Psychopav
Help us, Joebi-Wan Brynobi, you're our only ho
I saw the movie many times before ever having read the book, and I have to disagree with Burgess. I take the theme to be the same as that of the book, and have since the first time I saw the flick when I was probably 17 years old. Even if the movie had ended the same way as the book, I think the objection around the purient interest would still be there - the visual medium virtually assures it, unless Kubrick would have chosen to water it down.Now then, Dim. What does that great big horsey gape of a grin portend?
21 A Clockwork Orange Anthony Burgess kupcho1, guru_007, Dr. Octopus, KeithR, Psychopav, rockaction, shuke
21. A Clockwork Orange by Anthony Burgess
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Total points: 407
Average: 58.1
I'm not even going to wait the short amount of time required between posts to start talking about this one.
If you've only seen the movie and haven't read the book, you don't really know the story, or at least not how it actually ends. It's so dramatically different that Burgess actually repudiated his own book years afterward. Or I should say the American version of the novel (more later).
We all suffer from the popular desire to make the known notorious. The book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me until I die. I should not have written the book because of this danger of misinterpretation.
And what exactly is the misinterpretation? A Clockwork Orange is a dystopian novel about the nature of good and evil.
“Does God want goodness or the choice of goodness? Is a man who chooses to be bad perhaps in some way better than a man who has the good imposed upon him?”
This is a very structured novel consisting of 21 chapters (done intentionally by Burgess as a nod to 21 being the age of maturity) broken into thirds.
Part 1 describes the world of Alex, our protagonist in the story, wherein he gets himself into a little trouble having caused much mayhem in the process
Part 2 delves into the Ludovico technique, designed to "rehabilitate" Alex
Part 3 shows us the result of that rehabilitation
The movie adaptation misses the entire point of the novel by omitting the last chapter. Burgess agreed to allow the last chapter of the book to be omitted from the American version as he was strapped for cash. Per his site:
Myth: Anthony Burgess hated Stanley Kubrick’s 1971 film of A Clockwork Orange.
Fact: Anthony Burgess thought the film was a masterpiece and that Kubrick was a great filmmaker. But Burgess resented having to defend the film on television and in print as it was not his own work.
I won't spoil the book for you as I recommend reading it, but here's how the movie ended, followed by what Kubrick left out
The film's ending leaves Alex, the protagonist, unreformed, having undergone a treatment to suppress his violent tendencies, but ultimately returning to his old ways
In the final chapter, Alex—now 18 years old and working for the nation's musical recording archives—finds himself halfheartedly preparing for another night of crime with a new gang (Len, Rick, and Bully). After a chance encounter with Pete, who has reformed and married, Alex finds himself taking less and less pleasure in acts of senseless violence. He begins contemplating giving up crime himself to become a productive member of society and start a family of his own while reflecting on the notion that his children could end up being just as destructive as he has been, if not more so.
Come and get one in the yarbles, if you have any yarbles, you eunuch jelly, thou.
Right right?