where the wild things are - watched this a few times already with my son

. jonze said it was a movie about childhood more so than being for children. upthread somebody said it might be better suited to a child about 9-10, which may be right (it would be about the age of the protagonist max)... i think some classic disney animation was not JUST for children, but also had material and levels that could be appreciated by adults... ebert in his review suggested that it might even be appreciated more as nostalgia for adults who fondly remembered the book from childhood (without a doubt one of the more popular childrens books of its era), even more than children used to CGI epics? a review site i like (hi-def digest) seemed to be higher on it, and thought despite misfiring and not finding the hoped for theatrical audience, it was destined to be rediscovered in the home video venue, and possibly become a classic that will be revisited for decades.
i really enjoyed it, for a few reasons...
1 - the book is very short, just a few sentences with illustrations. the way the story was extended and expanded felt very organic to the original, and in keeping with its spirit, not at all arbitrarily padded.
2 - remarkably unaffected and unpretentious performance by a first time actor (looks a lot like macauley caulkin at times)... as the only non-muppet for most of the movie, he had to carry the picture and he did. reminded me of the girl in the fall (another fantasy movie that could be appreciated by bigger children and the young at heart, with at times mature content and subject matter - protagonist engages in a kind of reverse shehezerade/1,001 tales - telling the little girl stories not to keep from getting killed, but to help him kill himself)...
3 - great music by coen bros. regular carter burwell (characteristically haunting, ethereal, evocative, atmospheric & distinctive)
4 - gandolfini was inspired voice casting. he is very good, and when the mood darkens, the resonance from the sopranos for adults makes him even a little more menacing (is he going to wack somebody?)
5 - the characters are very kinetic and there is a lot of physical comedy.
6 - there is a depth of feeling in the language and interactions between max, the creatures & with each other, while it may be more mature than a child in 1st-2nd grade would appreciate, takes children's emotions and perspective more seriously than most "children's" movies.
with age appropriate proviso, highly recommended for mature children... and mature/immature adults...
* a scanner darkly - has kind of a twitchy/tweaker frenetic tempo and pace in the dialogue at times, which was hard to "soak in" the first time. i have recently been getting into philip k. ****'s work (inspired movies such as blade runner, total recall and minority report)... i thought three stigmata of palmer eldritch was ingenious, and recently finished ubik was definitely one of the greatest novels i've ever read in the sci-fi/speculative fiction genre (highest possible rec if you like that genre - it is one of THREE movies based on his work currently in production, and i can't wait to see what they do with it... don't know who is helming it, but it would be great for somebody like terry gilliam). the movie is by linklater (slackers, waking life), and like waking life, was rotoscoped... good cast, with keanu reeves, robert downey, jr., woody harrelson & wynona rider... reeves is an undercover law enforcement type who's efforts to crack a drug ring (substance B) have become complicated by the fact that his drug use has caused possible permanent brain damage and an irreversible split-mind psychotic condition, with his knowledge of his dual life as undercover cop and drug user having become compartmentalized and unkown to each other... he is essentially tasked with looking for himself!

in this respect, somewhat like angel heart? more cult movie than blade runner masterpiece, i thought it was interesting, though not great... sort of like a contemporary sci-fi version of the big lebowski... more serious (about big brother and rampant drug use - well, guess the dude had that, too), far less humor, funny in spots, but usually bleak and cynical humor. worth a watch if you don't hate sci fi, and liked other of his novel/short story to movie translations...
ugetsu & tokyo story... these two make a lot of top 10 lists, and after watching them, i can see why. as i noted above, i was interested in seeing them, because mizoguchi & ozu are thought of by some as equal in stature with kurosawa, but i knew very little of them (saw ozu's floating weeds on strong ebert rec, but wasn't blown away)...
ugetsu is a ghost story that was made, and covers a time in japan's past, roughly parallel with rashomon. it is hard to see with the lack of perspective & only having just seen it (once), but i'll definitely rewatch this, and my early sense is that it is one of the best movies i've ever seen. i would highly recommend this. the black & white photography is more haunting, evocative and beautiful (the famous boat in the mists scene) than 99.9% of color movies.
ozu more contemporary, & like floating weeds, a kind of chamber drama about family and relationships... the quick plot summary... elderly parents visit children, children are too busy to spend time with them and in fact find them a burden, parents go home, mom gets sick en route and dies upon arrival, children return home and reflect on what has happened. i didn't like it as much as ugetsu (i liked the fantastical elements of the latter), but thought it was outstanding. he has an interesting style, basicaly locking the camera about two feet off the floor. it was weird at first (only movie i have seen with no dolly or tracking shots - mizoguchi was an acknowledged master of this, with welles & ophuls), but i quickly got used to it... he also cuts away from the family dramas at times (which could become claustrophopic) with shots of buildings, almost to buffer them... i think it was compared to having something to cleanse your mind's pallette... i really enjoyed this as a double feature, and it was an interesting contrast in styles.