'jdoggydogg said:
People are really hating on Bridesmaids? I can understand being let down after the hype it's gotten in the media and the like, but even taking that into account, I thought everyone in here at least would agree that at worst, it's a firmly above average comedy film.

I barely laughed.
Fair enough. Curious though, what do you two consider to be some of the funnier comedy films of the last few years?
People are really hating on Bridesmaids? I can understand being let down after the hype it's gotten in the media and the like, but even taking that into account, I thought everyone in here at least would agree that at worst, it's a firmly above average comedy film.
I agree. Although I'd argue the average comedy film is terrible - so that's not a ringing endorsement.
True, but I'm also considering that making a funny comedy film is pretty damn difficult.
It's so much easier to make a decent comedy TV series than it is a decent comedy film.
I think you're right. Why is that?
I'll leave that answer to wikkid and other film theorists, as I couldn't tell you. Cosjobs made a good point in that TV shows can get pretty well immediate feedback and make changes for future episodes. But you'd think that with several shows making funny 20 minute episodes on a bi-monthly basis that making a 90 minute comedy film shouldn't be that much more difficult.
The two biggies are sustenance of plot & character familiarity.
In a play or movie, you have to develop the reason why everyone is up on the screen & then drag them thru a full arc of story to satisfying resolution while maintaining a brisk & timely pace to keep the audience with you. In sitcoms, plotting is not only not a burden - story arcs can develop over a season or perhaps the entire course of the series - it can be, as with the Larry David concept of weaving three disparate side stories into a ridiculous payoff, a comic element itself.
And we dont always realize how much it helps that we know how Joey relates to Rachel before we process the comedic value of their interaction. The building blocks of the sitcom in fact are creating a static situation, attractive characters with sustainability and, finally, relationships - both between characters themselves and between characters and the all-knowing eye of the viewer who nods in comfirmation and comfort when he hears "Norm!" every week.