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Middle-aged Dummies are back and bursting at the "themes" to get going! Full theme ahead! (3 Viewers)

Caught My Attention
Spinners: Rubberband Man
Bruce: Spirit in the Night
George Harrison: What is Life
:eek:

Must be someone who spent their teen years listening to nothing but metal...
Ha, yup exactly, I was focused to a fault. I mean I know Bruce, I'm from NJ so it's kind of a necessity, just never really connected. Also a Beatles fan but never checked out solo stuff. I really enjoyed the Ringo playlist from the last round.
 
:2cents: I enjoyed 14s more than 13s, but still quality.

Songs that stood out to me:

kupcho1 – rain

Who'll Stop The Rain - Creedence Clearwater Revival
Classic
Yo Mama – World’s Worst Superheroes

The Rubberband Man - The Spinners
LOVE this song.
Mrs. Rannous – umlauts

Spiderman - Moxy Früvous
Fun little diddy
Raging weasel – name-checking Beatles or their songs

Be My Yoko Ono - Barenaked Ladies
Great band live
wb – songs that sound great on a decent 2-channel system

Spirit in the Night – Bruce Springsteen
Bruce’s second tier songs (regarding chart success anyway) are often better than his top hits.
MAC_32 – Songs to play during (and after) a funeral

Brat - Green Day
I haven’t heard this one enough.
 
10 known favorites

Spirit in the Night - Rotates with another as my favorite Bruce song.
Come On Get Happy - I may change my morning March song to this one.
The Rubberband Man - I love the 70s r&b/soul.
Who'll Stop the Rain - CCR was a great roots rock band.
What is Life - What a great album.
You Only Live Twice - I've always liked this James Bond theme.
Never Say Never - I danced to this a time or two in the 80s.
Flightless Bird - This song is a natural tranquilizer.
Brat - This song is a natural stimulant.
Freeway Jam - 🎸

10 unfamiliar favorites

Dallas Alice
No Waves
Western Swing & Waltzes
54 Duncan Terrace
Untitled #1
Face to Face
Home For A Rest
Muzzle 1
Lord of Light
Photos of Ghost
 
shuke – Saxytime

What is Life (Spotify) - George Harrison

I might need to explain this one. Recall that when I started out on this venture, I initially selected songs with horns. Then I was told that sax was not a horn, and I realized a number of my songs only had a sax. So I switched to songs with a sax. I was still able to keep some songs that included sax along with other horns, and in this case the sax isn't very prevalent and I would understand why someone would call bull### on this song being "saxy". But the sax is there, it's just not a focal point. And I love the song and wanted to still include it. So I did. So ha.

Looking at what's left, my #13, 10, 9, and 5 songs are horns + sax, while the rest are pretty sax heavy or sax only.
 
the #13s!

Known Numbers:

You Only Live Twice - Nancy Sinatra
Rubberband Man - The Spinners
Come On Get Happy - David Cassidy
Spirit In The Night - Bruce Springsteen
Never Say Never - Romeo Void

Total Surprises:
All Aboard - The Del McCoury Band
Pictures of Ghosts - Premiata Forneria Marconi. Is it too easy to call this haunting?
Home For a Rest - Spirit of the West
Muzzle1 - The Whip
Moving - Supergrass

Go Figure:

Let’s get a little eclectic here, though the commonality is that I sort of know these, but not really. So that’s “Spiderman” from Moxy Fruvous (who I know more from “My Baby Knows a Lot of Authors” or maybe “King of Spain”), and Royksopp’s “Poor Leno”, which I’m only familiar with thanks to their M-AD Countdown
 
#12 songs

kupcho1 – rain


Rainy Day Women #12 and 35 - Bob Dylan


Eephus – Single (Named) Ladies

Lilacs – Waxahatchee


Charlie Steiner – songs from Mad Men

Love is Blue - Paul Mauriat and His Orchestra


simey – train songs

Railroad Song - Jim Croce


Yambag – Metal songs from 1988-1992 that became the gateway into the world of music for a young Yambag


Chopped In Half - Obiturary


Dr. Octopus – guitarists I’ve seen live


Pretty Tied Up - Guns N' Roses (Slash)


Yo Mama – World’s Worst Superheroes

Rich Girl - Hall and Oates


Mrs. Rannous – umlauts

Home Sweet Home - Mötley Crüe


KarmaPolice – songs from artists not on shuke’s list

Break It All - The Pineapple Thief


Don Quixote – Afrobeat

Disco Hi-Life (Spotify) - Orlando Julius (Nigeria)


JMLs secret identity – songs in D#Minor, the saddest key of all

Oxygene Pt 2 (Spotify) - Jean-Michel Jarre


-OZ- - song / music moments from the Marvel cinematic universe

The Rubberband Man - The Spinners


Mt. Man – Number, Please

'39 - Queen


Pip’s Invitation – songs from albums produced and/or engineered by Todd Rundgren

All Mine - Fanny


falguy – songs by 31 different Canadian artists

Feelin' Good - The Sheepdogs


Raging weasel – name-checking Beatles or their songs

Roll On John - Bob Dylan


jwb – songs that sound great on a decent 2-channel system


Lonely Night (Angel Face) - The Captain and Tennille


scorchy – songs by Manchester(-ish) artists


Leave Home - The Chemical Brothers


titusbramble – Grand Theft Auto, specifically the 3D era


Neo (The One) - Slyder (III - Rise FM)


shuke – Saxytime

Vehicle (Spotify) - Ides of March


Ilov80s - One song from each of the 31 best albums of 1984

Nature Without Man - Minutemen


John Maddens Lunchbox – Batman

Trust (Spotify) - Prince


Mister CIA – Texas Places in Song Titles

Round Rock - The Swindles


El Floppo – Mallet Rock

Intervention - Arcade Fire


landrys hat - favorite Side 2 Track 1s from my record collection

Telegram Sam - T Rex - The Slider (1972)


rockaction - Songs that state the genre they’re in

Soul Vaccination - Tower of Power


ditkaburgers - Girl Groups X Boy Bands

Jump (For My Love) - The Pointer Sisters


MrsKarmaPolice – Animal Kingdom

Songbirds - Silversun Pickups


Tau837 – Hair metal

Changes - Tesla


DrIanMalcolm – Songs about New York


Rhapsody in Blue - George Gershwin


higgins – Instrumentals with places in the title


Tipitina's - Mike Stern Band


Zegras11 – New wave

Don't You Want Me - The Human League


Chaos34 - Post Surf Rock Surf Rockish (80s fwd)

Mojave - Insect Surfers


krista4 – Chicagoland

Come On! Feel the Illinoise! (Part I: "The World's Columbian Exposition" / Part II: "Carl Sandburg Visits Me in a Dream") – Sufjan Stevens


Anonymous Mystery Theme Dictator - ???

The Time Is Now - Moloko


MAC_32 – Songs to play during (and after) a funeral


The Silence - Manchester Orchestra
 
Last edited:
Selections:

31. If You Tolerate This Your Children Will Be Next - Manic Street Preachers

30. Hear The Drummer Get Wicked - Chad Jackson

29. Pick Up The Pieces - Average White Band

28. Virtual Insanity – Jamiroquai

27. Another Chance - Roger Sanchez

26. Living On My Own - Freddie Mercury

25. Sharp Dressed Man - ZZ Top

24. Better Off Alone - Alice Deejay

23. Love Is The Drug - Roxy Music

22. By The Time I Get To Arizona - Public Enemy

21. I Kissed A Girl - Katy Perry

20. Goddess On A Hiway - Mercury Rev

19. Dark Therapy – Echobelly

18. Run To You - Bryan Adams

17. Inside Out – Anthrax

16. There's Nothing I Won't Do – JX

15. You - Bad Religion

14. Don't Stop Me Now – Queen

13. Moving - Supergrass

12. The Time Is Now - Moloko



Incorrect guesses:

Songs that give advice

Bands That Have Never Been in My Kitchen

Songs by artists who have headlined Glastonbury

Songs featuring the Mellotron

Fear mongering

Song titles that could be part of geometry proofs

Bands who have a member whose first or last name is a James Bond reference

Bands with family members

Songs that reference a location in another country

Songs that have nine or more words in the title

Songs that mention famous streets

Bands who had a member mysteriously disappear, get declared dead, but no body has ever been found

Songs that reference footballguys user names

Songs without a guitar

Song titles that are commands

First two words of song titles in order of lyrics from The Youngbloods’ Get Together

Songs about resilience in the face of adversity

Songs about the importance of progress

Songs to make people overthink and speculate about an imaginary theme that doesn't really exist

31 songs that MADs submitted in prior MAD rounds, but judge disqualified because the submitting MAD failed to get the long-form birth certificate of all band members before submitting

Songs NOT produced by Todd Rundgren

Artists without umlauts

Songs Sam Rockwell has danced to in a movie

Songs about navigating and adapting to a constantly changing world

Songs credited to more than one songwriter

UK top ten singles

Singles released by UK artist/bands

31 British Isles Songs That Did Not Appear in the MAD British Isles Countdown

Non-guitar driven songs

Songs in 4/4 time

Broadway shows

Songs that all charted in the same six countries:
UK
Australia
Germany
France
Ireland
Netherlands

Songs under 5 minutes

Songs where artists let out excessive vocalizations of the “ahh,” “ooh,” “dee,” etc. variety

A break up and starting over

Things that will drive a bunch of middle aged dummies who are trying to find a pattern go crazy

Stages in Rustoleum’s marriage

Guinness World Records

Songs that can qualify for other people’s themes

Songs by people with facial hair

All songs use an instrument with keys

Songs that are the narrative arc of a divorce

Addiction

Songs with 125 BPM or more

Songs that sample other songs on the list

Songs representing different Nicholas Cage movies / characters

Songs

This is your life, Krista

Something to do with Tina Turner/abused women

Jimi Hendrix

Detailing Britney Spears’ descent into madness

Addiction ... to love

Songs in A Minor

The plot to Thelma and Louise

Kourtney Kardashian

Songs about a major change in someone's life

Midlife crisis

Songs with a subject you should see a therapist about

Mental illness

Songs about the world's worst super heros

Mania

Things you do impulsively

Songs that use the word “The” at some stage in the lyrics

The Ballad of @krista4 and OH

Songs the were on the UK official singles chart for the week ending on Aug 16, 2008

Songs from multiple decades

Songs about exploration of identity

Dancing

Each of these songs holds a special place in the hearts of listeners, and they remain influential in the genres they represent

krista's iconic playlist

struggle, rebellion, and survival

songs that have no connection to each other whatsoever - y'all are just wasting your time - ha ha ha suckers

Id, ego, and superego

Each song is somehow connected to one of the first 31 themes submitted for this countdown

Songs that qualify for more than one of the MAD31 themes submitted

Obscure chess strategies

All of these songs tie into the movie Thelma and Louise

history repeating itself

Songs for which there exists another song with the exact same title

Songs that implicate the seven deadly sins

The plot of a movie

the arc of Pink Floyd’s The Wall

Being in an oppressive relationship, and the journey to take back control of your life

the arc of Fear and Loathing in Las Vegas

trapped in a continuous cycle and finding a release that feels like freedom

Moving on through suicide
 
#12 songs

Yambag – Metal songs from 1988-1992 that became the gateway into the world of music for a young Yambag


Chopped In Half - Obiturary
Ahhh, Jim Croce to Obituary, what more could you want? This is the last death metal song on my playlist, much to everyone's dismay. Although I know you all wanted to hear Cannibal Corpse.

Summary: Obituary is an American death metal band formed in Tampa, Florida, in 1984. Initially called Executioner, they were one of the fundamental acts in the development of the death metal genre. 1990’s Cause of Death is often considered to be one of the most important death metal albums of all time.

Times Seen Live in Concert: 0

Personal Connection: When I first heard John Tardy’s voice, I was like what the hell is this… it’s awesome! My friend bought the cassette for Obituary’s debut, Slowly We Rot simply due to the cover of a rotting corpse by a sewer. I liked it enough but what really blew me away was their follow up, Cause of Death. Similar to Morbid Angel’s second album, this one was much more polished and found the band really hitting their stride. I can confidently say that it is my favorite Death Metal album.

Other songs to consider: Body Bag, Slowly We Rot
 
Selections:

31. If You Tolerate This Your Children Will Be Next - Manic Street Preachers

30. Hear The Drummer Get Wicked - Chad Jackson

29. Pick Up The Pieces - Average White Band

28. Virtual Insanity – Jamiroquai

27. Another Chance - Roger Sanchez

26. Living On My Own - Freddie Mercury

25. Sharp Dressed Man - ZZ Top

24. Better Off Alone - Alice Deejay

23. Love Is The Drug - Roxy Music

22. By The Time I Get To Arizona - Public Enemy

21. I Kissed A Girl - Katy Perry

20. Goddess On A Hiway - Mercury Rev

19. Dark Therapy – Echobelly

18. Run To You - Bryan Adams

17. Inside Out – Anthrax

16. There's Nothing I Won't Do – JX

15. You - Bad Religion

14. Don't Stop Me Now – Queen

13. Moving - Supergrass

12. The Time Is Now - Moloko



Incorrect guesses:

Songs that give advice

Bands That Have Never Been in My Kitchen

Songs by artists who have headlined Glastonbury

Songs featuring the Mellotron

Fear mongering

Song titles that could be part of geometry proofs

Bands who have a member whose first or last name is a James Bond reference

Bands with family members

Songs that reference a location in another country

Songs that have nine or more words in the title

Songs that mention famous streets

Bands who had a member mysteriously disappear, get declared dead, but no body has ever been found

Songs that reference footballguys user names

Songs without a guitar

Song titles that are commands

First two words of song titles in order of lyrics from The Youngbloods’ Get Together

Songs about resilience in the face of adversity

Songs about the importance of progress

Songs to make people overthink and speculate about an imaginary theme that doesn't really exist

31 songs that MADs submitted in prior MAD rounds, but judge disqualified because the submitting MAD failed to get the long-form birth certificate of all band members before submitting

Songs NOT produced by Todd Rundgren

Artists without umlauts

Songs Sam Rockwell has danced to in a movie

Songs about navigating and adapting to a constantly changing world

Songs credited to more than one songwriter

UK top ten singles

Singles released by UK artist/bands

31 British Isles Songs That Did Not Appear in the MAD British Isles Countdown

Non-guitar driven songs

Songs in 4/4 time

Broadway shows

Songs that all charted in the same six countries:
UK
Australia
Germany
France
Ireland
Netherlands

Songs under 5 minutes

Songs where artists let out excessive vocalizations of the “ahh,” “ooh,” “dee,” etc. variety

A break up and starting over

Things that will drive a bunch of middle aged dummies who are trying to find a pattern go crazy

Stages in Rustoleum’s marriage

Guinness World Records

Songs that can qualify for other people’s themes

Songs by people with facial hair

All songs use an instrument with keys

Songs that are the narrative arc of a divorce

Addiction

Songs with 125 BPM or more

Songs that sample other songs on the list

Songs representing different Nicholas Cage movies / characters

Songs

This is your life, Krista

Something to do with Tina Turner/abused women

Jimi Hendrix

Detailing Britney Spears’ descent into madness

Addiction ... to love

Songs in A Minor

The plot to Thelma and Louise

Kourtney Kardashian

Songs about a major change in someone's life

Midlife crisis

Songs with a subject you should see a therapist about

Mental illness

Songs about the world's worst super heros

Mania

Things you do impulsively

Songs that use the word “The” at some stage in the lyrics

The Ballad of @krista4 and OH

Songs the were on the UK official singles chart for the week ending on Aug 16, 2008

Songs from multiple decades

Songs about exploration of identity

Dancing

Each of these songs holds a special place in the hearts of listeners, and they remain influential in the genres they represent

krista's iconic playlist

struggle, rebellion, and survival

songs that have no connection to each other whatsoever - y'all are just wasting your time - ha ha ha suckers

Id, ego, and superego

Each song is somehow connected to one of the first 31 themes submitted for this countdown

Songs that qualify for more than one of the MAD31 themes submitted

Obscure chess strategies

All of these songs tie into the movie Thelma and Louise

history repeating itself

Songs for which there exists another song with the exact same title

Songs that implicate the seven deadly sins

The plot of a movie

the arc of Pink Floyd’s The Wall

Being in an oppressive relationship, and the journey to take back control of your life

the arc of Fear and Loathing in Las Vegas

trapped in a continuous cycle and finding a release that feels like freedom

Moving on through suicide
Things that require immediate action
 
12. All Mine
Artist: Fanny
Album: Mothers Pride (1973)
Todd's role: producer, engineer, backing vocals, "cauliflower sound effect"
Writer(s): June Millington and Jean Millington

The song: This was my highest-ranked Rundgren-produced Fanny song in the MAD 3 countdown, coming in at #12 there as well. What I said:

"As I have stated, Fanny's fourth album, Mothers Pride, is disappointing, especially because it was produced by one of my favorite artists, Todd Rundgren, but mostly doesn't achieve the heights that can be heard on many of the records he produced for himself and others. The disc mostly lacks energy and has few memorable songs.

But "All Mine," the album's first US single (it did not chart), is the one track where the Rundgren magic was evident. The organ-and-guitar intro is one of the most soulful instrumental passages the band recorded, the melody is compelling throughout, June Millington's guitar flourishes at the end of each verse sound like something Robbie Robertson would have played, and the song overall exudes a spine-tingling warmth that never devolves into sappiness.

All Mine is also notable for being one of Fanny's few straightforward love songs. People at the time probably would have expected an all-female band to have a repertoire of mostly love songs, so their lyrical subjects were another case of them zagging when everyone expected them to zig.

The song is one of the few Fanny tracks where the Millington sisters (who co-wrote it) share lead vocals but trade them instead of sing in unison the whole time. Jean takes the first verse, June takes the second, and they sing the third together. This track is also the only time on the album where you can hear Rundgren -- he provides a counterpoint vocal during the third verse and the coda."

The album: Here are some of the things I said about Mothers Pride in the MAD 3 thread:

"Fanny entered sessions for their fourth album plagued by conflict and doubt. Some of the members no longer wanted to work with Richard Perry, who had produced their first three albums.

The only person available to produce that everyone could agree on was Todd Rundgren, whom they had opened for at a few shows.

This could have been a match made in heaven, as Rundgren is a gifted producer and arranger with a keen melodic ear. But he and the band weren't really on the same page. Only a few tracks on Mothers Pride, released in February 1973, display the hard-charging rock that was Fanny's calling card. And the slower, more mellow songs are mostly not blessed with the chill-inducing melodies that Rundgren was known for coaxing out of himself and others.

In addition to the material not seeming as inspired as it was on the first three albums, the studio conditions may have played a role. According to the documentary Fanny: The Right to Rock, the studio was oppressively hot, to the point where Alice de Buhr recorded her drum parts topless because any other way was too uncomfortable. That could have sapped everyone's energy and creativity. Regardless, the Millingtons wanted a more raw, live-sounding mix than what Rundgren gave them. "When it came to mixing the album, [Rundgren] essentially locked us out of the studio," Jean Millington told technodyke.com in 2003. According to several interviews after the fact, Rundgren wanted to finish the album quickly so he could start recording with his own band [this project became A Wizard, A True Star], so he mixed it hastily without input from anyone else. "He was a complete jerk," Jean said.

Mothers Pride produced no charting singles and didn't otherwise boost the band's stature, and Fanny started to fall apart by the end of 1973. June Millington had a nervous breakdown propelled by a number of factors, including exhaustion, pressure to dress and act like a sex symbol, conflict with keyboardist Nickey Barclay over the band's musical direction (June's love of Motown and Barclay's hatred of it was a fight that was never resolved) and, she stated many years after the fact, race-related harassment. That led her to quit the band."

Fanny, the first all-female band to release an album on a major label, was underappreciated during their run, but have since been acknowledged as trailblazers who paved the way for the Go-Gos, the Bangles, the Riot Grrrrl bands and more. Even Rundgren, one of the few surviving male antagonists they encountered during their run, gave them their props in the documentary.

You Might Also Like: Album closer "I'm Satisfied" was the only other Rundgren-produced track that made my top 31 Fanny songs, coming in at #22. What I said in the MAD 3 thread:

"Mothers Pride, Fanny's fourth album, has little of the hard-charging rock of their first three albums, but the closer, "I'm Satisfied," is an exception. Driven by chunky guitar and clavinet, the song is a welcome reminder after so much mellowness that the rocker chicks we loved are still there. The harmonies are top-notch, in keeping with those heard on the album's many softer songs, and the song is another one of Fanny's that has a great coda, with exciting guitar and organ passages in its final minute. The subject matter is not too difficult to determine: "I can hardly take it/And I want to make it/When I take your hand in mine/I won’t get up 'till you stop this rising tide/And I’m satisfied".

The title of the Mothers Pride album was taken from a line in this song." https://open.spotify.com/track/2T9CHp1LEv0CZZDMeK7Wg1?si=f4d26ea7b24b4ad5

We are now moving into the "iconic songs from iconic albums" portion of the countdown. At #11, a song from an album that has already been represented in another theme for this exercise.
 
kupcho1 – rain

Rainy Day Women #12 and 35 - Bob Dylan
I feel like this one's almost cheating, including it in the rain theme, given what a raucus, fun song it is. Fortunately rain(y) is right there in the title.

Google's AI response posits the meaning of the song as ...
  1. The song's title may come from a woman and her daughter who entered the recording studio after a rainstorm, and Dylan guessed their ages as 12 and 35.
  2. The song may be about the oppression of women and the media's role in it.
  3. The song may be a reference to the Book of Proverbs, which contains many edicts that could result in stoning. In particular, chapter 27, verse 15 says, "A continual dropping in a very rainy day and a contentious woman are alike".
  4. The song may be aimed at the media and other authoritative forces in society that cloud the individual's mind with untruths.
  5. The song may also be about the waste of young men who are sent off to be maimed or killed.
So there you have it; it's about everything (although my money's on meaning #3 w/r/t Dylan's religious evolution at the time).

Well, they'll stone you when you are all alone (Oh, yes they will)
They'll stone you when you are walking home
They'll stone you and then say they're all brave
They'll stone you when you're sent down in your grave

But I would not feel so all alone
Everybody must get stoned
 
12. Love is Blue - Paul Mauriat and His Orchestra

I don't think I ever wanted to be the man who loves children, but from the moment they're born...that baby comes out and you act proud and excited and hand out cigars...but you don't feel anything. Especially if you had a difficult childhood. You want to love them, but you don't. And the fact that you're...faking that feeling makes you wonder if your own father had the same problem. Then one day, they get older...and you see them do something...and you feel...that feeling that you were pretending to have. And it feels like your heart is going to explode. - Don Draper, season 6, episode 5, The Flood


This easy-listening instrumental remake of Luxembourg's entry in the 1967 Eurovision Song Contest held the #1 spot on the Billboard Hot 100 for five weeks in February-March 1968 and achieved gold status. Considering the prevalence of violence when it was released (one example is the ongoing Tet Offensive, the point in the Vietnam war when Americans began believing we would lose) makes it an interesting contrast to the peak of its popularity.

Mauriat's other musical works include the theme from Chitty Chitty Bang Bang and the Love Theme from The Godfather.


This episode takes place the day of and following the assassination of Martin Luther King, Jr., and while proper respect is paid to the event, there were the show's customary attempts at levity, such as Ginsberg's awkward blind date, and this meeting with a potential client the day after (apologies for the quality of the video; it was the only version I found).

'Love' takes a real beating in this episode, including Ginsberg's first date being interrupted by the breaking news of King's death, and Don's worry over Sylvia's safety in DC being misconstrued by Meagan as concern for both Sylvia and Arnold. Even the argument between Peter and Harry was painful because neither acknowledged the other's 'pain' and each talked past the other. At least Bobby got to see Planet of the Apes as a result of all this.
 
Don Quixote – Afrobeat

Disco Hi-Life (Spotify) - Orlando Julius (Nigeria)
After Fela Kuti and Tony Allen, Orlando Julius probably belongs on any list of those at the forefront of the beginning of Afrobeat. Orlando Julius started playing in the 1960s. Fela Kuti used to regularly attend his concerts, and the story goes that Fela Kuti was inspired to learn the saxophone from watching Orlando Julius play (this song features some saxy time for @shuke, particularly near the end).

This song is from a bit later in his career. A dance hit with more of an Afrodisco feel (merging disco with the Nigerian hi-life music), as you can probably tell from the title.

Here’s an article with a bit more about him that was written after his death a few years ago.


If there is one musician as commonly associated as Fela Anikulapo-Kuti with the West African musical movements Afrobeat and Afrobeats (never mind Afro-Blues and Afro-Soul), this is the preserve of Orlando Julius Ekemode. Given Fela’s immense stature it would seem impossible to speak of another musician from whom he gained musical direction. Yet, one must, in the case of his fellow multi-instrumentalist Orlando Julius.

Together they are a large part of the force behind highlife (the West African music originating in Ghana in the 1800s that fuses traditional sounds with jazz) and Afrobeat (a sound that further varied things, starting in the early 1970s, with a blend of jazz, funk, psychedelic rock and traditional West African chant and rhythms). Fela and Julius pioneered Afrobeat after practising highlife.

It is true that Fela drew inspiration from a variety of musical heavyweights across the globe. But in terms of tangible impact, fellow Nigerian Julius is the name to beat. Of Fela, Julius once offered: “Fela came to my club every week and when he formed his own band in 1964, I gave him four members of my group to get him started.”…
 
-OZ- - song / music moments from the Marvel cinematic universe

The Rubberband Man - The Spinners
We’ll settle for Back to back rubber band men! We could use more of this really.


Whether the rubber band man refers to Quill, because he’s one sandwich away from fat, Thanos because he’s going to snap, or Mr fantastic who isn’t in the MCU just yet but is coming, could be debated. But the scene is one of the few fun scenes in a top 3 MCU movie.
 
12. All Mine
Artist: Fanny
Album: Mothers Pride (1973)
Todd's role: producer, engineer, backing vocals, "cauliflower sound effect"
Writer(s): June Millington and Jean Millington

The song: This was my highest-ranked Rundgren-produced Fanny song in the MAD 3 countdown, coming in at #12 there as well. What I said:

"As I have stated, Fanny's fourth album, Mothers Pride, is disappointing, especially because it was produced by one of my favorite artists, Todd Rundgren, but mostly doesn't achieve the heights that can be heard on many of the records he produced for himself and others. The disc mostly lacks energy and has few memorable songs.

But "All Mine," the album's first US single (it did not chart), is the one track where the Rundgren magic was evident. The organ-and-guitar intro is one of the most soulful instrumental passages the band recorded, the melody is compelling throughout, June Millington's guitar flourishes at the end of each verse sound like something Robbie Robertson would have played, and the song overall exudes a spine-tingling warmth that never devolves into sappiness.

All Mine is also notable for being one of Fanny's few straightforward love songs. People at the time probably would have expected an all-female band to have a repertoire of mostly love songs, so their lyrical subjects were another case of them zagging when everyone expected them to zig.

The song is one of the few Fanny tracks where the Millington sisters (who co-wrote it) share lead vocals but trade them instead of sing in unison the whole time. Jean takes the first verse, June takes the second, and they sing the third together. This track is also the only time on the album where you can hear Rundgren -- he provides a counterpoint vocal during the third verse and the coda."

The album: Here are some of the things I said about Mothers Pride in the MAD 3 thread:

"Fanny entered sessions for their fourth album plagued by conflict and doubt. Some of the members no longer wanted to work with Richard Perry, who had produced their first three albums.

The only person available to produce that everyone could agree on was Todd Rundgren, whom they had opened for at a few shows.

This could have been a match made in heaven, as Rundgren is a gifted producer and arranger with a keen melodic ear. But he and the band weren't really on the same page. Only a few tracks on Mothers Pride, released in February 1973, display the hard-charging rock that was Fanny's calling card. And the slower, more mellow songs are mostly not blessed with the chill-inducing melodies that Rundgren was known for coaxing out of himself and others.

In addition to the material not seeming as inspired as it was on the first three albums, the studio conditions may have played a role. According to the documentary Fanny: The Right to Rock, the studio was oppressively hot, to the point where Alice de Buhr recorded her drum parts topless because any other way was too uncomfortable. That could have sapped everyone's energy and creativity. Regardless, the Millingtons wanted a more raw, live-sounding mix than what Rundgren gave them. "When it came to mixing the album, [Rundgren] essentially locked us out of the studio," Jean Millington told technodyke.com in 2003. According to several interviews after the fact, Rundgren wanted to finish the album quickly so he could start recording with his own band [this project became A Wizard, A True Star], so he mixed it hastily without input from anyone else. "He was a complete jerk," Jean said.

Mothers Pride produced no charting singles and didn't otherwise boost the band's stature, and Fanny started to fall apart by the end of 1973. June Millington had a nervous breakdown propelled by a number of factors, including exhaustion, pressure to dress and act like a sex symbol, conflict with keyboardist Nickey Barclay over the band's musical direction (June's love of Motown and Barclay's hatred of it was a fight that was never resolved) and, she stated many years after the fact, race-related harassment. That led her to quit the band."

Fanny, the first all-female band to release an album on a major label, was underappreciated during their run, but have since been acknowledged as trailblazers who paved the way for the Go-Gos, the Bangles, the Riot Grrrrl bands and more. Even Rundgren, one of the few surviving male antagonists they encountered during their run, gave them their props in the documentary.

You Might Also Like: Album closer "I'm Satisfied" was the only other Rundgren-produced track that made my top 31 Fanny songs, coming in at #22. What I said in the MAD 3 thread:

"Mothers Pride, Fanny's fourth album, has little of the hard-charging rock of their first three albums, but the closer, "I'm Satisfied," is an exception. Driven by chunky guitar and clavinet, the song is a welcome reminder after so much mellowness that the rocker chicks we loved are still there. The harmonies are top-notch, in keeping with those heard on the album's many softer songs, and the song is another one of Fanny's that has a great coda, with exciting guitar and organ passages in its final minute. The subject matter is not too difficult to determine: "I can hardly take it/And I want to make it/When I take your hand in mine/I won’t get up 'till you stop this rising tide/And I’m satisfied".

The title of the Mothers Pride album was taken from a line in this song." https://open.spotify.com/track/2T9CHp1LEv0CZZDMeK7Wg1?si=f4d26ea7b24b4ad5

We are now moving into the "iconic songs from iconic albums" portion of the countdown. At #11, a song from an album that has already been represented in another theme for this exercise.
I was waiting for this one and actually thought you'd have it higher. Awesome record.
 
12.

Who?
– Slash

What? – Guns N’ Roses

Where? – Giants Stadium, Madison Square Garden

When? – 1987, 2002

Why? – While GNR falls squarely into the hard rock/metal arena, at his heart Slash is a blues-based player. His playing seems so effortless but his sound is outstanding. Their crowds were among the wildest I’ve seen – even in 1987 with them opening a bill with Deep Purple and Aeorosmith the place was packed for their set.
 
12. Love is Blue - Paul Mauriat and His Orchestra

I don't think I ever wanted to be the man who loves children, but from the moment they're born...that baby comes out and you act proud and excited and hand out cigars...but you don't feel anything. Especially if you had a difficult childhood. You want to love them, but you don't. And the fact that you're...faking that feeling makes you wonder if your own father had the same problem. Then one day, they get older...and you see them do something...and you feel...that feeling that you were pretending to have. And it feels like your heart is going to explode. - Don Draper, season 6, episode 5, The Flood


This easy-listening instrumental remake of Luxembourg's entry in the 1967 Eurovision Song Contest held the #1 spot on the Billboard Hot 100 for five weeks in February-March 1968 and achieved gold status. Considering the prevalence of violence when it was released (one example is the ongoing Tet Offensive, the point in the Vietnam war when Americans began believing we would lose) makes it an interesting contrast to the peak of its popularity.

Mauriat's other musical works include the theme from Chitty Chitty Bang Bang and the Love Theme from The Godfather.


This episode takes place the day of and following the assassination of Martin Luther King, Jr., and while proper respect is paid to the event, there were the show's customary attempts at levity, such as Ginsberg's awkward blind date, and this meeting with a potential client the day after (apologies for the quality of the video; it was the only version I found).

'Love' takes a real beating in this episode, including Ginsberg's first date being interrupted by the breaking news of King's death, and Don's worry over Sylvia's safety in DC being misconstrued by Meagan as concern for both Sylvia and Arnold. Even the argument between Peter and Harry was painful because neither acknowledged the other's 'pain' and each talked past the other. At least Bobby got to see Planet of the Apes as a result of all this.
This is the one of the two oldest time-and-place songs I can clearly remember - and not "remember because I remember the memory", if that makes any sense.

I guess I was 5 years old when it was released, but my memory is from the summer of 1968 when I had turned 6. I grew up on the Chesapeake Bay and catching blue crabs was just something you did (don't worry - I'll close the circle, but I'm gonna run my keyboard for a bit). So, our young folks would go to a community pier and try for crabs by a method called "chicken-necking" - tied chicken parts to a piece of twine and attach one end to the pier while letting the bait end lay on the mud. Crabs would find the bait and you'd see the line go taut. Then, you'd slowly pull the line towards the surface and either you or a companion would take a crab net and fish it out off of the bait.

So, a neighbor girl a year older than me was my best friend and her father would take us crabbing in the late '60s (they moved away soon after). Anyway, he'd bring a portable radio down to the pier and he listened to a channel that played what was called "beautiful music" (I didn't know the term at 6 years old, but I understood it just a few years later). I can distinctly recall "Love Is Blue" being played as I was pulling up - yet another! - crab line too quickly and my friend's father saying something like "Billy, why don't you grab a sandwich out of the cooler and I'll pull up the lines?" while Mauriat's song was playing.
 

Artist connection to Chicago (1-5 scale): 3 - Sufjan never lived here but spent a lot of time traveling here from Michigan, particularly in college. I gave him an extra point because he chose Illinois as the second (and seemingly final) state for the 50-state album output that he later said wasn't intended to be a serious project.
Song connection to Chicago (1-10 scale): 7 - The World's Fair and Carl Sandburg are two very appropriately Chicago-y selections for topics.

Total: 10
 
Finally getting a bit of a respite at work where I can listen to a playlist or two while not having to intensely concentrate.

New-to-me songs from #16 that caught my ear:

Eephus – Single (Named) Ladies

Slow - Rumer

Dr. Octopus – guitarists I’ve seen live

Something's Happening - Peter Frampton

Yo Mama – World’s Worst Superheroes

Mr. Perfectly Fine - Taylor Swift

KarmaPolice – songs from artists not on shuke’s list

No Hope Goat Farm - Spirit Caravan

JMLs secret identity – songs in D#Minor, the saddest key of all

Love Etc (Spotify) - Pet Shop Boys

Mt. Man – Number, Please

61 Seconds - The Outfield

falguy – songs by 31 different Canadian artists

Fly At Night - Chilliwack

jwb – songs that sound great on a decent 2-channel system

Tin Pan Ally (aka Roughest Place in Town) – Stevie Ray Vaughan

titusbramble – Grand Theft Auto, specifically the 3D era

All My Ex's Live In Texas - Whitey Shafer (SA - K-Rose)

shuke – Saxytime

Space for Days (Spotify) - Kendall Street Company

John Maddens Lunchbox – Batman

Na Na Na (Na Na Na Na Na Na Na Na Na) (Spotify) - My Chemical Romance

Mister CIA – Texas Places in Song Titles

Dublin - Guy Clark

rockaction - Songs that state the genre they’re in

Late Nights With The Power Pop - Matthew Sweet

Tau837 – Hair metal

Get It On - Kingdom Come

higgins – Instrumentals with places in the title

Teen Town" - Weather Report

Chaos34 - Post Surf Rock Surf Rockish (80s fwd)

The Link Is About to Die - Los Bitchos

Rumer sounds like Karen Carpenter to me.
Yes, I have never heard Frampton Comes Alive in its entirety.
I like "61 Seconds" despite the presence of the '80s drum sound that I hate.
The vocal on "Fly at Night" sounds like Neil at times. But the music is not similar to his work at all. However, Matthew Sweet's guitar playing sometimes sounds like Neil's, and it does on "Late Nights With the Power Pop."
I know the George Strait version of "All My Ex's..." but not others.
 
12. All Mine
Artist: Fanny
Album: Mothers Pride (1973)
Todd's role: producer, engineer, backing vocals, "cauliflower sound effect"
Writer(s): June Millington and Jean Millington

The song: This was my highest-ranked Rundgren-produced Fanny song in the MAD 3 countdown, coming in at #12 there as well. What I said:

"As I have stated, Fanny's fourth album, Mothers Pride, is disappointing, especially because it was produced by one of my favorite artists, Todd Rundgren, but mostly doesn't achieve the heights that can be heard on many of the records he produced for himself and others. The disc mostly lacks energy and has few memorable songs.

But "All Mine," the album's first US single (it did not chart), is the one track where the Rundgren magic was evident. The organ-and-guitar intro is one of the most soulful instrumental passages the band recorded, the melody is compelling throughout, June Millington's guitar flourishes at the end of each verse sound like something Robbie Robertson would have played, and the song overall exudes a spine-tingling warmth that never devolves into sappiness.

All Mine is also notable for being one of Fanny's few straightforward love songs. People at the time probably would have expected an all-female band to have a repertoire of mostly love songs, so their lyrical subjects were another case of them zagging when everyone expected them to zig.

The song is one of the few Fanny tracks where the Millington sisters (who co-wrote it) share lead vocals but trade them instead of sing in unison the whole time. Jean takes the first verse, June takes the second, and they sing the third together. This track is also the only time on the album where you can hear Rundgren -- he provides a counterpoint vocal during the third verse and the coda."

The album: Here are some of the things I said about Mothers Pride in the MAD 3 thread:

"Fanny entered sessions for their fourth album plagued by conflict and doubt. Some of the members no longer wanted to work with Richard Perry, who had produced their first three albums.

The only person available to produce that everyone could agree on was Todd Rundgren, whom they had opened for at a few shows.

This could have been a match made in heaven, as Rundgren is a gifted producer and arranger with a keen melodic ear. But he and the band weren't really on the same page. Only a few tracks on Mothers Pride, released in February 1973, display the hard-charging rock that was Fanny's calling card. And the slower, more mellow songs are mostly not blessed with the chill-inducing melodies that Rundgren was known for coaxing out of himself and others.

In addition to the material not seeming as inspired as it was on the first three albums, the studio conditions may have played a role. According to the documentary Fanny: The Right to Rock, the studio was oppressively hot, to the point where Alice de Buhr recorded her drum parts topless because any other way was too uncomfortable. That could have sapped everyone's energy and creativity. Regardless, the Millingtons wanted a more raw, live-sounding mix than what Rundgren gave them. "When it came to mixing the album, [Rundgren] essentially locked us out of the studio," Jean Millington told technodyke.com in 2003. According to several interviews after the fact, Rundgren wanted to finish the album quickly so he could start recording with his own band [this project became A Wizard, A True Star], so he mixed it hastily without input from anyone else. "He was a complete jerk," Jean said.

Mothers Pride produced no charting singles and didn't otherwise boost the band's stature, and Fanny started to fall apart by the end of 1973. June Millington had a nervous breakdown propelled by a number of factors, including exhaustion, pressure to dress and act like a sex symbol, conflict with keyboardist Nickey Barclay over the band's musical direction (June's love of Motown and Barclay's hatred of it was a fight that was never resolved) and, she stated many years after the fact, race-related harassment. That led her to quit the band."

Fanny, the first all-female band to release an album on a major label, was underappreciated during their run, but have since been acknowledged as trailblazers who paved the way for the Go-Gos, the Bangles, the Riot Grrrrl bands and more. Even Rundgren, one of the few surviving male antagonists they encountered during their run, gave them their props in the documentary.

You Might Also Like: Album closer "I'm Satisfied" was the only other Rundgren-produced track that made my top 31 Fanny songs, coming in at #22. What I said in the MAD 3 thread:

"Mothers Pride, Fanny's fourth album, has little of the hard-charging rock of their first three albums, but the closer, "I'm Satisfied," is an exception. Driven by chunky guitar and clavinet, the song is a welcome reminder after so much mellowness that the rocker chicks we loved are still there. The harmonies are top-notch, in keeping with those heard on the album's many softer songs, and the song is another one of Fanny's that has a great coda, with exciting guitar and organ passages in its final minute. The subject matter is not too difficult to determine: "I can hardly take it/And I want to make it/When I take your hand in mine/I won’t get up 'till you stop this rising tide/And I’m satisfied".

The title of the Mothers Pride album was taken from a line in this song." https://open.spotify.com/track/2T9CHp1LEv0CZZDMeK7Wg1?si=f4d26ea7b24b4ad5

We are now moving into the "iconic songs from iconic albums" portion of the countdown. At #11, a song from an album that has already been represented in another theme for this exercise.
I was waiting for this one and actually thought you'd have it higher. Awesome record.
If I ranked based strictly on how much I like the song, then it might have been. But I ordered things this way:

31: An album I don't really like that can't be excluded from discussion of Todd as a producer.
14-30: Stuff that's good but not universally known.
13: An album that's not universally known but should be.
12: An artist that's not universally known but should be.
5-11: The stuff that is universally known.
1-4: Todd's own work in various guises.
 
12. Love is Blue - Paul Mauriat and His Orchestra

I don't think I ever wanted to be the man who loves children, but from the moment they're born...that baby comes out and you act proud and excited and hand out cigars...but you don't feel anything. Especially if you had a difficult childhood. You want to love them, but you don't. And the fact that you're...faking that feeling makes you wonder if your own father had the same problem. Then one day, they get older...and you see them do something...and you feel...that feeling that you were pretending to have. And it feels like your heart is going to explode. - Don Draper, season 6, episode 5, The Flood


This easy-listening instrumental remake of Luxembourg's entry in the 1967 Eurovision Song Contest held the #1 spot on the Billboard Hot 100 for five weeks in February-March 1968 and achieved gold status. Considering the prevalence of violence when it was released (one example is the ongoing Tet Offensive, the point in the Vietnam war when Americans began believing we would lose) makes it an interesting contrast to the peak of its popularity.

Mauriat's other musical works include the theme from Chitty Chitty Bang Bang and the Love Theme from The Godfather.


This episode takes place the day of and following the assassination of Martin Luther King, Jr., and while proper respect is paid to the event, there were the show's customary attempts at levity, such as Ginsberg's awkward blind date, and this meeting with a potential client the day after (apologies for the quality of the video; it was the only version I found).

'Love' takes a real beating in this episode, including Ginsberg's first date being interrupted by the breaking news of King's death, and Don's worry over Sylvia's safety in DC being misconstrued by Meagan as concern for both Sylvia and Arnold. Even the argument between Peter and Harry was painful because neither acknowledged the other's 'pain' and each talked past the other. At least Bobby got to see Planet of the Apes as a result of all this.
This is the one of the two oldest time-and-place songs I can clearly remember - and not "remember because I remember the memory", if that makes any sense.

I guess I was 5 years old when it was released, but my memory is from the summer of 1968 when I had turned 6. I grew up on the Chesapeake Bay and catching blue crabs was just something you did (don't worry - I'll close the circle, but I'm gonna run my keyboard for a bit). So, our young folks would go to a community pier and try for crabs by a method called "chicken-necking" - tied chicken parts to a piece of twine and attach one end to the pier while letting the bait end lay on the mud. Crabs would find the bait and you'd see the line go taut. Then, you'd slowly pull the line towards the surface and either you or a companion would take a crab net and fish it out off of the bait.

So, a neighbor girl a year older than me was my best friend and her father would take us crabbing in the late '60s (they moved away soon after). Anyway, he'd bring a portable radio down to the pier and he listened to a channel that played what was called "beautiful music" (I didn't know the term at 6 years old, but I understood it just a few years later). I can distinctly recall "Love Is Blue" being played as I was pulling up - yet another! - crab line too quickly and my friend's father saying something like "Billy, why don't you grab a sandwich out of the cooler and I'll pull up the lines?" while Mauriat's song was playing.

My earliest memories are from around that time, but I was younger and had just dropped half of my older brother's 1st release Hot Wheels down a drain before my father stopped me. Even today, I'm traumatized; not by my father's reaction but rather that I had thrown away some fine Hot Wheels.

As for the radio station, even though I was waaay over in PG County, I think I remember hearing that same tagline and I believe the station was WGAY, 99.5 on your FM dial, 1050 on the AM.

The other station I remember was one we'd listen to while traveling to Thornburg, VA to camping: WPIK/WXRA, Washington's twin country giants.
 
"Don't You Want Me" is a song by British synth-pop group the Human League (credited on the cover as the Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.

In November 1983, Rolling Stone named it the "breakthrough song" of the Second British Invasion of the US.In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV. And in 2022, Rolling Stone ranked it as one of the "200 Greatest Dance Songs of All Time".





 
jwb – songs that sound great on a decent 2-channel system

Lonely Night (Angel Face) - The Captain and Tennille

Yup, the Captain and Tennille made my list. My affection for some good 70's pop aside, this is just a great sounding song. All kinds of sound going on, from the outdoor sounds in the beginning to the myriad of background singers to lots of percussion and many "hey, it's the 70's, let's put more sounds in" (is that a xylophone we're hearing? Sure sounds like it). Fantastic vocal by Toni Tennille too. I also like songs with many parts, and this one qualifies, especially when the "can't get you out of my mind" section hits. Fun song, for sure.
 
"Don't You Want Me" is a song by British synth-pop group the Human League (credited on the cover as the Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.

In November 1983, Rolling Stone named it the "breakthrough song" of the Second British Invasion of the US.In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV. And in 2022, Rolling Stone ranked it as one of the "200 Greatest Dance Songs of All Time".





Mirror Man was under superhero consideration but I figured his powers might actually be slightly useful.
 
#12: THE PINEAPPLE THIEF - BREAK IT ALL

I stumbled on this group as I was looking around for some more modern prog I like. Seems like most of my lean is 70s. I hinted at the other British prog band with the same initials - Porcupine Tree, who for whatever reason I don't connect with, but I found this similar sound that I really like. I like the vocals a little more and the music is a "smoother" for lack of better word. They have been pretty prolific in the last 20 years, with their 15th album just coming out last year.

Recommended listening: Broken record, but I have liked all the albums. I liked the 2010s albums Dissolution and Your Wilderness a lot, so I included tracks below from them and from the 2024 album It Leeds to This. I also tossed in a longer one from an older album. The song Private Paradise was one of the first that really grabbed my attention.



Next: An entry from one of my first metal deep dives I mentioned. Hopefully @zamboni wasn't correct. :oldunsure:
 
#12: THE PINEAPPLE THIEF - BREAK IT ALL

I stumbled on this group as I was looking around for some more modern prog I like. Seems like most of my lean is 70s. I hinted at the other British prog band with the same initials - Porcupine Tree, who for whatever reason I don't connect with, but I found this similar sound that I really like. I like the vocals a little more and the music is a "smoother" for lack of better word. They have been pretty prolific in the last 20 years, with their 15th album just coming out last year.

Recommended listening: Broken record, but I have liked all the albums. I liked the 2010s albums Dissolution and Your Wilderness a lot, so I included tracks below from them and from the 2024 album It Leeds to This. I also tossed in a longer one from an older album. The song Private Paradise was one of the first that really grabbed my attention.



Next: An entry from one of my first metal deep dives I mentioned. Hopefully @zamboni wasn't correct. :oldunsure:
I don’t even remember what I said - senile moment.
 
#12: THE PINEAPPLE THIEF - BREAK IT ALL

I stumbled on this group as I was looking around for some more modern prog I like. Seems like most of my lean is 70s. I hinted at the other British prog band with the same initials - Porcupine Tree, who for whatever reason I don't connect with, but I found this similar sound that I really like. I like the vocals a little more and the music is a "smoother" for lack of better word. They have been pretty prolific in the last 20 years, with their 15th album just coming out last year.

Recommended listening: Broken record, but I have liked all the albums. I liked the 2010s albums Dissolution and Your Wilderness a lot, so I included tracks below from them and from the 2024 album It Leeds to This. I also tossed in a longer one from an older album. The song Private Paradise was one of the first that really grabbed my attention.



Next: An entry from one of my first metal deep dives I mentioned. Hopefully @zamboni wasn't correct. :oldunsure:
I don’t even remember what I said - senile moment.
My memory is **** too, so it might not have been you. But it was some pun humor...
 
jwb – songs that sound great on a decent 2-channel system

Lonely Night (Angel Face) - The Captain and Tennille

Yup, the Captain and Tennille made my list. My affection for some good 70's pop aside, this is just a great sounding song. All kinds of sound going on, from the outdoor sounds in the beginning to the myriad of background singers to lots of percussion and many "hey, it's the 70's, let's put more sounds in" (is that a xylophone we're hearing? Sure sounds like it). Fantastic vocal by Toni Tennille too. I also like songs with many parts, and this one qualifies, especially when the "can't get you out of my mind" section hits. Fun song, for sure.
Another Jann Wenner hit job in telling us what matters and what doesn't. I'm no big C&T fan, but their records were well-written and well-recorded.
 
"Don't You Want Me" is a song by British synth-pop group the Human League (credited on the cover as the Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album, Dare (1981). The band's best known and most commercially successful song, it was the best selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.

In November 1983, Rolling Stone named it the "breakthrough song" of the Second British Invasion of the US.In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV. And in 2022, Rolling Stone ranked it as one of the "200 Greatest Dance Songs of All Time".





Fascination and Mirror Man are still in my Spotify rotation, as well as the song that was the B-side to Mirror Man, the 'instrumental' piece Non-Stop. Also liked several songs on their Hysteria album, including The Lebanon, which I think is one of the least objectionable yet effective political songs of that era.
 
The 13's
Known and liked songs

Who'll Stop the Rain
You Only Live Twice
Freeway Jam
The Rubberband Man- one of the first 45's I owned
Come On Get Happy
40oz to Freedom
Spirit In the Night-fav Boss song and only cd I own by him
What Is Life
Face to Face

New to me likes
Spider-Man - added to my Heroes and Villains playlist, thanks!
Lord of Light
Heaven Sent
Never Say Never

Got tired of being so far behind so skipped ahead a bit.
 
simey – train songs

Railroad Song - Jim Croce
Jim and his wife Ingrid wrote and recorded this song in the late 60s. It has shown up on various albums over the years as a bonus track or on compilations. Ingrid backs him up on vocals during the chorus.

When I was a boy in the days of the train
I'd sit by the tracks on a long summer day
And I'd wave at the brakeman
And he'd wave back at me
While the thunderclouds rolled
Out of East Tennessee

But the dreams of a boy disappear when you're grown
And though I may dream, the railroads are gone
The ties they are rotten
And the tracks shot to hell
Along with my dreams and the old railroad bell
 
Selections:

31. If You Tolerate This Your Children Will Be Next - Manic Street Preachers

30. Hear The Drummer Get Wicked - Chad Jackson

29. Pick Up The Pieces - Average White Band

28. Virtual Insanity – Jamiroquai

27. Another Chance - Roger Sanchez

26. Living On My Own - Freddie Mercury

25. Sharp Dressed Man - ZZ Top

24. Better Off Alone - Alice Deejay

23. Love Is The Drug - Roxy Music

22. By The Time I Get To Arizona - Public Enemy

21. I Kissed A Girl - Katy Perry

20. Goddess On A Hiway - Mercury Rev

19. Dark Therapy – Echobelly

18. Run To You - Bryan Adams

17. Inside Out – Anthrax

16. There's Nothing I Won't Do – JX

15. You - Bad Religion

14. Don't Stop Me Now – Queen

13. Moving - Supergrass

12. The Time Is Now - Moloko



Incorrect guesses:

Songs that give advice

Bands That Have Never Been in My Kitchen

Songs by artists who have headlined Glastonbury

Songs featuring the Mellotron

Fear mongering

Song titles that could be part of geometry proofs

Bands who have a member whose first or last name is a James Bond reference

Bands with family members

Songs that reference a location in another country

Songs that have nine or more words in the title

Songs that mention famous streets

Bands who had a member mysteriously disappear, get declared dead, but no body has ever been found

Songs that reference footballguys user names

Songs without a guitar

Song titles that are commands

First two words of song titles in order of lyrics from The Youngbloods’ Get Together

Songs about resilience in the face of adversity

Songs about the importance of progress

Songs to make people overthink and speculate about an imaginary theme that doesn't really exist

31 songs that MADs submitted in prior MAD rounds, but judge disqualified because the submitting MAD failed to get the long-form birth certificate of all band members before submitting

Songs NOT produced by Todd Rundgren

Artists without umlauts

Songs Sam Rockwell has danced to in a movie

Songs about navigating and adapting to a constantly changing world

Songs credited to more than one songwriter

UK top ten singles

Singles released by UK artist/bands

31 British Isles Songs That Did Not Appear in the MAD British Isles Countdown

Non-guitar driven songs

Songs in 4/4 time

Broadway shows

Songs that all charted in the same six countries:
UK
Australia
Germany
France
Ireland
Netherlands

Songs under 5 minutes

Songs where artists let out excessive vocalizations of the “ahh,” “ooh,” “dee,” etc. variety

A break up and starting over

Things that will drive a bunch of middle aged dummies who are trying to find a pattern go crazy

Stages in Rustoleum’s marriage

Guinness World Records

Songs that can qualify for other people’s themes

Songs by people with facial hair

All songs use an instrument with keys

Songs that are the narrative arc of a divorce

Addiction

Songs with 125 BPM or more

Songs that sample other songs on the list

Songs representing different Nicholas Cage movies / characters

Songs

This is your life, Krista

Something to do with Tina Turner/abused women

Jimi Hendrix

Detailing Britney Spears’ descent into madness

Addiction ... to love

Songs in A Minor

The plot to Thelma and Louise

Kourtney Kardashian

Songs about a major change in someone's life

Midlife crisis

Songs with a subject you should see a therapist about

Mental illness

Songs about the world's worst super heros

Mania

Things you do impulsively

Songs that use the word “The” at some stage in the lyrics

The Ballad of @krista4 and OH

Songs the were on the UK official singles chart for the week ending on Aug 16, 2008

Songs from multiple decades

Songs about exploration of identity

Dancing

Each of these songs holds a special place in the hearts of listeners, and they remain influential in the genres they represent

krista's iconic playlist

struggle, rebellion, and survival

songs that have no connection to each other whatsoever - y'all are just wasting your time - ha ha ha suckers

Id, ego, and superego

Each song is somehow connected to one of the first 31 themes submitted for this countdown

Songs that qualify for more than one of the MAD31 themes submitted

Obscure chess strategies

All of these songs tie into the movie Thelma and Louise

history repeating itself

Songs for which there exists another song with the exact same title

Songs that implicate the seven deadly sins

The plot of a movie

the arc of Pink Floyd’s The Wall

Being in an oppressive relationship, and the journey to take back control of your life

the arc of Fear and Loathing in Las Vegas

trapped in a continuous cycle and finding a release that feels like freedom

Moving on through suicide
Determining your own destiny
 
World’s Worst Superheroes #12

Rich Girl

Artist - Daryl Hall & John Oates (1976)

Strengths - generational wealth; 2M followers online that avidly watch her schlep foreign beauty products that haven’t been tested by the FDA; a daddy that is a federal judge with lots of connections to politicians and law enforcement

Weaknesses - just because her name is actually Karen doesn’t mean videos of her voicing valid concerns about other people’s transgressions should automatically go viral; prone to tantrums when she doesn’t get her way; money won’t get you too far


There Goes My Hero

Situation
- You are enjoying a Memorial Day party at the park. The weather is perfect. You got there at 6am to reserve the best tables and open space that has just the right amount of shade. You’ve got balloons, you’ve got matching tablecloths and streamers, you’ve got a cooler full of beverages on ice, you’ve got carne asada grilling on the que, you’ve got a piñata for the kiddos, you’ve got a boombox churning out music from a playlist that you and your online music nerd friends have spent months curating. Your friends are there, your cousins are there, your cousins’ friends are there, even your 80-year old grandma is there. Life is good.

You: [some song with umlauts playing at a respectful volume in the background] “This is the best! Can you believe I got this spot?”

Your friend’s cousin’s girlfriend: “Totally. This is quite the playlist - who made it? Is this from Mad Men?”

You: [nervously looking for a way to change the subject, a song from the Partridge Family starts]. “Aw, look at that dog over there.”

Just then, a large group of people followed by cameramen and even a few paparazzi walk past you to some nearby tables and starts filming something like Keeping Up With the Karens, or The Simple Karen Life, or The Real Housewives of the FFA. A song about rain in the saddest key of all starts playing.

Rich Girl: [storms over to your area with an army of corporate lawyers in her wake] “That music is way too loud-uh! We’re filming my show over there, so you need to turn it down, now-uh! What is this, Canadian music? We’re in America, put something in English on at least!”

You: [fresh off smoking something with the cousins behind the nearby trees] “Hey, we were here first, Karen! Go somewhere else!”

Rich Girl: [temper starting to flare just as some death metal from the formative years of 1988-1992 kicks in] “Karen? KAREN?!?! I’ll have you know, my name is Mauhkhayliauh! I’m calling the chief of police!”

Rich Girl: [pushes one number on her phone, the police chief immediately picks up] “Bobby! How ARE you? Did you get that skin care package from Tibet that I sent for your wife? It’s the BEST! [holds up a tube of something and smiles at the camera] “Anyway, some people are bothering me-uh! Make them stop!”

Police officers: [magically appears 30 seconds later] “Okay people, settle down! Turn off that music now! What is that, from Africa? Jonesy, you better check what’s on the grill over there! You’re all under arrest!”

Rich Girl: [all smiles as you and your friends and family are handcuffed and being hauled away] “You need to sign this waiver so we can use this footage for our show. Have a wonderful day-uh!”
 
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landrys hat - favorite Side 2 Track 1s from my record collection

Telegram Sam - T Rex - The Slider (1972)

Love this album and song. I prefer the Bauhaus cover... but doesn't take away from the original.

rockaction - Songs that state the genre they’re in

Soul Vaccination - Tower of Power

HFS. :wub:

this went on SOOOOO many mixed tapes (tapes- not playlists or CDs).

they were local and to my chagrin always won the SF Bammies for best horn section (local ska band was my preference)... for decades. saw them once IIRC- buncha geezers by that time (including the audience), but soooo good. Wolfgangs? Warfield? can't remember.
 

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