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What song are you listening to right now? (2 Viewers)

I listen to Pandora while at work, both at my home office and while in the actual office. Typically plug in John Digweed (a house/trance DJ that's been around for 20+ years), as that kind of music isn't too distracting; allows me to focus on work, etc.

A buddy of mine turned me on to a similar DJ - Nora En Pure - that I've been listening to a good bit, too.

If you're into that kind of music (or even if you're not), I suggest a Google image search :love:
 
The Smithereens - Bring Back The One I Love (2011)

Really don't remember hearing much of anything they did after their heyday in the 80's.

Just ran across this tune which is pretty good but doesn't break any new ground for them.


 
Al Stewart and Nirvana - Come as the Cat (2025 Mashup)

Music used in this mashup:

Al Stewart - Year of the Cat
Nirvana - Come as You Are

Yacht Grunge?


Sorry, not available on Spotify.
 
I usually go off the rails for Friday afternoon listening. Today I felt glam-y and turned to The Sweet. They came and went before many board members were even born, but the best way to describe them would be if Ziggy Stardust, Queen, and the Bay City Rollers had a baby. (Of course, the younger generation may not know much about those either).

Here were some of their hits from the 70s's . . .

Little Willie
The Ballroom Blitz
Fox On The Run
Action
Love Is Like Oxygen

A few other tracks . . .
AC/DC
No You Don't
Rock 'N' Roll Medley (Keep a-Knockin / Shakin' All Over / Lucille / Great Balls Of Fire / Reelin' & Rockin' / Peppermint Twist / Shout

(We will have to overlook that I have a folder with like 80 of their songs in it. Yes, I need therapy.)
 
I usually go off the rails for Friday afternoon listening. Today I felt glam-y and turned to The Sweet. They came and went before many board members were even born, but the best way to describe them would be if Ziggy Stardust, Queen, and the Bay City Rollers had a baby. (Of course, the younger generation may not know much about those either).

Here were some of their hits from the 70s's . . .

Little Willie
The Ballroom Blitz
Fox On The Run
Action
Love Is Like Oxygen

A few other tracks . . .
AC/DC
No You Don't
Rock 'N' Roll Medley (Keep a-Knockin / Shakin' All Over / Lucille / Great Balls Of Fire / Reelin' & Rockin' / Peppermint Twist / Shout

(We will have to overlook that I have a folder with like 80 of their songs in it. Yes, I need therapy.)
@John Maddens Lunchbox Did a list of his favorite 31 Sweet songs for one of the MAD rounds. That was some good stuff.
 
I usually go off the rails for Friday afternoon listening. Today I felt glam-y and turned to The Sweet. They came and went before many board members were even born, but the best way to describe them would be if Ziggy Stardust, Queen, and the Bay City Rollers had a baby. (Of course, the younger generation may not know much about those either).

Here were some of their hits from the 70s's . . .

Little Willie
The Ballroom Blitz
Fox On The Run
Action
Love Is Like Oxygen

A few other tracks . . .
AC/DC
No You Don't
Rock 'N' Roll Medley (Keep a-Knockin / Shakin' All Over / Lucille / Great Balls Of Fire / Reelin' & Rockin' / Peppermint Twist / Shout

(We will have to overlook that I have a folder with like 80 of their songs in it. Yes, I need therapy.)
Thanks to Don Quixote for tagging me here. This was my favorite MAD run down.
My Sweet playlist in Spotify has several copyright issues across countries

I wish I had included No You Don’t. All the songs from 31-20 had a necessary story in the Sweet Anthology but were inferior
If ever I do a Pat Benatar rundown, I make sure her superior version of No You Don’t gets included

The 80s album, particularly Identity Crisis is interesting. I couldnt find a song worthy of inclusion but it was an enjoyable experience and cohesive. Unlike a lot of Sweet Albums

And dont bring up Queen with their only surviving “original” member, Andy Scott. He reckons Queen thieved numerous songs from the Sweet.

1 Blockbuster
2 Love is Like Oxygen
3 Fox on the Run (Single Version)
4 The Ballroom Blitz
5 Teenage Rampage
6 Hell Raiser
7 The Six Teens
8 Action
9 Fever of Love (A Track Id never heard before)
10 Peppermint Twist
11 The Lies in Your Eyes
12 Wig Wam Bam
13 Sweet FA
14 Solid Gold Brass
15 Poppa Joe
16 Give the Lady Some Respect
17 David’s Song (Funk it Up) - Tribute to David Bowie
18 AC-DC
19 Live for Today
20 Call Me
21 Man With the Golden Arm
22 Lady Starlight
23 Am I Ever Gonna See Your Face Again
24 Burning
25 Set Me Free
26 Lettres D’Amour
27 Lollipop Man
28 Done Me Wrong All Right
29 Jeanie
30 Little Willy
31 Fox on The Run (Original Version)
 
My Sweet playlist in Spotify has several copyright issues across countries
That list is solid. Only a couple of minor quibbles, as I would probably have all but 2 or 3 on my list. Besides No You Don't, I would consider Turn It Down, 4th Of July, Burn On The Flame, and Heartbreak Today for the last few spots on mine. They had a weird popularity arc. They were most popular in the U.K. when they didn't have an album out. They had 6 Top 5 singles in 72-74, none of which were on albums.

The Sweet essentially were a British bubblegum pop band in the early years and then transitioned into an edgier glam rock sound. Hard to really make a list from a catalog with two such different styles. I mostly tapped out after Desolation Boulevard when Brian left the band. The 3 albums they released without him were still decent, but they lost airplay where I lived (and record shops didn't carry much of their catalog). Identity Crisis wasn't even released where I lived, and I didn't really keep up with the Andy / Brian / Steve versions of the band over the years. For me, they were a fun band . . . and you don't hear them played much these days.
 
My Sweet playlist in Spotify has several copyright issues across countries
That list is solid. Only a couple of minor quibbles, as I would probably have all but 2 or 3 on my list. Besides No You Don't, I would consider Turn It Down, 4th Of July, Burn On The Flame, and Heartbreak Today for the last few spots on mine. They had a weird popularity arc. They were most popular in the U.K. when they didn't have an album out. They had 6 Top 5 singles in 72-74, none of which were on albums.

The Sweet essentially were a British bubblegum pop band in the early years and then transitioned into an edgier glam rock sound. Hard to really make a list from a catalog with two such different styles. I mostly tapped out after Desolation Boulevard when Brian left the band. The 3 albums they released without him were still decent, but they lost airplay where I lived (and record shops didn't carry much of their catalog). Identity Crisis wasn't even released where I lived, and I didn't really keep up with the Andy / Brian / Steve versions of the band over the years. For me, they were a fun band . . . and you don't hear them played much these days.
Interestingly they were most popular in Germany where they still had some success post Brian.

They actually had 5 different styles, rather than 2
1- Pre Chinn/Chapman - Late 60s English style, aimless, learning their craft
2 - Chinn/Chapman - Bubblegum morphing into Glam Pop.
3- Post Chinn/Chapman - Glam Rock/rock. By now they had to structure songs for Brian as his voice was destroyed in an alleged roadie attack on his throat aimed specifically at his throat
4- Steve took over lead vocals. His voice required MOR style Sweet
5- Post Steve - Just playing the hits and new material basically dog ****. Andy was a much better producer than songwriter, although Love is Like Oxygen is all him with Brian putting in his best vocal post 1974

They did have a resurgence of interest post Guardians of the Galaxy when Fox on the Run topped download charts.
A quick rundown on why i included 31-20 over eg Turn it Down and 4th of July etc.

20 Call Me - the pick of the Steve led post Brian songs. Verse is awful, but chorus great
21 Man With the Golden Arm - Mick in all his drumming glory
22 Lady Starlight - An Andy track that was a total gear shift
23 Am I Ever Gonna See Your Face Again - only track post Identity Crisis. Its a cover of an Australian anthem
24 Burning - An awesome B Side
25 Set Me Free - Should have had this much higher. Its a track that heavily influenced Motley Crue, GNR, Def Leppard etc
26 Lettres D’Amour - Brians voice was shot so lets bring in Stevie from Night (Hot Summer Night) to co lead vocals
27 Lollipop Man - The pick of their pre Andy singles. So cheesy 60s
28 Done Me Wrong All Right - B Sides is where they let loose during Bubble gum era. Has more than a passing similarity to Tie Your Mother Down
29 Jeanie - This attracted the attention of Chinn/Chapman who changed their careers
30 Little Willy - A big surprise US hit. I think its ****, but included it anyway
31 Fox on The Run (Original Version) - This Chinn/Chapman production was awful. If it werent for a US exec at their American label seeing something more in it, Andy wouldnt have reproduced with all the bells and whistles we now know.
 
My Sweet playlist in Spotify has several copyright issues across countries
That list is solid. Only a couple of minor quibbles, as I would probably have all but 2 or 3 on my list. Besides No You Don't, I would consider Turn It Down, 4th Of July, Burn On The Flame, and Heartbreak Today for the last few spots on mine. They had a weird popularity arc. They were most popular in the U.K. when they didn't have an album out. They had 6 Top 5 singles in 72-74, none of which were on albums.

The Sweet essentially were a British bubblegum pop band in the early years and then transitioned into an edgier glam rock sound. Hard to really make a list from a catalog with two such different styles. I mostly tapped out after Desolation Boulevard when Brian left the band. The 3 albums they released without him were still decent, but they lost airplay where I lived (and record shops didn't carry much of their catalog). Identity Crisis wasn't even released where I lived, and I didn't really keep up with the Andy / Brian / Steve versions of the band over the years. For me, they were a fun band . . . and you don't hear them played much these days.
Interestingly they were most popular in Germany where they still had some success post Brian.

They actually had 5 different styles, rather than 2
1- Pre Chinn/Chapman - Late 60s English style, aimless, learning their craft
2 - Chinn/Chapman - Bubblegum morphing into Glam Pop.
3- Post Chinn/Chapman - Glam Rock/rock. By now they had to structure songs for Brian as his voice was destroyed in an alleged roadie attack on his throat aimed specifically at his throat
4- Steve took over lead vocals. His voice required MOR style Sweet
5- Post Steve - Just playing the hits and new material basically dog ****. Andy was a much better producer than songwriter, although Love is Like Oxygen is all him with Brian putting in his best vocal post 1974

They did have a resurgence of interest post Guardians of the Galaxy when Fox on the Run topped download charts.
A quick rundown on why i included 31-20 over eg Turn it Down and 4th of July etc.

20 Call Me - the pick of the Steve led post Brian songs. Verse is awful, but chorus great
21 Man With the Golden Arm - Mick in all his drumming glory
22 Lady Starlight - An Andy track that was a total gear shift
23 Am I Ever Gonna See Your Face Again - only track post Identity Crisis. Its a cover of an Australian anthem
24 Burning - An awesome B Side
25 Set Me Free - Should have had this much higher. Its a track that heavily influenced Motley Crue, GNR, Def Leppard etc
26 Lettres D’Amour - Brians voice was shot so lets bring in Stevie from Night (Hot Summer Night) to co lead vocals
27 Lollipop Man - The pick of their pre Andy singles. So cheesy 60s
28 Done Me Wrong All Right - B Sides is where they let loose during Bubble gum era. Has more than a passing similarity to Tie Your Mother Down
29 Jeanie - This attracted the attention of Chinn/Chapman who changed their careers
30 Little Willy - A big surprise US hit. I think its ****, but included it anyway
31 Fox on The Run (Original Version) - This Chinn/Chapman production was awful. If it werent for a US exec at their American label seeing something more in it, Andy wouldnt have reproduced with all the bells and whistles we now know.
Fox on the Run is one of my favorite rock songs. I have always been a sucker for the straight ahead drum beat that just drives the song along.
 
Marc Almond - A Woman's Story (1986)

Cover of an obscure Cher song that was written by Phil Spector along with April Stevens and Nino Tempo (duo who did the hit "Deep Purple").

Single only release in the UK, charted at #41.

Marc Almond was a member of Soft Cell (Tainted Love).


 
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So I'm shuffling through my 64 annual playlists (1961 - 2024; 2025 still a work in progress) and up pops

I have no idea how I came across this song (semiannual draft, perhaps), but it's, as the fellow kids say, a banger.
 
I guess I will make Friday's my day to post stuff. Today's listen comes from nearly 35 years ago, a band called Shadow King. Yes, most people will say "Who?" I didn't even know of their existence until a couple of years ago.

They were a band for about 8 and a half minutes, released one CD, played only one show together, and then moved on to other bands / projects. They featured Lou Gramm (Foreigner), Vivian Campbell on guitar (Def Leppard, Dio), Kevin Valentine on drums (Donnie Iris), and Bruce Turgon on bass (Gramm's band). Their first recording was One Dream for the Highlander II: The Quickening soundtrack, but the song was credited to the Lou Gramm Band. Their self-titled album was released 6 months later.

Anytime, Anywhere
I Want You (the band's only single)
Danger In The Dance Of Love
Once Upon A Time

They pretty much sound like Foreigner with a little more guitar on some of their songs. I know it's not cool to like Foreigner, but I liked them through their first 4 or 5 albums. Pretty sure at this point you could ask any of the guys in Shadow King what the name of the band they were in in 1991, and they probably couldn't remember the name.
 
No disrespect intended, but I don't click the YouTube links since I can't tell what they are.

Im sure it's awesome though.

Nor do I. I am not going RickRolled again.


Sorry, won't click on any link here, where the poster can't take 5 seconds to identify the song and the artist.
 
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