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Middle Aged Dummies - Artist - Round 5 - #14's have been posted. Link in OP. (16 Viewers)

Michael Head #15 - Michael Head & The Red Elastic Band - "Fluke" (2021)

Heading back to the current decade with another song from Head's late-career "breakout" Dear Scott, an album named after the greeting of a motivational note that F. Scott Fitzgerald penned to himself while he was a down and out screenwriter in Hollywood.

I don't know if Mick has ever been to Los Angeles which is an unusual thing to say about a musical lifer and the global center of the music industry. But as far as I'm able to tell, none of Head's bands have ever played so much as a show in America; he's played UK dates almost exclusively with an occasional gig in France or Belgium. I don't know if he doesn't like to fly or whether the right opportunity never presented itself but he's not exactly cosmopolitan.

"Fluke" is a journey to the Hollywood of Mick's dreams. Although there's a reference to Al Pacino, the song's nostalgic tone seems to place it in an earlier era. The song is another reference to Fitzgerald; it's Head's version of "The Homes of the Stars", a 1940 short story by Fitzgerald about his fictional alter ego, Hollywood screenwriter Pat Hobby who pretends to be a Hollywood tour guide to earn some money to fix his car. The song begins slow and tranquil but busts into an instrumental bridge that sounds like something Jimmy Webb might have written in 1967 before returning back to Head's Hollywood.
 
Now we're getting into some serious Meatloaf territory.
I wouldn't have been surprised if the top 7 had been the 7 tracks from Bat Out of Hell.
You took the words right out of my mouth.
Is that the title of a Meatloaf tune?
I’d say Google is your friend but Google kind of sucks nowadays.
Definitely the title of a Meatloaf tune.
 
Now we're getting into some serious Meatloaf territory.
I wouldn't have been surprised if the top 7 had been the 7 tracks from Bat Out of Hell.
You took the words right out of my mouth.
Is that the title of a Meatloaf tune?

Who says AI is a bad thing?

On a restless midnight, under a sky of shattered stars,
I stood before you, my heart a battlefield of scars.
I had a thousand vows, carved deep within my soul,
But your eyes locked on mine, and my tongue lost control.
I was gonna swear my love, till the heavens turned to dust,
But your gaze stole my breath and filled my heart with trust.

You took the words right out of my mouth,
My soul’s on fire, but my voice can’t get out
You took the words right out of my mouth,
Oh, you tore them out
Knew what my dreams were about
I’m lost in silence with nothing to shout
You took the words right out of my mouth,
Oh, you stole every sound and removed all doubt
You took the words right out of my mouth
 
Now we're getting into some serious Meatloaf territory.
I wouldn't have been surprised if the top 7 had been the 7 tracks from Bat Out of Hell.
You took the words right out of my mouth.
Is that the title of a Meatloaf tune?

Who says AI is a bad thing?

On a restless midnight, under a sky of shattered stars,
I stood before you, my heart a battlefield of scars.
I had a thousand vows, carved deep within my soul,
But your eyes locked on mine, and my tongue lost control.
I was gonna swear my love, till the heavens turned to dust,
But your gaze stole my breath and filled my heart with trust.

You took the words right out of my mouth,
My soul’s on fire, but my voice can’t get out
You took the words right out of my mouth,
Oh, you tore them out
Knew what my dreams were about
I’m lost in silence with nothing to shout
You took the words right out of my mouth,
Oh, you stole every sound and removed all doubt
You took the words right out of my mouth
What song is that?
 
MA-D Round 5: Metallica
#15: To Live Is To Die
Album: …And Justice For All (1988)


(Youtube version) To Live Is to Die (Remastered)
(Live Version) Metallica: To Live Is To Die (San Francisco, CA - December 7, 2011)

When a man lies, he murders some part of the world
These are the pale deaths which men miscall their lives
All this I cannot bear to witness any longer
Cannot the kingdom of salvation take me home?


--
Hey guys, I kept the songs under 10 minutes! Technically. Not every playlist can say that! Heck, this is just barely the longest song in the group of 15s.

So many choices for live versions too! Yeah, I kid there. To date, Metallica have played this live the one time in the link above. Well, the interlude has been played, but above is the only time we see it in its entirety. Even getting that performance took time, consideration, and some healing. One can only dream what an S&M version might have sounded like, but to say that this is a difficult song for Metallica to perform due to the memories it stirs up is putting it extremely mildly.

For fairly obvious reasons, this is the only song on AFJA where Cliff Burton gets co-credit. The bass line on this song is based on a medley of unused recordings from Burton, though they were rough enough that it’s Jason Newstead playing them on the album. For a while it was believed that Burton wrote the song’s only lyrics (see above) too, but that’s only half true. The first line comes from the film “Excalibur”, and the second stems from the novel “Lord Foul’s Bane” by Stephen R. Donaldson.

Needless to say that this is a personal favorite that still sticks with me. Finding my own appreciation for progressive music in college probably helped with that, given this song's feeling of having multiple “acts”. Naturally I have to credit a number of other bands for that rather than Metallica, but just saying.



Next on the countdown, a pure instrumental that Burton had under his belt.
 
The #15s were another strong playlist for me. Somehow I’m temporarily caught up!
.
Selected Favorites:
Should I Let You In? - Belinda Carlisle
Judy Sucks a Lemon for Breakfast - Cornershop
Perfect - The Smashing Pumpkins
Stuck - Caro Emerald
Slash Your Tires - Luna
Hurricane - Golden Smog
The Mike & Chris Story - PUTS
Down In The Valley - Otis Redding
Back On My Feet Again - The Babys (/John Waite)

Small spotlight:
You know, I was going to save Billy Joel for a specific song (or maybe one of a handful). But hey, whilst my own playlist is in its instrumental section, why not shout out Joel’s “Nocturne”? You can definitely hear the influences here, even while Joel’s still very much doing his own thing.
 
The next four songs from Cornershop are from their 2009 album Judy Sucks a Lemon for Breakfast, a long hiatus from their previous album.

It’s seven years since the last installment of the Cornershop saga arrived in the form of the brilliantly-named Handcream for a Generation. Almost a generation on, Tjinder Singh and co may be child-rearing thirty-somethings but they’re still bedroom-mirror romantics with one foot stuck firmly in the days of the Ford Cortina. If anything, the nostalgia dial has been turned up: Judy Sucks a Lemon for Breakfast is an album that often seems to be playing on a dansette in a glitterball-lit corner of Hanif Kureishi’s frontal lobe.

Opener “Who Fingered Rock and Roll” is a melange of vintage Stones riffs and spangly Bolan boogie that tethers its ‘yeah yeah yeahs’ to a punky message about the besmirching of our collective pop innocence.

The retro theme continues on the title track. It starts by walking an irresistible blues-boogie bassline, adds swinging harmonies, bursts of machine gun fire and a bassoon, and culminates in a soaring climax of righteous soul vocals. Singh still has a way of slinging around cool-sounding nonsensical phrases (“Up-blues rock is the outta town rock”) pitched somewhere between nursery rhyme and revolutionary slogan.

“Chamchu” is an agreeable dub-bhangra soundclash. By the time we roll around to “The Turned On Truth” – 17 epic minutes of blissed-out, redemptive gospel wrapped around a riff resurrected from “Brimful of Asha”– it feels like a cheeky, self-referential triumph

Cornershop are still holding a candle for an idealised pop moment fixed in time and space; a semi-mythic golden age, when melting-pot Britain was the musical crossroads of the world. This place has precise co-ordinates and Cornershop always know their way back there.

To listen to Judy is to feel nostalgic, not just for the musical era it celebrates, but for that period in the 90s when Cornershop were themselves forging a new British pop vocabulary. They’re still writing love letters to their record collections, and there are times when Judy feels a little too much like a commemorative musical photo album.

But when the irrepressible Cornershop charm kicks in, such thoughts seem churlish. Judy is as wide-eyed and upbeat as indie pop will get this year. When it sounds this fresh, Cornershop’s brand of revamped revolutionary retro is well worth a reprise.
 
Hi guys, just finished my last night of epic three week vegas trip.

Was going to post next list, but internet at my hotel has sucked the entire time and I can't google doc to fully open right now. Ive tried everything

Next list I'll post Wednesday afternoon when I get home.
No worries. I'm sure we'll survive.
 
For the Pumpkin fans out there, he is the setlist from the show I went to last night. Pretty cool seeing them in a small club, was about 10ft from the stage. Tour is celebrating 25 years of Machina and 30 years of Mellon Collie. Bolded were highlights:

Glass' Theme
Heavy Metal Machine
Where Boys Fear to Tread
Pentagrams
The Crying Tree of Mercury
Real Love
Porcelina of the Vast Oceans
Sighommi
Glass and the Ghost Children
You Only Live Twice (Nancy Sinatra Cover)
999
Bullet With Butterfly Wings
Muzzle
1979
Here's To The Atom Bomb
Edin
White Spyder

Tonight, Tonight
If There Is A God
Bodies
The Aeroplane Flies High

Zero
The Everlasting Gaze
 
14's PLAYLIST

[td]Belinda Carlise[/td][td]Zegras11[/td][td]I Get Weak
[/td]
[td]Michael Head[/td][td]Eephus[/td][td]Shack -- Hazy
[/td]
[td]People Under the Stairs[/td][td]KarmaPolice[/td][td]DQMOT
[/td]
[td]John Waite[/td][td]Charlie Steiner[/td][td]Sweet 17
[/td]
[td]Golden Smog[/td][td]Dr. Octopus[/td][td]Friend
[/td]
[td]The GAP Band/Charlie Wilson[/td][td]Don Quixote[/td][td]Nothin Comes to Sleepers - The GAP Band
[/td]
[td]The English Beat Family Tree[/td][td]Yo Mama[/td][td]Johnny Come Home
[/td]
[td]Caroline Esmeralda van der Leeuw[/td][td]-OZ_[/td][td]Best damn day
[/td]
[td]Neil Diamond[/td][td]Mrs. Rannous[/td][td]Do Wah Diddy Diddy
[/td]
[td]Steve Marriott[/td][td]zamboni[/td][td]"Live With Me" – Humble Pie
[/td]
[td]Conor Oberst[/td][td]Tuffnutt[/td][td]Time Forgot
[/td]
[td]Smashing Pumpkins[/td][td]Yambag[/td][td]The End Is The Beginning Is The End
[/td]
[td]Otis Redding[/td][td]John Maddens Lunchbox[/td][td]Hard to Handle
[/td]
[td]Meat Loaf[/td][td]snellman[/td][td]It's All Coming Back to Me Now
[/td]
 
[td]Hugh Dillon[/td][td]Mister CIA[/td][td]Blonde & Blue
[/td]
[td]Luna[/td][td]landrys hat[/td][td]Anesthesia

[/td]
[td]Metallica[/td][td]Mt. Man[/td][td]Orion
[/td]
[td]The Doobie Brothers[/td][td]New Binky The Doormat[/td][td]The Captain And Me
[/td]
[td]Billy Joel[/td][td]simey[/td][td]Scenes From An Italian Restaurant
[/td]
[td]Arthur Lee and Love[/td][td]Pip's Invitation[/td][td]Andmoreagain
[/td]
[td]Beck[/td][td]KarmaPolice[/td][td]Heart Is A Drum
[/td]
[td]John 5[/td][td]Chaos34[/td][td]American Witch - Rob Zombie
[/td]
[td]City and Colour[/td][td]MrsKarmaPolice[/td][td]The Love Still Held Me Near
[/td]
[td]The Waterboys[/td][td]Ilov80s[/td][td]We Will Not Be Lovers
[/td]
[td]Eric Clapton[/td][td]Tau837[/td][td]Lonely Stranger
[/td]
[td]Ferry Corsten[/td][td]titusbramble[/td][td]Albion - Air 2000 (Ferry Corsten Open Air Remix)
[/td]
[td]Cornershop[/td][td]The Dreaded Marco[/td][td]Who Fingered Rock’n’Roll
[/td]
 
Smashing Pumpkins #14

NOT ON SPOTIFY PLAYLIST

https://youtu.be/4OEvDqRr898?si=qtHnZfoom9eixCJf

Song: The End Is The Beginning Is The End
Album: Batman Forever Soundtrack

Released as a single from the soundtrack to the film Batman & Robin, the song reached the top 10 in eight countries and won the Grammy Award for Best Hard Rock Performance. Corgan: “At one point I found myself going, "I can't write a song about Batman, I'm in an alternative band". And I thought this is stupid, if I can write a song about Batman and it serves the purpose, which is to make it happen and connect with the movie, and connect with something that is unique and original, then, why not? For me, it was a great kind of artistic thing to do because it was very freeing. I wasn't talking about myself or trying to represent the Smashing Pumpkins. I was trying to represent Batman.” He further commented that the song's lyrics were meant to represent the Batman of the 1940s, when he was a "darker character".
 
Three known-to-me favorites from #15:

Down in the Valley (Otis Redding) -- Yeah, what krista said.
Back on My Feet Again (The Babys) -- An exciting slice of turn-of-the-decade AOR
Perfect (The Smashing Pumpkins) -- The clear highlight of Adore.

Three new-to-me favorites from #15:

Fluke (Michael Head and the Red Elastic Band) -- This is all over the place in a glorious way.
Stuck (Caro Emerald) -- Yeah, what Doc Oc said.
Don't Burst My Bubble (Small Faces/Steve Marriott) -- If Otis were white and took psychedelics.
 
14.

Song:
Friend
Album: Down By The Old Mainstream
Songwriter: Kraig Johnson
Smog Lineup:

Kraig Johnson – lead vocals, guitar
Jeff Tweedy – guitar
Gary Louris – background vocals, guitar
Dan Murphy – background vocals, guitar
Marc Perlman – bass
Noah Levy – drums



I’m a big fan of the sudden tempo change in the middle of the song and the transition back to the ballad.
 
Last edited:
The English Beat Family Tree #14

Johnny Come Home


Artist - Fine Young Cannibals
Album - Fine Young Cannibals (1985)

Love this song - probably could have made a case for it in my top 10. I’m surprised it didn’t chart that well in the US (topped out at 76).

It’s a song about a young runaway struggling to make things work in the big city.


Use the phone, call your mum
She's missin' you badly, missin' her son
Who do you know? Where will you stay?
Big city life is not what they say

Johnny
We're sorry
Won't you come on home?
We worry
Won't you come on?

What is wrong in my life
That I must get drunk every night?
Johnny
We're sorry
Won't you come on home?

You'd better go home, everything's closed
Can't find a room, money's all blown
Nowhere to sleep out in the cold
Nothin' to eat, nowhere to go
 
14. Sweet 17 (On the Edge, 1980)

The Baby's fifth album, On the Edge, was recorded while the band was touring with Journey and contained only one single, Turn and Walk Away, which reached #42 on the Hot 100.

Sweet 17 was written by Waite, Jonathan Cain and guitarist Wally Stocker (the same Wally Stocker who flirted with a high school girl in the prom scene from Just One of the Guys).
 
Such a stacked playlist. Pretty good at #14.
I will pick 3
[td]Belinda Carlise[/td][td]Zegras11[/td][td]I Get Weak
My fave Belinda song, and im a big fan. Her vocal work on this is just beautiful
Song: The End Is The Beginning Is The End
Album: Batman Forever Soundtrack
Obviously on my Batman theme. Only question i have is how do you rate The Beginning is the End is the Beginning.
Songs are the same, but so completely different. I debated including both, but resisted
The English Beat Family Tree #14

Johnny Come Home
My fave FYC somg and if you had put it at #1 i would have applauded.
Shows their Ska roots, while highlighting Roland Gifts magnificent voice.

Im trying to not spotlight other tracks so will spoiler it
Blue and Funny How love is make that debut album something really special.
Even the Suspicious Minds cover is fantastic.
The second album is a different beat. Much more commercial. Good Thing and She Drives Me Crazy are great pop songs, but not as memorable as the four singles from the debut
 
#14 Nothin’ Comes to Sleepers (Spotify) - The GAP Band

With the sunshine comes the dawning of a day
Still another dream has come then slipped away
Scattered visions of the things you want to be
Make you open up your mind and try to see
How to make dreams come true
Oh, life is but a dream
But nothin' comes to sleepers but a dream


Back to Gap Band III for the fourth time. A break from their funk for one of their ballads. Love the harp and piano, and the melody allows Charlie Wilson’s voice to shine, as it could sometimes get over-powered by the funk.
 
Such a stacked playlist. Pretty good at #14.
I will pick 3
[td]Belinda Carlise[/td][td]Zegras11[/td][td]I Get Weak
My fave Belinda song, and im a big fan. Her vocal work on this is just beautiful
Song: The End Is The Beginning Is The End
Album: Batman Forever Soundtrack
Obviously on my Batman theme. Only question i have is how do you rate The Beginning is the End is the Beginning.
Songs are the same, but so completely different. I debated including both, but resisted
The English Beat Family Tree #14

Johnny Come Home
My fave FYC somg and if you had put it at #1 i would have applauded.
Shows their Ska roots, while highlighting Roland Gifts magnificent voice.

Im trying to not spotlight other tracks so will spoiler it
Blue and Funny How love is make that debut album something really special.
Even the Suspicious Minds cover is fantastic.
The second album is a different beat. Much more commercial. Good Thing and She Drives Me Crazy are great pop songs, but not as memorable as the four singles from the debut
The FYC album was definitely more represented on my list than Raw & Cooked. Only one of the songs you mentioned missed the final cut when I got cute adding the two newer versions of the Beat at 30-31.
 

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