1.25 - Stevie Wonder - Innervisions
I felt pretty certain
@Uruk-Hai would choose a Stevie Wonder record, and I think we'd discussed before that Songs in the Key of Life was his favorite. This one is actually my favorite anyway, but with only nine songs compared to the abundance on SitKoL, I might have gone the other direction. Glad Uruk made that decision for me.
I don't listen to a lot of more modern music as "an album" and don't know if much of it is intended that way. This, along with a lot of the other "classics" is An Album. It's cohesive and it has a flow that can't be beat. For example, after "Living for the City" - in my opinion one of the masterpieces of modern music - you
need that pure joy of Golden Lady, and then to get immediately back into your harder groove of "Higher Ground." Ending on the slow build and then uproar of "He's Misstra Know-It-All" is sheer brilliance. This album has it all - rock, soul, R&B, jazz, funk, dance, even Latin. I could write paragraphs about each song on this record (I've been known to do this, though no one read them), but it's best appreciated as a full experience rather than a collection of songs. Let it guide you, taking you on the journey through the panoply of human emotion and experience.
Oh, and remember that pretty much everything sound you hear on this record was created by Stevie himself. Mr. krista and I argued recently over whether Stevie or Paul McCartney was the bigger musical genius, but I don't think there's a wrong answer there.
I hate choosing two songs here, because it needs to be devoured as a whole. I have to go for the aforementioned
Living for the City since it's one of the best songs of all time, and while I'd be tempted to post "Golden Lady" for the intended flow of the record, let's instead go with that big build of the record's final flourish,
He's Misstra Know-It-All.
@landrys hat