Uruk-Hai
Footballguy
I'm glad you liked it. I don't know how you get better performances out of actors than that show did.Off topic here Uruk, I finished watching Rectify last night. I thought it was great. Thanks for the recommendation!
I'm glad you liked it. I don't know how you get better performances out of actors than that show did.Off topic here Uruk, I finished watching Rectify last night. I thought it was great. Thanks for the recommendation!
Hard to believe, but Jagger never gets enough credit.Man, wikkid's take on Angie totally informed my view of the song.
Never was a huge fan, just had it explained why.
Problem with this is that The Stones were never backing you. They bailed as soon as things got hot.Hard to believe, but Jagger never gets enough credit.
There is a reason hetero male concertgoers were saying "i wouldnt kick him out of bed for eating crackers" at the same time they woulda been bashin' sissy heads outside Stonewall, but y'all under50s see him as a poncy ol' weirdo. Freedomfreedomfreedomfreedomfreedom. Mick Jagger was the imp of that voice inside that yearned, churned & burned to be what it wanted to be no matter the cost. And there was cost - in the world the Stones (and i) were born into, if your 2nd cousin was eccentric or your sister had had a dalliance with a ne'er-do-well you could lose out on a job opening or mortgage application. I reallyreallyreally think y'all don't get that. Breaking out had to come from somewhere because this wasn't shouting in a group (tho we did a lot of that), this was believing in yourself enough to risk the course of your life for the revelation of your identity. It is the most political thing the average person will ever do - even now that there's no risk to it - and Jagger was the president of that and the Pied Piper of the generation that trashed the rules that kept folk from being themselves.
That's the talent he had - prancing to centerstage w the unfiltered energy of a 5yo acting something out, then twitching & mugging & kvetchin & kvelling over every syllable and movement. We didn't love him to death because we liked prancing & mugging & kvelling, we loved him because he had the wealth & taste inside him to make us love prancing & mugging & kvelling. The power of the Stones was Jagger's "i'm doing this because i'm doing this", Jonesy & Keef staring you down if you dare to look beyond what Mick is doing, Bill & Charlie just here to read the meter. That's who's backing you in your efforts to do this because you're doing this and that's simply more important than humming a tune with Rocky Raccoon
?Problem with this is that The Stones were never backing you. They bailed as soon as things got hot.
Have a friend who is the last of 'em. Truly. Grew up middle class. Lawyer father. Pressures abound, etc. Good track athlete. Anyway, he grows up and decides, post-college that he was going to be an artist for a living. What will he do? Supremely talented. Decides, of all things, to make balloon animals for a living. Pictorials in Playgirl, FHM, exhibits at MOMA, the whole thing. His gig is doing those balloons for bachelorettes at a drag queen bar in The Lower East Side of Village. You've described his yearnings, his passion, to a "T"Hard to believe, but Jagger never gets enough credit.
There is a reason hetero male concertgoers were saying "i wouldnt kick him out of bed for eating crackers" at the same time they woulda been bashin' sissy heads outside Stonewall, but y'all under50s see him as a poncy ol' weirdo. Freedomfreedomfreedomfreedomfreedom. Mick Jagger was the imp of that voice inside that yearned, churned & burned to be what it wanted to be no matter the cost. And there was cost - in the world the Stones (and i) were born into, if your 2nd cousin was eccentric or your sister had had a dalliance with a ne'er-do-well you could lose out on a job opening or mortgage application. I reallyreallyreally think y'all don't get that. Breaking out had to come from somewhere because this wasn't shouting in a group (tho we did a lot of that), this was believing in yourself enough to risk the course of your life for the revelation of your identity. It is the most political thing the average person will ever do - even now that there's no risk to it - and Jagger was the president of that and the Pied Piper of the generation that trashed the rules that kept folk from being themselves.
That's the talent he had - prancing to centerstage w the unfiltered energy of a 5yo acting something out, then twitching & mugging & kvetchin & kvelling over every syllable and movement. We didn't love him to death because we liked prancing & mugging & kvelling, we loved him because he had the wealth & taste inside him to make us love prancing & mugging & kvelling. The power of the Stones was Jagger's "i'm doing this because i'm doing this", Jonesy & Keef staring you down if you dare to look beyond what Mick is doing, Bill & Charlie just here to read the meter. That's who's backing you in your efforts to do this because you're doing this and that's simply more important than humming a tune with Rocky Raccoon
That was a sick diss. They, uh, found shelter, as it were.Problem with this is that The Stones were never backing you. They bailed as soon as things got hot.
The acting was outstanding. The slow burn of the show fit the tone of the story perfectly, and that pace allowed the characters to develop throughout the storytelling. All of the characters seemed like real people thanks to the acting and writing. I never felt like the dialogue or story seemed phony or unrealistic. It was an interesting exploration of the human condition. I wish it had lasted longer.I'm glad you liked it. I don't know how you get better performances out of actors than that show did.
This thread wound up great. I was wondering when somebody would bring this up. I still can't hear the sneering, bourgeois tweaking, charged-up Stones without thinking of Altamont.Not a diss. Mick and Keith wanted to be provocative until it got uncomfortable for them when the world they helped create turned ugly.
I don't blame them - they weren't equipped for that responsibility; nor should they have had it on them anyway. But they brought it upon themselves. They weren't the first or the last to think they were revolutionaries and figure out they didn't want to walk that walk.
"We're splitting man if those cats don't stop beating everybody up in sight. I want them out of the way, man." ~ Mick JaggerI still can't hear the sneering, bourgeois tweaking, charged-up Stones without thinking of Altamont.
Truly the fightinest of the street fighting men."We're splitting man it those cats don't stop beating everybody up in sight. I want them out of the way, man." ~ Mick Jagger
Problem with this is that The Stones were never backing you. They bailed as soon as things got hot.
The coda is what really gets me. Every time I listen to it. Would be much less of a song without it.I agree that Exile is more an album than a collection of songs but most of the songs are excellent.
while I preferred the first act in Can’t You Hear Me Knocking, I think the coda adds to its greatness not detracts from it.
Great comments overall!
Some Girls was the first Rolling Stones release that came out in my music buying years. My older brother bought it and raved about it. I liked it, but due to sibling rivalry or whatever, would never admit to my brother how much I liked it. I had to go my own way and adopt The Who as my British Invasion band (Townshend's windmilling guitar licks, Daltrey's vocals, Keith Moon's drumming, Entwistle's bass lines).2. Can't You Hear Me Knocking
Year: 1971
US Album: Sticky Fingers
Songwriter: Jagger/Richards
“Yeah, you got satin shoes
Yeah, you got plastic boots
Y'all got cocaine eyes
Yeah, you got speed-freak jive”
Another song that’s identifiable from the first guitar lick.
Keith describing it:
And we get two songs in one, with a coda at the 2:43 mark, that was not part of the song as conceived. Mick Taylor on that:
Bobby Keys knocks this one out of the park as does Taylor with the extended jam.
This is another song whose greatness is enhanced by Keith’s backing vocals which to me as far greater than Mick’s lead vocals on this one.
For those in the New York area rock station WNEW used to run a great television ad featuring an obese man wearing headphones and dancing away to this song at a Bus Stop. It’s heavily involved in pop culture being featured in movies such as Casino, Blow and Spider Man:Homecoming as well as many TV shows.
Just, greatness.
What can a poor boy do, except to sing for a rock n' roll band?Truly the fightinest of the street fighting men.
Not a diss. Mick and Keith wanted to be provocative until it got uncomfortable for them when the world they helped create turned ugly.
I don't blame them - they weren't equipped for that responsibility; nor should they have had it on them anyway. But they brought it upon themselves. They weren't the first or the last to think they were revolutionaries and figure out they didn't want to walk that walk.
This thread wound up great. I was wondering when somebody would bring this up. I still can't hear the sneering, bourgeois tweaking, charged-up Stones without thinking of Altamont.
Yeah. Altamont is the first thing I thought of at @Uruk-Hai's post."We're splitting man it those cats don't stop beating everybody up in sight. I want them out of the way, man." ~ Mick Jagger
Yeah, really. I think those that know my politics will probably guess my take on the Angels in hindsight so I'll spare everybody the personal interpretation, but I think the bystander interpretation of Altamont was best seen through the eyes of Garcia and The Dead in Gimme Shelter. You can tell they never wanted them there, and that stems from their time with them and Kesey. Some stuff went on at La Honda that Tom Wolfe describes, and people had been apologizing for the Angels since those incidents occurred.Yeah. Altamont is the first thing I thought of at @Uruk-Hai's post.
In the Stones defense, I don't think society had the Hell's Angels quite figured out at that time. The Angels had rolled with Ken Kesey and the Merry Pranksters some ... and stomped Hunter S. Thompson - ending his time riding with them, but I think they were still viewed as a hip ally.
Altamont changed that in a big way.
Good points. The Electric Kool-Aid Acid Test does a good job of highlighting the odd early relations between hippies and Angels. But, I think Thompson's Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs does a better and earlier job of warning of the potential.Yeah, really. I think those that know my politics will probably guess my take on the Angels in hindsight so I'll spare everybody the personal interpretation, but I think the bystander interpretation of Altamont was best seen through the eyes of Garcia and The Dead in Gimme Shelter. You can tell they never wanted them there, and that stems from their time with them and Kesey. Some stuff went on at La Honda that Tom Wolfe describes, and people had been apologizing for the Angels since those incidents occurred.
Think #metoo moments, only in 1965/66.
I've been told to read that Hunter book especially. My friends came away with a newfound appreciation of him.Good points. The Electric Kool-Aid Acid Test does a good job of highlighting the odd early relations between hippies and Angels. But, I think Thompson's Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs does a better and earlier job of warning of the potential.
I know you are not a Hunter fan, but this work is really unlike his later stuff in many ways.
This is me in a nutshell. My favorite is also Some Girls. Also like you said, give me the windmilling and lead drumming of the Who, and the songwriting and brazen chops of the Kinks, but really, this is just a great song.northern exposure said:2. Can't You Hear Me Knocking
Year: 1971
US Album: Sticky Fingers
Songwriter: Jagger/Richards
Some Girls was the first Rolling Stones release that came out in my music buying years. My older brother bought it and raved about it. I liked it, but due to sibling rivalry or whatever, would never admit to my brother how much I liked it. I had to go my own way and adopt The Who as my British Invasion band (Townshend's windmilling guitar licks, Daltrey's vocals, Keith Moon's drumming, Entwistle's bass lines).
The biggest revelation to me was this song.
He's been commenting in fits and starts elsewhere, but at a much lower frequency in the mornings than per usual.What happened to @otb_lifer? He ghosted this thread and I always looked forward to his comments.
Walking hots is morning work and doesn't pay all that well, so maybe he's picking up shifts as a changeperson @ the Thistledown RacinoWhat happened to @otb_lifer? He ghosted this thread and I always looked forward to his comments.
The original article that inspired the book first appeared in the May 17, 1965 issue of The Nation. It is an easy preview and available for free here:I've been told to read that Hunter book especially. My friends came away with a newfound appreciation of him.
It's hard doing a top 25. I guess my Stones top 25 favorites would go something like this, but other songs could easily move into the top, and the ones that are in it could be moved around.I'd be very interested in seeing top 25 (or top 10) lists from those that have participated in or just followed the thread.
Shout out to (forgive me for missing anyone): @ProstheticRGK @wikkidpissah @otb_lifer @Man of Constant Sorrow @rockaction @jwb @Bonzai @shuke @krista4 @simey @Leroy Hoard @neal cassady @Mister CIA @Spock @gump @Uruk-Hai @Big Blue Wrecking Crew @jomar @ffldrew and anyone else that wants to post a list.
I know I have the glaring omission of "Satisfaction" from the list I did, but it just isn't one of my favorites. "Jumpin' Jack Flash" could easily be put in my list as well as some others, but Satisfaction would not make it in any modified list of my top 25 favorites.
Awesome, shuke.Great thread.
Here's my top 10.
...
Word on the list, word on this. Glad you submitted one, wikkid.ETA: and a big THANK YOU to DocOc. you found me some youth again and others some knowledge and did it beautiful
let's see the Beatles try to match that!!Dr. Octopus said:Top 10 Solo Stones Songs*
10. Ron Wood -Buried Alive
9. Mick Jagger - Say You Will
8. Bill Wyman - Je Suis un Rock Star
7. Mick Taylor - Leather Jacket
6. Keith Richards - I Could Have Stood You Up
5. Keith Richards - You Don't Move Me
4. Mick Jagger and Peter Tosh - Walk and Don't Look Back
3. Mick Jagger - Just Another Night
2. Keith Richards - Make No Mistake
1. Mick Jagger - Memo From Turner
* their solo catalogues are not so great and I did not put any work into this list
This is hysterical but to be fair we'd be matching up the classic solo Beatles output to Sticky Fingers, Exile, Goat's Head, Some Girls, Tattoo You - but this does show the Stones were surely greater than the sum of their parts.let's see the Beatles try to match that!!
1- Monkey ManI'd be very interested in seeing top 25 (or top 10) lists from those that have participated in or just followed the thread.
Shout out to (forgive me for missing anyone): @ProstheticRGK @wikkidpissah @otb_lifer @Man of Constant Sorrow @rockaction @jwb @Bonzai @shuke @krista4 @simey @Leroy Hoard @neal cassady @Mister CIA @Spock @gump @Uruk-Hai @Big Blue Wrecking Crew @jomar @ffldrew and anyone else that wants to post a list.
Thanks for the list. Interesting while I do like this cover, it didn’t even make my top 204 but still glad to see it listed.24 - Harlem Shuffle
It actually charted well for the Stones. I see the video on 192 TV from Europe from time to time.Thanks for the list. Interesting while I do like this cover, it didn’t even make my top 204 but still glad to see it listed.
Me too.i been derelict up in this one, what with all the facacta travel #### the past week ... will regain my bearings and rectify ...
let's see the Beatles try to match that!!
+1Me too.
I think I will have my list completed this weekend. There have been some good ones added.
I have been obsessed with music since as far back as I can remember, taking a 45 of Steve Miller's 'Jet Airliner' to my first kindergarten show and tell.
1. Monkey Man
Great list.at some point, I had to stop making changes and this is where I stopped. I know nothing about music theory or complex arrangements but I have been obsessed with music since as far back as I can remember, taking a 45 of Steve Miller's 'Jet Airliner' to my first kindergarten show and tell. This was incredibly difficult to just do 25, so props to @Dr. Octopus for doing 204.
here's what I came up with:
25. You Can't Always Get What You Want
24. The Last Time
23. Mother's Little Helper
22. Crazy Mama
21. Under My Thumb
20. Ruby Tuesday
19. Paint It Black
18. It's Not Easy
17. Rocks Off
16. Street Fighting Man
15. Play With Fire
14. Gimme Shelter
13. Can't You Hear Me Knockin'?
12. Mercy Mercy
11. The Spider and The Fly
10. Down The Road A Piece
9. Silver Train
8. Let It Bleed
7. Sympathy For The Devil
6. Tumbling Dice
5. Sweet Virginia
4. 100 Years Ago
3. Dead Flowers
2. Sister Morphine
1. Monkey Man
BELATED 50 YEAR R.I.P. TO MY MAN JONESY 7/3/69
i released some butterflies in the direction of Hyde Park
i loved that cat
Nice job. I always knew you were a flower child - nodsquadder - at heart.