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Recently viewed movie thread - Rental, Streaming, Theater etc (19 Viewers)

Big fan of his as well, mainly because he was in my favorite Three Musketeers incarnation. His performance in the Pianist was shockingly good. Have to check out this Othello version.
You must, you must. One of my myriad incomplete files is a play about Voltaire's return to Paris after a quarter-century of exile, what was to be the last in a trilogy of plays about persons of letters (the first about Mary Shelley conceiving Frankenstein, the second about the great poets Siegfried Sassoon & Wilfred Owen recovering from WW1 shellshock in the same hospital). Before i begin to ramble...............Voltaire is my favorite historical personage and, while reading some letters of his in research of the project, i started hearing them being spoken by Finlay. As soon as i did, a mad rush of verbiage spewed onto my ol' word-processing typewriter. As with most projects, the mad rush didn't carry me to completion. That's how i roll. But his Porthos, his Casanova, his Iago carried me along for a grand couple of weeks creating his Voltaire, whom he even resembles physically. Only time i've ever had an actor transport me like that and it was a beautiful experience. Havent even converted that one from floppydisc. Oh, well......

 
Bob Magaw said:
Looking forward to it, haven't seen yet (or any Branagh).

I'd have to say Olivier's Henry V, and if it counts, Kurosawa's Throne of Blood.
It's just superb. I love MacBeth as a play - it's probably my favorite of Shakes - but this is like "Ran" in that it's not a staged play with a camera. And Mifune is just awesome.

 
One of my favorite films!
It's one of my favorite films from childhood. It was timed right as I was getting into RPGs like "D & D" so it meshed well with my imagination.

Boorman is a terrific director. He's got tremendous range, I think, as a director. He's done things like Deliverance, Zardoz, Hell in the Pacific (Lee Marvin & Mifune!), and things like Excalibur too. He's a throwback to the old Brit studio system that was defied auteurs to an extent.

 
All the big guns from that era made their bones through years on the stage.  Agree on the Gibson remake.  When comparing the two, less definitely equaled more.
The villain in the original played the Mayor in Dirty Harry and was Dean Wormer in Animal House, Canadian character actor John Vernon (also in the Walter Matthau heist/caper gone wrong vehicle Charley Varrick and again with Eastwood in Outlaw Josey Wales).

While on the subject of remakes (because it came up in Criterion thread regarding Sorcerer and Wages of Fear), The Killers (based on a Hemingway short?) was remade. I preferred the original directed by Robert Siodmak (screen debuts or among first roles by Burt Lancaster and gorgeous future Sinatra flame Ava Gardner, also had William Cannon in a minor role as a gunny, and the insurance investigator was Edmund O'Brien of D.O.A. - ANOTHER remade movie, the inferior Dennis Quaid version). The second movie was pretty good, may have been made for TV, directed by Don Siegel of brilliantly subversive red scare sci fi/horror Invasion of the Body Snatchers fame (and, coming full circle, Dirty Harry, also John Wayne's last The Shootist). The villain? none other than Ronald Reagan. :)  

The Killers '46 & '64 (Criterion Collection twofer)

https://www.criterion.com/boxsets/334-the-killers

* I think the three most beautiful actresses I've seen are Rita Hayworth, Ava Gardner and Grace Kelly. That includes two members of royalty (Hayworth also earlier married to Orson Welles). 

 
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Dr. Zhivago.

Wasnt digging Omar Shariff in this one.  A bit wooden.  Julie Christy in furs was smoking though.  Was entertained but not a must watch IMO.  7/10.

Asphalt Jungle.

Delivered.  Sterling Hayden was great as Dix Handley.  Lot of good performances.  Marilyn Monroe had a small part.  She was very skinny.  Not as voluptous as they make it out to be historically.  Fine with me.  8/10.  Solid.

I think i like The Killing more.

 
Sterling Hayden is the truth. I think in real life, he was an intelligence commando for the navy in WW II, somewhat reminiscent of a character in Neal Stephenson's Cryptonomicon.  

 
Criminal

(currently streaming on HBO)

I don't how to grade this movie.  It's a different sort of action thriller movie.  I will say this, Kevin Costner's role in this movie is really dark, but on more than a couple of occasions, is laugh out loud hilarious. I'm pleasantly surprised at how much I liked this.  I liked it a lot.  It's original.  Not the best dialogue and acting, but I like original ideas. 

 
Catching up on some of the conversation here

- Mcabe and Ms Miller is a great film and the one Altman film that holds up the best  

- There is simply no way to adapt Catch 22 into a movie. I've never seen it and never will. 

- If you like BBC historical stuff, have you seen Wolf Hall? As good as anything put on TV in years.

 
Re-watched MASH yesterday. It hasn't aged well IMO. Dialog stilted, direction all over the place and the shower scene with "Hot Lips" just seems mean. 
The Wild Bunch, on the other hand, is still a fantastic movie. Aging group of outlaws hoping for one more score in a dying age.

Great action, acting and script. Gets better every time I see it

 
- If you like BBC historical stuff, have you seen Wolf Hall? As good as anything put on TV in years.
Don't get much better than Damian Lewis & Mark Rylance, though it got boggy last couple of eps and Claire Foy (so great as Little Dorrit) has too much humanity for a proper, hateful Anne Boleyn. Soooo nice to see Rylance become Spielberg's new everyman (though i havent seen that work) - to watch the world play across his passive face is a delight.

 
Criminal

(currently streaming on HBO)

I don't how to grade this movie.  It's a different sort of action thriller movie.  I will say this, Kevin Costner's role in this movie is really dark, but on more than a couple of occasions, is laugh out loud hilarious. I'm pleasantly surprised at how much I liked this.  I liked it a lot.  It's original.  Not the best dialogue and acting, but I like original ideas. 
I remember this getting buried with bad reviews when it came out, but it wouldn't be the first time critics got things wrong.

It's tough for Kostner to play dark because he has so much "good guy" baggage from other films. 

 
Catching up on some of the conversation here

- Mcabe and Ms Miller is a great film and the one Altman film that holds up the best  

- There is simply no way to adapt Catch 22 into a movie. I've never seen it and never will. 

- If you like BBC historical stuff, have you seen Wolf Hall? As good as anything put on TV in years.
I need to watch Mcabe and Mrs. Miller. Has been on my list forever.

Saw Catch 22 a long time ago, it wasn't memorable

 
Sterling Hayden is the truth. I think in real life, he was an intelligence commando for the navy in WW II, somewhat reminiscent of a character in Neal Stephenson's Cryptonomicon.  
Sterling Hayden settled in his later years in my home town. must have lived close by where my dad's office was (a busy, but more local only commercial street just off the main drag, with lots of shops, offices and restaurants).

he used to walk up and down the street with a giant walking stick/staff, and.,.. I really think I've made this up in my head, but it was the 70s and pretty much anything went back then in my town... a giant cape. he always looked like moses parting the red sea.

 
after all the b/w noir films mentioned recently... did Requiem for a Heavyweight make it on to TCM? fantastic film- especially the boxing parts.

also. Excalibur is super silly. but yeah... carmina burana.

 
Watched Hell or High Water last night...loved it! The dialogue between Jeff Bridges and his partner was fantastic  but the old lady waitress at the TBone stole the show! 4/5
Sick kid at home, had a chance to check this out on Kodi today.  Solid 4/4.5 out of 5.  One of Jeff Bridges' best.

 
after all the b/w noir films mentioned recently... did Requiem for a Heavyweight make it on to TCM? fantastic film- especially the boxing parts.

also. Excalibur is super silly. but yeah... carmina burana.
Quinn? Yeah, it was on a few wks ago. Want me to keep an eye out?

 
Don't get much better than Damian Lewis & Mark Rylance, though it got boggy last couple of eps and Claire Foy (so great as Little Dorrit) has too much humanity for a proper, hateful Anne Boleyn. Soooo nice to see Rylance become Spielberg's new everyman (though i havent seen that work) - to watch the world play across his passive face is a delight.




2
i was a fan of his since "Angels & Insects". It's great that he stayed with theater to hone his craft and avoid being caught up in the Hollywood trap. he's perfectly suited to be a character actor for years to come.

 
i was a fan of his since "Angels & Insects". It's great that he stayed with theater to hone his craft and avoid being caught up in the Hollywood trap. he's perfectly suited to be a character actor for years to come.
think he runs the Ol' Vic or RSC or sum'n now, too.

 
i was a fan of his since "Angels & Insects". It's great that he stayed with theater to hone his craft and avoid being caught up in the Hollywood trap. he's perfectly suited to be a character actor for years to come.
oh wow- forgot all about A&I... really enjoyed that one.

 
Don't get much better than Damian Lewis & Mark Rylance, though it got boggy last couple of eps and Claire Foy (so great as Little Dorrit) has too much humanity for a proper, hateful Anne Boleyn. Soooo nice to see Rylance become Spielberg's new everyman (though i havent seen that work) - to watch the world play across his passive face is a delight.
I liked it, but I didn't love it. As you said, the series really seemed to drag at the end. I appreciate subtlety but I think everything became too subdued eventually. It was very interesting to see a different perspective on Cromwell, as he's usually portrayed as a somewhat one-dimensional stock villain in most permutations of the Henry VIII story. Rylance was gold in it, I made it through the whole series mainly just to watch his acting.

 
You must, you must. One of my myriad incomplete files is a play about Voltaire's return to Paris after a quarter-century of exile, what was to be the last in a trilogy of plays about persons of letters (the first about Mary Shelley conceiving Frankenstein, the second about the great poets Siegfried Sassoon & Wilfred Owen recovering from WW1 shellshock in the same hospital). Before i begin to ramble...............Voltaire is my favorite historical personage and, while reading some letters of his in research of the project, i started hearing them being spoken by Finlay. As soon as i did, a mad rush of verbiage spewed onto my ol' word-processing typewriter. As with most projects, the mad rush didn't carry me to completion. That's how i roll. But his Porthos, his Casanova, his Iago carried me along for a grand couple of weeks creating his Voltaire, whom he even resembles physically. Only time i've ever had an actor transport me like that and it was a beautiful experience. Havent even converted that one from floppydisc. Oh, well......
Tried to find the Olivier version on Amazon streaming & Netflix. No dice. :(

 
Sterling Hayden settled in his later years in my home town. must have lived close by where my dad's office was (a busy, but more local only commercial street just off the main drag, with lots of shops, offices and restaurants).

he used to walk up and down the street with a giant walking stick/staff, and.,.. I really think I've made this up in my head, but it was the 70s and pretty much anything went back then in my town... a giant cape. he always looked like moses parting the red sea.
French doc on Hayden, comes with the Criterion edition of The Killing (interview conducted in English - VIDEO 14 minutes), after an excerpt from The Killing, doc proper starts about 1:20 mark and shows him driving around town to his house - can you tell if it is your home town, a sign says Sutter? 

https://www.youtube.com/watch?v=jTeyP5MglZg

Movie Legends bio (VIDEO nearly 7 minutes)

https://www.youtube.com/watch?v=arWwzOGAimc

From comments:

"Wayfarer, Seagoing Adventurer, Marine Corps Officer, a Clandestine Operative running guns to Serbian Partizans fighting Nazi Germany, Writer, Philosopher, Befuddled Inebriate, Brilliant Conversationalist, and yes, sometimes, even a decent film actor. He was one of those "Old School" individuals who took life by the balls and squeezed.............. who circumnavigated the globe by the time he was nineteen, earned a Silver Star by the time he was twenty-seven, and walked the streets of Belgrade, Yugoslavia, taking pictures of Tito's funeral for Rolling Stone magazine at the age of sixty-four; and who couldn't care less how many people called him a worthless drunk. He just lived life; quite well I would say."

 
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French doc on Hayden (interview conducted in English - VIDEO 14 minutes), after an excerpt from the killing, doc proper starts about 1:20 mark and shows him driving around town to his house - can you tell if it is your home town, a sign says Sutter? 

https://www.youtube.com/watch?v=jTeyP5MglZg

Movie Legends (VIDEO nearly 7 minutes)

https://www.youtube.com/watch?v=arWwzOGAimc

From comments:

"Wayfarer, Seagoing Adventurer, Marine Corps Officer, a Clandestine Operative running guns to Serbian Partizans fighting Nazi Germany, Writer, Philosopher, Befuddled Inebriate, Brilliant Conversationalist, and yes, sometimes, even a decent film actor. He was one of those "Old School" individuals who took life by the balls and squeezed.............. who circumnavigated the globe by the time he was nineteen, earned a Silver Star by the time he was twenty-seven, and walked the streets of Belgrade, Yugoslavia, taking pictures of Tito's funeral for Rolling Stone magazine at the age of sixty-four; and who couldn't care less how many people called him a worthless drunk. He just lived life; quite well I would say."
pretty good novelist, if i remember correctly. read one of his books in the 70s - tale of the sea

 
pretty good novelist, if i remember correctly. read one of his books in the 70s - tale of the sea
My favorite Welles (director, actor, writer, narrator, radio star, magician, raconteur, etc.) anecdote was when he gave a speech at a theater that was lightly attended due to inclement weather, and began by asking, "Why are there so many of me, and so few of you?" :)  

You were right, Othello was brilliantly shot, I'd have to watch Olivier's Henry V and Kurosawa's Throne Of Blood to really compare, but definitely up there. Shouldn't be a surprise, he was one of the giants that altered the landscape of cinema forever through his influence, like Griffith and Eisenstein, made seminal changes to the very language of film grammar and syntax. Shame that after his first few films, between having difficulty completing projects either as a perfectionist or due to protean, insatiable interests, he had to scrap for financing for the rest of his life, severely limiting his own projects.    

Othello, from OOP Criterion laser disc (VIDEO 90 minutes)

https://www.youtube.com/watch?v=09NWcKA7JKw

Same as above but with the Peter Bogdanovich commentary 

https://www.youtube.com/watch?v=dywhWg3Pim8

Filming Othello doc (VIDEO 80+ minutes)

https://www.youtube.com/watch?v=fvqeQt8aLnU

King Lear, Omnibus play (VIDEO 80+ minutes) 

https://www.youtube.com/watch?v=6ybmKaPFhe4

Filming The Trial unedited doc (VIDEO 90 minutes)

https://www.youtube.com/watch?v=RbUe-bM6bXg 

Late Welles film F For Fake (VIDEO nearly 90 minutes), avail. on DVD in CC 

https://www.youtube.com/watch?v=gIVgUjj6RxU

Orson Welles: One Man Band, comes with the above, great doc on unfinished projects (VIDEO 75 minutes)

https://www.youtube.com/watch?v=kJ-soBxJqus

Magician: The Astonishing Life and Work of Orson Welles (VIDEO nearly 90 minutes)             

https://www.youtube.com/watch?v=i4TO5cT0QIE

Searching For Orson doc (VIDEO 80 minutes)

https://www.youtube.com/watch?v=95_Ymk7Rgbo

Peter Bogdanovich on Orson Welles (VIDEO 50+ minutes)

https://www.youtube.com/watch?v=w-ygYjXcbi0

The Stranger - Welles noir (VIDEO 95 minutes)

https://www.youtube.com/watch?v=5zU7MoRuGDw

Land of the Basques doc (VIDEO 40 minutes) 

https://www.youtube.com/watch?v=hJlKx3NPuts

* On the bonus plan, the 1964 Don Siegel version of The Killers with Lee Marvin, Ronald Reagen and Angie Dickinson (VIDEO 95 minutes) 

https://www.youtube.com/watch?v=rr_hrBR9GSc

 
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One of my fantasies is to break the bugaboo of the apparent impossibility of turning Don Quixote into a movie by purchasing the footage from both Welles's and Terry Gilliam's attempts and integrating it with my own.

 
One of my fantasies is to break the bugaboo of the apparent impossibility of turning Don Quixote into a movie by purchasing the footage from both Welles's and Terry Gilliam's attempts and integrating it with my own.
Lost In La Mancha one of my three favorite docs about making films (or in the first two instances, NOT making films)

https://www.youtube.com/watch?v=qMUGYayk_VQ

Jodorowsky's Dune

https://www.youtube.com/watch?v=4WWu1kclNDA

Burden Of Dreams about the making of Herzog's Fitzcarraldo 

https://www.youtube.com/watch?v=FggCkCuuBXw 

 
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Lost In La Mancha one of my three favorite docs about making films (or in the first two instances, NOT making films)

https://www.youtube.com/watch?v=qMUGYayk_VQ

Jodorowsky's Dune

https://www.youtube.com/watch?v=4WWu1kclNDA

Burden Of Dreams about the making of Herzog's Fitzcarraldo 

https://www.youtube.com/watch?v=FggCkCuuBXw 
I thought LiLM was the 1st great movie of the 21st C. Have you seen any of the Welles footage? It's in B&W but he's got the Don on horseback fighting NYC traffic at one point. I think it would be a crrrrrrrrrrrrrrazee mashup.

Burden of Dreams was on TCM a couple of times during their Nov DocFest and is actually a better film than Fitzcarraldo

 
Not a fan of Boggy. He did one good film and a lot of being the drum major for the Welles fanboys (myself among them for a time). 

 
I thought LiLM was the 1st great movie of the 21st C. Have you seen any of the Welles footage? It's in B&W but he's got the Don on horseback fighting NYC traffic at one point. I think it would be a crrrrrrrrrrrrrrazee mashup.

Burden of Dreams was on TCM a couple of times during their Nov DocFest and is actually a better film than Fitzcarraldo
I think there is some in the One Man Band, unfinished projects doc above? Seen it, but been a while (I don't recall that specific footage, think I would remember that! :) ).

Agreed on Burden.

Murderous feud on the film set (about the Herzog film My Good Fiend, had to do a double take on the last word of the title - to quote Mickey Rourke in Barfly, "Here's to my fiends, All my fiends!") 

https://www.theguardian.com/uk/1999/may/21/fiachragibbons

Werner Herzog, the German director of the Amazon (not the web site, the jungle river) film epic Fitzcarraldo, has admitted that he plotted to murder its star Klaus Kinski.

Kinski was saved by his dog from being burned to death in bed. It attacked Herzog as he crept up to set fire to the actor's house. Kinski made several attempts to return the compliment.

Their love-hate feud is the stuff of legend, but only now are the full details coming to light. Herzog lays the friendship bare in a documentary film, My Good Fiend.

'We had a great love, a great bond, but both of us planned to murder each other,' he said after the premiere at the Cannes film festival. 'Klaus was one of the greatest actors of the century, but he was also a monster and a great pestilence. Every single day I had to think of new ways of domesticating the beast.' 

Herzog, who made five films with him often in extreme jungle locations said Kinski would scream abuse at him and tell him he would trample him into the mud.

Herzog refused to say how else he planned to kill Kinski. But, he did pull a gun on the actor on the set of Aguirre, Wrath Of God, and threatened to shoot him and then himself after Kinski tried to walk out.

He said: 'My crew would almost mutiny when they heard that Klaus was on board. They would say, 'How could you do this do us? We can't take this man a minute longer'. I don't like the term wild man, but Dennis Hopper was in the kindergarten compared with Klaus. I remember scenes where Klaus was attacked, and how the other actors used to take such pleasure in punching and kicking him. He was often quite badly hurt.'

Kinski's film star daughter, Nastassja, did not attend the screening. She was estranged from her father, who died in 1991, and threatened to sue him after he used his memoirs to insult his friends and family and boast of thousands of sexual conquests. Many of the 'revelations' in Everything I Need Is Love were contested as 'vindictive, libellous fantasies' by women he failed to seduce or had slighted him.

Kinski appeared in more than 200 films, including Dr Zhivago and many spaghetti westerns, usually playing a cameo of a psychopath, modelled on himself.

The tragedy, said Herzog, is that he was 'a genius. A terrifying genius. His intensity scared other directors.'

When Hollywood called, Kinski spat in its face. Steven Spielberg tried to cast him as the lead in Indiana Jones, but was told: 'This script is a yawn-making, boring, pile of ####.'

 
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He does a lousy impression of the fat man.
They were close and he has a ton of anecdotes (he also wrote a book documenting conversations between them).

I'm not a massive fan, either, but What's Up, Doc? was imo a great screwball comedy in the tradition of Bringing Up Baby (directed by Howard Hawks starring Cary Grant and Katherine Hepburn). Also liked depression era comedy Paper Moon with Ryan and Tatum O'Neal in her film debut, for which she won an Academy Award for best supporting actress at 10 (I think the youngest ever?).      

 
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They were close and he has a ton of anecdotes (he also wrote a book documenting conversations between them).

I'm not a massive fan, either, but What's Up, Doc? was imo a great screwball comedy in the tradition of Bringing Up Baby (directed by Howard Hawks starring Cary Grant and Katherine Hepburn). Also liked depression era comedy Paper Moon with Ryan and Tatum O'Neal in her film debut, for which she won an Academy Award for best supporting actress at 10 (I think the youngest ever?).      




 
i know they were close for a time. i just don't like one person being the arbiter of another man's legacy like that. he did a couple of very fine films - "Last Picture Show" and "Paper Moon" - but that's it. he would be a footnote in film history were it not for his Welles association and management of the man's legacy (even moreso with Ebert's passing). 

 
2 X Oscar Winning Directors - 16

3 X Oscar Winning Directors - 2 (Frank Capra and William Wyler)

4 X Oscar Winning Directors - 1 (John Ford - Kurosawa revered Ford)

 
-Wolf Hall was nearly perfect. I have to disagree with that "bogged down" reviews here. It was so genius and kept the tension throughout without the usual cheap BS we see in modern entertainment. It was a masterclass in restraint. 

- Oscars are important but not exactly the ultimate measuring stick.  They are obviously heavily guided by the mood/taste of the times- see Capra.

- Just re-read The Big Sleep. I love the movie but what a mess they made of it.  Also re-reading the Cain stuff. They did a much better job staying faithful with Double Indemnity, Mildred Pierce and The Postman. However, Cains prose is so readable and bare bones that they were born to be films. Much easier adaptation than Chandler. Double Indemnity the movie actually greatly exceeds the story. Mildred Pierce is right there. I know it's been done a few times but Postman is ripe for a remake.

 
Loving.

It's not the cliched oscar-bait movie that I imagined when I saw the trailer.

It's a real slow drink of water.  A day to day look at the Loving's.

I almost wanted a bit more dramatization.  Could have sprinkled in a bit more of the court-side part of story.

Main reason to watch is for Ruth Negga.  Could see a nomination.  Just could not take my eyes off of her.

Edgerton another solid performance.  Really like his choices.  Think his career will reach another level eventually.

7/10.  It's good but not great.  Was a great movie in there though.  Had the potential.  

 
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10 Cloverfield Lane:

Really liked most of it, but I could do without the last 10-20 minutes or so.  Overall still worth a watch, but the ending left me a little bit cold.  6/10

 
The Handmaiden.

Park Chan-Wook.  Korean film.

Heard about it on Filmspotting podcast.  On a few of their top 10 lists.

Geez, this was one erotic movie.  Solid story.  Very entertaining.  If you like Asian women this one sure delivers.  

8/10

 
The Handmaiden.

Park Chan-Wook.  Korean film.

Heard about it on Filmspotting podcast.  On a few of their top 10 lists.

Geez, this was one erotic movie.  Solid story.  Very entertaining.  If you like Asian women this one sure delivers.  

8/10
Saw this also at the small independent theater downtown. Definitely soft-core porn. The old uncle in the film is as creepy as they come.

As far as the story goes, really recommend. 8.5/10.

I just rewatched it on Kodi because I missed things the first time around. I bumped it up to an 8.5. One of the best stories I've watched in a long time. Kubrick-esque. The two Korean hotties do a wonderful job. In more ways than one.

 
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I agree, what seemed like an interesting concept idea just mailed it in at the end.
Yeah.  I wonder what was left out.  Seemed choppy and and abrupt at the end. 
The original "screen play" had her escaping, end of story and it had nothing at all to do with CloverField.. But no one wanted to make that movie..

The Producers/directors of CloverField saw it as an opportunity to tie it into the original movie and a "building block" towards other sequels and thus we got "10 CloverField lane" ..

I didn't mind the "Tie in" as much as the over the top survival. I am looking forward to see where they go with the future movies though. :popcorn:

 
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Yeah.  I wonder what was left out.  Seemed choppy and and abrupt at the end. 
My only gripe was if they decided to go in that direction, I would have preferred her escaping and showing the original monster off in the distance.

Think the movie would have been much better.

 
The original "screen play" had her escaping, end of story and it had nothing at all to do with CloverField.. But no one wanted to make that movie..

The Producers/directors of CloverField saw it as an opportunity to tie it into the original movie and a "building block" towards other sequels and thus we got "10 CloverField lane" ..

I didn't mind the "Tie in" as much as the over the top survival. I am looking forward to see where they go with the future movies though. :popcorn:
Yeah, I just don't think it fit with the rest of the feel of the movie.  It was like we get an Independence Day ending to this movie that was more like a Hitchcock movie. Both have their place, I just felt it was jarring at the end as they switched.  I would have liked something more on the lines of The Mist and 'feel' of that ending. 

I do agree that it was a great idea to have this small feeling movie be a tie in to this world and another movie. 

ETA:  I just DLed a podcast with the director as was going to listen to that today.  I am curious if he touches on the backstory or if there was some studio involvement with the ending. 

 
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The Handmaiden.

Park Chan-Wook.  Korean film.

Heard about it on Filmspotting podcast.  On a few of their top 10 lists.

Geez, this was one erotic movie.  Solid story.  Very entertaining.  If you like Asian women this one sure delivers.  

8/10
This one is in my queue.  Hopefully you are talking in an actual sexy way, and not a sarcastic Audition way. 

 

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