belljr
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He was great in blackkksmen and ballersThe point was that he's Denzel Washington's son.
And he was not good.
He was great in blackkksmen and ballersThe point was that he's Denzel Washington's son.
And he was not good.
I sat through it to the end but I had the exact same reaction. Slow-moving films are compelling when they are heading somewhere meaningful. The Midnight Sky just drifts along at a flatline pace. George did a lot of brooding, and emoting, not much else.I tried watching that George Clooney space thing on Netflix. Even fast forwarding through it was boring.
Yep, it was a mess.Watched WW1984 on HBO Max and was not impressed.
Watched WW1984 on HBO Max and was not impressed.
I give it a 4.5 out of 10. Was wishing I'd get a chance to watch it but you gotta be careful what you wish for.Yep, it was a mess.
Gravity was good.I sat through it to the end but I had the exact same reaction. Slow-moving films are compelling when they are heading somewhere meaningful. The Midnight Sky just drifts along at a flatline pace. George did a lot of brooding, and emoting, not much else.
I love George, but maybe the sci-fi genre just isn't for him. Solaris and Tomorrowland are other films that were difficult to connect to the story or his character.
I don’t think it ages well but still a favorite of mine.Finally saw Scott Pilgrim vs The World as I know a lot of people consider that a classic as this point. The look of it was cool, loved the Unversal logo/theme done in an old Nintendo style but the movie was god awful. I stopped halfway through. It was a total Cringefest sponsored by ADHD.
i love you25. The Leopard (1965)- Slow paced and featuring the weird European thing where the actors are speaking multiple languages and it's getting dubbed over but this epic of story of the unification of Italy plays out like a prequel to The Godfather series with it's focus on the impact felt by Sicilians. Epic, lavish and striking to look at but it's not for people without patience. There is literally a single ballroom scene that is over an hour where no plot development whatsoever happens. It is just there so we can absorb the atmosphere and experience the characters. Stand outs: Burt Lancaster, Claudia Cardinale and filming on location of real Italian palaces and castles.
24. Da 5 Bloodz (2020)- I am a big fan of movies that manage to do multiple things. Da 5 Bloodz is part hangout movie, part action flick, part epic quest and part war film A little bit of everything happens here and as Spike always does, he makes it stylish. The real strength of the film though are the performances. The old soldiers reuniting 50 years after their service in Vietnam feels like old friends just hanging out and it's a blast going a long for the ride. Stand outs: Delroy Lindo and Jonathan Majors.
23. Elmer Gantry (1960)- It's easy to see why Burt Lancaster won the Best Actor Oscar for this, he's captivating as the title character: a con man who becomes involved with a beautiful evangelist. This movie is as dark and cynical as anything made today. It's downright acidic. Stand outs: Burt Lancaster and director Richard Brooks for his textbook example of how to adapt a novel.
22. Women on the Verge of a Nervous Breakdown (1988)- a borderline slapstick comedy with a Billy Wilder touch as despite the chaos, the story is quite serious with suicide, philandering and terrorism all playing a role in the madness. Very funny seeing a young Antonio Banderas playing a very non-Banderas role. Standouts: Director Pedro Almovodor's light touch and Carmen Maura.
21. Come and See (1985): Another war is total hell story. It's really well done and has an Apocalypse Now like fantastical element to it. While it's told from the side of the a Belarusian village boy who faces NAZI occupation, it's overall themes have been done maybe a bit too much for me to be totally knocked out by it. It is for sure a must see movie for any fan of the war genre. Stand outs: Literally everyone involved in making this as it really does feel like you've been transported to hell.
I guess the Leopard has 2 cuts. An American cut that the studio butchered and dubbed everyone into English. The preferred version is the European directors cut where it's longer and dubbed into Italian. I guess the American cut was a huge flop here while the directors cut that was released in Europe won the Palme 'd Or at Cannes so obviously make sure you get the right version if you look for it.i love you
Elmer Gantry is twice the movie that other Burt Lancaster creepy minister thingie which sucks and y'all love so much is. Women on the Verge is one of the dozen movies that literally rocked my world. will rewatch Leopard and watch the other two just cuz youre so right doing this *mwaa*
Big Wednesday isn''t perfect but the surfing sequences, soundtrack and cast are great.Looking over the "New to Me" movies from 2020 (I watched a lot of damn movies this year with the lockdowns and COVID). I will do a brief countdown here of top 25 favorite movies I saw for the first time this year. Some are new, some are very old. Some were huge holes and I still can't believe it took me until 2020 to see some of these.
Here's the 25 honorable mentions:
I would highly recommend any of those movies
- Waiting for Guffman - An Autumn Afternoon
- The Informer (1935) - Leave Her to Heaven
- Frost/Nixon - In This Our Life
- Pale Flower - Mother (2009)
- Good Time - Underworld U.S.A.
- The Long Gray Line - Little Women (2019)
- Into the Spiderverse - Destry Rides Again
- Nice Guys - When We Were Kings
- Paper Moon - Moneyball
- Big Wednesday - Le Bonheur (1966)
- Yojimbo - Orpheus
- Brazil - Gone Girl
- Portrait of a Lady on Fire
I agree with both. Gone Girl really had me sucked into the mystery and twists/turns but the payoff didn't fully deliver. Still, I was riveted for 2.5 hours so that's worth something.Big Wednesday isn''t perfect but the surfing sequences, soundtrack and cast are great.
Gone Girl was really good throughout most of it but had an astoundingly stupid final 15 minutes.
Paper Moon is top 10 for me. Great great “road” story.Looking over the "New to Me" movies from 2020 (I watched a lot of damn movies this year with the lockdowns and COVID). I will do a brief countdown here of top 25 favorite movies I saw for the first time this year. Some are new, some are very old. Some were huge holes and I still can't believe it took me until 2020 to see some of these.
Here's the 25 honorable mentions:
I would highly recommend any of those movies
- Waiting for Guffman - An Autumn Afternoon
- The Informer (1935) - Leave Her to Heaven
- Frost/Nixon - In This Our Life
- Pale Flower - Mother (2009)
- Good Time - Underworld U.S.A.
- The Long Gray Line - Little Women (2019)
- Into the Spiderverse - Destry Rides Again
- Nice Guys - When We Were Kings
- Paper Moon - Moneyball
- Big Wednesday - Le Bonheur (1966)
- Yojimbo - Orpheus
- Brazil - Gone Girl
- Portrait of a Lady on Fire
I watched it again last week and didn't mind the ending as much. I take it as an F'd up reversal of the start of the movie and Amy's views about the relationship. Instead of her being what Nick wanted, she finally gets to be her warped self and he is stuck with her that way. For me the biggest eye roll is her still completely covered in blood through the interview until she got home. Like you said - a helluva 2hrs+ before that point too though.I agree with both. Gone Girl really had me sucked into the mystery and twists/turns but the payoff didn't fully deliver. Still, I was riveted for 2.5 hours so that's worth something.
JoJo Rabbit was the last movie I saw in a theater, too.15. Mank (2020)- as @KarmaPolice has said, I think you really need to know the backstory here to connect with this movie. The was a direct hit for me with the focus on Old Hollywood and US History. Plus Fincher is always such a good director. I liked it even better the 2nd viewing once I had a firm grasp on the story and could zero in on the great dialogue. Stand outs: Gary Oldman, Charles Dance and Amanda Seyfried.
14. The Shop on Main Street (1965)- A small Czech film that won the '65 Oscar for Best Foreign Film. Another WW2 movie- this time the story of Aryanization that took place in NAZI occupied Slovak States. Jews were no longer allowed to own and run businesses so Aryans would be put in charge to oversee the running of the Jewish businesses. Here a somewhat mild mannered and irresponsible Slovak man is put in charge of a struggling business owned by an old Jewish widow who is hard of hearing and somewhat senile. Realizing she has no understanding of what the NAZIs are doing, he attempts to protect her. Stand outs: The 2 Czech leads in this movie put on incredible performances
13. The Exterminating Angel (1962)- The plot is almost too silly to even comprehend how it qualifies for the plot of movie. A group of wealthy socialites get together for a cocktail party when they discover that for reasons which can not be explained, they are unable to leave. The surreal set-up may be silly but it's a serious critique of society- particularly the wealthy upper classes. Stand out: Luis Bunuel is the Dali of the the movies.
12. JoJo Rabbit (2019)- The last movie I saw in a theater. It was crowded and the audience was really into the movie. I love a crowded theater- especially for a comedy. Things are always funnier in a group. This pulls off the high wire act of slapstick comedy about a very dark topic. Stand outs: The casting director for finding the 3 children to play the leads in this movie. The kids here all deliver memorable performances.
11. Tangerine (2015)- Shot on an iPhone 5 with mostly non-actors, this movie is anything but the amateurish presentation it sounds like. It looks gorgeous and like the director's follow-up, The Florida Project, it's like being given full access into a hidden world that is both a little big magical but very real and very dirty. It is about transgendered hookers and their pimp, so that might not be the subject matter most people are looking for but its fantastic indie movie making. Stand outs: Sean Baker for making a movie look this good and hit this hard without any of the typical tools a movie maker would have at their disposal.
JoJo Rabbit was the last movie I saw in a theater, too.![]()
And if you miss any today, they are all on Movies! Network Friday.Already a couple of movies in, but break out the Nick and Nora glasses.... Thin Man marathon on TCM today.
Enjoyed it, it wasn't as big budgety which made it feel better ...if that makes senseWatched The Outpost last night. Really, really good war film about a remote Army camp in Afghanistan. It's based on a true story. Highly recommend.
Enjoyed it, it was as big budgety which made it feel better ...if that makes sense
not so much I’m chronologically going through Criterion’s Essential Fellini box set that I got for Christmas. I’m in the middle of “I Vitelloni” — I’m not sure if you have seen that one. Similar with little plot, and character portraits of five 20-something youths in Italy with little direction in life. It reminds a bit of 1950s version of Swingers (but better — maybe it could be viewed as an ancestor of that type of film).6. La Dolce Vita (1960)- Even more than Yi-Yi, this has little plot. It is a lengthy episodic journey through hedonist, pop culture obsessed 1960's Rome. It's probably the coolest movie ever made. I've seen a few Fellini movies but I need to do a deep dive since he's batting a thousand with me. Stand outs: Rome, the Trevi Fountain, Anita Eckberg in the Trevi Fountain and the invention of the paparazzi.
Yeah that one was cool. I've seen that, La Strada and 8 1/2. I am really interested to hear your thoughts on his movies once you've gotten through that box set.I’m chronologically going through Criterion’s Essential Fellini box set that I got for Christmas. I’m in the middle of “I Vitelloni” — I’m not sure if you have seen that one. Similar with little plot, and character portraits of five 20-something youths in Italy with little direction in life. It reminds a bit of 1950s version of Swingers.
I will say that the 4K restorations are great so far. From the beginning of the set, I’ve fully watched Variety Lights and The White Sheik so far. Both were good movies, but probably more notable for being his first movies as directors (Variety Lights as co-director, and White Sheik as co-director).Yeah that one was cool. I've seen that, La Strada and 8 1/2. I am really interested to hear your thoughts on his movies once you've gotten through that box set.
I would yell, "arrivata Zampano!", every time my good friend would walk into a room.Yeah that one was cool. I've seen that, La Strada and 8 1/2. I am really interested to hear your thoughts on his movies once you've gotten through that box set.
His wife Giulietta Masina was in some of his films - Variety Lights, La Strada, Il Bidone, Nights of Cabiria, Europe '51.I’m chronologically going through Criterion’s Essential Fellini box set that I got for Christmas. I’m in the middle of “I Vitelloni” — I’m not sure if you have seen that one. Similar with little plot, and character portraits of five 20-something youths in Italy with little direction in life. It reminds a bit of 1950s version of Swingers (but better — maybe it could be viewed as an ancestor of that type of film).
Thanks for opening your thoughts on these films. Lot of work for you but work you love.5. Rome, Open City (1945)- This is a far cry from the Rome Fellini filmed. Rossellini's Rome is a war zone. This story of the Italian underground fighting NAZI occupation is set apart from all other World War 2 movies in that it was filmed guerrilla style in the occupied city itself. It's as close to watching actual history as one can get. Stand outs: NAZI fighting kids and the non-actor citizens of Rome who played so many key roles in the film.
4. Mad Max Fury Road (2015)- I am not especially into action movies and my interest level in seeing this was low but the hype couldn't be ignored. This is the perfect action movie. Just wall to wall incredible edge of your seat stuff. There isn't a dull moment in this thing. It won me over and then some. Stand outs: Director George Miller, the stunt coordinator and production design team. Everything about this looks incredible.
3. Parasite (2019)- All the talk of this is still pretty fresh in everyone's minds so I will just add that I think in 5-10-20 years this will be a movie that people still talk about and point to as a classic. Stand outs: Bong's script that takes so many twists and turns
2. High and Low (1963)- Kurosawa's crime thriller might be the ultimate twists and turns film. All you need to know is it's about an attempt to kidnap the child of a wealthy executive for a ransom. From there, it is guaranteed to keep you guessing, weighing the decisions the characters must make. I prefer this to the samurai films Kurisawa and Mifune made. Stand outs: Kurosawa's perfect direction and Toshiro Mifune's greatest performance.
1. Underground (1995)- This Palm d'Or winner from Serbian filmmaker Emir Kusturica is pure chaos. A madcap black comedy war fantasy about the 20th century history of Yugoslavia as told through the friendship of two nefarious common criminals/soldiers/is there a difference between the 2 here? A movie where literally anything can happen and pretty much does. I don't want to reveal anymore because it's best just to buckle up and go a long for the ride. Stand outs: Where to begin? Just look at this crazy thing.
ooof - not you too!4. Mad Max Fury Road (2015)- I am not especially into action movies and my interest level in seeing this was low but the hype couldn't be ignored. This is the perfect action movie. Just wall to wall incredible edge of your seat stuff. There isn't a dull moment in this thing. It won me over and then some. Stand outs: Director George Miller, the stunt coordinator and production design team. Everything about this looks incredible.
I’ve had way more time on my hands this years relative to most so I’ve been both watching and keeping track of what I’ve watched in some ways just to pass the time.Thanks for opening your thoughts on these films. Lot of work for you but work you love.
Few things in life have made me as angry as Tenet. I wanted to punch Nolan in the face after sitting through it.I've heard this from a lot of people, even Nolan fans. It's confusing just for the sake of it
i envy you. enjoying Fellini organically is the most important cinematic experience i missed out on. he was foisted upon me as a master and one can easily imagine how your humble servant would react to that kind of thing. i took all the flourishes for fetishes and just found the stuff boorish and forced when all it was was a family-style tasting menu instead of prix fixe.I’m chronologically going through Criterion’s Essential Fellini box set that I got for Christmas. I’m in the middle of “I Vitelloni” — I’m not sure if you have seen that one. Similar with little plot, and character portraits of five 20-something youths in Italy with little direction in life. It reminds a bit of 1950s version of Swingers (but better — maybe it could be viewed as an ancestor of that type of film).
The National Society of Film Critics (picked Parasite last year):Best Picture:
WINNER: NOMADLAND (52 points)
RUNNERS-UP:
FIRST COW (50 points)
NEVER RARELY SOMETIMES ALWAYS (41 points)
Director:
WINNER: Chloé Zhao, NOMADLAND (58 points)
RUNNERS-UP:
Steve McQueen, SMALL AXE (41 points)
Kelly Reichardt, FIRST COW (30 points)
Actress:
WINNER: Best Actress: Frances McDormand, NOMADLAND (46 points)
RUNNERS-UP:
Viola Davis, MA RAINEY’S BLACK BOTTOM (33 points) S
Sidney Flanigan, NEVER RARELY SOMETIMES ALWAYS (29 points)
Actor:
WINNER: Best Actor: Delroy Lindo, DA 5 BLOODS (52 points)
RUNNERS-UP:
Chadwick Boseman, MA RAINEY’S BLACK BOTTOM (47 points)
Riz Ahmed, SOUND OF METAL (32 points)
Supporting Actress:
WINNER: Best Supporting Actress, Maria Bakalova, BORAT SUBSEQUENT MOVIEFILM (47 points)
RUNNERS-UP:
Amanda Seyfried, MANK (40 points)
Youn Yuh-jung, MINARI (33 points)
Supporting Actor:
WINNER: Best Supporting Actor: Paul Raci, SOUND OF METAL (53 points)
RUNNER-UPS:
Glynn Turman, MA RAINEY’S BLACK BOTTOM (36 points)
Chadwick Boseman, DA 5 BLOODS (35 points)
Screenplay:
WINNER: Best Screenplay: Eliza Hittman, NEVER RARELY SOMETIMES ALWAYS (38 points)
RUNNERS-UP:
Jon Raymond and Kelly Reichardt, FIRST COW (35 points)
Charlie Kaufman, I’M THINKING OF ENDING THINGS (29 points)
Non-Fiction Film:
Cinematography:
WINNER: Best Cinematography: Joshua James Richards, NOMADLAND (47 points)
RUNNERS-UP:
Shabier Kirchner, LOVERS ROCK (41 points)
Leonardo Simões, VITALINA VARELA (34 points)
Foreign-Language Film:
WINNER: COLLECTIVE (38 points) Runners-up:
RUNNERS-UP:
BACURAU and BEANPOLE (36 points)
VITALINA VARELA (32 points)
Non-fiction Film:
WINNER: TIME (46 points)
RUNNERS-UP:
CITY HALL (28 points)
COLLECTIVE (22 points)
I think a lot of those are on streaming now if you are interested in catching up with them. First Cow is rental the last time I looked, and I haven't seen Nomadland pop up yet, but a handful of the others you can watch depending on what services you have: Never Rarely Sometimes Always, Sound of Metal, Da 5 Bloods, Mank, Borat, Small Axe.Awards season time. Obviously a strange year...includes all movies including streamed. I haven't seen a single one of these.The National Society of Film Critics (picked Parasite last year):