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Take your pick - some particularly quality scream sequences at around 2 minutes and 3:50. Does it get funkier than this? I think not. Bootsy, Clyde - some of their best work ever.
Take your pick - some particularly quality scream sequences at around 2 minutes and 3:50. Does it get funkier than this? I think not. Bootsy, Clyde - some of their best work ever.
this song. It's like A Day In The Life part II I figure. Some Cities was such a great release, I've been disappointed in their subsequent offerings. Some day, maybe we can jaw over our theories of why most artists only have 1 good album in them (if that).
Many weeks ago, I heard an interview with Billy Collins, a former United States Poet Laureate and he basically said it bugs him when people talk about lyrics being poetry, because lyrics really can't hold up without the music. They are written to be songs, not poetry.
Well he said all that it in a much more poetic way.
They also discussed how strange it was to have a poet named Billy, that one would expect his name would be William Collins or even better WJ Collins. He was a pretty entertaining guy. Almost made me want to read his poetry. Almost.
Many weeks ago, I heard an interview with Billy Collins, a former United States Poet Laureate and he basically said it bugs him when people talk about lyrics being poetry, because lyrics really can't hold up without the music. They are written to be songs, not poetry.
Well he said all that it in a much more poetic way.
They also discussed how strange it was to have a poet named Billy, that one would expect his name would be William Collins or even better WJ Collins. He was a pretty entertaining guy. Almost made me want to read his poetry. Almost.
Many weeks ago, I heard an interview with Billy Collins, a former United States Poet Laureate and he basically said it bugs him when people talk about lyrics being poetry, because lyrics really can't hold up without the music. They are written to be songs, not poetry.
Well he said all that it in a much more poetic way.
They also discussed how strange it was to have a poet named Billy, that one would expect his name would be William Collins or even better WJ Collins. He was a pretty entertaining guy. Almost made me want to read his poetry. Almost.
this song. It's like A Day In The Life part II I figure. Some Cities was such a great release, I've been disappointed in their subsequent offerings. Some day, maybe we can jaw over our theories of why most artists only have 1 good album in them (if that).
I think Bobby should also draft from this category, since it's so personal.
This was a tough one- I'd look at 5 that were big for me, the first three of which were my first records bought in 1978 at my request by my grandparents (I woulld have loved to have seen that transaction at Tower Records):
Queen: Live KIllers
Kansas: Point of Know Return
Kraftwerk: Trans Europe Express
Urgh! A Music War
Gone to Earth: David Sylvian
I mentioned being a record store nerd before- I used to spend hours in stores pouring through the bins, looking for anything that looked interesting. I stumbled on Urgh! when it came out, knowing a few of the bands from listening to one of te local college stations (KUSF). It's a partial soundtrack of the compilation concert movie of the same name- most of the live videos are on youtube. I ended up buying albums from almost every single band on the double album (notable exception was Klaus Nomi) and seeing the bands when they toured SF, many of which went on to be quasi-successful. But this was before all that (at least to me) and every time I see one of the videos from the movie I get broght right back to all the sensoriall memories of going to small, smokey clubs and seeing bands... the stink of sweat, smoke-machines, cigarettes and beer that always smelled horrible/incredible, the goose-bumps of hearing the amps turned on and the silouettes of band members as they came out,watered down drinks and nothing else mattering.
this song. It's like A Day In The Life part II I figure. Some Cities was such a great release, I've been disappointed in their subsequent offerings. Some day, maybe we can jaw over our theories of why most artists only have 1 good album in them (if that).
Many weeks ago, I heard an interview with Billy Collins, a former United States Poet Laureate and he basically said it bugs him when people talk about lyrics being poetry, because lyrics really can't hold up without the music. They are written to be songs, not poetry.
Well he said all that it in a much more poetic way.
They also discussed how strange it was to have a poet named Billy, that one would expect his name would be William Collins or even better WJ Collins. He was a pretty entertaining guy. Almost made me want to read his poetry. Almost.
Didn't an old late-night show like Carson do a segment where they read pop lyrics out loud without music... always horrible/comedic. Even our category- every song I look at is worthy of fitting in teh damn thing.
I think Bobby should also draft from this category, since it's so personal.
This was a tough one- I'd look at 5 that were big for me, the first three of which were my first records bought in 1978 at my request by my grandparents (I woulld have loved to have seen that transaction at Tower Records):
Queen: Live KIllers
Kansas: Point of Know Return
Kraftwerk: Trans Europe Express
Urgh! A Music War
Gone to Earth: David Sylvian
I mentioned being a record store nerd before- I used to spend hours in stores pouring through the bins, looking for anything that looked interesting. I stumbled on Urgh! when it came out, knowing a few of the bands from listening to one of te local college stations (KUSF). It's a partial soundtrack of the compilation concert movie of the same name- most of the live videos are on youtube. I ended up buying albums from almost every single band on the double album (notable exception was Klaus Nomi) and seeing the bands when they toured SF, many of which went on to be quasi-successful. But this was before all that (at least to me) and every time I see one of the videos from the movie I get broght right back to all the sensoriall memories of going to small, smokey clubs and seeing bands... the stink of sweat, smoke-machines, cigarettes and beer that always smelled horrible/incredible, the goose-bumps of hearing the amps turned on and the silouettes of band members as they came out,watered down drinks and nothing else mattering.
I think the Google Sheet is more or less up to date. The following picks may or may not be pending. Please bump the posts if I missed them the first time around (or update the sheet yourself)
7 . xx --- Doug B . . . . . . . . ..
7 . xx --- higgins . . . . . . . . .
8 . xx --- Doug B . . . . . . . . ..
8 . xx --- higgins . . . . . . . . .
8 . xx --- Mister CIA . . . . . . ..
9 . xx --- Doug B . . . . . . . . ..
9 . xx --- higgins . . . . . . . . .
9 . xx --- John Bender . . . . . . .
9 . xx --- Mister CIA . . . . . . ..
9 . xx --- Steve Tasker . . . . . ..
10 . xx --- AcerFC . . . . . . . . ..
10 . xx --- Doug B . . . . . . . . ..
10 . xx --- El Floppo/BobbyLayne. . .
10 . xx --- higgins . . . . . . . . .
10 . xx --- John Bender . . . . . . .
10 . xx --- Steve Tasker . . . . . ..
10 . xx --- VikeMe . . . . . . . . ..
11 . xx --- Bonzai . . . . . . . . ..
11 . xx --- Doug B . . . . . . . . ..
11 . xx --- higgins . . . . . . . . .
11 . xx --- John Bender . . . . . . .
11 . xx --- Mister CIA . . . . . . ..
11 . xx --- Steve Tasker . . . . . ..
11 . xx --- timschochet . . . . . . .
11 . xx --- VikeMe . . . . . . . . ..
12 . xx --- AcerFC . . . . . . . . ..
12 . xx --- Bonzai . . . . . . . . ..
12 . xx --- Doug B . . . . . . . . ..
12 . xx --- El Floppo/BobbyLayne. . .
12 . xx --- higgins . . . . . . . . .
12 . xx --- John Bender . . . . . . .
12 . xx --- Karma Police . . . . . ..
12 . xx --- Mister CIA . . . . . . ..
Thank goodness Time Kibitzer spotlighted Metric, which reminded me that they released an acoustic EP featuring my favorite song of theirs. I do prefer the non-acoustic version better, but I'll gladly take this.
I think Bobby should also draft from this category, since it's so personal.
Urgh! A Music War
I mentioned being a record store nerd before- I used to spend hours in stores pouring through the bins, looking for anything that looked interesting. I stumbled on Urgh! when it came out, knowing a few of the bands from listening to one of te local college stations (KUSF). It's a partial soundtrack of the compilation concert movie of the same name- most of the live videos are on youtube. I ended up buying albums from almost every single band on the double album (notable exception was Klaus Nomi) and seeing the bands when they toured SF, many of which went on to be quasi-successful. But this was before all that (at least to me) and every time I see one of the videos from the movie I get broght right back to all the sensoriall memories of going to small, smokey clubs and seeing bands... the stink of sweat, smoke-machines, cigarettes and beer that always smelled horrible/incredible, the goose-bumps of hearing the amps turned on and the silouettes of band members as they came out,watered down drinks and nothing else mattering.
The bolded is well put. I don't know if I miss similar days as much as I'm simply fond of memories. How did you choose a track?
If you saw Wall of Voodoo in the early days before Marc's alcoholism took over, you saw an amazing show. Stan Ridgeway and the engineers never let him loose on studio recordings, but live he was... jeebus what a talent. Marc is also the subject of Concrete Blonde's "Joey", a pick in this draft.
I don't know who Marc is, but I saw WoV play a few times. Being near SF, the LA bands obviously came up more than the others.I think they get a bum wrap for being so tied to "one hit wonder" and Mexican Radio. Their music didn't sway too far from that sound, but it was so distinctive and unique between the instrumentatiin and Ridgeways vocals. ImO, every song on that first album wss just as good as the single.
And yeah.. a fun band to watch. For a young teen, that award has to fo ro Oingo Boingo though... saw them a ton.
Eta.. had no idea about Joey... cool info. now I have to look up Marc.
Re. The track... I was waffling between almost all of them. Eccho and bmen put on such great shows, but at the tine, there was something crazily mesmerizing about that Cramps performance to me (the angry, dull stare of the chick bass player, the pants always on the vergw of falling down). I dug the crazed rockabilly sound too, even if the bands I followeed theost from that were more "new wavey", like OMD, echo, xtc, etc.
OK, so the ironic acoustic cover of a silly pop song is a total cliche now. I get it. But as silly as this is (Cher impression and simulated vocoder effect included), I think that the vocal performance is so strong that the cover transcends parody and becomes something legitimately awesome. The version I'm thinking of is off the Revenge! album, which is on Spotify. The YouTube link seems to be different, and I haven't listened to it at work. I also think that when an acoustic cover legitimately works (Travis' Hit Me Baby One More Time, Ted Leo's Since U Been Gone/Maps), it's evidence that there's a pretty well-written pop song underneath.
Had a best buddy in college drag me down to the bay area to see new wavey bands several times. Echo and Bunnymen were his favorite.
Marc Moreland, WoV lead guitar. Liver failure took him in 02. Johnette Napolitano (Concrete Blonde vocalist) wrote Joey about him over a decade earlier. So sad. He and Johnette put out a couple albums together mid 90s around the time she was also doing lead vocals for the Talking Heads, or as they preferred at the stage the Heads.
I did that with Shakira with no complaints but threw it back. I think what we're ideally looking for is the Minneapolis Sound, but no one is complaining.
Doesn't appear to be how Groovus wrote the category, but you can always throw a pick back.
If I were King of All Prince Related Categories, I'd be torn. For instance, whether she cites him as an influence or not, I don't hear Prince in Shakira songs. But there are some guys out there, including at least one who is pretty popular currently, where the influence in unmistakeable. And because I think that guy is great, I kind of wish he were included in the category.
I think the Google Sheet is more or less up to date. The following picks may or may not be pending. Please bump the posts if I missed them the first time around (or update the sheet yourself)
I could go on about John 5. He's got heavy competition but this is my favorite guitar player. From David Lee Roth to Marilyn Manson to Rob Zombie... go figure. It's his solo instrumental albums (there's several) that blow me away. A virtuoso, a musicians musician. If you're not familiar with him you should be. For our purposes here, some bluegrass.
Could have gone with the studio version or the Pompeii version, but beyond being a masterful rendition of the epic tune, it's also the last appearance/recording by Richard Wright (who died a week before the album was released). Love the way the Poles go nuts after hearing that very first plink note on Rick's piano.
Features an intro from none other than Lennox Lewis.
Not that anyone really cares, but:
It would've been sometime around 2002. I was 15, a junior in high school. My friends and I had shared musical tastes growing up, as kids often do, and being suburban white kids, we didn't really listen to much hip-hop. The times were changing. Nu metal had begun to fade from the mainstream, and most of my friends began to turn to either louder stuff or the pop punk/emo punk that was becoming popular. We'd listened to the radio rap, Eminem and Dre, 2Pac, etc., and I'd always liked the Beastie Boys, but nothing really ever clicked.
Somewhere along the way, I stumbled onto Talib Kweli before Quality released, I think they were playing "Get By" on one of the MTV channels. I went out and bought Train of Thought and immediately fell in love. It was everything hip-hop should be - not overproduced gangsta crap that was getting big at the time, but actual chill hip-hop with actual lyrics that aren't just about killing people. I've never looked back.
Features an intro from none other than Lennox Lewis.
Not that anyone really cares, but:
It would've been sometime around 2002. I was 15, a junior in high school. My friends and I had shared musical tastes growing up, as kids often do, and being suburban white kids, we didn't really listen to much hip-hop. The times were changing. Nu metal had begun to fade from the mainstream, and most of my friends began to turn to either louder stuff or the pop punk/emo punk that was becoming popular. We'd listened to the radio rap, Eminem and Dre, 2Pac, etc., and I'd always liked the Beastie Boys, but nothing really ever clicked.
Somewhere along the way, I stumbled onto Talib Kweli before Quality released, I think they were playing "Get By" on one of the MTV channels. I went out and bought Train of Thought and immediately fell in love. It was everything hip-hop should be - not overproduced gangsta crap that was getting big at the time, but actual chill hip-hop with actual lyrics that aren't just about killing people. I've never looked back.
15 is young for a junior in high school. Did you start school early? I was in my mid-thirties in 2002. I'm old enough to be your mother, young man.
I was just thinking a junior here could be 15 at the beginning of their junior year if they have an Aug, Sept, or mid October birthday, and they will be turning 16 on their birthday.
I posted round 10 over the weekend (3 movement - Bohemian Rhapsody) but need to write it up etc. Or I'll replace it. I'll get caught up this weekend.
For round 12 I'm taking Acoustic 90-14. This studio version of this one was released two weeks ago. It's a cover of an old Jesse Fuller song, with new lyrics added. This is one of those songs where it might be easier to say who hasn't covered it: Ramblin' Jack Elliott, Bob Dylan, Jim Kweskin, The Blues Band, Paul Jones, The Weavers, The Brothers Four, Paul Clayton, Richie Havens, Eric Clapton, The Flatlanders, Paul McCartney, Jefferson Airplane, Janis Joplin, John Lennon, Peter, Paul, and Mary, Mungo Jerry, Glenn Yarborough, George Ellias, Phoebe Snow, The Wave Pictures, The Halifax III and Eva Cassidy.
12.19 -The New San Francisco Bay Blues- Hurray for the Riff Raff
I got the blues for my baby left me by the San Francisco bay
Said I got the blues for my baby left me by the San Francisco bay, cisco bay And there was nothing I can do or say Oh just hang my head and slowly walk away Ooh hey, hey Well so long pretty baby guess i won't see you a while Well so long pretty baby guess i won't see you a while You been a good ole wagon
And got me there in style
Ooh but you left me here To walk a ragged mile Hey, hey Well a women's heart is made from solid rock I said a women's heart is made from solid rock, solid rock And if you love her she'll give all she's got Ooh and buddy that can be an awful lot Ooh hey, hey Well I'm just rolling n a tumming try to make out of here all alive I'm just rolling n a tumming try to make out of here all alive And if I'm looking I might feel satisfied Ooh hey, hey Well I got the blues for my baby left me by the San Francisco bay Said I got the blues for my baby left me by the San Francisco bay And there was nothing I can do or say Or just hang my hand and slowly walk away Ooh hey, hey
I may not be around much for a few days but I'll get caught up.
Could have gone with the studio version or the Pompeii version, but beyond being a masterful rendition of the epic tune, it's also the last appearance/recording by Richard Wright (who died a week before the album was released). Love the way the Poles go nuts after hearing that very first plink note on Rick's piano.
Thought about it for 3+ movements, but already had PF and thought 25 minutes was over doing it for a mixtape. After listening to the last live version with Richard, I was wrong. This song used to help my daughter sleep when she was just an infant. Those first spacey plinks from Wright would get her attention and by the time Roger falls into the epic bassline (6 friggin' minutes later) she was out. Definitely a chills maker and in several spots. Waters has made fun of this song in his dooshier moments.
I posted round 10 over the weekend (3 movement - Bohemian Rhapsody) but need to write it up etc. Or I'll replace it. I'll get caught up this weekend.
For round 12 I'm taking Acoustic 90-14. This studio version of this one was released two weeks ago. It's a cover of an old Jesse Fuller song, with new lyrics added. This is one of those songs where it might be easier to say who hasn't covered it: Ramblin' Jack Elliott, Bob Dylan, Jim Kweskin, The Blues Band, Paul Jones, The Weavers, The Brothers Four, Paul Clayton, Richie Havens, Eric Clapton, The Flatlanders, Paul McCartney, Jefferson Airplane, Janis Joplin, John Lennon, Peter, Paul, and Mary, Mungo Jerry, Glenn Yarborough, George Ellias, Phoebe Snow, The Wave Pictures, The Halifax III and Eva Cassidy.
12.19 -The New San Francisco Bay Blues- Hurray for the Riff Raff
I posted round 10 over the weekend (3 movement - Bohemian Rhapsody) but need to write it up etc. Or I'll replace it. I'll get caught up this weekend.
For round 12 I'm taking Acoustic 90-14. This studio version of this one was released two weeks ago. It's a cover of an old Jesse Fuller song, with new lyrics added. This is one of those songs where it might be easier to say who hasn't covered it: Ramblin' Jack Elliott, Bob Dylan, Jim Kweskin, The Blues Band, Paul Jones, The Weavers, The Brothers Four, Paul Clayton, Richie Havens, Eric Clapton, The Flatlanders, Paul McCartney, Jefferson Airplane, Janis Joplin, John Lennon, Peter, Paul, and Mary, Mungo Jerry, Glenn Yarborough, George Ellias, Phoebe Snow, The Wave Pictures, The Halifax III and Eva Cassidy.
12.19 -The New San Francisco Bay Blues- Hurray for the Riff Raff
Could have gone with the studio version or the Pompeii version, but beyond being a masterful rendition of the epic tune, it's also the last appearance/recording by Richard Wright (who died a week before the album was released). Love the way the Poles go nuts after hearing that very first plink note on Rick's piano.
Thought about it for 3+ movements, but already had PF and thought 25 minutes was over doing it for a mixtape. After listening to the last live version with Richard, I was wrong. This song used to help my daughter sleep when she was just an infant. Those first spacey plinks from Wright would get her attention and by the time Roger falls into the epic bassline (6 friggin' minutes later) she was out. Definitely a chills maker and in several spots. Waters has made fun of this song in his dooshier moments.
I posted round 10 over the weekend (3 movement - Bohemian Rhapsody) but need to write it up etc. Or I'll replace it. I'll get caught up this weekend.
For round 12 I'm taking Acoustic 90-14. This studio version of this one was released two weeks ago. It's a cover of an old Jesse Fuller song, with new lyrics added. This is one of those songs where it might be easier to say who hasn't covered it: Ramblin' Jack Elliott, Bob Dylan, Jim Kweskin, The Blues Band, Paul Jones, The Weavers, The Brothers Four, Paul Clayton, Richie Havens, Eric Clapton, The Flatlanders, Paul McCartney, Jefferson Airplane, Janis Joplin, John Lennon, Peter, Paul, and Mary, Mungo Jerry, Glenn Yarborough, George Ellias, Phoebe Snow, The Wave Pictures, The Halifax III and Eva Cassidy.
12.19 -The New San Francisco Bay Blues- Hurray for the Riff Raff
Alynda can bring it - that little girl has a big voice. She's a terrific songwriter, and owns the audience in concert, in small clubs or big festivals.
FOR El Floppo - Bronx Puerto Rican girl - used to hang at ABC Rio with all the other punk rockers. Pretty interesting tale.
I posted round 10 over the weekend (3 movement - Bohemian Rhapsody) but need to write it up etc. Or I'll replace it. I'll get caught up this weekend.
For round 12 I'm taking Acoustic 90-14. This studio version of this one was released two weeks ago. It's a cover of an old Jesse Fuller song, with new lyrics added. This is one of those songs where it might be easier to say who hasn't covered it: Ramblin' Jack Elliott, Bob Dylan, Jim Kweskin, The Blues Band, Paul Jones, The Weavers, The Brothers Four, Paul Clayton, Richie Havens, Eric Clapton, The Flatlanders, Paul McCartney, Jefferson Airplane, Janis Joplin, John Lennon, Peter, Paul, and Mary, Mungo Jerry, Glenn Yarborough, George Ellias, Phoebe Snow, The Wave Pictures, The Halifax III and Eva Cassidy.
12.19 -The New San Francisco Bay Blues- Hurray for the Riff Raff
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