Back the Epics
24. Gone with the Wind ('39) 233 mins: Old fashion, terrible racial politics even for the time of it's release and it likely did a world of damage to the Nation's attitudes towards the Old South and the Confederacy. Still I find it a gorgeous, fascinating film and one of the best reflections of that golden era of Hollywood. For good and a lot of bad, this movie is in the DNA of America. I find it fully engrossing, especially the first half. In the last couple years, places like TCM and HBO Max have added context to airings of the movie. This has greatly displeased many fans of the movie, TCM, etc. I won't delve into the psychology behind why someone might not want to hear context about the film and the era it depicts but I think it is important to add that these conversations are as old as the film itself. GWTW was faced with a lot of protests from the NAACP and Black owned newspapers on it's release. It was always a controversial film. Even onn set there was controversy. The bathrooms on set were segregated. When some of the Black actors told Clark Gable about, Gable went to the director and said "Take the signs down or you don't have a Rhett Butler". For the film's premier in Atlanta, the Black actors weren't allowed to sit at the screening or attend the social events. This was too much for even Gable to fix unfortunately.
It's such an interesting movie to look at with context. It whitewashed slavery creating this idea that slave and slave owner served some kind of mutualistic relationship. On the other hand, Hattie McDaniel was the first Black person to win a competitive Oscar. Something that wouldn't happen again for 24 years. Though it also didn't catapult he career like it does for most. She remained trapped in small roles as a maid. Gone with the Wind is also a distinctly female centered epic film. Something that in relatively modern movies we rarely ever see.
25. The Big Country ('58) 165 mins: Dueling philosophies more than dueling guns. This definitely feels like a left wing allegory for the Cold War. That along with Peck (who I always find a little stiff) makes this a little creaky in spots. The supporting cast, landscape and score inject enough life to make it worth the 2.5 run time though. Not quite a true classic of the genre, but probably a tier or 2 below. It reminds me a lot of Giant in just how much of a melodrama it really is. Fear not though Western fans, there are guns and a body count in The Big Country.