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The 100 Greatest movies of the 1970s. 1. The Godfather (2 Viewers)

100. The Omen - Not sure if I have ever seen it
99. Pink Flamingos - Never heard of it
98. The Outlaw Josey Wales - Never saw it
97. The Heartbreak Kid - Never saw it
96. The Out-of-Towners . Never saw it
95. Nicholas and Alexandra - Never heard of it
94. Sleeper - Never saw it
93. The Jerk - Never saw it
92. The Towering Inferno - Never saw it
91. Harold and Maude - Never saw it
90. Straw Dogs - Never heard of it
89. Oh, God! - Seen it. Like it
88. The Fury - Never heard of it
87. Grease - Seen it. Nostalgia movie
86. Monty Python’s Life of Brian - Never saw it
85. Bananas - Never heard of it
84. The Day of the Jackal - Never heard of it
83. High Plains Drifter - Never saw it
82. The Boys from Brazil -Never heard of it
81. The Twelve Chairs - Never heard of it
80. Conrack - Never heard of it
79. Saturday Night Fever - Never saw it
78. Superman - Saw it but don't really remember much of it
77. Gimme Shelter - Never heard of it
76. Live And Let Die - Never saw it
75. Play It Again, Sam - Never saw it
74. The Sugarland Express - Never saw it
73. The Seven Percent Solution - Never heard of it
72. The Paper Chase - Never heard of it
71. The Texas Chain Saw Massacre - Saw it a long time ago
70. Shaft - Never saw it
69. The Aristocats - Never heard of it
68. Invasion of the Body Snatchers - Seen it but don't remember it
67. Julia - Never heard of it
66. Mad Max - Never saw it
65. The Great Santini - Never saw it
64. Eraserhead - Never saw it
63. The Poseidon Adventure - Never saw it
62. Serpico - Never saw it
61. Escape From Alcatraz - Never saw it
60. Dawn Of The Dead - Never saw it
59. Slap Shot - Great movie
58. The Deer Hunter - Never saw it
57. Kramer Vs Kramer - saw it when it came out. Don't remember much about it.
56. Fiddler on the Roof - Never saw it
55. Young Frankenstein - Great, great movie (not horror)
54. The Longest Yard - Fun movie
53. The Eagle Has Landed - Never heard of it
52. Midnight Express -Never saw it
51. Time After Time - Never saw it
50. Paper Moon - Never saw it
48. Rocky II - Seen it
47. When A Stranger Calls - Never saw it
46. Dirty Harry - I have seen parts of it
45. Murder on the Orient Express - Never saw it
44. Alice Doesn’t Live Here Anymore - Never heard of it
43. National Lampoon’s Animal House - Great movie for what it is
42. Halloween - Great horror flick (should be higher)

(I was born in '72)
This thread seems outside of your particular area of expertise. 🤣
Maybe I am trying to learn something new....haha
 
French Connection is a good movie but it's THE example I use when I point out that movies pre-Jaws are often described as "gritty" but are really expressing the general lack of hope and consternation of the Vietnam War era.
 
39. Monty Python and the Holy Grail (1975)

Directed by: Terry Gilliam and Terry Jones

Starring: Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin

Synopsis:
King Arthur and his Knights of the Round Table search for the Holy Grail

(After King Arthur chopped off both his arms)- It’s just as flesh wound! - John Cleese as the Black Knight

Just as with the The Life of Brian, I’ll probably get nicked for ranking this classic comedy too low. Given the high quality of films coming up I think #39 is pretty good. Been a while since I’ve seen this flick but I remember quite a bit of it, could quote several lines even now. And if you don’t agree with my ranking, I fart in your general direction.
 
Definitely lots of good stuff still to go, but I can’t see placing two Woody Allen movies above it (which I have a feeling will happen).
 
39. Monty Python and the Holy Grail (1975)

Directed by: Terry Gilliam and Terry Jones

Starring: Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin

Synopsis:
King Arthur and his Knights of the Round Table search for the Holy Grail

(After King Arthur chopped off both his arms)- It’s just as flesh wound! - John Cleese as the Black Knight

Just as with the The Life of Brian, I’ll probably get nicked for ranking this classic comedy too low. Given the high quality of films coming up I think #39 is pretty good. Been a while since I’ve seen this flick but I remember quite a bit of it, could quote several lines even now. And if you don’t agree with my ranking, I fart in your general direction.
This is way too low. "your mother was a hamster and your father smells of elderberries"
 
40. The French Connection (1971)

Directed by: William Friedkin

Starring: Gene Hackman, Roy Scheider


Synopsis: A pair of New York policemen stumble upon an international heroin operation.

(Pours drugs into glasses at the bar) Anybody want a milkshake? - Gene Hackman as Jimmy “Popeye” Doyle

When it came out The French Connection was widely regarded as the greatest action thriller ever, and for years film students would carefully study its cinematic tricks. I don’t know if that reputation holds up. What HAS stood the test of time is the chemistry between the two lead actors, both of whom really became stars as a result of this film.

This may be Gene Hackman’s most famous role and he really shines. As for Scheider, he wins my vote as greatest movie star of the 70s (though that’s a very close contest; my list would include Hackman, Dustin Hoffman, Clint Eastwood, Al Pacino, Robert Shaw, and Richard Dreyfus. But for whatever reason Scheider is my favorite; love everything he’s in.)
What if Scheider, Shaw and Dreyfus acted together? I wonder what you would think of that?
 
40. The French Connection (1971)

Directed by: William Friedkin

Starring: Gene Hackman, Roy Scheider


Synopsis: A pair of New York policemen stumble upon an international heroin operation.

(Pours drugs into glasses at the bar) Anybody want a milkshake? - Gene Hackman as Jimmy “Popeye” Doyle

When it came out The French Connection was widely regarded as the greatest action thriller ever, and for years film students would carefully study its cinematic tricks. I don’t know if that reputation holds up. What HAS stood the test of time is the chemistry between the two lead actors, both of whom really became stars as a result of this film.

This may be Gene Hackman’s most famous role and he really shines. As for Scheider, he wins my vote as greatest movie star of the 70s (though that’s a very close contest; my list would include Hackman, Dustin Hoffman, Clint Eastwood, Al Pacino, Robert Shaw, and Richard Dreyfus. But for whatever reason Scheider is my favorite; love everything he’s in.)
What if Scheider, Shaw and Dreyfus acted together? I wonder what you would think of that?
Or Scheider and Hoffman?
 
40. The French Connection (1971)

Directed by: William Friedkin

Starring: Gene Hackman, Roy Scheider


Synopsis: A pair of New York policemen stumble upon an international heroin operation.

(Pours drugs into glasses at the bar) Anybody want a milkshake? - Gene Hackman as Jimmy “Popeye” Doyle

When it came out The French Connection was widely regarded as the greatest action thriller ever, and for years film students would carefully study its cinematic tricks. I don’t know if that reputation holds up. What HAS stood the test of time is the chemistry between the two lead actors, both of whom really became stars as a result of this film.

This may be Gene Hackman’s most famous role and he really shines. As for Scheider, he wins my vote as greatest movie star of the 70s (though that’s a very close contest; my list would include Hackman, Dustin Hoffman, Clint Eastwood, Al Pacino, Robert Shaw, and Richard Dreyfus. But for whatever reason Scheider is my favorite; love everything he’s in.)
What if Scheider, Shaw and Dreyfus acted together? I wonder what you would think of that?
Or Scheider and Hoffman?
The first trio seems like it would be too good to be true. I can’t imagine it.

The second proposed grouping (Scheider and Hoffman) would only work if there was some Shakespearean actor added to the list- you know, somebody like Olivier…
 
40. The French Connection (1971)

Directed by: William Friedkin

Starring: Gene Hackman, Roy Scheider


Synopsis: A pair of New York policemen stumble upon an international heroin operation.

(Pours drugs into glasses at the bar) Anybody want a milkshake? - Gene Hackman as Jimmy “Popeye” Doyle

When it came out The French Connection was widely regarded as the greatest action thriller ever, and for years film students would carefully study its cinematic tricks. I don’t know if that reputation holds up. What HAS stood the test of time is the chemistry between the two lead actors, both of whom really became stars as a result of this film.

This may be Gene Hackman’s most famous role and he really shines. As for Scheider, he wins my vote as greatest movie star of the 70s (though that’s a very close contest; my list would include Hackman, Dustin Hoffman, Clint Eastwood, Al Pacino, Robert Shaw, and Richard Dreyfus. But for whatever reason Scheider is my favorite; love everything he’s in.)
What if Scheider, Shaw and Dreyfus acted together? I wonder what you would think of that?
Or Scheider and Hoffman?
The first trio seems like it would be too good to be true. I can’t imagine it.

The second proposed grouping (Scheider and Hoffman) would only work if there was some Shakespearean actor added to the list- you know, somebody like Olivier…
Putting the 1st trio in one movie seems like overkill. It would be jumping the shark.
 
Anyone else here seen the stage production Spamelot? I saw it maybe 15 years ago at the National Theater in D.C. and it was one of the funniest things I've ever seen.
We got held up in London for a couple of days at the end of a vacation because Heathrow shut down while we were waiting for our connecting flight home. Some idiot ran through customs without stopping, so of course, terrorist threat, no flights can go anywhere.

Anyways, we took the opportunity to see Spamelot in one of the theaters in the West End. Seemed like a thing to do. Great show, definitely hilarious.
 
38. Patton (1970)

Directed by: Franklin J. Shaffner

Starring: George C. Scott, Karl Malden

Synopsis:
During the final years of World War II, General Patton achieves victories and fame in North Africa and Europe.

Now I want you to remember that no ******* ever won a war by dying for his country. He won it by making the other poor ******* die for his country- George C. Scott as George Patton.

One of the greatest war films of all time mainly because George C. Scott owns this role. Even after the iconic opening scene in front of the flag, Scott simply dominates the screen as very few actors have ever accomplished. He IS Patton, and will forever represent our view of the general.
 
38. Patton (1970)

Directed by: Franklin J. Shaffner

Starring: George C. Scott, Karl Malden

Synopsis:
During the final years of World War II, General Patton achieves victories and fame in North Africa and Europe.

Now I want you to remember that no ******* ever won a war by dying for his country. He won it by making the other poor ******* die for his country- George C. Scott as George Patton.

One of the greatest war films of all time mainly because George C. Scott owns this role. Even after the iconic opening scene in front of the flag, Scott simply dominates the screen as very few actors have ever accomplished. He IS Patton, and will forever represent our view of the general.

What you talkin bout Willis? Top 5 movie from this decade. Easily. I'm not sure you can even find a ranking where it's not top 20. Maybe some commie lib ranking. Asking FBG to ban you

'Now I want you to remember that no b@$t@rd ever won a war by dying for his country. He won it by making the other poor dumb b@$t@rd die for his country.'

Also, my granddad drove Omar Bradley's jeep much of WW2. Said he would give every drop of blood for that guy. including the Normandy invasion and then was just a soldier in the Battle of the Bulge.
 
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37. Dog Day Afternnoon (1975)

Directed by: Sidney Lumet

Starring: Al Pacino, John Cazale, Charles Durning, Chris Sarandon

Synopsis:
A bank robbery intended to pay for a sex operation goes haywire when police arrive and hostages are taken.

Put those guns down! Attica! Attica! You got it, man! - Al Pacino as Sonny

This is a terrific, very tense bank robber and hostage movie. The acting is amazing particularly Pacino and Chris Sarandon in a small but extremely memorable role. The subject matter (gender affirming surgery) is way ahead of its time.
This movie gets a special boost in the rankings for featuring the song “Amoreena” by Elton John in the opening credits. That tune is a deep cut from Tumbleweed Connection, Elton’s 1970 album which I regard as his best, even though it contained none of his hits.
 
37. Dog Day Afternnoon (1975)
Weird. I found this movie to be unwatchable. Just seemed like a lot of twaddle to me. I was disappointed.

Patton, especially its score is really good. Back in one of the TImDrafts, I ranked Scott's performance in the top five. (Can't remember exactly where.)
 
Wow - tremendous run of great films!
Patton - my favorite war film
Animal House and Holy Grail - all time great comedies
Enter The Dragon - best kung fu film ever
Halloween - best slasher film

And we haven't hit the top 25 yet!

Murder On The Orient Express seems out of place with this run, thought it was good but not top 100.
 
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36. A Clockwork Orange (1971)

Directed by: Stanley Kubrick

Starring: Malcolm McDowell, Patrick Magee

Synopsis:
In a future dystopian England, a sociopath rapist undergoes experimental “rehabilitation”.

I was cured, all right! - Malcolm McDowell as Alex

This is a visually stunning movie. I saw it at a midnight showing during my college years. It is highly regarded as one of the greatest films of the 20th century, and most of the critics lists of 70s films have this movie at the very top.

I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons- first off, just as in the novel (which I tried to read and failed) the language barrier is too great- whatever this slang is supposed to be I can’t figure out what they’re saying and I don’t want to spend my time deciphering it.

The second reason is- Kubrick always leaves me cold. I have tried to watch and enjoy almost all of his films and with very few exceptions (Spartacus, the first 20 minutes of Full Metal Jacket) I just find his movies uninteresting, lacking the character development and drama I need to love a film. I don’t even have Barry Lyndon (1975) on this list because it’s so incredibly dull to me.

This film does belong on this list, and pretty high, because, once again, it’s so visually stunning, groundbreaking really, and there’s something incredibly charismatic about Malcolm McDowell’s performance. But 36 is as high as I could go.
 
Kubrick's technical proficiency is among the best. The resultant product, the movies, are not as interesting as his sycophants want them to be. Even The Shining, which I love, is in parts self-indulgent.

His best movie might be The Killing.
 
I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons-
That's the entire point of the movie - they take away his free will to commit hideous and violent crimes - if they don't show you those crimes you lack the frame of reference.

That's also the storyline as well.
 
I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons-
That's the entire point of the movie - they take away his free will to commit hideous and violent crimes - if they don't show you those crimes you lack the frame of reference.

That's also the storyline as well.
But it's not something I consider entertaining. It's voyeurism in the worst way.
 
I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons-
That's the entire point of the movie - they take away his free will to commit hideous and violent crimes - if they don't show you those crimes you lack the frame of reference.

That's also the storyline as well.
Yeah, and the slang was the coolest part of the book. Luscious Glory=hair. Awesome.

The world-building in the book, and further in the movie was awesome. Giving them unique slang, fashion sense (one false eyelash. Why? Because, that's why).

Career making role as well, has Malcolm McDowell ever been a good guy in anything?
 
I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons-
That's the entire point of the movie - they take away his free will to commit hideous and violent crimes - if they don't show you those crimes you lack the frame of reference.

That's also the storyline as well.
But it's not something I consider entertaining. It's voyeurism in the worst way.
ok
 
I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons-
That's the entire point of the movie - they take away his free will to commit hideous and violent crimes - if they don't show you those crimes you lack the frame of reference.

That's also the storyline as well.
Yeah, and the slang was the coolest part of the book. Luscious Glory=hair. Awesome.

The world-building in the book, and further in the movie was awesome. Giving them unique slang, fashion sense (one false eyelash. Why? Because, that's why).

Career making role as well, has Malcolm McDowell ever been a good guy in anything?
Sure. Time After Time, also on my list. Not as good a movie but a hell of a lot more entertaining for me.
 
36. A Clockwork Orange (1971)

Directed by: Stanley Kubrick

Starring: Malcolm McDowell, Patrick Magee

Synopsis:
In a future dystopian England, a sociopath rapist undergoes experimental “rehabilitation”.

I was cured, all right! - Malcolm McDowell as Alex

This is a visually stunning movie. I saw it at a midnight showing during my college years. It is highly regarded as one of the greatest films of the 20th century, and most of the critics lists of 70s films have this movie at the very top.

I couldn’t do that. For me, as I wrote, it is visually stunning, but that’s about it. The excessive violence (particularly in the first third of the film) and subsequent storyline lacks real drama for two reasons- first off, just as in the novel (which I tried to read and failed) the language barrier is too great- whatever this slang is supposed to be I can’t figure out what they’re saying and I don’t want to spend my time deciphering it.

The second reason is- Kubrick always leaves me cold. I have tried to watch and enjoy almost all of his films and with very few exceptions (Spartacus, the first 20 minutes of Full Metal Jacket) I just find his movies uninteresting, lacking the character development and drama I need to love a film. I don’t even have Barry Lyndon (1975) on this list because it’s so incredibly dull to me.

This film does belong on this list, and pretty high, because, once again, it’s so visually stunning, groundbreaking really, and there’s something incredibly charismatic about Malcolm McDowell’s performance. But 36 is as high as I could go.
Well, tim and I will agree for once. The problem with Kubrick is in every film, half of the movie is good and the other half is blah. The beginning of FMJ is clearly his best work. But in Clockwork, he was able to make the entire movie complete trash. it's a cult flick and a bad one at that. I rank this right there with Attack of the Killer Tomatoes on the dud meter.
 
I guess, as usual I do not get the point of these lists. If these are your rankings why rank movies you don't like?

ETA: didn’t mean “do not get the point” like it sounded. I meant it more literally.
 
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I guess, as usual I do not get the point of these lists. If these are your rankings why rank movies you don't like?
I figure he didn't say they were his favorites. And being influential is important for some movies.

But if trying to make an objective list, you can just post some IMBD or other critics list.

I guess I'm just used to people ranking things based on what they like. :shrug:
 
I guess, as usual I do not get the point of these lists. If these are your rankings why rank movies you don't like?
I figure he didn't say they were his favorites. And being influential is important for some movies.

But if trying to make an objective list, you can just post some IMBD or other critics list.

I guess I'm just used to people ranking things based on what they like. :shrug:
It's The Tim Way. He writes his countdowns as if he's representing a consensus of 10+ Rolling Stone writers. Once you realize this is the filter he applies, you can just absorb what he says on each work individually and not get caught up in why it's ranked where it is.
 

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