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My brother says Neil Peart is the greatest rock drummer ever (2 Viewers)

otello said:
Uruk-Hai said:
I don't know #### about playing drums other than I could never do it, but guys like Peart leave me cold. Yeah, I'm impressed you can do 8,000 different things a second. Eddie Van Halen ruined a generation of guitarists in the same way.

To me, a drummer (like the rest in the band) should serve the song, not break it into pieces. Guys like Moon were great because their chops were built into the song from the get-go and made sense melodicaly (he was essentially the lead guitarist and Pete wrote the songs that way).
Does Peart's playing YYZ leave you cold?
Considering they couldn't even spell the end of the alphabet right, I'm gonna go with "yes" on this one.
I hope one day you get stuck in a Toronto airport.

 
I think Doug Flutie reads this forum. Or, is Tim's brother. Both are possible I guess.

I was listening to AM570 this morning, the Jay Mohr sports show. Doug Flutie was the call-in guest. Since Flutie's a drummer, Jay asked him who his favorite drummers were. No hesitation, #1, top of the list, Flutie says "Neal Peart".

:oldunsure:

 
I think Doug Flutie reads this forum. Or, is Tim's brother. Both are possible I guess.

I was listening to AM570 this morning, the Jay Mohr sports show. Doug Flutie was the call-in guest. Since Flutie's a drummer, Jay asked him who his favorite drummers were. No hesitation, #1, top of the list, Flutie says "Neal Peart".

:oldunsure:
So Flutie is tim's brother? :oldunsure:

 
I think Doug Flutie reads this forum. Or, is Tim's brother. Both are possible I guess.

I was listening to AM570 this morning, the Jay Mohr sports show. Doug Flutie was the call-in guest. Since Flutie's a drummer, Jay asked him who his favorite drummers were. No hesitation, #1, top of the list, Flutie says "Neal Peart".

:oldunsure:
So Flutie is tim's brother? :oldunsure:
The shortest answer is quite often the correct answer.

 
I think Doug Flutie reads this forum. Or, is Tim's brother. Both are possible I guess.

I was listening to AM570 this morning, the Jay Mohr sports show. Doug Flutie was the call-in guest. Since Flutie's a drummer, Jay asked him who his favorite drummers were. No hesitation, #1, top of the list, Flutie says "Neal Peart".

:oldunsure:
Everyone knows Flutie is a Dungeons and Dragons / Magic the Gathering aficionado. This should come as no surprise.

 
I think Doug Flutie reads this forum. Or, is Tim's brother. Both are possible I guess.

I was listening to AM570 this morning, the Jay Mohr sports show. Doug Flutie was the call-in guest. Since Flutie's a drummer, Jay asked him who his favorite drummers were. No hesitation, #1, top of the list, Flutie says "Neal Peart".

:oldunsure:
He also said he is 5'9" and 7/8ths. Total liar.

 
Rolling Stone Reader's Survey:

8. ?uestlove
LMAO
Yeah, while not knocking ?uestlove due to the usual horrid RS listings, I would put the old "Late Night with David Letterman" drummer Steve Jordan over him. Not because of the Late Night parallel. Jordan still is pretty huge. He's part of that New York clique of drummers who brought in hip grooves like Gadd did in the 70's when he was with Stuff.

I bought this album after reading about it, and Jordan kills on it. It's totally something different than what you heard on Late Night. It's a live recording of Steve Khan's Eyewitness band in Japan:

http://www.youtube.com/watch?v=yrVxPokaI1E

There is an even better track that I can't find on YouTube, with an opening duet between Jordan and the great Anthony Jackson on contrabass (Rush geeks, sorry. Geddy Lee pales in comparison to Jackson. Lee pales in comparison to a lot of bassists, but of course this thread is about drummers, and we have established Peart's "greatness" while deconstructing it at the same time, which I'll point out in a minute).

The funny thing is that Jordan's all time hero is Ringo Starr. Jordan also recorded Keith Richards' solo album and toured with him. He even copped Charlie Watts' signature drum beat, with the hi hat 'lifted' on the snare backbeats on the 2 and 4. In other words, Watts didn't play the hi-hat in unison with the snare on the 2 and 4. A drum teacher of mine in the Bay Area (who taught David Garibaldi and Terry Bozzio) made fun of that "lack" of technique. Yet Jordan explained that Richards loved it because his style worked with that simple little thing. So what did Jordan do with Richards? He did what Watts did for years, lifting the hi-hat on the 2 and 4.

Of course you don't hear Jordan do that on the Kahn track. Then again, he wasn't displacing beats with Richards like he did with Kahn either.

I want to take this opportunity to give a shout out to a very underrated drummer in Russ Kunkel. Kunkel has a career that is beyond a career. He contributed to the laid back "California style" of drumming in the 70's (along with Jim Keltner and Jeff Porcaro) in the 70's and 80's. Kunkel is an avid surfer, and his style is just flat out cool. He has played with the "Whose who?" of great artists, like James Taylor, Jackson Browne, Carly Simon, etc. His "pocket" is stellar. Here is one example of it:

http://www.youtube.com/watch?v=1Mp0rBHhXMs

Note: Somebody thought that a whole lot of Rush geeks "air drumming" to Peart live was cool. Kunkel gets a whole lotta white folk to clap on the 2 and 4 on a classic rock shuffle while singing the lyric. That's doing your job and doing it well. Still not as weird as seeing Rush geek try to sing "The Trees" live. But that's why Dave Matthews has Carter Beauford. You don't care about the crappy lyrics when you have a drummer that can help you forget them.

Here is Kunkel years later with Taylor and Carly Simon live.

http://www.youtube.com/watch?v=Z3LpikM5TE4&list=PL6E66AAF3DCBEE5F9

BTW, as soon as I hear Peart play a ballad with brushes as lyrical as Kunkel or anybody, he then may get into the conversation as "great".

Small except from Drummerworld on Kunkel:

When it comes to studio drummers perhaps no one on the planet is as accomplished as famed LA session drummer Russ Kunkel. His discography is one of the most extensive in popular music. Rock steady, his beat has enhanced a musical who's who of 70s and 80s recording, from Dylan to Streisand and, it seems, almost everyone in between. For many years it seemed every other major album featured Kunkel and his partner in rhythm, Lee Sklar on bass.


A partial listing of artists he has drummed with or produced gives a flavor of his versatility and includes Jackson Browne, Jimmy Buffett, J.J. Cale, Tracy Chapman, Crosby Stills & Nash, Neil Diamond, Bob Dylan, Dan Fogelberg, Don Henley, Elton John, B.B. King, Lyle Lovett, Joni Mitchell, Stevie Nicks, Linda Ronstadt, Seals & Crofts, Bob Segart, Steppenwolf, Derek Trucks Band, Uncle Kracker, Steve Winwood, Neil Young and Warren Zevon.

The Kunkel sound was a signature of early James Taylor recordings, his subdued but funky bass drum work and artful tom tom fills adding a surprising but welcome hipness to the soft acoustic Taylor sound. He has produced numerous other artists's recordings and is an accomplished song writer as well. Kunkel's standing in the music community is perhaps best summarized by this recent tribute from Carly Simon:

"I love Russ Kunkel. He is every singer's favorite drummer and I just was told as a matter of fact that he's Levon Helm's favorite drummer. He is brilliant as a person as well. I don't know what he's doing these days. I hope it's something that's worthy of the talent he always brings to whatever project he's doing. I believe he did more for my career as a writer, arranger and producer than anyone. He kept pushing me in the best possible way when I was writing the music for "Heartburn" and the ensuing album "Coming Around Again", to write the bass parts, guitar and strings myself and play them on synthesizers. For the final recording we of course got reasonable people to play those parts. (I mean, don't kid yourself, that's not me being Billy Paine!!!) You only have to get me started on what a magaical person he is. Generous and brilliant. Love Carly"
He also co-wrote this song with Danny "Kooch" Kortchmar and Jackson Browne:

http://www.youtube.com/watch?v=qZU-9KoGp8w

The pocket is so huge on this track that you can fit an Android Phablet, George Constanza's exploding wallet, and smuggle an Central American immigrant with room to spare.

Plus he was also was one of Spinal Tap's doomed drummers. His real Rock and Roll life pales even to that.

To call Peart the "Greatest drummer in Rock" is placating guys like Kunkel, Keltner, Hal Blaine, Nigel Olssen, and a great deal of others who play songs. You give Keltner a maraca in one hand and a drumstick in the other, and he can still play his stuff with John Lennon. "YYZ" isn't as classic a drum track as Bernard Purdie's "Rock Steady" with Aretha Franklin. Greg Errico on Sly and the Family Stone's "Hot Fun in the Summertime" groove is what Porcaro used on Toto's "Hold the Line", which Porcaro always credited.

Other FBG guys here have there passions about certain things. Cliff Clavin, although I have given grief to, has my respect for his passion of the NBA. Tim has a plethora of interests that should really be narrowed down into a few, but he sticks his neck out for the FBG swords to hack off. There are a host of others who use this forum to express themselves, and I rarely use it for that. This is the one opportunity to share my passion, and I hope to continue with this in this thread.

This being said, Peart is my Kobe as Kobe is to Cliff. ;)

 
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I get why some people hate Dream Theater, given how busy and crazy their music often is. Hell, if I had never heard them until recently, I may not like them, if hearing them for the first time now, but I've been a fan since I was 19, so they are a longtime favorite. I really don't like any of that other type of "super busy" prog metal. I usually like my prog to be rock, not metal.
what's weird is that I like DT, but can never really get into Rush, despite how similar the band are....

maybe having that extra dynamic of 5 guys instead of 3, or that Lee's musical voice is too dominant ...

 
I went to see Carole King/James Taylor in their "Troubador Reunion" tour a couple of years back, and I believe Kunkel was the drummer. Leland Sklar was the bass player, and Danny Kortchmsr the lead guitarist. A very famous band.

 
Also, now that you mentioned soft rock, you made me think of Steve Gadd and "50 Ways to Leave Your Lover". Where does he rank?

 
I went to see Carole King/James Taylor in their "Troubador Reunion" tour a couple of years back, and I believe Kunkel was the drummer. Leland Sklar was the bass player, and Danny Kortchmsr the lead guitarist. A very famous band.
You sure famous was the word you were looking for there?

 
As mentioned its very subjective. Moon and Bonham were very unorthodox drummers. I love both the Who and Zep, but don't know if I could ever put them above Peart. And I can't imagine a discussion about the greatest rock drummers not including Bill Bruford (Yes, Crimson, UK, Genesis...).
agreed, technically speaking they might be the two best rock drummers. bruford is extremely underrated.in jazz, miles had tony williams and billy cobbham, and they were both powerhouses. they both played with john mclaughlin, in some of the more seminal and interesting (before becoming formulaicly spent) fusion music.

also agree that ringo is taken for granted, he supposedly never missed a beat in the studio. mitch mitchell might have been underrated, just due to being a hendrix sideman, but he had some great big band fills that gave the power trio a much bigger sound than it would have had otherwise.

bernard purdie was a legendary soul, funk, jazz drummer. steely dan could have their pick of the cream of the crop of east coast and west coast studio musicians, and you can youtube a nice bit from the VH1 classic album series, making of aja doc.

elvin jones was a polyrhythm monster and a force of nature with a sound that was the perfect complement to john cotrane's classic, signature "sheets of sound" style.

maybe the greatest rhythm section ever was count basie's, and the engine that drove it was "papa" jo jones (not to be confused with miles regular "philly" joe jones), he was a pioneer and innovator of the drum kit, and keeping time with cymbals, which sonically had the advantage of overall having a very transparent sound so there was no clutter to impede hearing all the other instruments (he used the bass drum for "dropping bombs", as he called them :) ).

the late al jackson, jr. of booker t and MGs is probably criminally underappreciated and not very well known despite being so influential (partly a function of their being the house band for the many soul acts on the memphis-based stax-volt label).

 
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BTW, how can we leave Roger Taylor of Queen out of this conversation?

http://www.youtube.com/watch?v=kkekgF8gZpE
Taylor was good, but one of rock's best? Nah. He cannot touch Peart, Moon, Bonham, Bruford, etc.

I get why some people hate Dream Theater, given how busy and crazy their music often is. Hell, if I had never heard them until recently, I may not like them, if hearing them for the first time now, but I've been a fan since I was 19, so they are a longtime favorite. I really don't like any of that other type of "super busy" prog metal. I usually like my prog to be rock, not metal.
what's weird is that I like DT, but can never really get into Rush, despite how similar the band are....

maybe having that extra dynamic of 5 guys instead of 3, or that Lee's musical voice is too dominant ...
DT's music is far busier than Rush's has ever been. Plus, even though a lot of DT songs have catchy melodies, Rush's music is far catchier and instantly likable, so long as Geddy's voice doesn't have you running for the hills. :lol:

 
Here is a great track by Kazumi Watanabe. I forget who the drummer is, but his playing is stellar.

http://www.youtube.com/watch?v=hWc8nIguM7k

I love the section starting at 3:42. Kazumi's guitar sounds are killer. The drumming is as well.
Kazumi used the Sly & Robbie rythym section sometimes, not sure if that is them though.

Bass – Robbie Shakespeare, Drums – Sly Dunbar

 
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Also, now that you mentioned soft rock, you made me think of Steve Gadd and "50 Ways to Leave Your Lover". Where does he rank?
If you have read through this thread, you would had seen links to Gadd and "50 Ways" all over it, as well as his rank from other posters than I.

 
Also, now that you mentioned soft rock, you made me think of Steve Gadd and "50 Ways to Leave Your Lover". Where does he rank?
If you have read through this thread, you would had seen links to Gadd and "50 Ways" all over it, as well as his rank from other posters than I.
I DID see Gadd, but I didn't make the connection to "50 Ways"- I knew there was supposed to be a great drummer on that song, but I didn't remember his name, so I looked it up.

 
BTW, how can we leave Roger Taylor of Queen out of this conversation?

http://www.youtube.com/watch?v=kkekgF8gZpE
Taylor was good, but one of rock's best? Nah. He cannot touch Peart, Moon, Bonham, Bruford, etc.

I get why some people hate Dream Theater, given how busy and crazy their music often is. Hell, if I had never heard them until recently, I may not like them, if hearing them for the first time now, but I've been a fan since I was 19, so they are a longtime favorite. I really don't like any of that other type of "super busy" prog metal. I usually like my prog to be rock, not metal.
what's weird is that I like DT, but can never really get into Rush, despite how similar the band are....

maybe having that extra dynamic of 5 guys instead of 3, or that Lee's musical voice is too dominant ...
DT's music is far busier than Rush's has ever been. Plus, even though a lot of DT songs have catchy melodies, Rush's music is far catchier and instantly likable, so long as Geddy's voice doesn't have you running for the hills. :lol:
Queen to me what big rock is all about. Epic, operatic, glam, and bombastic with a huge drum sound. Taylor has chops. You just don't hear them much on the album tracks. Live, he is right there with Mercury who some consider one of the greatest rock frontmen (if not THE greatest) playing through all the changes and dynamics of Queen's music.

But again, we're talking about a drummer who known for playing in only one band. That band just happens to be Queen. Where Queen slots on a list we'll leave up to others than Rolling Stone.

 
My personal fav of all time is Jimmy Chamberlin. He grew up playing jazz and was clasically trained. When he joined the SP, he brought a complexity and wide range of technique to a genre where most drummers were straight ahead 2/4 rock sitting quietly underneath layers of screaming, feedback laced guitar rythms and solos.

Another truly great and underrated drummer is Peter Erskine. He's jazz and swing, having played with the Weather Report and now mostly teaching.

My opinion on Peart is this. He is a great drummer. A true monster behind the kit; mad chops, perfect timing and is extremely complex. The only negative thing I have to say is that while both he and Geddy Lee are savants on their instruments, I'm not sure their blend and direction of style were meant to go together. It's like having Joe Montana and Jerry Rice, but the two not always being on the same page. Sometimes I get the feeling watching Rush you see Geddy and Alex trying to "jam", whereas Peart always feels like this antiseptic machine back there just killing it, but not soo much playing with the other two.

 
As mentioned its very subjective. Moon and Bonham were very unorthodox drummers. I love both the Who and Zep, but don't know if I could ever put them above Peart. And I can't imagine a discussion about the greatest rock drummers not including Bill Bruford (Yes, Crimson, UK, Genesis...).
agreed, technically speaking they might be the two best rock drummers. bruford is extremely underrated.in jazz, miles had tony williams and billy cobbham, and they were both powerhouses. they both played with john mclaughlin, in some of the more seminal and interesting (before becoming formulaicly spent) fusion music.

also agree that ringo is taken for granted, he supposedly never missed a beat in the studio. mitch mitchell might have been underrated, just due to being a hendrix sideman, but he had some great big band fills that gave the power trio a much bigger sound than it would have had otherwise.

bernard purdie was a legendary soul, funk, jazz drummer. steely dan could have their pick of the cream of the crop of east coast and west coast studio musicians, and you can youtube a nice bit from the VH1 classic album series, making of aja doc.

elvin jones was a polyrhythm monster and a force of nature with a sound that was the perfect complement to john cotrane's classic, signature "sheets of sound" style.

maybe the greatest rhythm section ever was count basie's, and the engine that drove it was "papa" jo jones (not to be confused with miles regular "philly" joe jones), he was a pioneer and innovator of the drum kit, and keeping time with cymbals, which sonically had the advantage of overall having a very transparent sound so there was no clutter to impede hearing all the other instruments (he used the bass drum for "dropping bombs", as he called them :) ).

the late al jackson, jr. of booker t and MGs is probably criminally underappreciated and not very well known despite being so influential (partly a function of their being the house band for the many soul acts on the memphis-based stax-volt label).
I highly recomend you YouTube "Booker T and the MGs - Time is Tight". The first video should be a version of the song live from 1970. Jackson and their bassist, Donald "Duck" Dunn just jam through some sections like I;ve never seen a rythm duo work,

 
timschochet said:
drummer said:
timschochet said:
Also, now that you mentioned soft rock, you made me think of Steve Gadd and "50 Ways to Leave Your Lover". Where does he rank?
If you have read through this thread, you would had seen links to Gadd and "50 Ways" all over it, as well as his rank from other posters than I.
I DID see Gadd, but I didn't make the connection to "50 Ways"- I knew there was supposed to be a great drummer on that song, but I didn't remember his name, so I looked it up.
That drum part a was mimicked by a lot of older drummers I knew when I was a kid, but some of them really didn't play it properly, and neither did I lol. It sounds easy but it can be a bit tricky. That's the beauty of it. It was really innovative at the time, and still is.

Now there is a key word when it comes to establishing "Great": innovation. To me, that's where it lies, how innovative a musician is when it comes to music. Going back to Peart, yes he was very innovative with Rush. It gets harder to innovate with one band your entire career though. At one point I just stopped hearing anything new from him.

Gadd is one of the most influential drummers due to his innovation. "50 Ways" is a great example of that. A lot of what he does is rudiment based, like taking a simple sticking and expanding it to sound like this:

http://www.youtube.com/watch?v=tcVVTe1Fhvw

Years later, he is still asked about it, even at a drummer's convention lol.

Here is the famous Chick Corea track, "Nite Sprite" with Gadd on it. Dave Weckl was so influenced by Gadd that he was in a band in his early days named Nite Sprite. It's a classic electric jazz (whatever you do, don't say 'Jazz-fusion' at parties. You'll have a whole lotta this :rolleyes: directed at you) track that Gadd is insane on:

http://www.youtube.com/watch?v=1NEPqYCkrHM

Note: Anthony Jackson is on contrabass on this too.

 
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Rolling Stone Reader's Survey:

8. ?uestlove
LMAO
Yeah, while not knocking ?uestlove due to the usual horrid RS listings, I would put the old "Late Night with David Letterman" drummer Steve Jordan over him. Not because of the Late Night parallel. Jordan still is pretty huge. He's part of that New York clique of drummers who brought in hip grooves like Gadd did in the 70's when he was with Stuff.

I bought this album after reading about it, and Jordan kills on it. It's totally something different than what you heard on Late Night. It's a live recording of Steve Khan's Eyewitness band in Japan:

http://www.youtube.com/watch?v=yrVxPokaI1E

There is an even better track that I can't find on YouTube, with an opening duet between Jordan and the great Anthony Jackson on contrabass (Rush geeks, sorry. Geddy Lee pales in comparison to Jackson. Lee pales in comparison to a lot of bassists, but of course this thread is about drummers, and we have established Peart's "greatness" while deconstructing it at the same time, which I'll point out in a minute).

The funny thing is that Jordan's all time hero is Ringo Starr. Jordan also recorded Keith Richards' solo album and toured with him. He even copped Charlie Watts' signature drum beat, with the hi hat 'lifted' on the snare backbeats on the 2 and 4. In other words, Watts didn't play the hi-hat in unison with the snare on the 2 and 4. A drum teacher of mine in the Bay Area (who taught David Garibaldi and Terry Bozzio) made fun of that "lack" of technique. Yet Jordan explained that Richards loved it because his style worked with that simple little thing. So what did Jordan do with Richards? He did what Watts did for years, lifting the hi-hat on the 2 and 4.

Of course you don't hear Jordan do that on the Kahn track. Then again, he wasn't displacing beats with Richards like he did with Kahn either.

I want to take this opportunity to give a shout out to a very underrated drummer in Russ Kunkel. Kunkel has a career that is beyond a career. He contributed to the laid back "California style" of drumming in the 70's (along with Jim Keltner and Jeff Porcaro) in the 70's and 80's. Kunkel is an avid surfer, and his style is just flat out cool. He has played with the "Whose who?" of great artists, like James Taylor, Jackson Browne, Carly Simon, etc. His "pocket" is stellar. Here is one example of it:

http://www.youtube.com/watch?v=1Mp0rBHhXMs

Note: Somebody thought that a whole lot of Rush geeks "air drumming" to Peart live was cool. Kunkel gets a whole lotta white folk to clap on the 2 and 4 on a classic rock shuffle while singing the lyric. That's doing your job and doing it well. Still not as weird as seeing Rush geek try to sing "The Trees" live. But that's why Dave Matthews has Carter Beauford. You don't care about the crappy lyrics when you have a drummer that can help you forget them.

Here is Kunkel years later with Taylor and Carly Simon live.

http://www.youtube.com/watch?v=Z3LpikM5TE4&list=PL6E66AAF3DCBEE5F9

BTW, as soon as I hear Peart play a ballad with brushes as lyrical as Kunkel or anybody, he then may get into the conversation as "great".

Small except from Drummerworld on Kunkel:

When it comes to studio drummers perhaps no one on the planet is as accomplished as famed LA session drummer Russ Kunkel. His discography is one of the most extensive in popular music. Rock steady, his beat has enhanced a musical who's who of 70s and 80s recording, from Dylan to Streisand and, it seems, almost everyone in between. For many years it seemed every other major album featured Kunkel and his partner in rhythm, Lee Sklar on bass.


A partial listing of artists he has drummed with or produced gives a flavor of his versatility and includes Jackson Browne, Jimmy Buffett, J.J. Cale, Tracy Chapman, Crosby Stills & Nash, Neil Diamond, Bob Dylan, Dan Fogelberg, Don Henley, Elton John, B.B. King, Lyle Lovett, Joni Mitchell, Stevie Nicks, Linda Ronstadt, Seals & Crofts, Bob Segart, Steppenwolf, Derek Trucks Band, Uncle Kracker, Steve Winwood, Neil Young and Warren Zevon.

The Kunkel sound was a signature of early James Taylor recordings, his subdued but funky bass drum work and artful tom tom fills adding a surprising but welcome hipness to the soft acoustic Taylor sound. He has produced numerous other artists's recordings and is an accomplished song writer as well. Kunkel's standing in the music community is perhaps best summarized by this recent tribute from Carly Simon:

"I love Russ Kunkel. He is every singer's favorite drummer and I just was told as a matter of fact that he's Levon Helm's favorite drummer. He is brilliant as a person as well. I don't know what he's doing these days. I hope it's something that's worthy of the talent he always brings to whatever project he's doing. I believe he did more for my career as a writer, arranger and producer than anyone. He kept pushing me in the best possible way when I was writing the music for "Heartburn" and the ensuing album "Coming Around Again", to write the bass parts, guitar and strings myself and play them on synthesizers. For the final recording we of course got reasonable people to play those parts. (I mean, don't kid yourself, that's not me being Billy Paine!!!) You only have to get me started on what a magaical person he is. Generous and brilliant. Love Carly"
He also co-wrote this song with Danny "Kooch" Kortchmar and Jackson Browne:

http://www.youtube.com/watch?v=qZU-9KoGp8w

The pocket is so huge on this track that you can fit an Android Phablet, George Constanza's exploding wallet, and smuggle an Central American immigrant with room to spare.

Plus he was also was one of Spinal Tap's doomed drummers. His real Rock and Roll life pales even to that.

To call Peart the "Greatest drummer in Rock" is placating guys like Kunkel, Keltner, Hal Blaine, Nigel Olssen, and a great deal of others who play songs. You give Keltner a maraca in one hand and a drumstick in the other, and he can still play his stuff with John Lennon. "YYZ" isn't as classic a drum track as Bernard Purdie's "Rock Steady" with Aretha Franklin. Greg Errico on Sly and the Family Stone's "Hot Fun in the Summertime" groove is what Porcaro used on Toto's "Hold the Line", which Porcaro always credited.

Other FBG guys here have there passions about certain things. Cliff Clavin, although I have given grief to, has my respect for his passion of the NBA. Tim has a plethora of interests that should really be narrowed down into a few, but he sticks his neck out for the FBG swords to hack off. There are a host of others who use this forum to express themselves, and I rarely use it for that. This is the one opportunity to share my passion, and I hope to continue with this in this thread.

This being said, Peart is my Kobe as Kobe is to Cliff. ;)
available light off presto

 
The movie Round Midnight (sax legend Dexter Gordon playing a mash up of jazz giants Lester Young and Bud Powell) has an Oscar winning score by Herbie Hancock, featuring some rare footage in the New York scenes of Tony Williams (the movie also has many night club songs in the Paris scenes with fellow Miles Davis second great quintet in the sixties members Ron Carter and Wayne Shortter, as well as circa In a Silent Way/#####es Brew and Mahavishnu Orchestra leader John McLaughlin, etc.).

Highly recommended.

 
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Now that this has been re-booted:

To consider Peart as the "best" rock drummer, you then would have to call Lifeson the "best" rock guitarist, and Lee as the "best" rock bassist. Then you take it further, and call Rush the "best" rock band ever. Yet if you took away Peart and still had John Rutsey, then maybe Rush would be just another Triumph.

What happens is that you open up a whole can of worms just like this thread did with Peart. Like Grace pointed out, they probably don't think they are the best at their respective instruments, just play their best at the kind of music they present.

Lifeson was influenced by Holdsworth during the "Moving Pictures" sessions, which is an example that can of worms here.

Like I said before, I got into other music and drummers because there was something out there 'better' IMO than Rush and Peart. Peart wasn't even the "best" drummer I heard before I ever listened to Rush. The first Rush album I heard (and still have) was "All the World's A Stage". It's still a great live album. I pretty much have all the Rush collection up until the album with "Subdivisions". I have only once seen them in concert. To be honest, that show isn't high on my list of shows I have seen. Peter Gabriel with Manu Katche ranks way higher than the Rush show I saw. But that's just me.

What makes Rush and Peart polarizing is the fans themselves. They kind of remind me of Dead and Phish fans, who follow them rabidly, buy all the recordings, the merchandise, the literature, and talk about past and upcoming shows. I get that, that's cool. Rush music is Rush music. I just stopped listening to it because I find it boring. I got buddies of mine who listen to them and buy the DVD's and stuff, but they know even though I play drums, that I'm just not into them. They will still torture me at the bar by playing Rush on the jukebox lol, but hey, I give them their due as long as they are buying. But Rush fans think everything they do is the best at what they do. In writing, instrumentation, the lyrics, their lifestyle, just flat out Rush geeks.

So to call Peart the "best" rock drummer ever would be calling Rush the "best" rock band ever. Because is he better than Lifeson and Lee in the whole spectrum of rock?
Don't agree with this. A lot of people think Jimi is the best guitarist ever, doesn't mean he played with the best drummer or bassist. 'Best' is very subjective depending on musical taste, hell i saw one poll that had Cobain listed as the 7th best guitarist of all time(and I'm still laughing). That aside, Peart is my favorite rock drummer ever.

 
What do we think of Phil Collins as a drummer? I was listening to some of his stuff on the way home and was pretty sure he hadn't been mentioned here.

 
What do we think of Phil Collins as a drummer? I was listening to some of his stuff on the way home and was pretty sure he hadn't been mentioned here
Collins to me is a lot like Prince; much better at their instrument than people know because of the vocal fame.

 
What do we think of Phil Collins as a drummer? I was listening to some of his stuff on the way home and was pretty sure he hadn't been mentioned here
Collins to me is a lot like Prince; much better at their instrument than people know because of the vocal fame.
I think the schmaltz of some of his big hits is the problem for him really. Anyone who is more than a casual music fan should know Prince can play the hell out a guitar.

 
NCCommish said:
ConstruxBoy said:
NCCommish said:
What do we think of Phil Collins as a drummer? I was listening to some of his stuff on the way home and was pretty sure he hadn't been mentioned here
Collins to me is a lot like Prince; much better at their instrument than people know because of the vocal fame.
I think the schmaltz of some of his big hits is the problem for him really. Anyone who is more than a casual music fan should know Prince can play the hell out a guitar.
That's true. It's a little too "elevator music" so the drum playing ability seems not to match.

 
NCCommish said:
ConstruxBoy said:
NCCommish said:
What do we think of Phil Collins as a drummer? I was listening to some of his stuff on the way home and was pretty sure he hadn't been mentioned here
Collins to me is a lot like Prince; much better at their instrument than people know because of the vocal fame.
I think the schmaltz of some of his big hits is the problem for him really. Anyone who is more than a casual music fan should know Prince can play the hell out a guitar.
Hell, even Business Insider knows I guess: http://www.businessinsider.com/prince-rock-hall-solo-2013-10

 
When you think of the best drummer, the criteria should be most recognizable drumming to the masses. There can only be one choice. It is the endearing cowbell sound created by the Blue Oyster Cult drummer and winner, Albert Buchard. Honorable mention goes to when the levi breaks(zepp).

 
I personally never thought Ringo was much of a drummer, but that was mainly because I don't think he was asked to do a whole lot with the Beatles. The Beatles are the greatest vocal/melody line band ever and that was the main focus of their music. The drummer was there to provide a beat but this was in the background to the melody line/vocal harmonies. A hard rock/prog drummer like Peart is asked to do a lot more because part of the appeal of hard rock/prog is how well the individual musicians play their instruments. The songs are a showcase of not just the music but of their individual talent.

I don't think you can go wrong with Peart, Bruford, Copeland, Moon, Bonham, Palmer, Portnoy, and Bozzio. All do amazing things in their own way.
Peart is the easiest prog drummer to cop licks from. Vinnie Colauita is one of the hardest.
Yeah....so?

He writes incredible drum patterns, lines,.....just incredible.

Write them, create them.....then talk about how easy it is.

I too am a fellow musician. Guitarist. Been playing almost my entire life. Also play the drums and bass. But guitar is my main gig. Lifeson is my all time favorite player.....not the best by far....but my favorite in terms of approach, emotion, chords and most importantly.......sound.

It is all subjective. So many incredible players out there in the world.

My all time drummers?

1. Neil Peart

2. Gavin Harrison

3. Carter Beuford

4. John Bonham

5. Mike Portnoy

6. Stuart Copeland

 
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I personally never thought Ringo was much of a drummer, but that was mainly because I don't think he was asked to do a whole lot with the Beatles. The Beatles are the greatest vocal/melody line band ever and that was the main focus of their music. The drummer was there to provide a beat but this was in the background to the melody line/vocal harmonies. A hard rock/prog drummer like Peart is asked to do a lot more because part of the appeal of hard rock/prog is how well the individual musicians play their instruments. The songs are a showcase of not just the music but of their individual talent.

I don't think you can go wrong with Peart, Bruford, Copeland, Moon, Bonham, Palmer, Portnoy, and Bozzio. All do amazing things in their own way.
Peart is the easiest prog drummer to cop licks from. Vinnie Colauita is one of the hardest.
Yeah....so?He writes incredible drum patterns, lines,.....just incredible.

Write them, create them.....then talk about how easy it is.

I too am a fellow musician. Guitarist. Been playing almost my entire life. Also play the drums and bass. But guitar is my main gig. Lifeson is my all time favorite player.....not the best by far....but my favorite in terms of approach, emotion, chords and most importantly.......sound.

It is all subjective. So many incredible players out there in the world.

My all time drummers?

1. Neil Peart

2. Gavin Harrison

3. Carter Beuford

4. John Bonham

5. Mike Portnoy

6. Stuart Copeland
Cool! any of your stuff available online?

 
I guess I could throw some stuff up from my I-Tunes? The last time I recorded anything in the studio was 2002.

Not very literate with uploading music.....creating wave files etc.

 
Phil Collins was great in his heyday. And fan of old school Genesis will testify to that.

And he basically created and popularized that gated drum sound - first hear on Peter Gabriel's Melt record, and then famously used in In the Air Tonight (that super famous drum fill is that gated sound).

 
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I can't stand that "gated" sound. Hate it. But Collins was a total badass, and in spite of being a Rush fan, I'd take him over Peart eight days a week. Peart gets unbearable. That tense stranglehold thing is just brutal after awhile. I do love some Rush, but in the pantheon of drummers, he's not in my top 5. He's just wound way too tight for my tastes.

Brand X is a good primer for Phil's playing. And obviously Selling England By the Pound and the '73 live release.

 
Glad to see Phil get some love. I think he is pretty underrated.
I don't know about how great their drumming is, but Phil and Chester Thompson playing drums together on Genesis tours was pretty nice to listen to.
He and Bruford weren't so bad.
Did Bruford tour with Genesis in the 70's? I didn't get into Genesis until the early 80's. I love Bruford.
There's stuff out there that they did together with Brand X. But yes, Bruford did the first post-PG tour with them.

 

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