Uruk-Hai
Footballguy
Tells ya how much attention I payMy favorite part of any Joel record is the whistling intro to this one.
yeah and UH has misophonia

Tells ya how much attention I payMy favorite part of any Joel record is the whistling intro to this one.
yeah and UH has misophonia
There are penicillins for that.My favorite part of any Joel record is the whistling intro to this one.
yeah and UH has misophonia
There's also acid, but I unfortunately gave that up decades agoThere are penicillins for that.My favorite part of any Joel record is the whistling intro to this one.
yeah and UH has misophonia
This is one of those songs that sound like it was written 10,000 years ago instead of 60.#4 - Otis Redding - That’s How Strong My Love Is
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That's How Strong My Love Is
Otis Redding · The Very Best of Otis Redding · Song · 1992open.spotify.com
Comments sometimes from Wikipedia
JML Rank - #3![]()
Krista4 Rank - #5 to 8
Uruk-Hai Rank - #6
Album - The Great Otis Redding Sings Soul Ballads
Recorded - 1964-1965
Is this a Cover? - Yes (O.V Wright)
Songwriter - Roosevelt Jamison
Notable Covers
1965 - Rolling Stones, The In Crowd, The Hollies
1966 - Percy Sledge, Millie Small
Later On - Candi Staton, Humble Pie, Bryan Ferry, Roland Gift, ? And the Mysterians, Mick Hucknall, Iggy Pop, Paul Rodgers
Comments - From wiki
The album opens with "That's How Strong My Love Is". Written by Roosevelt Jamison and altered by Cropper, the song was first performed by O. V. Wright on Goldwax Records, where it was cut by both Jamison and Wright. Redding's version was released days after the original. The Rolling Stones covered the song shortly afterwards[1] and included it on their album Out of Our Heads (released in July 1965). Isaac Hayes made his debut as a pianist with Otis Redding, possibly on songs "Come to Me" or "Security".[1] It is unclear because prior to 1966, the Memphis Musicians Union kept little or no session documentation
Next Up - I ruined the ranking for this one. Sorry.
I liked this one a lot.Michael Head #5 - Shack - "Comedy" (1999)
Heading back to Shack's HMS Fable album for what is probably Head's most beloved song. He originally wrote it for The Pale Fountains in 1986 but didn't get around to recording it for over a decade. It became Shack's biggest UK hit reaching #44 on the charts and Mick's closed his shows with it for a long time. He's never been a prodigious tourer but he's played "Comedy" enough times that he wrote a new song about it. "Coda" is the closer of his most recent album and includes the lyrics "we played this riff in ninety three/at the end of Comedy/it’s had a chequered life/we called it G to G’" which refers to the G chord that starts "Comedy" and the nickname of the melody before lyrics were added.
"Comedy" is another mid-tempo love song with a soaring chorus and no trumpets again. It's very representative of Head's style that you've either grown to enjoy or be bored with during this countdown.
When they found Carbone in the meat truck, he was frozen so stiff it took them two days to thaw him out for the autopsy.Eric Clapton #4
Derek and the Dominos - Layla
This group totally whooshed by me until the 1980s, when I heard cover versions of some of their songs that I liked and then went back and heard the Love versions. The version of My Little Red Book I heard first was the one by Ted Nugent.4. My Little Red Book
Album: Love (1966)
Writers: Burt Bacharach and Hal David
As unlucky as Arthur Lee and Love were with how things in the music industry went for them, they were in the right place at the right time, or else they may never have been signed in the first place.
In 1965, Jac Holzman, the head of Elektra, up until then a folk label, was looking to sign a rock band to tap into that market. He went to one of Love's performances in LA and was captivated by their performance of "My Little Red Book," a song written by Burt Bacharach and Hal David and originally performed by Manfred Mann. It had been added to Love's sets after Lee and John Echols saw the film What's New Pussycat?, which featured Mann's version. Holzman raved about the "manic intensity" of Love's cover, saying that they had brought "searing intensity" to "a mediocre song." He immediately offered the band a contract, which they signed in January 1966.
That promise was delivered when Love recorded "My Little Red Book" for their debut album, for which it was the first track and lead single. The pulsating bass and staccato guitar, which come in at the beginning and are present for most of the song, sound as much like the "alternative" music of the future as they do a contemporary take on the Rolling Stones. Lee sings the song, about a man who is pleading for an ex to take him back, with great emotion and intensity. This is mid-60s pop/rock at its finest.
"My Little Red Book," my highest-ranked song from the debut album, topped the local chart in LA and hit #52 on Billboard's Hot 100. The performance was influential on a number of bands, from the Velvet Underground -- whose guitarist Sterling Morrison was obsessed with it -- to Pink Floyd, whose frontman Syd Barrett developed the psychedelic instrumental "Interstellar Overdrive" as a response to the band's manager humming "My Little Red Book"'s main riff to him. For metal fans, Dokken covered Love's arrangement in 1982: https://www.youtube.com/watch?v=0WCqIbOlvdU. Contemporary garage rockers The Standells also covered the Love arrangement: https://www.youtube.com/watch?v=iTbbhwkObpE. As this was issued before Lee's relationship with Elektra was poisoned, conventional promotional methods occurred, including an appearance on American Bandstand (clip below). I did not have Arthur Lee interacting with D!ck Clark on my bingo card when I started this exercise.
The song also provided a gateway for Bacharach and David to work with rock acts. "Although I didn't like their version because they were playing the wrong chords, it was nice to have a hit that gave me some credibility in the world of rock and roll," Bacharach wrote in his memoir. Music writer Dave Marsh included "My Little Red Book" on his list of the 1,001 greatest singles.
"My Little Red Book" is one of Love's most-performed songs and might be No. 1 on that list if their '60s performances were documented, but most of them aren't. It appears in all eras for which there are setlists and was played at both of my shows, opening the 2002 one. The Love Band with Echols continues to perform it, including at their shows this spring.
The American Bandstand performance (lip synched, as they all were). Yes, this really happened: https://www.youtube.com/watch?v=ftO9ClIhFAo They also performed "My Little Red Book"'s B-side "A Message to Pretty," which did not make my top 41: https://www.youtube.com/watch?v=WYNPWMku5KU Lee was interviewed by phone in another episode of the show: https://www.youtube.com/watch?v=tIP4_rO9lUc
Live version from "England" in 1970 (appears on The Blue Thumb Recordings): https://www.youtube.com/watch?v=BN06_rncgeM. The version that appears on Coming Through to You: The Live Recordings (1970-2004)), from London in 1970, could be the same: https://www.youtube.com/watch?v=55JruTMmb4M
Live version from LA in 1978 with Bryan MacLean: https://www.youtube.com/watch?v=rV6lSBbKlb8
Live version from Liverpool in 1992 with Michael Head's Shack: https://www.youtube.com/watch?v=pC0rBNkIYws
Live version from London in 2003 (appears on The Forever Changes Concert): https://www.youtube.com/watch?v=fIUUKA67lQE
Live version from an Arthur Lee tribute concert in LA in 2006, including John Echols and Michael Stuart-Ware, drummer on Da Capo and Forever Changes: https://www.youtube.com/watch?v=KceaO59588w
The Love Band with Echols live in London in 2024: https://www.youtube.com/watch?v=bd4HCTlAB28
At #3, the song that was paradoxically Love's biggest hit and a huge influence on future musicians who had no interest in having hits.
Love it! This is the Machina song I mentioned that would be high in my rankings - for sure top 10.Smashing Pumpkins #4
Song: Stand Inside Your Love
Album: Machina / The Machines of God
Summary: First off, this is probably ranked much higher than others would but I consider it their single best straightforward rock song. My wife and I also had the lyrics to this song framed on display at our wedding so it holds personal meaning.
But onto the reveal I hinted at with song 31 (and which also touches on a few others on this playlist). Much to fans' surprise, Machina was the culmination of a story that Billy had been building for years. After the album came out, the band released small hints every so often about this story and fans started to notice a theme of recurring “characters” in the lyrics all the way back to the first album Gish (June, Zero, Ruby and now Glass).
The story itself is a bit convoluted, but here is a summary along with key songs/albums in parenthesis. A rock star named Zero (Zero, #15 from Mellon Collie) receives a message from God through the radio static (I of the Mourning, #31 from Machina) and changes his name to Glass (Glass' Theme from Machina II). He changes his band's name to The Machines of God (the name of Billy’s group touring this summer). Their fans become known as The Ghost Children (Glass and the Ghost Children from Machina). Glass meets June (Mayonaise, #8 from Siamese Dream and Bye June from Lull), his true love, who soon falls into drug use. One day he comes home to find her OD'd, she survives, only to later die in a car crash (Tear from Adore). Glass eventually fades into obscurity and insanity, left alone only with the voice of "God."
As mentioned in the intro, Billy has big ideas, which don’t always pan out, but as a bookend to the first chapter of the band, it was a pretty big reveal for fans.
Liked this one a lot, interesting to see that Nikki Sixx wrote the music.[td]Meat Loaf[/td][td]snellman[/td][td]I Couldn't Have Said it Better Myself
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This one almost slipped past me. I hadn't heard much of this album and it is not on spotify. I was researching and stumbled across it on youtube. The album is ok, but this song hit and immediately jumped up my list. The album was released in 2003 and was only the 3rd album released without any songs written by Jim Steinman.
This is the first Bright Eyes' song I ever heard. And I was hooked.4.
Lover I Don't Have To Love- Bright Eyes
from Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)
“Lover I Don’t Have to Love” is one of the most haunting and emotionally raw tracks in Bright Eyes’ discography. The song's central theme revolves around the idea of wanting a lover without the emotional investment and potential heartbreak of love. But more specifically, its about meeting a groupie after the show and having a drug fueled hookup. Perfectly written and performed... 10/10.