John wrote this song initially in response to not being able to reach Yoko by phone during portions of his Bermuda trip, but then expanded the lyrics to an exasperated lament over her still blaming/not forgiving him for mistakes he had made earlier in their relationship. The track stands out from the overall "ain't marriage grand" feel of Double Fantasy, harkening more to the emotionally raw style of Plastic Ono Band or other earlier works, which is a large part of the reason it's one of my favorite tracks from the album. The guitar parts seems to portend doom and the drum sound adds to the tension in an impressive fashion. I'm also selecting a bonus track here, "I'm Moving On," which is Yoko's companion piece to this song and my favorite of hers on the record.
The song had an interesting recording history, as
the original version of it was recorded with Rick Neilson and Bun E. Carlos of Cheap Trick on guitar and drums. By all accounts, John was pleased with their performances, even commenting that he wished he'd had Neilson for "Cold Turkey" instead of Clapton, and the three of them got along famously. Yet the song was re-recorded with the session musicians, which became the released version, and there's never been a concrete reason given for why the earlier recording was ditched. There have been rumors that Yoko didn't like Neilson and Carlos, or that John later suspected the Cheap Trick crew of being the source of leaks about the content of the album, but I think the more logical explanation is that this gritty first version didn't fit as well within the context of the much glossier
Double Fantasy. Whatever the reason, this song gets docked a bit by me because I strongly prefer the earlier recording; the only element I like better on the
Double Fantasy release is John's growl at the beginning.
This was intended to be the second single off
Double Fantasy, but was replaced by "Woman" and then "Watching The Wheels" due to the title and lyrics being a big too on-the-nose given his death.