Eephus
Footballguy
There are quite a few similarities between Pelham 123 and Murder on the ORNTXPRS.
There are quite a few similarities between Pelham 123 and Murder on the ORNTXPRS.
What is your profession?
Up next... Silver SteakWe are enjoying the train movies a lot. Even my wife, who usually dislikes older movies, has enjoyed them.
I was watching Murder on the Orient again over the weekend. I hadn’t previously realized that Ingrid Bergman won Best Supporting Actress for that. That is one of the weirder ones — she’s in just a few scenes and for a few minutes.There are quite a few similarities between Pelham 123 and Murder on the ORNTXPRS.
That’s like a lifetime achievement win, right? She was getting credit for being overlooked so much earlier, right?I was watching Murder on the Orient again over the weekend. I hadn’t previously realized that Ingrid Bergman won Best Supporting Actress for that. That is one of the weirder ones — she’s in just a few scenes and for a few minutes.
I love Bergman, but that was a bit of a surprising one to win for.
She had two Oscars already, so I wouldn’t say she was overlooked. Although she wasn’t even nominated for Casablanca or Notorious. Just some odd Oscar history with her.That’s like a lifetime achievement win, right? She was getting credit for being overlooked so much earlier, right?
Ok, good point- didn't realize she had won 2 already. Also I just saw her big scene and she was real good. She gets a very long scene where she is the only face the camera shows for several minutes and she makes it really work. She did crush this role.She had two Oscars already, so I wouldn’t say she was overlooked. Although she wasn’t even nominated for Casablanca or Notorious. Just some odd Oscar history with her.
She had been ostracized from Hollywood following her affair with Roberto Rossellini. Her supporting actress award was one of those times where Oscar tried to right past wrongs.Ok, good point- didn't realize she had won 2 already. Also I just saw her big scene and she was real good. She gets a very long scene where she is the only face the camera shows for several minutes and she makes it really work. She did crush this role.
noo, it was for da little brrrrown babiesThat’s like a lifetime achievement win, right? She was getting credit for being overlooked so much earlier, right?
She was good in that scene. I just have to think it’s the shortest screen time for any Oscar winner, by a good amount. And it’s not like there was a shortage of other worthy nominees, like Madeline Kahn.Ok, good point- didn't realize she had won 2 already. Also I just saw her big scene and she was real good. She gets a very long scene where she is the only face the camera shows for several minutes and she makes it really work. She did crush this role.
Judi Dench’s time in Shakespeare in Love was really brief, but I’m too lazy to research whether it was shorter.She was good in that scene. I just have to think it’s the shortest screen time for any Oscar winner, by a good amount. And it’s not like there was a shortage of other worthy nominees, like Madeline Kahn.
I just looked it up, and you are right on it being shorter. Record holder looks like Beatrice Straight for Network. I guess it’s not as unusual to win for that as I thought.Judi Dench’s time in Shakespeare in Love was really brief, but I’m too lazy to research whether it was shorter.
I didn’t know; just remembered there was some controversy when Dench won. Hers seemed more like a cameo to me than a “supporting” role.I just looked it up, and you are right on it being shorter. Record holder looks like Beatrice Straight for Network. I guess it’s not as unusual to win for that as I thought.
I liked it a lot. It’s weird to see Scorsese doing this kind of movie and his direction is forced at times, but I found the performance memorable.I didn’t know; just remembered there was some controversy when Dench won. Hers seemed more like a cameo to me than a “supporting” role.
On another front, I’m halfway through Alice Doesn’t Live Here Anymore and can’t figure out what I think of it.
I liked it a lot. It’s weird to see Scorsese doing this kind of movie and his direction is forced at times, but I found the performance memorable.
I didn't even realize it was Scorsese until I read your post. Guess I didn't pay enough attention to the credits, or anything else.
But I'm a hippie at heart.I liked the beginning too- the opening scene and credits (even the screen ratio) was like a 1940s movie.I didn't even realize it was Scorsese until I read your post. Guess I didn't pay enough attention to the credits, or anything else.
I ended up loving it, with two minor exceptions: (1) felt like Burstyn's performance was a bit over-the-top in a couple of key moments - still a great performance overall, but those moments grated, and (2) slightly disliked the ending. I thought the performances - especially Diane Ladd's - were terrific, and I liked that main characters were rather flawed but still likable. The story picked up and completely drew me in when they got to Tuscon. Were you the one who asked "Why Kris Kristofferson?" I didn't see that question in this at all! Thought he did a great job and actually was attractive, too; plus, that voice.But I'm a hippie at heart.
All these 70s movies are reminding me that I need to buy some new bras.
Since I have extra time before Sunday, I'm going to try to fit in The Parallax View.
Carney should have been given more roles. He was great in that movie.After seeing so many of the 1974 movies, I think the Academy did a great job with the Oscars that year. My only complaint is Pacino should have won Best Actor. I didn't see Harry and Tonto so maybe Art Carney is great. Has anyone seen Harry and Tonto?
Is the movie any good or is it a great performance in a weak film?Carney should have been given more roles. He was great in that movie.
How was Tonto's performance?Carney should have been given more roles. He was great in that movie.
I had the puzzling fortune to meet Kris Kristofferson backstage @ a Leon Russell concert in '76.After watching some more movies from 74, I have so many questions. What the hell was going on in the 70s? What is Kris Kristofferson and why is Kris Kristofferson? Was life really that miserable? Was everyone horrible?
I just like that Fassbinder had the courage to remove motive entirely (except couscous, of course) from the story. Need love, get love, hold love. Flicks is too glib for their own good these days.I saw Ali: Fear Eats The Soul last night. I imagine it was a pretty courageous movie for its time and place. 3 years ago I'd have thought it didn't have a whole lot of relevance today, but then Trumpism happened, so it turns out to still be a relevant subject. Brigitte Mira did a great, real job as Emmi. I liked the director's attempts at using silence and still shots. They weren't always effective as much of the supporting cast wasn't so great in the acting department. I realize the goal here was mainly to make the statements that the writer/director wanted to make about a few subjects (racism, selfishness, loneliness, etc.), but I had a hard time buying into the incredibly rapid pace at which major events occurred in relation to each other in the first half of the movie so the film could make its statements.
I realize this is a movie industry person's movie (particularly when reading some of the professional critics' reviews) so I'm certain there are important craftsmanship qualities to it and/or historical importance in terms of the evolution of this type of small budget film that I'm not getting, and I appreciate what was attempted, but its not one I need to see again, and I don't think I'd recommend it to anyone as a must see. I'm on the fence right now as to whether I'll give it points or not, but my gut is saying probably not.
It's an awesome performance in a beautiful movie. The story is about taking joy in the little things; finding happiness in the moment.Is the movie any good or is it a great performance in a weak film?
this.It's an awesome performance in a beautiful movie. The story is about taking joy in the little things; finding happiness in the moment.
It's cinema. Masterfully done and well worth it.
I want to see it too, but I can't find it anywhere, not even a decent youtube rip.Damn it now I have to see another movie- one starring a cat nonetheless
This is likely a function of the years picked. So far, each of them have had specific movies that I have seen so much and enjoy so much that there was no need to watch them again. It's also a result of me not enjoying certain genre's - I am not a huge fan of documentaries and horror for example. So while I could watch movies in those themes, it's just not my cup of tea.I don't think it's odd that some of you have seen so many of these movies, but I do find it a little odd that you and El Floppo are able to or just prefer to go off of memory for these. A big part that I find interesting is going back and seeing how some of these movies hold up vs. how I have them in my mind. So many have flipped rankings for me. Sometimes it's sad as I watch these flicks I hold dear in my memory from my youth and realize they aren't that great, but mostly I still enjoy the process.
Damn. Library doesn’t have it either. I could get it loaned in from another library maybe.I want to see it too, but I can't find it anywhere, not even a decent youtube rip.
Wait, what?Damn it now I have to see another movie- one starring a cat nonetheless
I think Harry and Tonto is about a cat and his old man.Wait, what?
I guess I do, too.
Wish we could find it.I think Harry and Tonto is about a cat and his old man.
Probably tomorrow- how about you?Wish we could find it.
Are you watching the Parallax View tonight?
Gotta cover it tonight or I won't have time to get to it.Probably tomorrow- how about you?
Have my list completed in tiers except possibly throwing this one in there.
Figured you guys were talking about Fritz.I think Harry and Tonto is about a cat and his old man.
You will have to let me know what you think of it.Gotta cover it tonight or I won't have time to get to it.Have my list completed in tiers except possibly throwing this one in there.
Appreciating Alice more the more I think about it, by the way. You're right about the opening scene - beautiful. I think I stayed away from the movie for all these years because of that sit-com that came out of it.![]()
I thought it was some slick, pretty movie-making with a lot of implausible plot points. Ultimately it felt unsatisfying, but I'll probably give it a point or two in my lowest tier just for some of the shots and sequences. To wit: opening sequence (which I watched twice), scene a la Clockwork Orange where he's strapped in watching sequences of photos, closing scenes with the band/candidate/kids with cards. Some specific shots I loved: the escalator shots in the closing scenes, the scene of the candidate coming in on the golf cart where the screen gets more and more filled with black (thought it bold to have so much black space on the screen for so long), scenes of Beatty and his former FBI friend on the kids' train. Loved the movie-making, didn't love the plot or story overall (though liked the ending).You will have to let me know what you think of it.
the movie Shampoo was the guy's life.krista4 said:Warren Beatty sure was dreamy. Which reminds me, when we get to ‘78, Heaven Can Wait is getting top points from me and I don’t care who knows it.
Beatty's talent as an actor is to absorb the characters he portrays. It's almost like the opposite of acting in a way. Cary Grant was another star who did this but in a much less understated style than Beatty.the movie Shampoo was the guy's life.
so jealous.
There were a lot of paranoid thrillers in the wake of Vietnam and Watergate. A number including this one Executive Action, Blow Out and Winter Kills involved assassinations and others featured a shadowy political-industrial complex as the enemy. They had a dark inevitability about them that you rarely see at the movies these days.krista4 said:I thought it was some slick, pretty movie-making with a lot of implausible plot points. Ultimately it felt unsatisfying, but I'll probably give it a point or two in my lowest tier just for some of the shots and sequences. To wit: opening sequence (which I watched twice), scene a la Clockwork Orange where he's strapped in watching sequences of photos, closing scenes with the band/candidate/kids with cards. Some specific shots I loved: the escalator shots in the closing scenes, the scene of the candidate coming in on the golf cart where the screen gets more and more filled with black (thought it bold to have so much black space on the screen for so long), scenes of Beatty and his former FBI friend on the kids' train. Loved the movie-making, didn't love the plot or story overall (though liked the ending).
I was 12 when this movie came out and had other things on my mind (like Raquel Welch's boobs and the Baltimore Orioles and how rich I was going to be) but, for whatever reason, I remember picking up on how big a deal this movie was for my mother and her friends. These were all women in their late 20s to mid-30s, all with kids around my age, most all of them stay-at-home moms.krista4 said:Appreciating Alice more the more I think about it, by the way.
It still is so weird to me that Scorsese directed that. It is so out of his wheelhouse. Is there even another movie of his anywhere similar to Alice in genre, theme, etc?krista4 said:Appreciating Alice more the more I think about it, by the way. You're right about the opening scene - beautiful. I think I stayed away from the movie for all these years because of that sit-com that came out of it.![]()
Gordon Willis is the reason we're still talking about The GodfatherGordon Willis was the cinematographer on The Parallax View. He had a pretty good 1974 because he was also the DP for Godfather Part II.
while not similar in theme, "After Hours" is also out his wheelhouse, and is one of the great hidden gems of the '80s - i rank it right behind "Something Wild" and "Repo Man" - it's a dark and quirkily comedic flick (HORSCHT!!!1! KIKI!!1!) -just like one feels like they need a shower after TMC, you'll need a nap after toiling with Griffin Dunne's duress in "AH".It still is so weird to me that Scorsese directed that. It is so out of his wheelhouse. Is there even another movie of his anywhere similar to Alice in genre, theme, etc?