankfully we both realized it was better for me to keep playing than stop. as a result, theory for me is a complete void- I'm hoping to pick stuff up by osmosis hanging around #1 son.
Never missed em.Anyone ever watch the Bernstein's Young People's Concerts? They are an entire music theory course in themselves. Really great stuff.
They ran a few over the summer as well as a tribute to Lenny. It might have been over his bday weekend in August. They are so good.Never missed em.
Turner Classics ran a bunch of them and his Omnibus series on Thursday nights this spring past and they were, once again, the stodgiest pleasures i ever felt.
Reminded me so much of when my fam would go down to NYC four times a yr to see relatives and take in shows and it was magnificent but terribly uncomfortable because we had to wear Sunday Best, just like the YPC kids.They ran a few over the summer as well as a tribute to Lenny. It might have been over his bday weekend in August. They are so good.
My dad saw him play in Ann Arbor guest conducting the Vienna Philharmonic, said he had a special stage with railings so he didn't fall off as he was so into the conducting and was so much more animated than most conductors. It would have been cool to see him live.Reminded me so much of when my fam would go down to NYC four times a yr to see relatives and take in shows and it was magnificent but terribly uncomfortable because we had to wear Sunday Best, just like the YPC kids.
On Norm MacDonald's new Netflix show, Chevy Chase told a very odd Lenny storyMy dad saw him play in Ann Arbor guest conducting the Vienna Philharmonic, said he had a special stage with railings so he didn't fall off as he was so into the conducting and was so much more animated than most conductors. It would have been cool to see him live.
Yep. It’s basically Yo Yo Ma and that’s it.The standing of Classical music in popular culture has diminished a lot since Bernstein's days. Bernstein and Arthur Fiedler were legitimate celebrities back then and some other conductors like Eugene Ormandy, George Szell and Georg Solti were well known.
There's no comparable conductor today who transcends the limited sphere of Classical today. A small number of soloists have crossed over to some extent but most modern Classical artists are like big talented fish in a small pond.
Same with Jazz. Jazz is America's true original art form, and no one cares.The standing of Classical music in popular culture has diminished a lot since Bernstein's days. Bernstein and Arthur Fiedler were legitimate celebrities back then and some other conductors like Eugene Ormandy, George Szell and Georg Solti were well known.
There's no comparable conductor today who transcends the limited sphere of Classical today. A small number of soloists have crossed over to some extent but most modern Classical artists are like big talented fish in a small pond.
It's true. Hans Zimmer is a big name, as well.Actually it’s YYM and film score composers like Williams and Elfman. Used to be composing for films was looked down upon
Marsalis and Hancock might be the only living jazz musicians with any mainstream crossover recognition.Same with Jazz. Jazz is America's true original art form, and no one cares.
Both Jazz and Classical are dead person's music where it's next to impossible for any modern artist to enter the Pantheon.Marsalis and Hancock might be the only living jazz musicians with any mainstream crossover recognition.Same with Jazz. Jazz is America's true original art form, and no one cares.
Yes. Last era of “great” rock was early aughts with White Stripes, Arcade Fire, Black Keys, etc.Both Jazz and Classical are dead person's music where it's next to impossible for any modern artist to enter the Pantheon.
Rock 'n Roll is well on its way to the same fate.
Both Jazz and Classical are dead person's music where it's next to impossible for any modern artist to enter the Pantheon.
Rock 'n Roll is well on its way to the same fate.
Foreigner was the summitYes. Last era of “great” rock was early aughts with White Stripes, Arcade Fire, Black Keys, etc.
I never considered them rock and roll. They were closer to Renaissance painters like Raphael and Giotto.Foreigner was the summit
I think this is true for people that romanticize their teens and early 20s. For lovers of music who are willing to try new stuff, there are great musicians every generation.Both Jazz and Classical are dead person's music where it's next to impossible for any modern artist to enter the Pantheon.