Ilov80s
Footballguy
which cover? Messner had that good hair.Wow. What a cover. I was more into The Unauthorized Biography of Reinhold Messner, but that was cool.
which cover? Messner had that good hair.Wow. What a cover. I was more into The Unauthorized Biography of Reinhold Messner, but that was cool.
I don't think there were any covers on the Messner album. That was Ben Folds pouring his melancholy heart out, to the best of my recollection.which cover? Messner had that good hair.
Hey, thanks for the link to VOCES8. It's been nice. I feel like the luckiest.which cover? Messner had that good hair.
They're FinnishedMeanwhile in the Classical Hot Stove League, Esa Pekka Salonen was announced as the new Musical Director of the SF Symphony replacing the retiring Michael Tilson-Thomas.
I don't know about you but I'm stoked![]()
here is something you will probably never believe but the old swcer has seen the san fran symphony play take that to the bank brohansEephus said:Meanwhile in the Classical Hot Stove League, Esa Pekka Salonen was announced as the new Musical Director of the SF Symphony replacing the retiring Michael Tilson-Thomas.
I don't know about you but I'm stoked![]()
Sure beats hearing Grandma Got Run Over by a Reindeer.
I generally prefer the Russians for Christmas and the Germans for Easter
Watch that performance of it. Very well done.One of my favorite pieces. Heavenly is the perfect word for it.
Also funny, last night I was thinking of giving this thread a bump.
Same. And met MTT.here is something you will probably never believe but the old swcer has seen the san fran symphony play take that to the bank brohans
It's very good. The key is those high notes and she hits them beautifully. Tenebrae is one of the 3 or 4 best vocal groups in the world so it's no surprise they sound this good.Watch that performance of it. Very well done.
Just watched the Tallis Scholars perform this live in a concert. It was fantastic.One of my favorite pieces. Heavenly is the perfect word for it.
Also funny, last night I was thinking of giving this thread a bump.
Just put it on...anything is better than this Michigan game right now. Initial reaction is that I like it. I can hear a lot of the beats of the Allegri but it clearly has it's own direction. There are also a few surprises in there. While it was well sung, I didn't love the voice of the singer doing the way upper range part. I think that part can easily become a bit shrill. There is a real art to getting a voice that can hit those notes without becoming a bit piercing. I also a very specific idea of how I want it to sound so it could just be me- I am kind of obsessed with one very specific recording of this.Just watched the Tallis Scholars perform this live in a concert. It was fantastic.
Heard another piece in the program that I really enjoyed and figured you might like. New composition by a young composer. This is the only link I can find of it:
Campkin -- Miserere Mei
I'm curious what you think.
Program notes stated he was inspired by the Allegri when writing it. You hit my thoughts exactly.Just put it on...anything is better than this Michigan game right now. Initial reaction is that I like it. I can hear a lot of the beats of the Allegri but it clearly has it's own direction. There are also a few surprises in there. While it was well sung, I didn't love the voice of the singer doing the way upper range part. I think that part can easily become a bit shrill. There is a real art to getting a voice that can hit those notes without becoming a bit piercing. I also a very specific idea of how I want it to sound so it could just be me- I am kind of obsessed with one very specific recording of this.
Try Bach's Toccata and Fugue in D minorI do own some of that classical stuff, I do see it. BUT.....can't get a feel for what mood I'd be in to want to delve deeply into that sound.
A legit music geek here.
I had a feeling I'd be turned on to something great in that genre.
Chances are you've heard the Bach piece he recommended. Same with most great classical pieces- they are everywhere in our culture.I had a feeling I'd be turned on to something great in that genre.
I will be giving it a listen but can't right now.
I've listened to it quite a few times now this morning. Really, really like it. This sounds like a recording from a performance as it's not fully balanced and not recording studio quality, IMO. Yes, the upper range was way too harsh in this and I think it's partly because of how it was recorded and balanced. She also didn't hit the last climax cleanly. Last night, in the large church where I listened to them, it sounded WAY better. The part around 4:40 completely took me by surprise but in a good way.Just put it on...anything is better than this Michigan game right now. Initial reaction is that I like it. I can hear a lot of the beats of the Allegri but it clearly has it's own direction. There are also a few surprises in there. While it was well sung, I didn't love the voice of the singer doing the way upper range part. I think that part can easily become a bit shrill. There is a real art to getting a voice that can hit those notes without becoming a bit piercing. I also a very specific idea of how I want it to sound so it could just be me- I am kind of obsessed with one very specific recording of this.
I can't point you in the specific direction trackwise, but Anna Meredith is putting out some interesting new-classical, strange cross-over stuff. this is the first thing I heard- and I still like it a lot. Has a new album out with a string quartet that's sounding goodI've listened to it quite a few times now this morning. Really, really like it. This sounds like a recording from a performance as it's not fully balanced and not recording studio quality, IMO. Yes, the upper range was way too harsh in this and I think it's partly because of how it was recorded and balanced. She also didn't hit the last climax cleanly. Last night, in the large church where I listened to them, it sounded WAY better. The part around 4:40 completely took me by surprise but in a good way.
Came here to post this. Definitely my favorite.
huh... never saw this tiny desk concert. had heard she put on a great show... interesting stuff. always wondered what the instrumentation was on this... figured all keyboards.I can't point you in the specific direction trackwise, but Anna Meredith is putting out some interesting new-classical, strange cross-over stuff. this is the first thing I heard- and I still like it a lot. Has a new album out with a string quartet that's sounding good
Depends on your favorite music. For example, if you are a metalhead, I'd recommend Stravinsky.I do own some of that classical stuff, I do see it. BUT.....can't get a feel for what mood I'd be in to want to delve deeply into that sound.
A legit music geek here.
My fav music is old prewar blues, talking primitive stuff from the 20's and 30's which is as far away from Classical as it gets.Depends on your favorite music. For example, if you are a metalhead, I'd recommend Stravinsky.
Yeah, the old prewar blues is dope. I wonder if you'd enjoy Bartok.My fav music is old prewar blues, talking primitive stuff from the 20's and 30's which is as far away from Classical as it gets.
How could I not like that?Yeah, the old prewar blues is dope. I wonder if you'd enjoy Bartok.
Do you use Spotify?How could I not like that?
Big Band, Jazz, love all that stuff also, not much I don't like actually, just some more than others.
I don't use anything, I like the CD thing, like to make mixed tapes because my vehicles have tape decks as does my player in my barbecue area. Would guess10,000 CD's and 50, 000 tapes, I know.....sure. But very true.Do you use Spotify?
Are you into Duke Ellington?How could I not like that?
Big Band, Jazz, love all that stuff also, not much I don't like actually, just some more than others.
Sure, Count Basie, Tommy Dorsey, all that stuffAre you into Duke Ellington?
I remember taking an American music history class in college as part of my major's academic curriculum, and guys like Aaron Copeland and George Gershwin would get several pages, while Duke Ellington received three paragraphs. America's greatest composer gets three paragraphs? That's the first time I can remember identifying racism / classism in a college textbook.Sure, Count Basie, Tommy Dorsey, all that stuff
The first time I bEcame aware of Copeland was in a book I did try and see if he had any connections/influenses with black music. There is a time right after HS where he worked with dance bands, maybe there he came in contact with black music but it doesn't appear to have made any impact.I remember taking an American music history class in college as part of my major's academic curriculum, and guys like Aaron Copeland and George Gershwin would get several pages, while Duke Ellington received three paragraphs. America's greatest composer gets three paragraphs? That's the first time I can remember identifying racism / classism in a college textbook.
I'm guessing it was more about academia seeing jazz as a lesser art form than classical music.The first time I bEcame aware of Copeland was in a book I did try and see if he had any connections/influenses with black music. There is a time right after HS where he worked with dance bands, maybe there he came in contact with black music but it doesn't appear to have made any impact.
You cannot talk blues, pop, jazz, rock without that black influense, you can get away with it when it comes to that Big Band sound, it was mostly white, only a few Count Basie, Duke Ellington. I bet the book you are talking about was written by white guys.
There was ........
https://www.youtube.com/watch?v=n0J2vA4POO0
Nice same here although it’s all streaming on Spotify.Sure, Count Basie, Tommy Dorsey, all that stuff
.In a 72 hour span my moods range from rural Texas blues pre 1930 to 50;s Doo *** to New Orleans jazz in the 40's to that Big Band sound to Hank Williams, Patsy Cline to The Ramones, Frank Zappa, Usher, yep, all over the place.
Interesting given the place jazz is usually given in American history/culture relative to classical.I'm guessing it was more about academia seeing jazz as a lesser art form than classical music.
Raking my brain trying to recall just how I came across this Copeland guy. I know I never set out to learn about classical music.I'm guessing it was more about academia seeing jazz as a lesser art form than classical music.
I do all my l music listening in my truck, her car, my Fortress of Solitude, in bed as I fade away, what will it be....Nice same here although it’s all streaming on Spotify.
I was first exposed to Copland from hearing Fanfare for the Common Man in a commercial I think. I immediately went to the library to check out a CD.Raking my brain trying to recall just how I came across this Copeland guy. I know I never set out to learn about classical music.
The bottom line in all music is does it fit your mood, I rarely get in any mood where my best option would be classical music. It has happened but very rare.
I see you're like me when it comes to wanting the know what's behind the music as opposed to just listening. If the interest is there I want to know the story.I was first exposed to Copland from hearing Fanfare for the Common Man in a commercial I think. I immediately went to the library to check out a CD.