9.32: "Miracles", Jefferson Starship
So much subtlety and smoothness on this track. Papa John Creach's violin is the band's secret weapon here. Listen to the "
if only you believe" part of the refrain as Marty Balin's vocals soar and focus in on what Creach is doing. Also really appreciate Craig Chaquico's Spanish fingerpicking and the flavor it adds to the track. Grace Slick counterpointing Balin throughout the verses. A fantastic sax bridge. All kinds of ear candy.
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10.02: "She Sheila", The Producers
The southeastern U.S. had its own diffuse new wave scene distinct from what was happening on the coasts. A lot of these acts made the rounds of the second-tier venues in New Orleans and Atlanta, the live-music clubs in and near the SEC schools, and such. Only a handful of these acts broke big. The Producers from Georgia were one that ended up having an MTV-fueled national profile, if a fleeting one. Love Wayne Famous's keytar solos framing the front and back of this track. In between, Van Temple's uptempo growl makes you wonder if he's excited, or PO'd, or tortured, maybe? All of the above?