simey
Footballguy
Congrats to your son, zam!Congrats to your nephew!

Congrats to your son, zam!Congrats to your nephew!
#30 - Cherry, Cherry - Neil Diamond
This song was released in 1966, but I'm using the version from the live album Hot August Night (1972). I didn't always choose the versions of songs from this concert, but it does happen a few more times. I don't normally enjoy concert recordings (Freebird!), but this one has good recording quality and great performances.
There are a gazillion recordings of the song. I figured for the debut track, I'd go with the single.Also I prefer a couple live Solitary Mans to the studio version.
Released on the 2023 album Nowhere near the Sky, Google gets the genre wrong as it’s listed as children’s musicI’m not sorry
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#30 - Cherry, Cherry - Neil Diamond
This song was released in 1966, but I'm using the version from the live album Hot August Night (1972). I didn't always choose the versions of songs from this concert, but it does happen a few more times. I don't normally enjoy concert recordings (Freebird!), but this one has good recording quality and great performances.
Top 5 Neil for me when he rocks it live. Love this line put to that music:
Y'ain't got no right, no, no you don't
Ah, to be so exciting
Won't need bright lights, no, no we won't
Gonna make our own lightning
Also I prefer a couple live Solitary Mans to the studio version. If I did Neil, I'd probably take everything off HAN, incredible show. My bro was there in the Greek when it was recorded. Claims he can hear himself whistle on a song to come.
You lost me at 3.I've made 3 commitments to this.
1. I'm keeping up with playlists before the next one drops. 27 was surprisingly easier time-wise than 34.
2. I'm going to provide some kind of write-up for all my songs despite failing to do any in advance as planned.
3. I'm going to read everything Pip writes.
He was on from Gosh through Zeitgeist and has been back since Shiny and Oh So Bright. He was also on Billy's side project Zwan.What later albums was he back in the band for again?Same, I feel he is the heart of the band and you can hear the difference on the albums he is not on.The real question is: how is Chamberlain's snare sound?Looking forward to the Smashing Pumpkins list. They influenced a lot of 21st century Indie bands.
Listening to their albums can be a daunting task for me because there's so much music on them. Most of you know my schtick about long songs but I think Billy is one of those artists who would have benefited from having to work within the time constraints of the LP record format.
I love Jimmy's drumming. It's the best thing about the band for me. There's a jazzy delicacy beneath all the power--he swings a lot more than someone like Lars or Matt Sorum.
Otis could draw the sweat out of 3 billion people across the globe by singing these types of songs forever. This is Otis Redding The Entertainer.#30 - Otis Redding - The Huckle-Buck
https://open.spotify.com/track/01mjm09Ju9UmPgxNgOjNnK?si=zN4fBt8RSyiiqGRL6ckPcw- YouTube
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.m.youtube.com
Comments from Wikipedia
JML Rank - #22
Krista4 Rank - Not Ranked
Uruk-Hai Rank - Not Ranked
Album - The Dock of the Bay
Recorded - September 1967
Is this a Cover? - Yes - Original was by Paul Williams and the Hucklebuckers from 1949
Songwriter - Roy Alfred, Andy Gibson
Notable Covers - It was successfully recorded by many other musicians including Lucky Millinder, Roy Milton, Tommy Dorsey, Frank Sinatra, Lionel Hampton, Louis Armstrong, Chubby Checker, Bo Diddley, Quincy Jones, Canned Heat, Coast to Coast, Brendan Bowyer and Crystal Swing.
Comments - For its original artist, the song became a crossover hit and a dance craze, in many ways foreshadowing the popular success of rock and roll a few years later. Williams renamed the song as "The Huckle-Buck", and his recording rapidly rose to the top of the R&B chart. It reached the #1 spot in March 1949, staying in that position for 14 weeks, and spending a total of 32 weeks on the chart. It reportedly sold half a million copies, and broke sales records. Williams' concerts became increasingly riotous;
Next Up - A track from The Great Otis Redding Sings Soul Ballads
This was one of the highlights when I saw him in 1985 at MSG. Had an extended solo by his percussionist. I remember the guy’s name because Neil mentioned they had performed before the British royal family and he got to say “Prince Charles, this is Vince Charles.”#30 - Cherry, Cherry - Neil Diamond
This song was released in 1966, but I'm using the version from the live album Hot August Night (1972). I didn't always choose the versions of songs from this concert, but it does happen a few more times. I don't normally enjoy concert recordings (Freebird!), but this one has good recording quality and great performances.
Artist Who Should Have Recorded This: The Muppets. This song is best done as a duet. Kermit & Piggy are the perfect combination for it. Animal on the drums is the icing on the cake.Last of the Big Time Spenders
Billy wrote this song for his 1974 album Streetlife Serenade. He said he used a "slip-note" style on this song, which was created and made popular by Floyd Cramer in the 50s and 60s. On the "slip-note" style, a passing note slides immediately into or away from a chordal note. Charlie Rich played with this style a lot, and Billy said he wrote this song with Charlie in mind. I do believe Ia pedal steel solo in this song.
Well if money makes a rich man
Then I might never make the grade
I'll be a small time operator
If I just get the landlord paid
But if time is an indication
Of the wealth that I never knew
Then I'm the last of the big time spenders
'Cause I've been spending time on you woo woooo
Just a little break in the moment
A little hole in time
A little breath to get me to the
Next imaginary deadline
I don't need to hold my head up
I just need you to walk away
I don't need to grasp the implications
Of every word you say
Well, I don't need to post an update
I don't need to post at all
I will cut and paste everybody's face
I will walk on down the hall
Minus the drum solo, I am a fan of the extra-long version on the Derek and the Dominoes live album: https://m.youtube.com/watch?v=incXFBbJkD8&pp=ygUQTGV0IGl0IHJhaW4gbGl2ZQ==Eric Clapton #30:
Eric Clapton - Let It Rain
This song is one of Clapton's early solo career highlights, blending blues, rock, and gospel influences into a powerful, emotionally rich track. It was on the album "Eric Clapton" released in 1970 but was not released as a single until 1972. It peaked at #48 on the US Billboard Hot 100 chart in 1972.
Clapton co-wrote the song with Bonnie Bramlett, part of the Delaney & Bonnie duo, who heavily influenced Clapton’s musical direction after his time with Cream and Blind Faith. The song shows that he was evolving as a songwriter and vocalist, not just a virtuoso guitarist.
While on the surface the lyrics seem to speak of romantic yearning, they also evoke a spiritual or redemptive quality, with “rain” acting as a metaphor for cleansing or renewal—common in blues and gospel traditions.
The song has a dynamic build-up, with increasing instrumental intensity toward the end. It features multiple guitar solos. The first is a short and subtle solo around the 1:33 mark. The main solo is an extended outro solo that lasts more than a minute and is another example of emotive, melodic storytelling. The ending solo has been compared to a gospel altar call, where the guitar becomes the preacher’s voice.
Clapton's catalog is so deep that I had this song in my first 10 out for most of the time I was building my playlist. But in the end, I just couldn't leave it out.
I can't see it any other way now.Artist Who Should Have Recorded This: The Muppets. This song is best done as a duet. Kermit & Piggy are the perfect combination for it. Animal on the drums is the icing on the cake.Last of the Big Time Spenders
Billy wrote this song for his 1974 album Streetlife Serenade. He said he used a "slip-note" style on this song, which was created and made popular by Floyd Cramer in the 50s and 60s. On the "slip-note" style, a passing note slides immediately into or away from a chordal note. Charlie Rich played with this style a lot, and Billy said he wrote this song with Charlie in mind. I do believe Ia pedal steel solo in this song.
Well if money makes a rich man
Then I might never make the grade
I'll be a small time operator
If I just get the landlord paid
But if time is an indication
Of the wealth that I never knew
Then I'm the last of the big time spenders
'Cause I've been spending time on you woo woooo
7th grade poetry-kids would be ashamed of these lyrics.
I dog on Eric Clapton, mostly because I don't like EC the person, but I'd be remiss if I did not proclaim my love for the 18-minute live version of this song. Probably my favorite Clapton.Eric Clapton #30:
Eric Clapton - Let It Rain
This song is one of Clapton's early solo career highlights, blending blues, rock, and gospel influences into a powerful, emotionally rich track. It was on the album "Eric Clapton" released in 1970 but was not released as a single until 1972. It peaked at #48 on the US Billboard Hot 100 chart in 1972.
Clapton co-wrote the song with Bonnie Bramlett, part of the Delaney & Bonnie duo, who heavily influenced Clapton’s musical direction after his time with Cream and Blind Faith. The song shows that he was evolving as a songwriter and vocalist, not just a virtuoso guitarist.
While on the surface the lyrics seem to speak of romantic yearning, they also evoke a spiritual or redemptive quality, with “rain” acting as a metaphor for cleansing or renewal—common in blues and gospel traditions.
The song has a dynamic build-up, with increasing instrumental intensity toward the end. It features multiple guitar solos. The first is a short and subtle solo around the 1:33 mark. The main solo is an extended outro solo that lasts more than a minute and is another example of emotive, melodic storytelling. The ending solo has been compared to a gospel altar call, where the guitar becomes the preacher’s voice.
Clapton's catalog is so deep that I had this song in my first 10 out for most of the time I was building my playlist. But in the end, I just couldn't leave it out.
Minus the drum solo, I am a fan of the extra-long version on the Derek and the Dominoes live album: https://m.youtube.com/watch?v=incXFBbJkD8&pp=ygUQTGV0IGl0IHJhaW4gbGl2ZQ==Eric Clapton #30:
Eric Clapton - Let It Rain
This song is one of Clapton's early solo career highlights, blending blues, rock, and gospel influences into a powerful, emotionally rich track. It was on the album "Eric Clapton" released in 1970 but was not released as a single until 1972. It peaked at #48 on the US Billboard Hot 100 chart in 1972.
Clapton co-wrote the song with Bonnie Bramlett, part of the Delaney & Bonnie duo, who heavily influenced Clapton’s musical direction after his time with Cream and Blind Faith. The song shows that he was evolving as a songwriter and vocalist, not just a virtuoso guitarist.
While on the surface the lyrics seem to speak of romantic yearning, they also evoke a spiritual or redemptive quality, with “rain” acting as a metaphor for cleansing or renewal—common in blues and gospel traditions.
The song has a dynamic build-up, with increasing instrumental intensity toward the end. It features multiple guitar solos. The first is a short and subtle solo around the 1:33 mark. The main solo is an extended outro solo that lasts more than a minute and is another example of emotive, melodic storytelling. The ending solo has been compared to a gospel altar call, where the guitar becomes the preacher’s voice.
Clapton's catalog is so deep that I had this song in my first 10 out for most of the time I was building my playlist. But in the end, I just couldn't leave it out.
I presume Eephus is not.
I dog on Eric Clapton, mostly because I don't like EC the person, but I'd be remiss if I did not proclaim my love for the 18-minute live version of this song. Probably my favorite Clapton.Eric Clapton #30:
Eric Clapton - Let It Rain
This song is one of Clapton's early solo career highlights, blending blues, rock, and gospel influences into a powerful, emotionally rich track. It was on the album "Eric Clapton" released in 1970 but was not released as a single until 1972. It peaked at #48 on the US Billboard Hot 100 chart in 1972.
Clapton co-wrote the song with Bonnie Bramlett, part of the Delaney & Bonnie duo, who heavily influenced Clapton’s musical direction after his time with Cream and Blind Faith. The song shows that he was evolving as a songwriter and vocalist, not just a virtuoso guitarist.
While on the surface the lyrics seem to speak of romantic yearning, they also evoke a spiritual or redemptive quality, with “rain” acting as a metaphor for cleansing or renewal—common in blues and gospel traditions.
The song has a dynamic build-up, with increasing instrumental intensity toward the end. It features multiple guitar solos. The first is a short and subtle solo around the 1:33 mark. The main solo is an extended outro solo that lasts more than a minute and is another example of emotive, melodic storytelling. The ending solo has been compared to a gospel altar call, where the guitar becomes the preacher’s voice.
Clapton's catalog is so deep that I had this song in my first 10 out for most of the time I was building my playlist. But in the end, I just couldn't leave it out.
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Charlie Wilson’s vocal skills seem to have gotten better with time.
Billy may agree with you on some of this, and I only say that because he said Streetlife Serenade is his least favorite album, because he was rushed to do it, so he felt like he didn't have time to develop some of the songs like he wanted. I like the album, and this song is one of my favorites or it wouldn't be on my list. I don't see anything wrong with the lyrics. As far as the duet with Kermit and Piggy is concerned, it wouldn't work for me because there is just something puppety about their voices. I like Billy's voice.Artist Who Should Have Recorded This: The Muppets. This song is best done as a duet. Kermit & Piggy are the perfect combination for it. Animal on the drums is the icing on the cake.
7th grade poetry-kids would be ashamed of these lyrics.
Don't let him brainwash you, Charlie.I can't see it any other way now.
I'm glad you put it back in. "Let It Rain" is one of my favorites by him, and it reminds me so much of when I was in college, and especially going to see him in Chapel Hill, and it happened to be on his birthday. I had my VW Bus loaded up with friends, and we had so much fun.Clapton's catalog is so deep that I had this song in my first 10 out for most of the time I was building my playlist. But in the end, I just couldn't leave it out.
The only thing Kermit and Miss Piggy can cure is insomnia.Artist Who Should Have Recorded This: The Muppets. This song is best done as a duet. Kermit & Piggy are the perfect combination for it. Animal on the drums is the icing on the cake.
7th grade poetry-kids would be ashamed of these lyrics.
It was nice of Charlie to give out his mom's phone number on Mother's Day.#30 Charlie, Last Name Wilson (Spotify) - Charlie Wilson
I posted a week or so ago in here that I think Charlie Wilson’s vocal skills seem to have gotten better with time. His pipes and smooth voice were always there, but maybe it just can sometimes feel hidden in the synth and bass of The GAP Band.
The GAP Band music was influential to a lot of New Jack Swing and modern R&B artists. When Charlie Wilson was trying to build up his solo career, a lot of those artists who were influenced by him wanted to work with him. This one was written and produced for him by one of those artists. *cough* R. Kelly *cough* I think the player style lyrics are a bit misplaced for him, but Charlie Wilson just sings the hell out of it, particularly the last half of the song. His solo songs often have a vocal intensity where he builds up his voice like a freight train rolling to the end.
I’ll get back to The GAP Band next.
I never have figured out what Neil was doing on the album cover.#30 - Cherry, Cherry - Neil Diamond
This song was released in 1966, but I'm using the version from the live album Hot August Night (1972). I didn't always choose the versions of songs from this concert, but it does happen a few more times. I don't normally enjoy concert recordings (Freebird!), but this one has good recording quality and great performances.
Playing a squeezebox?I never have figured out what Neil was doing on the album cover.#30 - Cherry, Cherry - Neil Diamond
This song was released in 1966, but I'm using the version from the live album Hot August Night (1972). I didn't always choose the versions of songs from this concert, but it does happen a few more times. I don't normally enjoy concert recordings (Freebird!), but this one has good recording quality and great performances.