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Middle Aged Dummies - Artist - Round 5 - #17's have been posted. Link in OP. (12 Viewers)

MADs adjacent albums etc.

Van Morrison :shock:

Buckcherry :shock:

New WITCH. Afrorock from Zambia

Live Jethro Tull from 2008

First King Gizzard of 2025

Third Neil Young of 2025

QOTSA in the Catacombs for a movie

Another Oasis compilation to exploit the masses

and a new remaster of Carter the Unstoppable Sex Machine

Plus HAIM, Brittany Davis, Bug Club, Josh Groban, Mary Halvorson 🎸
 
My first spin was going to be The Bug Club but I started listening to the single-named lady of the week and got sucked into the whole album.

Nxdia was born in Egypt but has lived in Manchester since childhood. Their music is a pop mish mash that's punk if you think (as I do) that Charli XCX in a black leather jacket is punk. Ten songs flashed by what seemed like 24 minutes and 57 seconds. At least half were bangers about sex. The energy never waned until the closing power ballad. Don't be fooled by the sad girl intro of track 1, it's a trap.

 
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20! And we’re back to greatness!
I knew more of these than in previous rounds so while there are many added to my likes list they aren’t listed below

New to me likes
Tonite
Neighbors
Crown one
Longwaytoneverland
😢

Favorite overall was a strong competition, candidates included pretending, big shot, Holly holy, and the winner silvery sometimes 🎃
 
I randomly stumbled across a promo on Youtube for an upcoming archival product from my MAD 3 artist Fanny.

Cherry Red Records will release a double CD. On disc 1 will be a remixed version of Rock and Roll Survivors, their final album before their mid-70s breakup. On disc 2 will be a "live opera" performed on tour in 1974. The description is as follows, sorry for the all caps (and the horrible grammar and syntax) but I'm just pasting it from the YouTube description:

THE NEVER BEFORE RELEASED LIVE OPERA 1974, WAS PERFORMED AND RECORDED AT VENUES ON THE FANNY U.S. TOUR, 1974, A "FANNY FIRST" COMING SOON. IT WAS NEVER HEARD EXCEPT ON THEIR TOURS, AND WAS QUITE UNIQUE WITH STAGING, COSTUMES, AND MUCH NEVER RELEASED MUSIC. THERE IS NO FILM OF THE OPERA, AND PHOTOS WILL BE INCLUDED IN THE LINER NOTES. THE OPERA WAS PERFORMED TO START IN BLACK HOODED ROBES, AND MASKS, TO SPOTLIGHT THE LYRICS. AS THE OPERA PROGRESSES, FANNY DISCARDS THE ROBES AND CONTINUES ON IN RAW, EDGY COSTUMING, THANKS TO THE INPUT OF DAVID BOWIE* ON THE STAGE LOOKS. THE OPERA WAS INTENDED AS A TONGUE IN CHEEK, YET BITING AND POINTED LOOK AT SEXUAL SOCIETAL ROLES WE ALL FALL INTO, AND SO VERY PREVALENT EVEN TODAY....EVEN PERHAPS WITH BLUNT DATED LINGO THAT ENCAPSULATED MANY OF US...MUCH FOOD FOR THOUGHT IN THE SCRIPTED SPOKEN PARTS, AS WELL AS THE LYRICS TOO.

* - Bowie was a friend and supporter of the band and briefly dated singer/bassist Jean Millington.

The song "No Man's Land" is the only thing from the "opera" that has been accessible on the internet up until now, as they performed it on their Don Kirschner's Rock Concert appearance in 1974: https://www.youtube.com/watch?v=Q8TNt9BF2oA
 
Technically behind (even if the next batch isn’t quite released yet), but still I go full blast forward into the #17s.
.
Selected Favorites:
Early in the Morning - Eric Clapton
Cut Me Up - Headstones (/Conor Oberst)
If I Should Go Before You - City and Colour’
Shake - Otis Redding
Wogs Will Walk - Cornershop
Get Up and Go - The Go-gos (/Belinda Carlisle)
Fisherman’s Blues - The Waterboys
Zero - Smashing Pumpkins

Small spotlight:

“Lend’s Some Dough” by Shack is (another) song that grabbed me from the start. Michael Head’s been a fun discovery that’s largely in my wheelhouse enough that I’m mildly surprised that I missed it in the 90s.
 
@Pip's Invitation

Triumph playing a short set in Edmonton tomorrow night outside the arena before Game 2 of the Stanley Cup Finals.


ETA:
Friday will also mark the release of the Magic Power: All-Star Tribute to Triumph album, featuring the band's most famous songs performed by peers such as Sebastian Bach, Nancy Wilson and Alex Lifeson's Envy of None.
Finally found a clip of Triumph's performance (only three tunes) from last week:


Unfortunately, wouldn't really call it a true Triumph performance: bassist Mike Levine couldn't play due to medical reasons and, understandably, Rik Emmett and Gil Moore apparently barely sing any more (and Rik seems to have limitations on his guitar playing). Basically guest musicians (including former guitarist/current Bon Jovi guitarist Phil X) carrying the load.

Was still great to see them perform though - just have to ignore the fan video gibberish/background noise and a dude in a Connor McDavid jersey that kept holding up a sign blocking the band, Also never knew Big Bird was a huge Triumph fan - good on him though.
 
#16's and PLAYLIST

[td]Belinda Carlise[/td][td]Zegras11[/td][td]Band Of Gold
[/td]
[td]Michael Head[/td][td]Eephus[/td][td]The Pale Fountains -- Something On My Mind
[/td]
[td]People Under the Stairs[/td][td]KarmaPolice[/td][td]Tuxedo Rap
[/td]
[td]John Waite[/td][td]Charlie Steiner[/td][td]California
[/td]
[td]Golden Smog[/td][td]Dr. Octopus[/td][td]Keys
[/td]
[td]The GAP Band/Charlie Wilson[/td][td]Don Quixote[/td][td]You Are - Charlie Wilson
[/td]
[td]The English Beat Family Tree[/td][td]Yo Mama[/td][td]Too Much of Nothing
[/td]
[td]Caroline Esmeralda van der Leeuw[/td][td]-OZ_[/td][td]Never ever
[/td]
[td]Neil Diamond[/td][td]Mrs. Rannous[/td][td]I Think It's Gonna Rain Today
[/td]
[td]Steve Marriott[/td][td]zamboni[/td][td]"Hot 'n' Nasty" – Humble Pie
[/td]
[td]Conor Oberst[/td][td]Tuffnutt[/td][td]Mariana Trench
[/td]
[td]Smashing Pumpkins[/td][td]Yambag[/td][td]Quiet
[/td]
[td]Otis Redding[/td][td]John Maddens Lunchbox[/td][td]Day Tripper
[/td]
[td]Meat Loaf[/td][td]snellman[/td][td]Life Is A Lemon And I Want My Money Back
[/td]
 
16s

[td]Hugh Dillon[/td][td]Mister CIA[/td][td]Ten Feet Tall
[/td]
[td]Luna[/td][td]landrys hat[/td][td]Lovedust

[/td]
[td]Metallica[/td][td]Mt. Man[/td][td]Battery
[/td]
[td]The Doobie Brothers[/td][td]New Binky The Doormat[/td][td]Minute By Minute
[/td]
[td]Billy Joel[/td][td]simey[/td][td]Big Man on Mulberry Street - Live in Moscow & Leningrad, 1987
[/td]
[td]Arthur Lee and Love[/td][td]Pip's Invitation[/td][td]Signed D.C.
[/td]
[td]Beck[/td][td]KarmaPolice[/td][td]Rental Car
[/td]
[td]John 5[/td][td]Chaos34[/td][td]Dead City Radio and the New Gods of Supertown - Rob Zombie
[/td]
[td]City and Colour[/td][td]MrsKarmaPolice[/td][td]Casey's Song
[/td]
[td]The Waterboys[/td][td]Ilov80s[/td][td]Sweet Thing
[/td]
[td]Eric Clapton[/td][td]Tau837[/td][td]Forever Man
[/td]
[td]Ferry Corsten[/td][td]titusbramble[/td][td]Starparty - I'm In Love (Ferry Corsten and Robert Smit Remix)
[/td]
[td]Cornershop[/td][td]The Dreaded Marco[/td][td]Spectral Mornings
[/td]
 
The English Beat Family Tree #16

Too Much of Nothing

Artist - General Public
Album - Hand to Mouth (1986)

GP’s second album was a bit disappointing after how huge their debut album was. This was their biggest hit off this album, and is the only track off Hand to Mouth to make my list (although a couple were fairly close to making the Final Cut).

Starting with my next pick at #15 is a big jump in tiers going forward.
 

#16 - Otis Redding - Day Tripper​



Comments sometimes from Wikipedia, this time from faroutmagazine.co.uk

JML Rank - #18
Krista4 Rank - #15 to 21
Uruk-Hai Rank - #20
Album - Complete & Unbelievable: The Otis Redding Dictionary of Soul
Recorded - April 1966
Is this a Cover? - Yes
Songwriter - John Lennon & Paul McCartney

Notable Covers - Nancy Sinatra, Sergio Mendes, Mae West, Geno Washington, Lulu, The Spacemen, Jimi Hendrix plays and Curtis Knight sings, Jose Feliciano, Anne Murray, ELO, Billy Preston, Whitesnake, Yellow Magic Orchestra, Cheap Trick, Bad Brains, Sham69, Daniel Ash, Ricky Martin, Ocean Colour Scene, Ian Hunter,

Comments - The second and final Beatles cover we will see from Otis, this is a highly produced radically different version to the Beatles song.

From Far Out: “But when it came to killer Beatles covers, Redding’s finest hour is his take on ‘Day Tripper’. The Otis Redding experience is all about grit and manic energy, and nothing will get in the way of that, whether it’s song structure or lyrics or any recognisable aspects from the original recording. Redding was a deconstructionist, and his take on ‘Day Tripper’ finds the singer improvising all over the basic form of the song.”

Next Up - Another cover, featuring the highest ranking from one of us we will see for some time. Someone ranked it #2.
 
@Pip's Invitation

Triumph playing a short set in Edmonton tomorrow night outside the arena before Game 2 of the Stanley Cup Finals.


ETA:
Friday will also mark the release of the Magic Power: All-Star Tribute to Triumph album, featuring the band's most famous songs performed by peers such as Sebastian Bach, Nancy Wilson and Alex Lifeson's Envy of None.
Finally found a clip of Triumph's performance (only three tunes) from last week:


Unfortunately, wouldn't really call it a true Triumph performance: bassist Mike Levine couldn't play due to medical reasons and, understandably, Rik Emmett and Gil Moore apparently barely sing any more (and Rik seems to have limitations on his guitar playing). Basically guest musicians (including former guitarist/current Bon Jovi guitarist Phil X) carrying the load.

Was still great to see them perform though - just have to ignore the fan video gibberish/background noise and a dude in a Connor McDavid jersey that kept holding up a sign blocking the band, Also never knew Big Bird was a huge Triumph fan - good on him though.
Rik announced last year that he has arthritis in his hands, so he can't play anywhere near what he used to be able to.

Phil X has a history with Triumph -- he replaced Emmett after Emmett quit the band and appeared on the Edge of Excess album and tour in the early '90s.
 
@Pip's Invitation

Triumph playing a short set in Edmonton tomorrow night outside the arena before Game 2 of the Stanley Cup Finals.


ETA:
Friday will also mark the release of the Magic Power: All-Star Tribute to Triumph album, featuring the band's most famous songs performed by peers such as Sebastian Bach, Nancy Wilson and Alex Lifeson's Envy of None.
Finally found a clip of Triumph's performance (only three tunes) from last week:


Unfortunately, wouldn't really call it a true Triumph performance: bassist Mike Levine couldn't play due to medical reasons and, understandably, Rik Emmett and Gil Moore apparently barely sing any more (and Rik seems to have limitations on his guitar playing). Basically guest musicians (including former guitarist/current Bon Jovi guitarist Phil X) carrying the load.

Was still great to see them perform though - just have to ignore the fan video gibberish/background noise and a dude in a Connor McDavid jersey that kept holding up a sign blocking the band, Also never knew Big Bird was a huge Triumph fan - good on him though.
Rik announced last year that he has arthritis in his hands, so he can't play anywhere near what he used to be able to.

Phil X has a history with Triumph -- he replaced Emmett after Emmett quit the band and appeared on the Edge of Excess album and tour in the early '90s.
Yes - Phil sounded very good. Very good fill-in then and now.
 
A couple of MADs artists are appearing this weekend on the Bonnaroo livestream on Hulu. Foster the People is on Friday at 8:40 EDT and Modest Mouse is on late Saturday/early Sunday night at 1:05AM EDT.

The whole lineup includes artists that will probably be more familiar to middle aged dummies than Coachella or Lollapalooza.
Apologies, I confused Foster the People with the Airborne Toxic Event again :bag:
 
Ni-ni-ni 19, 19, ni-19 19
19, 19, 19, 19

New to me likes
You can’t walk in your sleep
Head first
Friends again
Cemetery
Tell me what you want
Kansas - fan of Steve Earle, big fan of the state

Favorite - toughest so far. 🫏, she’s got a way, ⛽️, you’ve lost that loving feeling we’re all strong contenders. But possibly my favorite Clapton song takes it - it’s in the way that you use it! 🥇
 
Eric Clapton #16

Eric Clapton - Forever Man

This is a song from Clapton's 1985 album "Behind the Sun." It reached #1 on the Billboard Hot Rock Tracks chart and/or Mainstream Rock Tracks chart (I have seen both reported), becoming his second single to reach #1. It is one of his most recognizable and energetic tracks from the 1980s — a sharp blend of arena rock, blues, and pop

The song is about a man promising commitment and constancy, despite emotional ups and downs. It’s a plea for belief and trust — Clapton’s narrator is flawed but sincere, trying to prove he’s not going anywhere. There’s a romantic weariness to it, but also a driving passion underneath.

The guitar riff is iconic and kicks the song off like a shot. It’s aggressive for Clapton, especially in this era. He uses a mid-heavy tone with lots of sustain (i.e., the notes hold and ring out for a longer period of time after being played). His solo is brief but scorching — classic Clapton: melodic, bluesy, and economical.

Clapton’s vocal performance is powerful and direct — less laid-back than usual, with more urgency. He sings with a gravelly strength, clearly pushing himself into a more mainstream rock vocal territory.

Phil Collins was involved in the production, and his influence is obvious: gated reverb on drums, tight snare hits, big 1980s production values.

I have mentioned before in some of these countdowns that my wife and I have a playlist of songs that have been meaningful to us over the years (we have been married almost 33 years). This was one of the early tracks in that list and has a special place for me in this countdown.
 
The Ace/John5 song cut to the fade just when it was getting hot.

Yeah Ace and John were on to something there and probably played a killer outro. The studio went for a radio friendly 3 minutes.

Caught up. 17s and 18s earlier. 16s winding down with 14 and a half minutes of Cornershop I don't want to end. Three straight winners from them and they're closing on the new leader.

Which is the Waterboys. Excellent every time, that guy.

Some call outs. I wasn't digging Head so much earlier but I'm up for more. Three in a row for him/them too.

I never read the first few pages joining a little late, so I did while listening last night

Golden Smog is impressive for how little material they have to work with.

Reading Charlie Wilson's story made me like him/Gap Band all the more.

From the 18s, our title track, Car Wash Hair went from wtf to me singing along on my first listen. Love it.

I'll stop. Big pack with talented jockeys eyeballing The Waterboys down the backstretch. No Idea who's gonna win this, but thanks for 3 great playlists.
 
Eric Clapton #16

Eric Clapton - Forever Man

This is a song from Clapton's 1985 album "Behind the Sun." It reached #1 on the Billboard Hot Rock Tracks chart and/or Mainstream Rock Tracks chart (I have seen both reported), becoming his second single to reach #1. It is one of his most recognizable and energetic tracks from the 1980s — a sharp blend of arena rock, blues, and pop

The song is about a man promising commitment and constancy, despite emotional ups and downs. It’s a plea for belief and trust — Clapton’s narrator is flawed but sincere, trying to prove he’s not going anywhere. There’s a romantic weariness to it, but also a driving passion underneath.

The guitar riff is iconic and kicks the song off like a shot. It’s aggressive for Clapton, especially in this era. He uses a mid-heavy tone with lots of sustain (i.e., the notes hold and ring out for a longer period of time after being played). His solo is brief but scorching — classic Clapton: melodic, bluesy, and economical.

Clapton’s vocal performance is powerful and direct — less laid-back than usual, with more urgency. He sings with a gravelly strength, clearly pushing himself into a more mainstream rock vocal territory.

Phil Collins was involved in the production, and his influence is obvious: gated reverb on drums, tight snare hits, big 1980s production values.

I have mentioned before in some of these countdowns that my wife and I have a playlist of songs that have been meaningful to us over the years (we have been married almost 33 years). This was one of the early tracks in that list and has a special place for me in this countdown.

This song gave Clapton an unlikely Club hit in 2000 courtesy of Danish House DJ Beatchuggers

 
I see Mrs. R lurking in the bottom. Cracklin' Rosie is top 5 Neil for me. That's 3 of my top 5 Neil. There's something especially special about this one from my nostalgia. I remember saying something like, "Jeez, he's singing about a whore." My dad said, "He's singing about a bottle of wine." My bro said, "He's singing about both." I think it was the moment in my young brain when I realized songs ain't always what they seem.
 
Smashing Pumpkins #16

Song
: Quiet
Album: Siamese Dream

Summary: This might not make many fans' lists, but after Cherub Rock, I loved the heaviness of Quiet. Billy has even said that he was never really comfortable with it being the second song on the album but I think it really fits the grunge vibe of that time and I always get pumped when I hear it. Billy has never discussed the meaning of the song, but many feel it is about abuse he went through as a young child.

Behind me, the grace of falling snow
Cover up everything you know
Come save me from the awful sound of nothing
 
Rob Zombie. What can I say. I'd rank this very low on this playlist but it is what it is. When I decided to do John 5, I mentioned it isn't really in my wheelhouse (something Dr. O just said too), but the career of a studio hit man is pretty interesting. 16 years with Zombie made me want to represent it best I could.

Rob has a pretty massive cult-ish following that's into props and chants almost like Jimmy Buffett from a different planet. I respect it. Digging into those 16 years conditioned my brain for this type of industrial metal. This is just an observation: Rob tries too hard to be cool where Manson is cool just by being such a dark artist. It's all heavy and my brain is over it. Feel fortunate you only get one per playlist. haha. What a positive write-up this is.

I just have a fetish for virtuoso guitar work having tried to learn the instrument in several efforts since the 80s. John posted a bunch of lessons on Youtube in the 00s. Yeah right, such a show off. Something I didn't know going into this is Manson and Zombie held him back. That's 22 years of big ego band leaders just wanting heavy industrial riffs they can sing over. John's best stuff so far is that Ace Frehley number, imo.

Dead City Radio and the New Gods of Supertown is off 2013's Venomous Rat Regeneration Vendor. Is Rob trying too hard here? Zombie fans always rank this one very high when doing lists out there in the ether. It explores Zombie's lament for the decline of rock radio. We can all relate to that. John also lists it among his favorite Zombie songs, and goes further to explain why. In the studio he layered two tracks to get what Rob wanted. Then he had to figure out how to play them at the same time live. He shows off his Chet Atkinsness doing so in the interview. It made me hate him a little.

Rob Zombie - Dead City Radio And The New Gods Of Supertown

Zombie and Manson are terrific film and video makers, so I do recommend checking out the youtube links going fwd.
 
Comments - The second and final Beatles cover we will see from Otis, this is a highly produced radically different version to the Beatles song.

From Far Out: “But when it came to killer Beatles covers, Redding’s finest hour is his take on ‘Day Tripper’. The Otis Redding experience is all about grit and manic energy, and nothing will get in the way of that, whether it’s song structure or lyrics or any recognisable aspects from the original recording. Redding was a deconstructionist, and his take on ‘Day Tripper’ finds the singer improvising all over the basic form of the song.”

Next Up - Another cover, featuring the highest ranking from one of us we will see for some time. Someone ranked it #2.

Checking in quickly on this one. I've not been able to keep up with this thread, due to various crap, but I do read JML's and Uruk's write-ups on Otis and have really enjoyed those. The next song coming up will be the one I ranked #2. Readers of such threads as the middle-aged dummy US countdown might know what it will be. As for this one, there's not much better than hearing Otis riffing on Day Tripper. He had maybe 30% of the actual lyrics to the song in there somewhere, and it's incredible.
 
I see Mrs. R lurking in the bottom. Cracklin' Rosie is top 5 Neil for me. That's 3 of my top 5 Neil. There's something especially special about this one from my nostalgia. I remember saying something like, "Jeez, he's singing about a whore." My dad said, "He's singing about a bottle of wine." My bro said, "He's singing about both." I think it was the moment in my young brain when I realized songs ain't always what they seem.
Do remember my list isn't in favorites order. It's sort of chronological and sort of not, so "other".
 
It reached #1 on the Billboard Hot Rock Tracks chart and/or Mainstream Rock Tracks chart (I have seen both reported), becoming his second single to reach #1.
They're the same thing. The name changed from Top Rock Tracks to Hot Rock Tracks to Mainstream Rock Tracks.

"Forever Man" is my favorite '80s Clapton song and I was thrilled when he played it at his show with Steve Winwood that I saw at MSG. (The set also included my favorite '80s Winwood song, "Split Decision".)
 

16. Spectral Mornings - Cornershop​

At least the album version I listed is only 14 minutes……..

1: In 2002, which Guinness World Record did Cornershop try to break?

“Longest mix? It was one song going on for 24 hours. Someone from the Guinness World Records came down and oversaw it. I was watching people on social media saying they’d listened to it in the morning and they’d finished work and were now listening to it at night.”

CORRECT. It was for longest ever remix with a continuously mixed and constantly changing version of the track ‘Spectral Mornings’, which features Noel Gallagher on guitar. What are your favourite memories of Oasis?

“It was exciting to tour big auditoriums in America with them. Both groups got on well – so much so that we had [former Oasis bassist] Guigsy play bass on ‘Lessons Learned from Rocky I to Rocky III’ and Noel play guitar on ‘Spectral Mornings’. For the recording, he came and did a few hours of working stuff out, which was nice of him – he could have just done two minutes and thought: ‘Sod that, I’m off ‘. We ended up with so much guitar, it lent itself to a 24-hour mix. One of the reasons why Noel and Liam liked Cornershop was because they both heard ‘ 6am Jullandar Shere’ in different rooms at a hotel, and Noel phoned up Liam who said: ‘Yeah, I’m watching it now!’. It shook them. ‘Spectral Mornings’ was a very ‘Jullander Shere’ thing – which is why Noel was happy to do it. It’s quite a brave thing for a white chap to do – a lot of people would say: ‘What the **** are you singing about?!’”
 
16. California (Head First, 1978)

I'm sure it's just a formality, but :thumbup: to @Pip's Invitation for sussing out that this was my next selection, as it's the 9th and final song from the Head First album and completes the sweep.

Ironically, in the years I actively listened to The Babys, I never listened to this album in a single sitting, and they only appeared sporadically on mix tapes, so that it wasn't until I compiled this list that I realized I liked every song on the album.

If I had ranked them by preference, this would be top 10.

Coming up, @KarmaPolice gets a payoff.
 
16. Signed D.C.
Albums: Love (1966) and Out Here (1969)

I mentioned in the previous entry that Love's Arthur Lee was ambivalent about the hippie scene and specifically about the hard drug use that made some people from the scene difficult to deal with and ruined many of their lives. Right off the bat, Lee had to deal with this, as Love's original drummer Don Conca chose drugs over music and his heroin addiction made him unreliable and got him fired around the time the band started to record their debut album. On side 2 of the debut album we got a harrowing, unsparing song that Lee wrote from Conca's perspective, hence the title, "Signed D.C."

Sometimes I feel so lonely
My comedown I'm scared to face
I've pierced my skin again, Lord
No one cares
For me

My soul belongs to the dealer
He keeps my mind as well
I play the part of the leecher
No one cares
For me, cares for me

Look out Joe, I'm fallin'
I can't unfold my arms
I've got one foot in the graveyard
No one cares
For me, cares for me
Signed, D.C.


The sing-songy arrangement on the debut album doesn't match the intensity of the lyrics, so it's no surprise that "Signed D.C." became the first of several songs that Lee re-recorded for a subsequent studio album. A grittier, noisier, more anguished arrangement more in tune with the despair of the lyrics was cut at the 1968-69 warehouse sessions and included on the double album Out Here. It is this version, which I have always felt is far superior to the original, that appears linked above and on the playlist. The Out Here version is slower and almost twice as long as the original, but omits the literal "Signed, D.C." at the end of the lyrics.

The song has been covered by, among others, Husker Du's Grant Hart (himself a heroin addict) https://www.youtube.com/watch?v=5mKHi1UBpUU and The White Stripes https://www.youtube.com/watch?v=xZzmnGHGs4k.

There is actually a webpage dedicated to Conca's life story. https://brunoceriotti.weebly.com/don-conca.html. The Cliff Notes version: Conca, like Love bandmate Bryan MacLean, failed an audition for The Monkees, but was considered one of the best drummers in the L.A. club scene, so he was kept on despite constantly missing gigs (his eventual replacement Alban "Snoopy" Pfisterer roomed with bassist Ken Forssi and came to every Love gig ready to fill in if Conca didn't show.) When he failed to show for the band's first recording session, that was the last straw. Lee himself played the drums that day, and fired Conca shortly thereafter. Rumors that Conca had died of an OD were untrue; he worked as an air conditioner repairman until a heroin bust sent him to prison for much of the '70s. After his release, he married another musician and addict and they had a daughter who also became a musician and an addict. Around the turn of the millenium, Conca got clean for a few years to try to set an example for his daughter. It was during this period where he rekindled his friendship with Lee and at a 2003 gig in LA, played with Lee and Love for the first time in almost 40 years, on a cover of "Smokestack Lightning," a staple of their '60s club sets. But a year later, he had another relapse and bust, and on the eve of returning to prison, drowned in his bathtub after injecting himself with a speedball.

"Signed D.C." is one of the most-performed Love songs, appearing in setlists somewhat consistently since 1970, and was played at my 2002 show. It continues to be performed today by The Love Band. Every performance I have heard has featured the Out Here arrangement.

Debut album version: https://open.spotify.com/track/0gSFDtrOn4kWdZtg22CU0B?si=e485b2baa1fb4350

Alternate mix of debut album version (bonus track on deluxe edition): https://open.spotify.com/track/0BZUenAeXsgJa9LJVLw5Ta?si=174741e5e48446f7

Live version from 1970 in Copenhagen: https://www.youtube.com/watch?v=Srh0A7R0Kng (this version is particularly harrowing)

Live version in 1970 from "England" (appears on The Blue Thumb Recordings): https://www.youtube.com/watch?v=moscKYtGcg8

Live version from 1978 in LA with Bryan MacLean: https://www.youtube.com/watch?v=WyMwZ0VTgws

Live version from 1992 in Liverpool with Michael Head's Shack: https://www.youtube.com/watch?v=speDD7_K9xU

Live version from a cable TV show called Art Fein's Poker Party. Given Lee's appearance and the personnel in the video, I'd place this around 1992, the year of the Arthur Lee and Love album: https://www.youtube.com/watch?v=Ob7BNjDR5Ws

Live acoustic version from 1993 in Northampton, MA (appears on Coming Through to You: The Live Recordings (1970-2004)): https://www.youtube.com/watch?v=jmQ0SSYxYsg

Live version from 1996 in Odense, Denmark (appears on Coming Through to You: The Live Recordings (1970-2004)): https://www.youtube.com/watch?v=ge4fJ79ar64

Live version from 2003 in London (appears on The Forever Changes Concert): https://www.youtube.com/watch?v=Bbaa57KySOE

The Love Band live in London in 2022, with John Echols, a former heroin addict himself, on lead vocals: https://www.youtube.com/watch?v=3AvfOkzAQ7I

At #15, another song Lee reused on album, this time less than a year after its first appearance.
 
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Comments - The second and final Beatles cover we will see from Otis, this is a highly produced radically different version to the Beatles song.

From Far Out: “But when it came to killer Beatles covers, Redding’s finest hour is his take on ‘Day Tripper’. The Otis Redding experience is all about grit and manic energy, and nothing will get in the way of that, whether it’s song structure or lyrics or any recognisable aspects from the original recording. Redding was a deconstructionist, and his take on ‘Day Tripper’ finds the singer improvising all over the basic form of the song.”

Next Up - Another cover, featuring the highest ranking from one of us we will see for some time. Someone ranked it #2.

Checking in quickly on this one. I've not been able to keep up with this thread, due to various crap, but I do read JML's and Uruk's write-ups on Otis and have really enjoyed those. The next song coming up will be the one I ranked #2. Readers of such threads as the middle-aged dummy US countdown might know what it will be. As for this one, there's not much better than hearing Otis riffing on Day Tripper. He had maybe 30% of the actual lyrics to the song in there somewhere, and it's incredible.
You think the % was that high? :lol:

This is just a crazy performance. I honestly don't know how the band knew what to do when Otis got into these types of songs. On this one, Booker T Jones said "Screw it. Give me sledge hammers to play the organ parts". All of the 60s/70s rock critics used to praise the Yardbirds for their rave-ups-on-records. You try raving harder than this Redding record and you'd better have your final papers in order because you may not survive it.

To me, this song (& about 100 others) show how brilliant the Beatles were. This music can be successfully covered in a million ways - signs to me that the songs have great bones. Also, don't sleep on the early Beatles - many of those songs are a lot more complex than the derisive "boy band" moniker pasted onto them.
 
I see Mrs. R lurking in the bottom. Cracklin' Rosie is top 5 Neil for me. That's 3 of my top 5 Neil. There's something especially special about this one from my nostalgia. I remember saying something like, "Jeez, he's singing about a whore." My dad said, "He's singing about a bottle of wine." My bro said, "He's singing about both." I think it was the moment in my young brain when I realized songs ain't always what they seem.
I mentioned in one of these MADs not long ago that I originally thought Cracklin' Rosie was a blowup doll. I thought that for decades. Anyway, most days it is my favorite Neil song.
 
Big Man on Mulberry Street

Billy originally wrote this song for an episode of Moonlighting. It's on his 1986 The Bridge album. I'm a sucker for songs that swing, and this jazzy song swings. I chose the live version off of his 1987 album A Matter of Trust (Live in Moscow & Leningrad, Russia). He and the band really let loose on this live version. Mulberry Street is a part of Little Italy in NYC.

 
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The official accounts of Cooke's death always seemed off to me. Not that he couldn't have been in a motel room with a woman who wasn't his wife - I'm pretty sure that part is true. But it seems strange to me that his good friend Bobby Womack married Cooke's widow about (hyperbole alert!) 12 seconds after his death certificate was signed. Some of other "facts" don't add up, either. But the L.A. law enforcement contingent wasn't especially interested in deep investigations into the deaths of non-whites (even famous ones) in those days.
I had to refresh my memory on the details on Cooke's death, and the word sketchy is an understatement for the whole thing.
 
The official accounts of Cooke's death always seemed off to me. Not that he couldn't have been in a motel room with a woman who wasn't his wife - I'm pretty sure that part is true. But it seems strange to me that his good friend Bobby Womack married Cooke's widow about (hyperbole alert!) 12 seconds after his death certificate was signed. Some of other "facts" don't add up, either. But the L.A. law enforcement contingent wasn't especially interested in deep investigations into the deaths of non-whites (even famous ones) in those days.
I had to refresh my memory on the details on Cooke's death, and the word sketchy is an understatement for the whole thing.
I spent way more time than I should have diving into this 15 or 20 years ago. I don't recall all of the details now that had me raising my eyebrows, but there were a lot of them. And this wasn't some "Paul is dead" stuff made up by kooks.
 
Michael Head #16 - The Pale Fountains - "Something on My Mind" (1982)

We Head back to the very beginning with Mick's first single with The Pale Fountains. "(There's Always) Something on My Mind" was released on a Belgian Indie label in 1982 and appeared on their debut album two years later. You can always count on The Pale Fountains to bring the trumpet which finally turns the horn meter from 4 to 5.

It's an audacious debut for the Paleys beginning with Mick's quiet verse accompanied by acoustic guitar, piano and bongo. From there, it progresses to a chorus that sounds a bit like a Spandau Ballet song. Andy's trumpet enters around the halfway point joined by close harmony vocals and a string section. The song builds toward its climax with horns and strings that resemble a 007 theme song.
 
16.

Mariana Trench- Bright Eyes
from Down in the Weeds, Where the World Once Was (2020)


The most recent release on my countdown is "Mariana Trench." released in 2020 after a 9 year layoff for the band. The song features Red Hot Chili Peppers' Flea on bass and Queen of the Stone Age's Jon Theodore on drums. Backed by their upbeat groove, Oberst sings about trying to live your life in the face of overwhelming corruption and the difficulties of modern society. The album was also dedicated to Oberst brother, Matt, who passed in 2016. ( which he references in the lyrics)
 

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