3. The Dark Tower IV: Wizard and Glass
1997
Novel
Western, dark fantasy, romance, science fiction
2/5
- Dark Tower story
“It starts here. From its field of roses, the Dark Tower cries out in its beast’s voice. Time is a face on the water.”
“So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely if ever crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.”
“And now, all these years later, it seemed to him that the most horrible fact of human existence was that broken hearts mended.”
On the road to the Dark Tower, Roland Deschain tells his companions of his first days as a gunslinger and events that would shape his future.
The fourth book in The Dark Tower series is polarizing. Some consider it middle-of-the-pack among the books in the series and believe it to be largely superfluous to the larger story. Others see it as one of the greatest things King has ever written. Obviously, I am in the latter group.
The story is a frame story in which Roland relates how, as a teenager and newly appointed gunslinger, he and his companions from his original ka-tet are sent to the distant Barony of Meijas, seemingly to keep them away from mounting dangers in Gilead. But they end up encountering greater dangers than they could ever imagine, and subsequent events set the stage for everything that happens in the other six books in the series.
I love this for so many reasons. Of all the books in the series, it blends the various genres the most seamlessly, so that it feels like western dark fantasy is a natural genre. The world-building is top-notch, and I think it has the most consistently high-quality writing of any of the books in the series. There is also an outstanding cast of supporting characters. Even if it was just a standalone story and was indeed superfluous to the rest of the series, it would rank very highly for me.
But it isn’t superfluous. The way the book sets up everything else is brilliant, from the political background that propels Farson and Walter to victory, to the symbolic parallels between the original ka-tet and the current ka-tet (Ka, after all, is a wheel). Most importantly, this book is key in the transformation (from the reader's perspective) of Roland from the coldblooded killer in The Gunslinger to the complicated but heroic protagonist he eventually becomes. We see his capacity for love, and we see the many dark events that have clouded his life. Ultimately this culminates in the Wizard’s Glass giving us a vision of the tragedy that will forever weigh on his soul.