#42 - Bring It On Home from Led Zeppelin II (1969)
Appeared On: 14 ballots (out of 62) . . . 22.6%
Total Points: 173 points (out of 1,550 possible points . . . 11.2%)
Top 5 Rankers: @Mookie Gizzy@In The Zone
5 Highest Other Rankers: @jamnyDeadhead
@BroncoFreak_2K3 Friend
@Todem@Zeppelin@raidergil
Highest Ranking: 2
Live Performances:
LZ: 58 (
San Francisco - 1969-11-07 (First Performance),
London - 1970-01-09, Long Beach - 1972-06-25,
New York - 1995-01-12)
Honeydrippers: 6 (
Bradford - 1981-05-27)
Page & Plant: 177 (
Irvine Meadows - 1995-10-02
Plant: 52 (
2018)
JP & Black Crowes: 11 (
Wantagh - 2000-07-10)
Other Versions: Ace Frehley,
Train,
Willie Dixon,
Joan Osbourne,
Tom Jones
Ultimate Classic Rock Ranking (out of 92 songs): 72
Vulture Ranking (out of 74 songs): 31
Rolling Stone Ranking (out of 40 songs): Not Ranked
Louder Ranking (out of 50 songs): 42
Uproxx Ranking (out of 50 songs): 8
WMGK Ranking (out of 92 songs): 66
SPIN Ranking (out of 87 songs): 55
Ranker Ranking (out of 87 songs): Not Ranked
Anachronarchy Ranking (out of 80 songs): 17
We say a hearty HELLLLLLOOOOOOOO!!!! to
@joker who is the second to last person to have a song show up. As runner up, joker would assume all the duties and responsibilities as the person that ranks #1 in this obscure category should anything happen to that person. Joker had this as his #24 song on his list.
The year 1969 saw the mighty Zeppelin released their first album, and they hit the road pretty much non-stop. Because of that, they had little time to take a break, regroup, and take their time to record a follow up album. Bring It On Home was recorded and mixed in 4 locations . . . Vancouver, Los Angeles, and two locations in New York. Given that there were no hard drives, no cloud storage, and no collaboration and editing tools, one would guess they took to the road and brought their master tapes with them. The song closes out the second album. The group often referred to the song as Bring It On Back.
Rough Mix
BOH was another song written by Willie Dixon, but the band initially did not give any writing credit to him. That changed when Dixon sued the band and a court ruled that all future pressings of the album had to list him as a co-writer (and they had to pay him royalties). The intro and outro sections were deliberate homages to the Sonny Boy Williamson song, whereas the rest of the track was an original composition by Page and Plant. The Zeppelin version drew from
Sonny Boy Williamson’s version and
Back Home To Mama by Big Walter Horton from 1954.
Over time, song writing credit shifted from Led Zeppelin, to LZ and Dixon, to just Dixon (depending upon the album the song appeared on). Page refuted any accusations of plagiarism, “Christ, there’s a tiny bit of Sonny Williamson’s version, and we threw that in as a tribute to him. People say ‘Bring It on Home’ is stolen. Well, there’s only one little bit in the song that relates to anything that had gone on be before it.”
The guitarist utilized his Les Paul and a Marshall amp. Bonham used double bass drums. Recording engineer Douglas Gyseman tricked Plant by giving him a disconnected microphone to sing into while recording his vocals on a live mic a fair distance away to help minimize distortion and give some of the vocals a slightly different effect.
Bring It On Home was performed across their tours in 1970 and a few times in 1972. The 1970 shows had the song early in the set, while the 1972 shows featured it as an encore. A segment of Bring It On Home was played as the bridge between Celebration Day and Black Dog on the 1973 North American tour. It was played in full at Jason Bonham's wedding reception in May 1990. The song was included on the How The West Was Won live CD. The album topped the Billboard album charts (over 30 years since the songs were performed).
The song was one of the first Zeppelin songs to make an appearance after the band broke up. Plant rolled it out with The Honeydrippers a half dozen times in 1981 (just without the guitar solo), a little more than 6 months after the death of John Bonham. Page and Plant played the song a ton (third most frequent song performed) on their 1995 to 1998 tours, but mostly as an abridged version as a lead-in to other songs. Plant used the song in a similar fashion during his 2018 tour. Page later revived the song for his live concerts with the Black Crowes.
Ultimate Classic Rock (72 of 92 songs): Zeppelin were sued for stealing parts of this Willie Dixon song from Sonny Boy Williamson's version. It wasn't the first or last time. Hardly worth the effort.
Vulture (31 of 74 songs): The closer to the second album starts out all folksy and bluesy, and then erupts. The riffs are fine, but second-tier. Knocked up ten notches for one of Bonham and Jones’s most rockin’ rhythm tracks.
Louder (42 of 50 songs): Recorded at Mystic Studio in LA in May 1969, this deceptively arranged final cut on Led Zeppelin II appears, for almost two minutes, to be nothing more than a narcoleptic homage to Sonny Boy Williamson’s blues of the same name before exploding into life. What follows is a blueprint for the globe-dominating decade to come, Page’s intricately woven guitar parts and Bonham’s funk-infused drums offset by Jones’ melodic bass-runs and Plant’s primal invocations to be recognised as ’70s pop's premier Rock God-in-waiting: 'I’ve got my ticket, I’ve got that load.' Not exactly Led Zep's most famous case of questionable copyright, but because there was no case to answer, composer Willie Dixon has been listed on the writing credits to this song since 1972.
Uproxx (8 of 50 songs): The best example of them taking a familiar, John Lee Hooker-style blues shuffle and taking it to an entirely new Zeppelin zone. The whole point of this band was to not bring it on home, as Zeppelin was about as far from the home of the blues as you could possibly get. Instead, they had the audacity to take the blues and use it to make themselves seem larger than life, carrying them as far from their own homes as their own power of will could take them. You hear that explosion take place at about the 1:45 mark in this song, and what follows is about as electrifying as blues-based rock gets.
WMGK (66 of 92 songs): Zeppelin would sample from the well of Willie Dixon multiple times, but sometimes they got a bit too close to that well, and didn’t give credit, resulting in legal battles. And like many times in their history, they would settle out of court and rectify the song credit omission. Regardless, “Bring It On Home” still brings ‘Led Zeppelin II’ to a solid close.
SPIN (55 of 87 songs): Maybe the only song on LZII that never gets played on classic rock radio — a little too slow-and-low for the majority of its runtime — but a fine album closer nonetheless. Gotta love the restraint the band shows with the song’s nearly two-minute whisper of an intro, before ripping into a double-tracked guitar lick that Sam Cooke and Lou Rawls never would have dreamed of.
Our next song brings us to the halfway point of the countdown. When we set out, many people wondered about the inclusion of P.J. Proby. Is that the way it should start?