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Recently viewed movie thread - Rental, Streaming, Theater etc (14 Viewers)

I get a fire under my ### to rewatch or watch for the first time classics have a huge list combining the BFI/AFI lists and started on that.  

First was Vertigo.   Still not sure I am fully on board with this one.  I think it's one of Hitch's best looking films, and for lack of at better word, one of his most "interesting".   But it still keeps me at a distance and I can't seem to get into it fully.  Damn good movie still, but I prefer a few other movies of his over this one.  

Next up is Citizen Kane and Casablanca.  
my favorite part of watching Vertigo is rooting for Novak2's eyebrows to go rogue and have a dogfight. plus i've had carnival relations several times at the spot where she jumps in the bay and i like to reminisce. the story has always felt forced, even though i appreciate it. and it does look great.

 
I'm about 20 minutes in to 'The Woman in the Window.'

I love Amy Adams


I am curious to see what you think. The reviews are really something. 


Some very good to great performances by some good-to-great actors.

The storyline/plot is solid. Any 'holes' are uniquely filled in with believability by the main character's mindset.

This isn't a story that hasn't been told before, but very well done and involving.

I'll watch it again soon, my AA love aside.

 
The Mysteries of Pittsburgh

i watched this for the plot, thanks to the never ending treasure trove that is Kodi.

uhhh, the Mena Suvari plot, that is. 

recommended on that level only. 

:popcorn:

 
Shadow & Bone

It'd be easy to write off this Netflix adaptation as a more adult Harry Potter ripoff. But I really enjoyed it. Good cast, solid writing, excellent locations, and solid special effects.

 
TCM and HBOMax had the virtual TCM Classic Film Festival a couple weeks ago and one movie I caught on there was Black Legion from 1937 starting Bogart. It wasn’t a particularly good movie but was on something really interesting that I’d never heard of before: The Black Legion. They were basically a Depression era spin off of the KKK that targeted immigrants in the Midwest. I guess they were particularly strong in Detroit with even the police chief having been a suspected member. There was a high profile murder of a labor leader and huge court case exposing the depths of the corruption. The Bogart movie didn’t explore any depth and the police were good, the criminals were low lifes or drunks but man there seems to be a lot of space to make a heck of movie or serious about this corner of history. 
 

So I guess that’s my answer to what movie I would like to see remade.

 
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Sounds like between those and Woman in the Window it’s 2 big misses on mystery/thriller book adaptations though I’ve heard the Woman in the Window book was actually terrible despite its huge sales.

 
TCM and HBOMax had the virtual TCM Classic Film Festival a couple weeks ago and one movie I caught on there was Black Legion from 1937 starting Bogart. It wasn’t a particularly good movie but was on something really interesting that I’d never heard of before: The Black Legion. They were basically a Depression era spin off of the KKK that targeted immigrants in the Midwest. I guess they were particularly strong in Detroit with even the police chief having been a suspected member. There was a high profile murder of a labor leader and huge court case exposing the depths of the corruption. The Bogart movie didn’t explore any depth and the police were good, the criminals were low lifes or drunks but man there seems to be a lot of space to make a heck of movie or serious about this corner of history. 
 

So I guess that’s my answer to what movie I would like to see remade.
it brings up a question i've dealt with a lot in the last decade or so.

because i was born smack dab in the middle of American post-war optimism & opportunity, i had always looked at history & progress as a somehow inevitable path to an ever-greater destiny. what i've been confronted with the last few years is the possibility that, maybe, the American Dream was always just a landgrab in a country big enough to afford many such, briefly interrupted during its lowest ebb by a chance to be Heroes of the World, then returning to our Soonerism after a brief afterglow of sanguine spoils-splitting and self-congratulation. when one looks at where we were in 1940 - desperate, envious, isolationist - it's a LOT closer to where we are now than 1955 is. Black Legion, Charles Lindbergh, Henry Ford all fit 2021 pretty keenly and it might be fun to explore that.

 
it brings up a question i've dealt with a lot in the last decade or so.

because i was born smack dab in the middle of American post-war optimism & opportunity, i had always looked at history & progress as a somehow inevitable path to an ever-greater destiny. what i've been confronted with the last few years is the possibility that, maybe, the American Dream was always just a landgrab in a country big enough to afford many such, briefly interrupted during its lowest ebb by a chance to be Heroes of the World, then returning to our Soonerism after a brief afterglow of sanguine spoils-splitting and self-congratulation. when one looks at where we were in 1940 - desperate, envious, isolationist - it's a LOT closer to where we are now than 1955 is. Black Legion, Charles Lindbergh, Henry Ford all fit 2021 pretty keenly and it might be fun to explore that.
Obviously you say it much better than I could but yes watching the movie and skimming a little background on it struck me as being in line with the current times. Seems like an easy pitch on so many levels

 
Obviously you say it much better than I could but yes watching the movie and skimming a little background on it struck me as being in line with the current times. Seems like an easy pitch on so many levels
't'would also behoove us to explore how 12 million more people voted for Donald Trump in 2020 than in 2016 on a psychological, rather than political, level. tis among that demographic where Black Legions work and is much more problematic to America's future than any gaggle of D.C. fools

 
Those Who Wish Me Dead on HBO Max

SMH

Cliched.  Aimless plot.  Frayed and illogical storyline.  Miscast actors.
I just finished it. Not his best work for sure. 

I had one major issue and I will be vague.

How did they not only get ahead of them, but also know the exact road they would drive down?                                                    And how did they know they didn't already pass?

Those who have seen the movie will understand. 

 
Army of the Dead was awesome. It is long (almost 2 1/2 hours), but the time just flew by. Incredible special effects and kill scenes. There were a few slow moments, but they just set up the violence that was to come. I am a sucker for zombie movies and this one did not disappoint. 

 
Shadow in the Cloud

So bad it's adequately entertaining. There's a lot of obvious involvement from the "boys suck, gurrrllls rule!" crowd but...whatever.

 
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Heres the quote from this smaller great English film from...yikes- 90s. 80s? Just started rewatching it

"Here. Hare. Here."

Anybody with me here...hare here?

 
Ilov80s said:
Fired up my new 4k disc of The Good, The Bad and The Ugly. Ready to soak up some Morricone and Eastwood. 
Just started watching Two Mules for Sister Sara and the opening music caught my attention. I thought Morricone, and of course it was his. As many times as I've seen this, it never crossed my mind until now that he did the score.

 
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Courtjester said:
Army of the Dead was awesome. It is long (almost 2 1/2 hours), but the time just flew by. Incredible special effects and kill scenes. There were a few slow moments, but they just set up the violence that was to come. I am a sucker for zombie movies and this one did not disappoint. 
Wow I felt the exact opposite. One of the worst zombie films I've ever seen. Maybe because I hated its treatment of the zombies and that moved it in a completely different space for me.

Felt like I was watching a new Predator flick where everyone makes baffling decisions despite having prior knowledge of how this whole things works... unlike "origin" films in the genre.

 
Courtjester said:
Army of the Dead was awesome. It is long (almost 2 1/2 hours), but the time just flew by. Incredible special effects and kill scenes. There were a few slow moments, but they just set up the violence that was to come. I am a sucker for zombie movies and this one did not disappoint. 
I felt there were good moments and bad. 

 
Finally got to see Nobody.

Liked the humor that was mixed in. Basically John Wick with a different actor. That isn't a bad thing. 

 
Had to watch Goodfellas tonight after listening to The Rewatchables episode they did last week. Great episode and still one of the all time movies.

 
Finally got caught up with some of the 'more' recent flicks.

Ford Vs. Ferrari - The solid reviews were accurate.  Very good movie.  I'm not into racing but loved the story and the action sequences.  Wasn't aware of the story before the movie so it was informative as well as entertaining.

1917 - My gawd the technical difficulties of making this movie were off the charts.  Every inch of ground covered by the actors, which is miles and miles of real-time locomotion within the film, had to be marked out to the nth degree along with cameras, lighting, extras, set design, sound, script supervisor, etc et el.  The actors had to have EVERY LINE down pat before cameras rolled so that meant weeks of rehearsal for EVERY shot which consists of a series of 'oners' meaning no break in action or dialogue till the next shot. 

Greengrass wrote it based of first hand accounts from this grandfather's experiences in WWI.  He did a FANTASTIC job.  

News Of The World - Liked much more than I thought I would.  The little girl that co-starred (Helena Zengel) is the mini-me doppelganger of Julie Delpy at a much younger age.  Zengel provided the spiritual and heart anchor to the story.  I thought Hanks played it low-key which I found refreshing since he has not tended to be restrained in his roles.  

Loved the simple story line, the stark sets, and the historical aspects of post Civil War politics that I wasn't aware.

Once Upon A Time In Hollywood - Amazing set designs that captured a 'truth' of late 60s LA.  The cars, the music, the fashion, and I have had a thing for Sharon Tate since I first laid eyes on her back in the day when I was just a kid.  I felt Margot Robbie did such a good job in capturing the innocent essence of Tate.  She really was an absolute doll.  

I went into the movie blind so I won't give out any spoilers but I'm thankful that Tarentino took 'liberties' with some aspects of historical accuracy.  

Leo gave a great performance and Pitt has really stepped into his own and I can't give enough credit to Robbie who did so much with so little dialogue and I have to give a shout out to Dern who nails his role.  

Tarentino has Easter Eggs hatching all over his flicks but one thing that kinda bothers me is when he gets derivative with 'some' of his work like oh, setting Nazis on fire which he did to an action climax in another flick but I loved the nod to Green Apple Cigs and other things that weren't so in-your-face that he's had in a few different movies.  I first noticed it when he hit us over the head with Pulp Fiction's white on black man-on-man anal rape scene only to flip in a later film with black on white man-on-man anal rape scene.  Subtle as a brick to the face which he has also used in his films.

 
Finally got caught up with some of the 'more' recent flicks.

Ford Vs. Ferrari - The solid reviews were accurate.  Very good movie.  I'm not into racing but loved the story and the action sequences.  Wasn't aware of the story before the movie so it was informative as well as entertaining.

1917 - My gawd the technical difficulties of making this movie were off the charts.  Every inch of ground covered by the actors, which is miles and miles of real-time locomotion within the film, had to be marked out to the nth degree along with cameras, lighting, extras, set design, sound, script supervisor, etc et el.  The actors had to have EVERY LINE down pat before cameras rolled so that meant weeks of rehearsal for EVERY shot which consists of a series of 'oners' meaning no break in action or dialogue till the next shot. 

Greengrass wrote it based of first hand accounts from this grandfather's experiences in WWI.  He did a FANTASTIC job.  

News Of The World - Liked much more than I thought I would.  The little girl that co-starred (Helena Zengel) is the mini-me doppelganger of Julie Delpy at a much younger age.  Zengel provided the spiritual and heart anchor to the story.  I thought Hanks played it low-key which I found refreshing since he has not tended to be restrained in his roles.  

Loved the simple story line, the stark sets, and the historical aspects of post Civil War politics that I wasn't aware.

Once Upon A Time In Hollywood - Amazing set designs that captured a 'truth' of late 60s LA.  The cars, the music, the fashion, and I have had a thing for Sharon Tate since I first laid eyes on her back in the day when I was just a kid.  I felt Margot Robbie did such a good job in capturing the innocent essence of Tate.  She really was an absolute doll.  

I went into the movie blind so I won't give out any spoilers but I'm thankful that Tarentino took 'liberties' with some aspects of historical accuracy.  

Leo gave a great performance and Pitt has really stepped into his own and I can't give enough credit to Robbie who did so much with so little dialogue and I have to give a shout out to Dern who nails his role.  

Tarentino has Easter Eggs hatching all over his flicks but one thing that kinda bothers me is when he gets derivative with 'some' of his work like oh, setting Nazis on fire which he did to an action climax in another flick but I loved the nod to Green Apple Cigs and other things that weren't so in-your-face that he's had in a few different movies.  I first noticed it when he hit us over the head with Pulp Fiction's white on black man-on-man anal rape scene only to flip in a later film with black on white man-on-man anal rape scene.  Subtle as a brick to the face which he has also used in his films.
Ford vs Ferrari is amazing. 

 
Chinatown on 4K streaming on Prime looks fantastic, blows my old DVD away by a mile 

 
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