I saw the fine print! Rare disagreement with you here, which is fine since this is just so subjective. The character of Diane could have been played by anyone, or they could have had a rotating spot of "lady of the week/season" and as along as they had Norm, Cliff, Coach/Woody, Carla, Frazier, et al. the show IMO would not have missed a beat.
Couldnt agree less.
When i was young, i couldnt stand Jack Lemmon.
Odd Couple, Some Like It Hot, whatever - so mannered, self-conscious, twitchy without power and, by my figuring, dishonest. Growing up, middle age didn't change that, tho it indeed readied me to be changed. I saw
The Apartment on TV after coming home with a snootful, loved the story & thought McLaine was cute (and this was around the time of that cancer movie where she was anything but). So i watched it again, then again, and i realized - all those tics were eastereggs, bookmarks, postcards, lapel flowers for a whole generation of men who had won a war then pulled an entire universe out of their butts, but were still on the wire for everything they did and, therefore, took life extremely seriously. And i came to respect Jack Lemmon's "neuroses" immensely, even when i thought the work was silly & overcooked, because it was as much an abstraction of the modern man as Pollock or de Kooning.
Mary Richards was a tour-de-force for women coming into their own, but Diane Chambers was the abstraction of their hopes & fears. Every flourish, fetish, self-correction, romantic seizure, autism of confidence. She spoke to me cuz i rooted for women to be happier so i'd be happier and for Diane to get Sam, because i knew that, much as she wanted him, he wouldnt get her until he
got her, and that's what we all wanted to see. And Shelley Long fit that gestalt like Lemmon did CCBaxter.
And worked as hard & well as Lemmon to present her everywoman. And became the Dorian Gray portrait for an entire generation of the fairest sex. And God bless her.