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Best movie lines (1 Viewer)

Gamora: I'm a warrior and an assassin. I do not dance.

Peter Quill: Really? On my planet, there's a legend about people like you. It's called Footloose. And in it, a great hero named Kevin Bacon, teaches an entire city full of people with sticks up their butts that dancing, well... It's the greatest thing there is.

Gamora: Who put the sticks up their butts?

Peter Quill: What? No, that's just a...

Gamora: That is cruel.

 
Gamora: I'm a warrior and an assassin. I do not dance.

Peter Quill: Really? On my planet, there's a legend about people like you. It's called Footloose. And in it, a great hero named Kevin Bacon, teaches an entire city full of people with sticks up their butts that dancing, well... It's the greatest thing there is.

Gamora: Who put the sticks up their butts?

Peter Quill: What? No, that's just a...

Gamora: That is cruel.
Is footloose still the greatest movie ever made?

It never was 

 
"Someone's gonna hafta go back and get a #### load of dimes."

I hope I never get so old that I don't  :lmao: at that every time. 

 
You ever read any Nietzsche? Nietzsche says there's two kinds of people in the world: people who are destined for greatness like Walt Disney... and Hitler. Then there's the rest of us, he called us "the bungled and the botched." We get teased. We sometimes get close to greatness, but we never get there. We're the expendable masses. We get pushed in front of trains, take poison aspirin ... get gunned down in Dairy Queens.

See... guy goes to work every day, eight hours a day, seven days a week. Gets his nuts so tight in a vice that he starts questioning the very fabric of his existence. Then one day, 'bout quitting time, boss calls him into the office and says, "Hey Bob, whyncha come on in here and kiss my ### for me, will you?" Well, he says, "Hell with it. I don't care what happens, I just want to see the expression on his face as I jab this pair of scissors into his arm. [sighs] Then he thinks of me. He says, "Waitaminit. I got both my arms, I got both my legs. At least I'm not begging for a living. Sure enough, Bob's gonna put those scissors down and pucker right up. See, I'm what you call kind of a "moral traffic light", really. I'm like sayin', "Red! Go no further! Boooo-ee boooo-ee boooo-ee..."


i've had at least one team called Bunglebotch my entire fantasy career cuz of Fisher King. messiest flick i ever loved.

 
We spend 250 billion dollars a year on defense. And here we are. The fate of the planet is in the hands of a bunch of r****s I wouldn't trust with a potato gun.

 
Tom: She took a giant #### on my face. Literally.

Alison: Literally?

Tom: Not literally. That's disgusting. Jesus. What's the matter with you?

 
Ishmael:  I'd sooner get Munsoned out here in the middle of nowhere than lose face in front of my friends and family.

Roy:  Whoa, whoa, whoa... wha whaa'd ya just say?

 
As absurdly stupid as this whole movie was, this gets me right in the dusty sinuses every time.

** That night I had a dream. I dreamt I was as light as the ether, a floating spirit visiting things to come. The shades and shadows of the people in my life rassled their way into my slumber. I dreamt that Gale and Evelle had decided to return to prison. Probably that's just as well. I don't mean to sound superior, and they're a swell couple of guys, but maybe they weren't ready yet to come out into the world.

And then I dreamed on, into the future, to a Christmas morn in the Arizona home where Nathan Junior was opening a present from a kindly couple who preferred to remain unknown. I saw Glen a few years later, still having no luck getting the cops to listen to his wild tales about me and Ed. Maybe he threw in one Polack joke too many. I don't know. And still I dreamed on, further into the future than I'd ever dreamed before, watching Nathan Junior's progress from afar, taking pride in his accomplishments, as if he were our own, wonderin' if he ever thought of us, and hopin' that maybe we'd broadened his horizons a little, even if he couldn't remember just how they got broadened.

But still I hadn't dreamt nothin' about me 'n Ed, until the end. And this was cloudier, 'cause it was years, years away. But I saw an old couple bein' visited by their children, and all their grandchildren too. The old couple wasn't screwed up, and neither were their kids or their grandkids... And I don't know. You tell me. This whole dream, was it wishful thinkin'? Was I just fleeing reality like I know I'm liable to do? But me and Ed, we can be good, too. And it seemed real. It seemed like us, and it seemed like, well, our home. If not Arizona, then a land not too far away, where all parents are strong and wise and capable, and all children are happy and beloved. I don't know. Maybe it was Utah. **

 
"First law of the sea. Never place your rear end on a pirates face"  This way better in a pirate's voice, but the only clip I could find was this 

 
simsarge said:
It's that non stop absurdity that makes it brilliant. And what makes this dream scene so out of the norm and so great from the rest of it. Easily one of my top 3 or 4 movies of all time. 
you said "stupid". I got angry.

definitely one of my favorite movies too. 

 
The second one, it was like we was both back in the older times, and I was a horseback, going through the mountains of the night, going through this pass in the mountains, and it was cold and there was snow on the ground and he rode past me and kept on going and never said nothing just went by me and rode on past. And he had his blanket wrapped around him and his head down. When he rode past, I seen he was carrying fire, in a horn the way people used to do and I --  I could see the horn from the light inside of it 'bout the color of the moon. And in the dream I knew that he was going on ahead, and that he was fixing to make fire somewhere in all that dark and all that cold. And I knew that when I got there, he'd be there. Then I woke up.  

 
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The second one, it was like we was both back in the older times, and I was a horseback, going through the mountains of the night, going through this pass in the mountains, and it was cold and there was snow on the ground and he rode past me and kept on going and never said nothing just went by me and rode on past. And he had his blanket wrapped around him and his head down. When he rode past, I seen he was carrying fire, in a horn the way people used to do and I --  I could see the horn from the light inside of it 'bout the color of the moon. And in the dream I knew that he was going on ahead, and that he was fixing to make fire somewhere in all that dark and all that cold. And I knew that when I got there, he'd be there. Then I woke up.  
predator vs alien?

 
Right now I'd do anything for money. I'd kill somebody for money. I'd kill you for money. Ha ha ha. Ah, no. You're my friend. I'd kill you for nothing. 

 
In fact, I could probably confine myself to Miller's Crossing.
The dialogue from this movie made me fall in love with the Coen's.  It is soo rich, crackles off the page.   

Stone cold brilliance.

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How'd you get the fat lip?

Old war wound.  Acts up around morons.

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Look in your heart!  Look in your heart!

What heart?

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Where's Leo?

If I tell you, how do I know you won't kill me?

Because if you told me and I killed you and you lied I wouldn't be able to kill you.

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So you wanna  kill him?

For starters.

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You ain't got a license to kill bookies today and today I ain't sellin'.  So take yer flunky and dangle.

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