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Middle Aged Dummies - Artist - Round 5 - #11's have been posted. Link in OP. (18 Viewers)

18s

new to me liked:

You (got it)- The Babys- my favorite new to me song this round
Pecan Pie- Golden Smog
Lonely Like me- The Gap Band- vibes
The Other Woman- Caro Emerald
Binthiswayforyears- Headstone- :headbang:
Lettesr from an unknown Girlfriend- The Waterboys- love Fiona

Known Liked

Siva- Smashing Pumpkins- 22 on my list
Fa-Fa-Fa-Fa-Fa (sad Song)-Otis Redding
Until It Sleeps- Metallica
 
The new Car Seat Headrest has some long ones (songs, not headrests)
Stumbled across this band in my feed and man, what a revelation. Unforgiving Girl is the song that reeled me in.

Their Teens of Denial album (has unforgiving girl on it) is still one of the best recent albums imo.
I love that album. It will make my top 70....
Same!
 
The Hooters covered "She Comes in Colors" on their 1985 hit album Nervous Night: https://www.youtube.com/watch?v=4-b2YymeN0A.
Always have been a big fan of The Hooters' cover. For a long time, didn't even know it was a cover until I got into Love.
I thought it sounded "off" when I was in high school and college and was first listening to Forever Changes. But my ears today think it's pretty good.

My friend with the record store named Forever Changes has always hated the Hooters cover and still does to this day.
Interesting - guess it’s just a matter of personal taste. Always have liked The Hooters and thought they were under appreciated, but maybe they’re a bit more polarizing coming from your neck of the woods.
They are a lot more polarizing. Or were. Most people under 40 have no idea who they are.

In my suburban Philadelphia school, the Hooters were the “it” band — one of my female classmates fainted at a concert of theirs, like what happened during Beatlemania — and contrarians like myself and my record store-owning friend reflexively hated them. They sound better to me now, decades removed from those battle lines.

However, now as then, I think their 1983 independent album Amore is better than Nervous Night.
 
Taking my requisite break before Metallica. Big love for the 11s so far.
Meat Loaf was a force of nature.
Otis sure exudes something special, not sure what exactly but he exudes it.
Pumpkins smashing.
A favorite from General Public got a heart from me.
I lied saying I only knew two from Waite/Babys. There's been a half-dozen or so. Who knew?
Agree with the nice comment about PUTS. My kid knows I've turned on hip hop. Look forward to sharing them with her.

Extra special call out to Oberst again. Some GREAT lines in that bit of wordsmithing.
One of my favorite comments so far! Don't set expectations too high there. The young kids around here don't seem to like it much, so I don' get the same street cred I do with PUTS and RtJ as I do with my metal suggestions. :lol:
 
Porcelina might be my favorite off Mellon Collie. Billy at his peak proggy powers.
On the days where Muzzle is not my favorite Mellon Collie song, Porcelina is.
Muzzle is in the top 3-4. My favorites are Porcelina and one that didn't even make Yambag's 1 disc Mellon Collie playlist. :<_<:
In looking at my list, I might have had Porcelina too low, but chose to put a few other from Mellon Collie ahead of it as they are linked to memories, moments and personal impact on my life. However, in terms of start to finish musicianship, I would put it as my #2 off of Mellon Collie. Upon completion, I will list a few that were left off (including KP's above) along with thoughts as to why.
 
Michael Head #11 - Shack - "Natalie's Party" (1999)

This time we head to Shack's third album, the major label release HMS Fable. It was the band's closest brush with the brass ring; they worked with a couple of big name producers (Hugh Jones and Youth) to brighten their sound with a more commercial sheen. They got excellent notices in the UK press placing in the top five of year end UK critics' polls and making Mick an unlikely cover boy of the New Musical Express. But even this came with a dig at Head's anonymity; they ran his picture over the caption "this man is our greatest songwriter" but directed readers to page 22 to discover his name.

"Natalie's Party" is the album's opener. It's an especially joyous song by Head's standards about Natalie and her mates taking over a seaside town for a party. The narrator is apparently attempting to romance one of the party goers who's over imbibed a bit. There's a wonderful part of the bridge where the singer announces he's "going down (to) the beach to finish Natalie's party" and John's guitar solo cuts in. The song was released as a single but at usual didn't gain any chart traction peaking at #63.
 
Eric Clapton #11

Cream - White Room

"White Room" is one of Cream's most iconic and enduring tracks, originally released on their 1968 album "Wheels of Fire." It features a striking combination of psychedelic rock, blues, and progressive elements, making it a hallmark of the late 1960s' experimental rock scene. The song peaked at #6 on the Billboard Hot 100 chart in 1968.

Bassist Jack Bruce came up with music for the song as a tribute to Jimi Hendrix, and was later surprised when Hendrix visited the group in New York as they were recording it and commented "I wish I could write something like that", only to be told it had been directly inspired by him.

Lyricist Pete Brown drew from a poem he had written about a new apartment he had moved into with white walls and bare furnishings, where he gave up drinking and drugs. The personal demons he battled while living in the white room spawned the imagery of the poem, which was eventually whittled down to a few verses for the song lyrics, which express feelings of isolation, longing, and desperation.

The song is famous for its memorable guitar riff, played by Eric Clapton. It's haunting and distinctive, with sustained notes that capture the psychedelic vibe of the era. Clapton's tone is sharp and expressive, with a spacey reverb that adds to the song’s ethereal quality.

"White Room" was groundbreaking in its fusion of styles. It was both psychedelic and bluesy, but also incorporated elements of progressive rock, with its shifting time signatures and instrumental layers. It showcased Cream at the peak of their creativity, exemplifying Clapton's guitar mastery, Bruce’s haunting vocals, and Ginger Baker’s dynamic drumming.
I was at a farmers market a couple weeks ago where there was a band outside playing a mix of tunes, with this being one of them. They played a good rendition of this great song.
 
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Three known-to-me favorites from #12:

Good Thing (Fine Young Cannibals) -- One of the best soul songs of the '80s. First time I heard this was their SNL appearance and I was expecting another song like their first tune, "She Drives Me Crazy". When this energetic throwback came on, I perked up. I don't watch enough live TV to be bothered by the Applebee's commercial yet.
South City Midnight Lady (The Doobie Brothers) -- Yep, another gem from The Captain and Me.
Debra (Beck) -- The best Prince imitation ever committed to wax? Maybe.

It was hard to leave off "Change," "Goodnight Saigon," "Today" and Otis' version of "Respect".

Three new-to-me favorites from #12:

Are You Living (The Gap Band) -- Fun-KAY.
Whiplash (Metallica) -- Yes, I have never listened to this album in its entirety. This is SO Beavis and Butt-head, and I mean that in the best way.
The Turned On Truth (The Truth Is Turned On) (Cornershop) -- Yes, it's 16 minutes long and sounds like "Brimful of Asha." Neither of those are bad things in my book.
 
Eric Clapton #11

Cream - White Room

"White Room" is one of Cream's most iconic and enduring tracks, originally released on their 1968 album "Wheels of Fire." It features a striking combination of psychedelic rock, blues, and progressive elements, making it a hallmark of the late 1960s' experimental rock scene. The song peaked at #6 on the Billboard Hot 100 chart in 1968.

Bassist Jack Bruce came up with music for the song as a tribute to Jimi Hendrix, and was later surprised when Hendrix visited the group in New York as they were recording it and commented "I wish I could write something like that", only to be told it had been directly inspired by him.

Lyricist Pete Brown drew from a poem he had written about a new apartment he had moved into with white walls and bare furnishings, where he gave up drinking and drugs. The personal demons he battled while living in the white room spawned the imagery of the poem, which was eventually whittled down to a few verses for the song lyrics, which express feelings of isolation, longing, and desperation.

The song is famous for its memorable guitar riff, played by Eric Clapton. It's haunting and distinctive, with sustained notes that capture the psychedelic vibe of the era. Clapton's tone is sharp and expressive, with a spacey reverb that adds to the song’s ethereal quality.

"White Room" was groundbreaking in its fusion of styles. It was both psychedelic and bluesy, but also incorporated elements of progressive rock, with its shifting time signatures and instrumental layers. It showcased Cream at the peak of their creativity, exemplifying Clapton's guitar mastery, Bruce’s haunting vocals, and Ginger Baker’s dynamic drumming.
I was at a farmers market a couple weeks ago where there was a band outside playing a mix of tunes, with this being one of them. They played a good rendition of this great song.
I've always liked this song, but listening to it critically on this playlist and focussing on Clapton left me disappointed in the studio mix. Throughout the song Eric is giving a clinic on that strat quacking thing I mentioned earlier but it's faded so much it's hard to really hear it. Then on the outro he's doing his thing but drowned out by Ginger. When Eric is soloing push the faders up not down. Great song, not thumping, more like nitpicking for our guy here.
 
Zoinks! Some of you get the reference. Remember John 5 has a thing for monsters. It's a Scooby Doo reference. It's also another instrumental, but a new discovery for me. The first five instrumental albums were solo. So solo he put down the drum and bass tracks. Those drum tracks were super simple and tapped out on a keyboard into a daw.

This new discovery is John 5 and the Creatures. My favorite discovery of this project. Somewhere around 16-17 John decided to make a trio. It was a good decision. Prior to that he'd started borrowing Tommy Clufetos (late Ozzie, late Sabbath drummer) and Matte Bissonette (Elton John bass) for some of his solo work. But they were busy musicians, so he ran an ad at the Performing Arts Institute in LA for a bass player. Nearly 100 applied but 20 auditions in he found his guy, Ian Ross. Just another LA wannabe with some serious chops. John snatched drummer Logan Miles Nix from his studio contacts and this is the trio I will see in October. Having read john 5 Youtube comments for many years, it was kind of odd to read them now and see the bass player and drummer getting props. In the 00s those comments always elevated John to God status. All three of them just bring it song after song.

Zoinks! is a compilation John put together mostly from watching unknown guitar players on TikTok and Youtube doing experimental things. He'd see something he thought was fresh and cool and work on it. He riffs, he shreds, he slides, he bends, he arpeggios, he taps, he finger picks and it all comes together with some funk. He humbly calls it slapping, tapping and picking. It's off 2019's Invasion LP. I knew he was bass slapper from the DLR album where he plays all the bass, but it sounds really cool on his tele. Again it's the most talked about song on the album. And again...

I have to recommend the video. It's a 3 minute Scooby Doo episode before the song so it goes 8 minutes. He rescues his wife Rita from the evil Nikki Sixx with his super weapon, his guitar. And does this in time for the show. :)

ZOINKS! John 5 and The Creatures

if you're not into Scooby Doo below is a play through he did for Guitar World prior to a photo shoot with Dave Mustaine. Watching them do it is better than just listening.

Liked this song, heavy and funky.
 
17s

new to me likes:

Montego Slay- PUTS- I find myself digging nearly all of there songs, my favorite new to me this rd
Party Train- The Gap-:thumbup:
Words without wrinkles- Luna
Natural Thing- Doobie Brothers
My Flash on You- Love
If I should Go before You- City and Colour- reminds me of something Jeff Buckley would sing

Known likes:

She Drives Me Crazy- Fine Young Cannibals- always liked this one
Zero- Smashing Pumpkins- I get why some would ranked lower, but #7 on my list.
Shake- Otis Redding
End of the Day- Beck ❤️
 
17s

new to me likes:

Montego Slay- PUTS- I find myself digging nearly all of there songs, my favorite new to me this rd
Party Train- The Gap-:thumbup:
Words without wrinkles- Luna
Natural Thing- Doobie Brothers
My Flash on You- Love
If I should Go before You- City and Colour- reminds me of something Jeff Buckley would sing

Known likes:

She Drives Me Crazy- Fine Young Cannibals- always liked this one
Zero- Smashing Pumpkins- I get why some would ranked lower, but #7 on my list.
Shake- Otis Redding
End of the Day- Beck ❤️
I can DEFINITELY see vocal similarities between the C&C guy and Jeff Buckley.
 
17s

new to me likes:

Montego Slay- PUTS- I find myself digging nearly all of there songs, my favorite new to me this rd
Party Train- The Gap-:thumbup:
Words without wrinkles- Luna
Natural Thing- Doobie Brothers
My Flash on You- Love
If I should Go before You- City and Colour- reminds me of something Jeff Buckley would sing

Known likes:

She Drives Me Crazy- Fine Young Cannibals- always liked this one
Zero- Smashing Pumpkins- I get why some would ranked lower, but #7 on my list.
Shake- Otis Redding
End of the Day- Beck ❤️

I agree, and I think this is why I might have stayed away from him of so long. Vocally, there are a couple albums of City and Colour that give me the Buckley vibes.
 
17s

new to me likes:

Montego Slay- PUTS- I find myself digging nearly all of there songs, my favorite new to me this rd
Party Train- The Gap-:thumbup:
Words without wrinkles- Luna
Natural Thing- Doobie Brothers
My Flash on You- Love
If I should Go before You- City and Colour- reminds me of something Jeff Buckley would sing

Known likes:

She Drives Me Crazy- Fine Young Cannibals- always liked this one
Zero- Smashing Pumpkins- I get why some would ranked lower, but #7 on my list.
Shake- Otis Redding
End of the Day- Beck ❤️
I can DEFINITELY see vocal similarities between the C&C guy and Jeff Buckley.
I don't hear the similarity.
 
16s

lots of great tunes this rd

new to me likes:

Keys- Golden Smog
Hot N' Nasty- Humble Pie
Life is a Lemon and I want my money back- Meatloaf- He's not really my kind of music, but this one is pretty good
10 feet tall- Hugh Dillon
Lovedust- Luna- continues to be my favorite new to me band
Signed DC- Love- these guys rock
Casey's song- City and Colour
Sweet Thing- The Waterboys- WOW I LOVE this one. my favorite new to me this rd

Known Likes:

Quiet- Smashing Pumpkins- was on my 1st 5 out list... still really like
Minute by Minute- Doobie Brothers- Love this one
Forever Man- Eric Clapton- another banger
 
#11: PEOPLE UNDER THE STAIRS - STARS IN THE HOUSE


There isn't much info out there about this albums, song, or lyrics to this one. Love the beat on this one and how it sounds in the car. As with the other song, I like it when then kid's voice comes in on this one and guitar outro is a bit unique in their output.

NEXT: We are now at my favorite songs from each album chronologically. We go back to the debut and the single that started their career.
 
#11: BECK - GUESS I'M DOING FINE


My favorites on Sea Change are more like 1a/1b. Both are fantastically beautiful sad songs. I love the chorus on this one, especially as it goes into the 3rd verse.

It's only lies that I'm living
It's only tears that I'm crying
It's only you that I'm losing
Guess I'm doing fine

Press my face up to the window
To see how warm it is inside
See the things that I've been missing
Missing all this time


NEXT: we start in on the countdown of my top 10 Beck albums with my favorite from that album as we go.
 
15s

New to me likes:

Fluke- Michael Head- enjoyed this one quite a bit
Hurricane- Golden Smog- another good one
Too Nice To Talk To- The English Beat
Slash Your Tires- Luna
Stand Out- Love- favorite new to me this rd
New Years Day- U2/ Cortsen- Know the song but not this version... I LIKE IT!
Judy Sucks a Lemon for Breakfast- Cornershop


Known Likes:

Back on my feet again- The Babys- HEY I know this one!
Perfect- Smashing Pumpkin- We are in agreement on this on I had it at 14. great tune!
 

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