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Middle Aged Dummies!! Artists #1's have been posted!! (2 Viewers)

11. Daft Punk ft. Pharrell Williams and Nile Rodgers - Get Lucky

This song was probably Daft Punk's biggest, and some would say, best. Off of the big-budgeted album Random Access Memories, the song features Pharrell Williams and funk/disco God Nile Rodgers. How big of a song was it back when it was released in 2013? Huge. It was one of the few songs Daft Punk have that can call itself a chart-topper, hitting #1 in seventeen countries worldwide, including #2 in the United States for five weeks, finishing second those five weeks only to Robin Thicke's "Blurred Lines." "Get Lucky" won two Grammy awards, one for Best Pop Duo/Group Performance and the other for Record Of The Year. The song premiered in teasers on Saturday Night Live and set the Spotify record for streams in one day at that point.

Anyway, it was a huge megahit from a mega-album in 2013. That was ten years ago. Seems like yesterday.

Although I often haven't heard what I'm told are "big" songs, reading this write-up gave me a reasonable explanation for this one. I spent 2013 preparing to move, moving, living in, and moving back from Nicaragua. Kinda missed all of US pop culture that year. Well, except I did hear Blurred Lines...in Nicaragua.
 
Just had the weirdest thing happen while doing research for the next countdown. Listening to an album on Spotify and it stopped mid song and advanced to the next track. Went to go back and that song is blacked out and no longer available. Sucks if it stays that way because it's probably a top 10-12 song.
Turned out to be user error. Phone was in my pocket while I was walking and somehow switched to the options screen for the song and then clicked block. Never knew that was even a thing lol :bag:
It’s actually a useful function for some old albums where Spotify only has the “Deluxe” version with 40 extra songs, 8 of which are different versions of the same song. So I have used it.
 
I was a little down on the #11s, but then I got somewhere near the midway point, and it all turned around!

"Reconsider Me" might be my favorite so far from Warren Zevon. Ditto for "Brazil" from deadmau5. Ditto ditto for "Sea of Destruction" from Clutch.

"Rock and Roll Ain't Noise Pollution" is an AC/DC song I don't think I'd heard, and loved.

Bruce Springsteen sounded great live on "Seeds."

Ray Charles pulled "I Can't Stop Loving You" out of its usual dreary, almost hymnal, sound and gave it color.

A couple of known favorites from Elliott Smith and Stevie Wonder, but then again they all are.

More solid contributions from Sigur Ros ("Gobbledigook"), Chicago ("Listen"), Ryan Adams ("English Girls Approximately"), and Alice in Chains ("Over Now").

Special shout-out to the story from @MAC_32 on "F.O.D."

Stunners from Bauhaus ("Kick in the Eye") and The Tragically Hip ("In a World Possessed by the Human Mind"). And my biggest WOW of the day to "Lord, I'm Discouraged" by The Hold Steady.
 
Rockaria!

Quick note on this one. From the awesome New World Record album, this is probably what Lynn envisioned when he wanted classical music and rock and roll to meet. Starts out with opera (?), goes right into guitar and becomes a pretty fast rocker. Strings all throughout provide a nice, soaring feel, and Lynn does his best to channel his inner John Lennon-style shouting vocal. Was probably a top 3 for me growing up but I didn't rank in this countdown so it fell here.
 
Rockaria!

Quick note on this one. From the awesome New World Record album, this is probably what Lynn envisioned when he wanted classical music and rock and roll to meet. Starts out with opera (?), goes right into guitar and becomes a pretty fast rocker. Strings all throughout provide a nice, soaring feel, and Lynn does his best to channel his inner John Lennon-style shouting vocal. Was probably a top 3 for me growing up but I didn't rank in this countdown so it fell here.
I had never heard this before. Probably my fav new to me ELO(so far)
 
@krista4 I'm surprised Sea of Destruction is the one you've liked best so far. I'd have guessed it would be 1 of the mellower tracks.

I know I liked/commented upon a couple of the very early ones really well, too, but I don't recall whether they were mellower. I like harder rock, but just not Cookie-Monster vocals. So I've liked quite a few along the way but then got turned off by the vocals. These were good and shout-y without going into Cookie Monster territory. :)
 
Although I often haven't heard what I'm told are "big" songs, reading this write-up gave me a reasonable explanation for this one. I spent 2013 preparing to move, moving, living in, and moving back from Nicaragua. Kinda missed all of US pop culture that year. Well, except I did hear Blurred Lines...in Nicaragua.

You sound way too reasonable. Kick the hermit-like tendencies up a notch and we'll allow it.

2013 was sort of a lost year for me too, though for different reasons. (I do remember this song once or twice, though, meaning it must have been ubiquitous in the States. Ubiquity in Nicaragua is a different matter as there is nothing about a Nicaraguan chart position for "Get Lucky" in Wikipedia.)
 
As we get ready to reveal our Top 10s i thought Id list a few songs that would probably be in my top 10 from some of your artists... If I don't mention yours, I don't know enough to have a top 10...

Dinosaur Jr- Feel the Pain

Modest Mouse- Float on, 3rd Planet, Cowboy Dan, and maybe even Heart Cook Brain--- damn they have so many bangers

ELO- Showdown, Telephone Line,

ACDC- Hells Bells, DDDDC, Rock n Roll ain't Noise Pollution

Bruce Springsteen- Born to Run

Elton John- Goodbye Yellow Brick Road, Daniel

Foo Fighters- Best of You, Walk, This the Call

Heart- Even it Up, Barracuda, These Dreams

Ryan Adams- New York, New York, Lucky Now, Two,

The Police- Can't Stand Losing You, Wrapped around your Finger

Genesis- Abacab, No Reply at all

Spoon- The Way We Get By

Steely Dan- Any Major Dude Will Tell You

Warren Zevon- Werewolves of London

Stevie Ray Vaughn- Look at Little Sister

Simon and Garfunkel- Mrs. Robinson

Green Day- Welcome to Paradise

Queen- Somebody to Love, Crazy Little Thing Called Love

The Decemberist- The Mariner's Revenge, O Valencia! and probably Crane Wife 1 and 2

Rush- Working Man, Tom Sawyer, Limelight

Alice n Chains- Them Bones, Again, No Excuses

Blur/Gorillaz- Parklife, Clint Eastwood

Oh and My 14 year old Daughter says Exile from T swift is top 10 for her so I'll add that.

Looking forward to all the Top 10s!
 
#10's PLAYLIST
#10-
Todd RundgrenNew Binky the DoormatIs It My Name?
Jorge Ben JorDon QuixotePara Ouvir No Rádio

Brandi CarlileJB Breakfast ClubLooking Out - Give Up the Ghost
https://open.spotify.com/track/66xeIWkXo4u4UINbVpbXML
The PoliceZegras11Spirits In The Material World
Modest MouseThe Dreaded MarcoPolar Opposites
GenesisYo MamaEntangled
Stevie Ray VaughanSullieCrossfire
The Decemberistskupcho1The Rake's Song
...And You Will Know Us By The Trail Of DeadplinkoInto the Godless Void
X: The Godless Void And Other Stories (2020)
The KinksGalileoDo it Again (1984 - Word of Mouth)
RushhigginsThe Trees
Sigur RósScoresmanKveikur (Candlewick) - Kveikur - 2013
Donald FagenCharlie SteinerTurn That Heartbeat Over Again
Green DayMAC_32Letterbomb
Big ThiefIlov80sDragon New Warm Mountain I Believe in You
Daft Punk rockactionTelevision Rules the Nation/Crescendolls
Taylor SwiftJpalmerI Bet You Think Of Me
Elliott SmithTuffnuttAlphabet Town

ChicagoPip's InvitationMississippi Delta City Blues
The StranglersJohn Maddens LunchboxNice ‘N’ Sleazy
Ryan AdamsDr. OctopusOh My Sweet Carolina
Stevie WonderUruk-HaiSir Duke
SladeMrs. RannousMy Oh My
PhishshukeMaze
Electgric Light Orchestra (ELO)jwbIllusions in G Major
Frank BlackMister CIAEverything Is New
Clutch Raging Weasel Profits Of Doom
Dinosaur Jr. KarmaPolice Pick Me Up
Warren ZevonworrierkingSplendid Isolation
He typically began his solo concerts with this one.

Notable Lyric:
Michael Jackson in Disneyland
Don't have to share it with nobody else
Lock the gates, Goofy, take my hand
And lead me through the world of self
Alice in ChainsMt. ManRain When I Die
QueensnellmanWe Will Rock You
AC/DCfalguyRock 'n' Roll Singer
The Hold SteadscorchySweet Payne
Damon AlbarnEephusBlur --- The Universal
Ray Charlessimey
Doveslandrys hatHere It Comes
SpoonHov34My Mathematical Mind

Foo FightersJust Win BabyStacked Actors
Simon & Garfunkelzamboni"Patterns"
Bruce SpringsteenDrIanMalcolmDancing in the Dark
The ProdigytitusbrambleJericho
Bauhausotb_liferBela Lugosi's Dead (live)
HeartDoug BRockin' Heaven Down
The Tragically HipNorthern VoiceCourage (for Hugh Maclennan)
deadmau5zazaleAnimal Rights
Elton JohntimschochetLevon
 
#10's PLAYLIST
#10-
Ryan AdamsDr. OctopusOh My Sweet Carolina
Stevie WonderUruk-HaiSir Duke
Elton JohntimschochetLevon

:wub: :wub: :wub: Each of these is in my top 5 for the particular artist.

ETA: Probably top 3.
 
#10 Do it Again (1984 - Word of Mouth)

Another Kinks tune about the daily grind. We’ve all been there, as have the Kinks, see Here Comes Yet Another Day at #14, which was recorded 12 years earlier. I suspect I have this song rated much higher than other people would rate it. This is an easy song to relate to, and frankly, I just find it catchy as hell. Something about Ray Davies' vocals simply resonates with me, and this hits with a cool vocal echo effect right out of the gate. This era of Kinks music (late 70’s-early 80’s) finds me in those early teen years when music started to become a bigger part of my life. The first concert I ever attended was The Kinks, and it was during this tour.


Standing in the middle of nowhere
Wondering how to begin
Lost between tomorrow and yesterday
Between now and then

And now we're back where we started
Here we go round again
Day after day I get up and I say
I better do it again

Where are all the people going
Round and round till we reach the end
One day leading to another
Get up go out do it again

Then it's back where you started
Here we go round again
Back where you started
Come on do it again

And you think today is going to be better
Change the world and do it again
Give it all up and start all over
You say you will but you don't know when

Then it's back where you started
Here we go round again
Day after day I get up and I say
Come on better do it again

The days go by and you wish you were a different guy
Different friends and a new set of clothes
You make alterations and [a fact in you knows]
A new house a new car a new job a new nose
But it's superficial and it's only skin deep
Cause the voices in your head keep shouting in your sleep
Get back, get back

Back where you started, here we go round again
Back where you started, come on do it again

Back where you started, here we go round again
Day after day I get up and I say, do it again
Do it again
Day after day I get up and I say, do it again
 
I'd intended before the #10s to post an update of the Galileo vs. British Isles M-AD rankings but forgot. His #10 didn't change anything, though. With nine songs left to go, he has not touched 10 of our choices, so sadly at least one of the M-AD favorites will be on the outside looking in.

1. xxx – 6 votes for 148 points

2. xxx – 2 votes for 60 points

3. xxx – 3 votes for 59 points

4. The Village Green Preservation Society – 2 votes for 57 points Galileo #21

5. xxx – 2 votes for 55 points

6. Destroyer – 2 votes for 42 points Galileo #18

TIE 7. A Well Respected Man – 1 vote for 28 points Galileo #17

TIE 7. xxx – 1 vote for 28 points

9. xxx – 1 vote for 27 points

10. xxx – 2 votes for 22 points

11. 20th Century Man – 1 vote for 20 points Galileo #20

TIE 12. xxx – 1 vote for 15 points

TIE 12. xxx – 1 vote for 15 points

14. xxx – 1 vote for 4 points

15. All Day and All of the Night – 1 vote for 1 point Galileo #13
 
#10 - The Stranglers - Nice ‘N’ Sleazy


Year - 1978
Album - Black and White
UK Chart position - #18
Vocals - Hugh Cornwell
Key Lyric - Nice 'n' sleazy, nice 'n' sleazy
Does it, does it, does it every time
Nice 'n' sleazy does it

Interesting Points
1- The heavy bass line pays a key part of this song. JJB has a distinctive style and lot of the songs are bass and keyboard driven rather than guitar

2-One of the most frenetic keyboard solos links the song beautifully, even if its a bit rough on the ears

3-At one of their most notorious gigs at Battersea, (The chief support act for the gig was one Peter Gabriel fresh off leaving Genesis) someone thought it a great idea to hire strippers to “empower females” during this song. I will let JJB take it from here

With regards to the strippers, we had been accused since the year before of of being misogynists and male chauvinists. There were attempts by the press and the Pistols and Clash and all that lot to denigrate us. My girlfriend at the time, Tracey, shared a flat with Lynn in Acton and I stayed there a lot of the time. Lynn was a professional stripper and made her living stripping in pubs. Lynn had originally proposed that she could strip at our Brighton gig at the time we released Black and White. She knew us and she thought it was outrageous that we were being accused of sexism. When Battersea Park was suggested, she said that she could get some of her work colleagues to strip too.
The girls were basically saying that we are empowered and we can do whatever we want with our bodies. We have power over men. It wasn’t The Stranglers exploiting them as it wasn’t our idea in the first place. Lynn volunteered to do it and, of course, we accepted! The police came back after the gig and cautioned the girls but they realised how silly it was and nothing happened to them. The press jumped on the bandwagon with headlines like ‘Stranglers in nude woman horror shock’ though. Instead of a display of female empowerment, it was more embedded that we had exploited the girls.

4- The picture sleeve for the single, with Shut Up on the B Side, featured a real life victim of the Boston strangler with a sheet covering their face

5-What is the song actually about? Heres Hugh
Sleazywas written about our experiences with the Amsterdam Hells Angels in the autumn of '77. One of the Finchley Boys rode my Triumph over to Amsterdam and I went with the band. The Amsterdam Angels treated us very well, too well, and we ended up at their Chapter house, which had been donated by the Government to keep them out of town. After the Paradiso gig, I remember Jet going back to their club house on the back of a Harley. I went with the President of the Angels in his huge, American car and we got stopped by the Police. He gave me a large bag of white powder to look after while he got out of the car and went and pissed on the police car's front wheel! Back at their compound, we shot guns at a prison which was being built. Quite scary!

Summary to date
Year

1977 - 9
1978 - 5
1979 - 2
1980 - 0
1981 - 1
1982 - 1
1983 - 0
1984 - 2
1985 - 0
1986 - 0
1987 - 0
1988 - 1
1989 - 0
1990 onwards - 1

Where to find
Rattus Norvegicus - 6/9
No More Heroes - 2/11
Black and White - 2/12
The Raven - 2/11
The Gospel According to the Meninblack - 0/10
La Folie - 1/11
Feline - 0/9
Aural Sculpture - 2/11
Dreamtime - 0/10
All Live and All of the Night - 1/13
10 - 1/10
1991 onwards - 0
B Sides - 1
Greatest Hits - 1
Standalone Single - 3

Running Vocal Count
Hugh Cornwell - 14
Jean-Jacques Burnel - 8
Other - 0

Rundown
#31 - Walk on By
#30 - Ugly
#29 - All Day and All of the Night
#28 - Meninblack
#27 - Goodbye Toulouse
#26 - Princess of the Streets
#25 - Sweden (All Quiet on the Eastern Front)
#24 - Duchess
#23 - Sometimes
#22 - La Folie
#21 - North Winds
#20 - No Mercy
#19 - 5 Minutes
#18 - Strange Little Girl
#17 - Shut Up
#16 - Bitching
#15 - Bring on the Nubiles
#14 - 96 Tears
#13 - Down in the Sewer
#12 - Hanging Around
#11 - Straighten Out
#10 - Nice ‘N’ Sleazy
Next we have a highlight of the live shows as JJB reappears to vocal this
 
I'd intended before the #10s to post an update of the Galileo vs. British Isles M-AD rankings but forgot. His #10 didn't change anything, though. With nine songs left to go, he has not touched 10 of our choices, so sadly at least one of the M-AD favorites will be on the outside looking in.
Uh Oh! Knowing a couple of the songs in my top ten, I suspect there is more than one from your list that got snubbed.
 
10. Turn That Heartbeat Over Again is the fourth song from Can't Buy a Thrill to appear on my list, and at least the third one on the list whose lyrics I was hearing wrong for many years.

In the case of this song, it's the first two lines, which really changes my understanding of the whole thing. I always thought he said he bought a gong (instead of gun), and that the plan was dawn (instead of done), as well as instead of "I saw him laid to rest", I always heard, "we his soul lay to rest"; taken with the rest of the lyrics, I thought they were dabbling in voodoo, but it seems to be about a robbery gone wrong :bag: :

With stocking face I bought a gun
The plan was set the plan was done
Looked at my watch and started for the door
Now the food here ain't so good no more
And they closed the package store

Love your mama, love your brother
Love 'em till they run for cover
Turn the light off, keep your shirt on
Cry a jag on me

Oh Michael Oh Jesus you know I'm not to blame
You know my reputation for playing a good clean game
Oh Michael Oh Jesus I'll keep my promise when
You turn that heartbeat over again

My poison's named you know my brand
So please make mine a double, Sam
Stir it up nice I'll eat it right here
This highway runs from Paraguay
And I've just come all the way

Love your mama, love your brother
Love 'em till they run for cover
Turn the light off, keep your shirt on
Cry a jag on me

We warned the corpse of William Wright
Not to cuss and drink all night
Ticket in hand I saw him laid to rest
But zombie see and zombie do
He's here with me and you

Love your mama, love your brother
Love 'em till they run for cover
Turn the light off, keep your shirt on
Cry a jag on me

Oh, Michael, oh, Jesus, you know I'm not to blame
You know my reputation for playin' a good clean game
Oh, Michael, oh, Jesus, I'll keep my promise when
You turn that heartbeat over again
Turn that heartbeat over again
 
10. Rain When I Die (off Dirt, 1992)

Was it something I said, held against me?
Ain't no life on the run, slowly climbing
Caught in ice so she stares, stares at nothing
I can help her but won't, now she hates me


(Youtube Version/Official Audio) Alice In Chains - Rain When I Die
(Live Version - camera work is janky) Alice In Chains - Rain When I Die
(Bonus Live Version - 2010) Alice In Chains - Rain When I Die

Ahn-Ahn! This song rather resides as six minutes of sludge and riffs, and (obviously) I’m here for every moment of it. The riffs are strong, and Layne’s voice is an instrument in itself, stretching notes and full of high points. Duvall captures much of that same spirit in his version in the ‘bonus’ link above.

On the album, all four members get a writer's attribution, though like so many others, this was Cantrell and Staley writing the lyrics. You can get some of the mood here just from the title, of heartbreak and past relationships gone sour. Here more with women than each other for Jerry and Layne, at least as far as what they’ve said goes.

Next on the countdown, a song I’ve been in-your-face about appearing.
 
Wow - just another classic from Frank Black that I've never heard. Blown away by him so far.
Love your feedback. I posted my songs alphabetically (and they're playing back in this thread in reverse order). I was concerned that my random method might yield to statistical disappointment in the end, but upon review I'll state with confidence that my final 10 (or 221, whatever it takes) are mostly bone-in rib eye. Hope you enjoy, and I'm looking forward to highlighting some stellar pedal steel for Miss @simey
 
I'd intended before the #10s to post an update of the Galileo vs. British Isles M-AD rankings but forgot. His #10 didn't change anything, though. With nine songs left to go, he has not touched 10 of our choices, so sadly at least one of the M-AD favorites will be on the outside looking in.
Uh Oh! Knowing a couple of the songs in my top ten, I suspect there is more than one from your list that got snubbed.

I think it's great that we'll see some different songs highlighted!
 
I'd intended before the #10s to post an update of the Galileo vs. British Isles M-AD rankings but forgot. His #10 didn't change anything, though. With nine songs left to go, he has not touched 10 of our choices, so sadly at least one of the M-AD favorites will be on the outside looking in.
Uh Oh! Knowing a couple of the songs in my top ten, I suspect there is more than one from your list that got snubbed.
It's Penny Lane, right?
 
Wow - just another classic from Frank Black that I've never heard. Blown away by him so far.
Love your feedback. I posted my songs alphabetically (and they're playing back in this thread in reverse order). I was concerned that my random method might yield to statistical disappointment in the end, but upon review I'll state with confidence that my final 10 (or 221, whatever it takes) are mostly bone-in rib eye. Hope you enjoy, and I'm looking forward to highlighting some stellar pedal steel for Miss @simey
Is that an homage to how the Pixies would arrange their setlists in alphabetical order by song title?
 
10. Mississippi Delta City Blues
Album: Chicago XI (1977)
Writer: Terry Kath
Lead vocals: Terry Kath
Released as a single? No

This shuffling, rollicking Terry Kath composition is my highest-ranking Chicago song that never charted and, despite the studio version's first official release on Chicago XI, may be the oldest original on my list. It dates back to the band's earliest incarnation when they were playing clubs in Chicago, before Jim Guercio moved them to LA. For whatever reason, the band did not appear to consider including it on the first three albums, all of which were doubles and had plenty of room for material. A recording was finally attempted during sessions for Chicago V, and a version cut there was released as a bonus track on a reissue. The song returned to the live rotation for the subsequent Japanese tour and was included on Live In Japan, released in the country of its recording in 1972 but not in the rest of the world until 1996. Then it disappeared again until resurfacing in concert in early 1977 and appearing as the opener to Chicago XI in September of that year. I have hypothesized that since the reappearance coincided with Kath's growing dissatisfaction with the band (and turmoil in his personal life), it may have been a reflection of him not wanting to expend much effort in coming up with new material for them. But I have no idea if that is true. However, by all accounts, Kath around this time was acutely feeling the lyrics of the song, including "I've got to hide/What I'm feelin' inside/Can't let them see/How you're hurtin' me".
What I do know is that the 1977 version is spectacular; I do think it is a genuine improvement from the 1972 version. It is a clinic of rhythmic guitar playing (no shredding or Hendrixian experiments here), and the horn punctuations after Kath sings each line of the chorus are to die for. It also features some of the best grooves Danny Seraphine and Peter Cetera ever laid down. @krista4, I think you'll like this one too. Unfortunately, it was the last evidence we ever got of Terry Kath's genius, as he would accidentally shoot himself to death about 4 months after the release of Chicago XI.
Chicago V bonus track: https://www.youtube.com/watch?v=sHymJVhPbj8
Live version from 1977: https://www.youtube.com/watch?v=EsyQN7m8X2c
Live in Japan version: https://www.youtube.com/watch?v=aFHJceJP9sk

My top 9 Chicago songs are some of their most renowned work. All but one were top 10 singles, and the outlier is iconic for other reasons. At #9, we have a track which had a difficult birth but became the biggest hit from its respective album.
 
Wow - just another classic from Frank Black that I've never heard. Blown away by him so far.
Love your feedback. I posted my songs alphabetically (and they're playing back in this thread in reverse order). I was concerned that my random method might yield to statistical disappointment in the end, but upon review I'll state with confidence that my final 10 (or 221, whatever it takes) are mostly bone-in rib eye. Hope you enjoy, and I'm looking forward to highlighting some stellar pedal steel for Miss @simey
Is that an homage to how the Pixies would arrange their setlists in alphabetical order by song title?
Had no idea, but sure.
 
#10-
Todd RundgrenNew Binky the DoormatIs It My Name?

well, I mentioned I went the angry guitar Todd - and certainly don't regret my decision

I have always loved that he can turn it up and kick *** - and people say "that's the same guy that did 'I Saw The Light?'"

it was close between this one and another on the same album ...

Zen Archer

it starts with an accordian - WHAT??
beautiful, melodic, soulful, psychedelic, progressive, jazzy, dreamy ...tough to put a label on it (which I love) - and even a sax that a @krista4 could possibly love


do you guys have a preference between these two?

they are just such completely different songs ...for me, it's always about what I'm in the mood for - and I listen to albums still a lot more than playlist mixes

I mean, when I'm in the mood for this version of Todd - man, I want the whole album - it's so weird knowing the albums so well and expecting the song to flow into the next ...II miss that so much in mixes.

I mean right after this song ends we are supposed to hear yet another completely song called "Just Another Onionhead"

The blessing of the turtles, the eggs lay on the lawn
Paint a pretty picture for me to sit upon
The calling of the rabbit, the falling of the hare
The hat man then begins to play, a song is everywhere

[Chorus]
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
Tell them Groucho said, you're just another onionhead
(Just another onionhead, just another onionhead)

[Verse 2]
Another Virgin Mary, another case is shut
Have another helping, prime cut of baby's butt
A sip of holy water, a shot of saving grace
Another western mystic, the words pore out my face

[Chorus]
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
I'll shave my skull instead, be just another onionhead
(Just another onionhead)

then it moves into a 1920s Rudy Vallee take

Dada Dali goodbye, Dada Dali don't sigh
Your soft alarm clocks quake me
So boil your beans and meet me at Perignon Station
Crutch me Dali again, Lobster telephone friend
Stay in your seat, watch what you eat
If you don't get a dead mule then you'll know I'm in heat
Dada Dali hello, Dada Dali you're

[Outro]
(Just another onionhead, just another onionhead)


then it moves into another soaring rocker - the flow is SO IMPORTANT AND I MISS IT SO MUCH (albums 4ever)

song link if you're interested ...
 
Random thoughts on some of the known-to-me songs from #10:

Is It My Name is indeed a hard rocker from Todd, and it's also one of the weirdest songs from the incredibly weird A Wizard, A True Star. It may have his most unhinged lyric: "My voice goes so high you would think I was gay/But I play my guitar in such a man-c0ck way".
Spirits in the Material World is another standout from Ghost in the Machine. The gliding reggae beat is a real toe-tapper and the song makes great use of piano.
I figured Entangled might show up on the Genesis list because the other two quiet ballads from A Trick of the Tail (Ripples and Mad Man Moon) did. It's soothing but kind of spooky as well.
Crossfire is one of my favorites from Stevie Ray. It's incredibly crisp.
Do It Again has great guitar work and lyrics. Word of Mouth was one of my first cassettes as well, though this and the other single are quite a bit better than the rest of it. Would have been funny if Steely Dan's Do It Again showed up this round as well, but Charlie Steiner did pick one from the same album.
The Trees is a little too "high schooler tries to write an allegory" in its lyrics, but the music is top notch.
Turn That Heartbeat Over Again is "yeah, this sounds sweet" in its music and "what the hell did I just listen to?" in its lyrics.
Sir Duke is one of the greatest songs of the '70s. It is of course not the only Stevie song you can say that about. I really do feel it all over with each listen.
I took Maze in the US MAD countdown. What I said there:
They have better jam vehicles for their concerts, but IMO this is Phish's best accomplishment in the studio. It's extremely well composed, the tension of the arrangement and the paranoia of the lyrics match up perfectly, and best of all, it rocks the hell out, with some of the best guitar solos Trey Anastasio put on record. Some people associate Phish with meandering tunes that float off into space, but this is definitely not that.

If someone asks you what grunge sounds like, playing them Rain When I Die is as good a response as any.
I've always found We Will Rock You a little hammy, but Brian May's guitar solo is undeniable.
Stacked Actors is one of my favorite Foo songs. It is relentless and a perfect album opener.
Hey, isn't that Courtney Cox?
Bela Lugosi's Dead is a remarkable accomplishment and perhaps the song that most defines goth.
Levon has an incredible string arrangement and one of Elton's best vocals.
 
#10-
Todd RundgrenNew Binky the DoormatIs It My Name?

well, I mentioned I went the angry guitar Todd - and certainly don't regret my decision

I have always loved that he can turn it up and kick *** - and people say "that's the same guy that did 'I Saw The Light?'"

it was close between this one and another on the same album ...

Zen Archer

it starts with an accordian - WHAT??
beautiful, melodic, soulful, psychedelic, progressive, jazzy, dreamy ...tough to put a label on it (which I love) - and even a sax that a @krista4 could possibly love


do you guys have a preference between these two?

they are just such completely different songs ...for me, it's always about what I'm in the mood for - and I listen to albums still a lot more than playlist mixes

I mean, when I'm in the mood for this version of Todd - man, I want the whole album - it's so weird knowing the albums so well and expecting the song to flow into the next ...II miss that so much in mixes.

I mean right after this song ends we are supposed to hear yet another completely song called "Just Another Onionhead"

The blessing of the turtles, the eggs lay on the lawn
Paint a pretty picture for me to sit upon
The calling of the rabbit, the falling of the hare
The hat man then begins to play, a song is everywhere

[Chorus]
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
Tell them Groucho said, you're just another onionhead
(Just another onionhead, just another onionhead)

[Verse 2]
Another Virgin Mary, another case is shut
Have another helping, prime cut of baby's butt
A sip of holy water, a shot of saving grace
Another western mystic, the words pore out my face

[Chorus]
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
You want the obvious, you'll get the obvious
I'll shave my skull instead, be just another onionhead
(Just another onionhead)

then it moves into a 1920s Rudy Vallee take

Dada Dali goodbye, Dada Dali don't sigh
Your soft alarm clocks quake me
So boil your beans and meet me at Perignon Station
Crutch me Dali again, Lobster telephone friend
Stay in your seat, watch what you eat
If you don't get a dead mule then you'll know I'm in heat
Dada Dali hello, Dada Dali you're

[Outro]
(Just another onionhead, just another onionhead)


then it moves into another soaring rocker - the flow is SO IMPORTANT AND I MISS IT SO MUCH (albums 4ever)

song link if you're interested ...
If we're talking hard rockers from side 1 of AWATS, give me this one.
 
Unfortunately, it was the last evidence we ever got of Terry Kath's genius, as he would accidentally shoot himself to death about 4 months after the release of Chicago XI.

It's a testament to how (sadly) little I've known about Chicago's history that I didn't know this. Just read about it on Wiki and saw how tragic it was. Also learned this odd tidbit (which I realize Pip will know but maybe some others wouldn't): "The group's members were devastated over losing Kath and strongly considered disbanding, but were persuaded by Doc Severinsen, musical director of the Tonight Show band, to continue."
 
Wow - just another classic from Frank Black that I've never heard. Blown away by him so far.
Love your feedback. I posted my songs alphabetically (and they're playing back in this thread in reverse order). I was concerned that my random method might yield to statistical disappointment in the end, but upon review I'll state with confidence that my final 10 (or 221, whatever it takes) are mostly bone-in rib eye. Hope you enjoy, and I'm looking forward to highlighting some stellar pedal steel for Miss @simey
The Frank Black music has been great, and I love bone-in ribeyes and the pedal steel. Some people associate the pedal steel with twang, but I think it has a musical voice that channels emotions through its sound.
 
Unfortunately, it was the last evidence we ever got of Terry Kath's genius, as he would accidentally shoot himself to death about 4 months after the release of Chicago XI.

It's a testament to how (sadly) little I've known about Chicago's history that I didn't know this. Just read about it on Wiki and saw how tragic it was. Also learned this odd tidbit (which I realize Pip will know but maybe some others wouldn't): "The group's members were devastated over losing Kath and strongly considered disbanding, but were persuaded by Doc Severinsen, musical director of the Tonight Show band, to continue."
I did know that. I think I mentioned it in the band history post I did before the countdown.

The band was good friends with **** Clark so I guess it makes sense they knew Severinsen well also.
 
#10 - Ray Charles with Norah Jones - Here We Go Again - Spotify

Ray originally recorded and released this song in 1967, but he re-recorded it again in a duet with Norah Jones in 2004 on his last album Genius Loves Company. The song would end up winning a Grammy for Record of the Year. As mentioned before with the B.B. King duet, Ray wasn't well while doing this album, but his usual high spirit is very present. I remember my mom calling me and saying that she bought the new Ray Charles album, and she got me one too. This is the first song on the album, and I remember listening to it and instantly loving it. Billy Preston's organ work makes the song even better. It is such a bittersweet feeling knowing Ray died a couple of months before the album was released, and knowing the album did so well, and was an exclamation point on the career of one of the best musicians/artists ever.
 
I went about my top ten in a different way. Slade put out an album called The Amazing Kamikze Syndrome. It was released in The States as Keep Your Hands Off My Power Supply. Some of the songs on the US release are different, as is the order. The US version is one of my all-time favourite albums. Therefore, my top ten is the album in order with the exception of my number one choice for reasons I shall divulge later. "My Oh My" is the album version of the earlier song that was #20 on my list.

I've noticed that sometimes people are momentarily confused about which band they are listening to. Not a problem here. Slade sounds like Slade and nobody else sounds like Noddy Holder.
 

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