Rock ‘n’ Roll was John’s last album before a five-year break, and in my opinion he should have started the break a little earlier, as this isn’t a terribly good record. I’ve mined a couple of exceptions, though, that will be my next two songs discussed.
To talk about this album, we first have to turn back to a Beatles song (yay!), “Come Together.” While the title of the song came from Timothy Leary’s political slogan in his quest to become California governor, unfortunately the music and lyrics borrowed heavily from Chuck Berry, including a near word-for-word lifting of a line from Berry’s “You Can’t Catch Me”: “Here come a flat-top, he was movin' up with me.” In the recording sessions for “Come Together,” at Paul’s urging the song’s arrangement was altered and the tempo slowed to try to make it more distinguishable, but the similarities didn’t escape the notice of Morris Levy, the owner of Big Seven Music (which in turn owned Berry’s catalog), who brought suit against John to claim a portion of the royalties for the song.
To his credit, John didn’t fight the notion that he had “lifted” this and quickly settled with Levy not for royalties but with an obligation to record and release three other songs from the Big Seven catalog on his next album. It was a good deal for John as he had been planning an “oldies” record anyway, to be produced by Phil Spector. Unfortunately, the sessions for the planned album went horribly, as they began in 1973 during a period where John was particularly out of control in his alcohol consumption. When you add the specter of Spector – who has plenty of his own madness to go around – into this mix, the whole endeavor ended in gunshots. Ok, not as dramatic as it might sound, but at one point Spector pulled a gun on longtime Beatle-mate Mal Evans and ended up shooting a hole into the studio ceiling. Not long thereafter, Spector left John a message saying he was terminating the project because the studio had burned down. This hadn’t actually happened, and then Spector left John another message saying he had the Watergate Tapes - what he actually did have were the master tapes for the record, which he then held hostage until Capital Records paid him a $90k bounty for their return.
So this project lay dead in the water for a year while John focused instead on Walls and Bridges, but oops! The agreement with Big Seven Music/Morris Levy was that John was to release the requisite three songs on his next album. John met with Levy to assure him he would turn back to the recordings that would fulfill this obligation. John had already recorded the three Big Seven songs in his Spector sessions, but when he got the tapes back, he found that they were, unsurprisingly, ####e and not worthy of release. John then knocked out new recording sessions in a week or so and presented Levy with a reel of the initial mixes to show that he was working in good faith through the recordings.
Oops again! Levy somehow claimed the presentation by John of these rough mixes became an oral agreement that Levy could release them. Levy took these mixes, unfinished and not intended to be heard, and prepared to release them on a mail-order basis as an album named Roots. Knowing that this was about to happen, instead of putting all the planned finishing touches on the songs that would become Rock ‘n’ Roll, Capitol rushed the release so as not to lose too many sales to Roots, even dropping the price by a dollar to be within a dollar of the bargain-basement price that Levy planned for Roots. More lawsuits and countersuits followed, with Levy eventually ordered to pay damages to John and the record companies.
After all of this, it’s no wonder John took a fatherhood break for the next five years. Unfortunately the chaos surrounding this album also took a toll on the product itself. It did end up with one moderate hit at the time, “Stand By Me,” which seems to have continued to be a fan favorite over the years. But most of the album, to me, sounds like John going through the motions just to get it done and behind him.
Track listing:
- Be-Bop-A-Lula
- Stand By Me
- Rip It Up/Ready Teddy
- You Can't Catch Me
- Ain't That A Shame
- Do You Wanna Dance?
- Sweet Little Sixteen
- Slippin' and Slidin'
- Peggy Sue
- Bring It On Home To Me/Send Me Some Lovin'
- Bony Moronie
- Ya Ya
- Just Because