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MAD's ROUND 2!! # 1's have been posted!! (3 Viewers)

Nathaniel Rateliff & The Night SweatsAAABatteriesThe Future

I'd like to quote all the lyrics but will condense the incredible lyrics of The Future down to these two segments.

Is the future open?
Is the future seen?
You'd have to pray forever and if you don't believe
They'll come down on you
From the longest fall


You're standing in the water
You think that you've been saved
With your blind ignorance
In comes a crushing wave
And see what drown men do in your watery grave
Well, they'll come to steal and divide
All that's good
 
Not that my write-ups are any good but my apologies for falling behind - work has been crazy lately.
It’s been work and my dad’s surgery keeping me from keeping up with that (but have with the playlists).

I should be able to do the write ups for my last 2 songs tomorrow. I feel like I’m appealing to a college professor to let me hand in my paper late:
 
dad’s surgery keeping me from keeping up with that

What's up with Pop Octopus, if I'm not prying too much?
He had a quadruple bypass at 84, but I’m glad to report the day after he was doing well and good spirits and only wanted to leave the hospital because he was “fine”.
Doctors/nurses said his recovery was better than expected and will leave ICU today, but stay 3-4 more days.

He’ll stick around a few more years - most reports say you’re much stronger post surgery.
 
dad’s surgery keeping me from keeping up with that

What's up with Pop Octopus, if I'm not prying too much?
He had a quadruple bypass at 84, but I’m glad to report the day after he was doing well and good spirits and only wanted to leave the hospital because he was “fine”.
Doctors/nurses said his recovery was better than expected and will leave ICU today, but stay 3-4 more days.

He’ll stick around a few more years - most reports say you’re much stronger post surgery.
Best wishes to you and your dad - hope the recovery goes smoothly.
 
I’m glad to report the day after he was doing well and good spirits and only wanted to leave the hospital because he was “fine”.

Good news.

Doctors/nurses said his recovery was better than expected and will leave ICU today, but stay 3-4 more days.

He’ll stick around a few more years - most reports say you’re much stronger post surgery.

Here's wishing the best to you and your father.
 
#13'S {LAYLIST
#13 -
PrinceRamsay Hunt ExperienceGirls and Boys
Tanya DonellyplinkoSeal My Fate
King, 1995
Talking Headskupcho1Girlfriend Is Better
Sia FurlerScoresmanKiss Me Once (Kylie Minogue)
Los LoboseephusDon't Worry Baby
The Seldom SceneCharlie SteinerGrandfather's Clock
Kid RocksnellmanWhen You Love Someone
Against Me!scorchyBorne on the FM Waves of the Heart (feat Tegan Quinn)
MastodonKarmaPolice Ancient Kingdom
Neko CaseMister CIAIf You Knew
Faith No MoreJBBreakfastClubthe Real Thing
black midiJuxtatarot[skip]
Nina SimoneDon QuixoteStrange Fruit, from Pastel Blues
Beastie BoysYo MamaRoot Down
Drive-By TruckersDr. OctopusGuitar Man Upstairs
Jimmy Buffet-OZ-Bama Breeze
The JamPip's InvitationBeat Surrender
RöyksoppJMLs secret identity13 - Feel It feat Maurissa Rose
Nick Cave and the Bad SeedssalterifficHenry Lee
CSNYjwbBetter Days
Roger ClyneMt. ManInterstate
David BermanThe Dreaded MarcoBuckingham Rabbit
David BowieBinky the DoormatIt's No Game (Part 1)
Pointer SistersMrs. RannousDreaming As One

IncubusMAC_32Warning
John MellencamptuffnuttLonely O' Night

Sufjan Stevens Ilov80sTo Be Alone with You
Mike ShinodaJust Win BabyBreaking The Habit
Chris Cornell Raging Weasel Set It Off
Josh HommetitusbrambleFeel Good Hit Of The Summer
Nathaniel Rateliff & The Night SweatsAAABatteriesTight Rope
Kim MitchellSullieRock That Rhyme
Thin LizzyzamboniRosalie
Collective SoulfalguyDisciplined Breakdown
Tears for FearsJohn Maddens LunchboxI Love You But I’m Lost (Vocals Dan Smith of Bastille, Curt and Roland)
Cheap TrickFairWarningBaby Likes To Rock
John Prinelandrys hatLong Monday

Ben FoldsHov34There's Always Someone Cooler Than You
Tom PettyZegras11Free Fallin'
Scott Hutchison snevenelevenCold Creeps
The New PornographersNorthern VoiceWar on the East Coast
John Lee HookerDrIan MalcolmYou Know, I Know
Rainbow Sam Quentin Since you’ve been gone
Pyotr Ilyich TchaikovskyzazaleViolin Concerto in D Major, Op. 35, TH 59: I. Allegro moderato - Moderato assai
 
Tears for Fears featuring Dan Smith from Bastille
#13 - I Love You But I’m Lost

Appears - Rule the World - Greatest Hits
Year - 2017
UK Highest Chart Position - Did Not Chart
US Highest Chart Position - Did Not Chart
Key Lyric - In a dream, at the edge of a river
Where they swam, and I watched you shiver
Came to life in my arms and then turned to dust
I love you but I'm lost

Notes
1- This song was co-written with Dan Smith of Bastille (Pompeii). In fact it sounds more like a Bastille song than a Tears for Fears song hence my problematic ranking of it. As a song in its own right, I love it. I would have it top 10 easily. I have played this over and over

2- I cant even hear Curt and Roland singing on this. Dan Smith sounds so much more noticeable. Heres Roland “Roland revealed: "Dan Smith from Bastille is singing on it, I don't think he realises it but we kept it. We may have to pay him."

3- The film clip for this is a cinematic piece that is fascinating. Looks like it is a scene from a mob movie

4- Speaking about the track in a press release, Roland Orzabal said: "This song is about the haziness, the blurred lines within a relationship, the sense of having someone and losing someone in the same instant; like putting your arms around that person only for them to instantly disappear into vapors, the idea or ideal of someone who is impossible to pin down or own."

Where to find
The Hurting - 3
Songs from the Big Chair - 1
The Seeds of Love - 0
Elemental - 1
Raoul and the Kings of Spain - 1
Everybody Loves a Happy Ending - 5
Ready Boy and Girls - 1
The Tipping Point - 2
Greatest Hits only - 1
B- Sides - Other/Non Album Songs - 4

Year
1981 - 1
1982 - 0
1983 - 5
1984 - 0
1985 - 0
1986 - 1
1989 - 0
1993 - 1
1995 - 2
2004 - 5
2014 - 1
2017 - 1
2021 - 0
2022 - 2

Next up, we return to Songs from the Big Chair.
 
"Feel Good Hit Of The Summer" is top notch and I'm glad it made the Josh Homme list. I'd probably have it as number one given my limited Homme exposure.

#13s rock. "Lonely Ol' Night" and "Free Fallin'" are two darn fine rock songs and "Root Down" is a darn fine hip hop track.

"Strange Fruit" has influenced so many hip hop acts this past decade. From Kanye to Michael Render using the phrase in "a few words for the firing squad (radiation)" in a poignant moment during a Run The Jewels song.
 
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Nathaniel Rateliff & The Night SweatsAAABatteriesTight Rope

Not sure if we have any Leon Russell fans in here but this is a very recent cover of Russell’s Tight Rope. I love this cover so hard - it’s quirky and fun.
 
Beastie Boys #13 - Root Down
Album - Ill Communication (1994)

Peacockin'
Ad-Rock: 1, MCA: 1, Mike D: 1, Beastie Boys: 1, Greater NYC: 4

Name Rockin'
The Stone Alliance, **** Hyman, Fruit of the Loom guys, The Meters, Jimmy Smith, Kool Moe Dee, Busy Bee, Ma Bell, Bob Marley, Mario

Rhyme Squawkin'
I'll fill you to the f***in' rim like Brim
I'm walking down your block and you say "That's him.
There goes the guy with the funky sound."
The Beastie Boys you know we come to get down


Yo Mama Talkin'
I love how they can create such a funky beat primarily using their instruments (and some major help from a Jimmy Smith sample). This is a call out to their growing up in NYC and the official video really emphasizes that.


Jimmy Smith song - fun listen
 
Nathaniel Rateliff & The Night SweatsAAABatteriesTight Rope

Not sure if we have any Leon Russell fans in here but this is a very recent cover of Russell’s Tight Rope. I love this cover so hard - it’s quirky and fun.
Was hoping it was a cover of the SRV song
 
13. Grandfather's Clock

This is the second of two songs from Live at the Cellar Door.

This one makes the list because it captures the energy and experience of being at one of their live shows. Duffey had a very dry sense of humor and was so deadpan most of the time that a lot of his humor went over my head, unless my dad laughed. In his intro for this song, he gives credit to two other band members, bassist Tom Gray and dobroist Mike 'Larry Legend' Auldrich for awards they had recently earned. I don't know how well it comes through on this track, but he had a way of connecting with his audience and leading them through the show like an amusement park tour guide.

Time for spotlight number five: Mandolinist John Duffey (third from the left in my avatar, flat-top haircut, gray shirt, dark slacks)

Duffey was a bit of an enigma. As the son of a classically trained singer in the Metropolitan Opera, he learned to control and modulate his voice, giving him a four-octave range that he ran through with relative ease. His upper range made him able to emulate his bluegrass idol, Bill Monroe, and I'm sure that his instrument of choice being the same was no accident. He was both respectful and irreverent at the same time, brash on stage and shy off it. Although he wasn't the best musician in the band, he was the best showman of the bunch and became the leader not only on stage, but also by driving the band's catalog of songs, creating arrangements of folk and pop songs of their time and tirelessly combing through the National Archives for songs that fit the band's vibe.

For my father and me, John Duffey basically was the Seldom Scene, and I'm sure many of their fans felt the same way.
 
Röyksopp
13 - Feel It feat Maurissa Rose

Year - 2022
Appears on - Profound Mysteries III
Vocalist - Maurissa Rose
Key Lyric - Oh, baby, come with me
We've got this energy
Just give it all to me
No one else can make me feel

Notes
1- Röyksopp teamed up with Detroit-based R&B artist Maurissa Rose for this track

2-Feel It’ is (specifically) a nod to the danceable, eclectic blend of musical styles, which originated on the Ibiza club scene in the mid 80s and early 90s, commonly referred to as Balearic beats. The track itself is a house-influenced Italo-dub, blending genres in a ‘if it works, it works’ aesthetic. An approach that’s always been very dear to us.”

3- From her website - Combine a heavy dose of soul, a dash of sexiness and a sprinkle of sultry, and you’ll get the undeniably powerful voice that R&B songstress Maurissa Rose commands.

Running Vocal Count
Röyksopp - 6
Robyn - 4
Karin Dreijer - 2
Susanne Sundfør - 2
Maurissa Rose - 1
Gunhild Ramsay Kovacs - 1
Alison Goldfrapp - 1
Jamie Irrepressible - 1
Karen Harding - 1
Instrumental - 3

Where to find
Melody A.M - 0
The Understanding - 1
Röyksopp’s Night Out - 1
Back to Mine Series - 1
Junior - 2
Senior - 1
Late Night Tales Series - 1
Do It Again EP - 2
The Inevitable End - 2
Profound Mysteries I - 0
Profound Mysteries II - 1
Profound Mysteries III - 5
Other/Non Album Songs - 2

Year
1999 - 0
2001 - 0
2002 - 1
2005 - 1
2006 - 1
2007 - 1
2008 - 0
2009 - 2
2010 - 1
2013 - 1
2014 - 4
2016 - 1
2022 - 6

Next up another collaboration with Susanne Sundfør
 
With Thanksgiving week upon us, my writeups will be sparse.

Kylie Minogue’s Kiss Me Once is the last of the songs written by Sia in my list. I chose this because I’ve always had a crush on Kylie Minogue and her voice and I love the 80s vibe the song has. That’s all.

Up next will be one fun cover before we get into the second half of Sia’s career where she emerges from her 4 year performing hiatus as a rising pop star with what many consider to be her magnum opus album.
 
13. Nina Simone, Strange Fruit (from Pastel Blues, 1965)
YouTube Spotify

Southern trees
Bearing strange fruit
Blood on the leaves
And blood at the roots
Black bodies
Swinging in the Southern breeze
Strange fruit hangin'
From the poplar trees…


I said last night that I’m glad that Beastie Boys will be after my #13 in the playlist as a pick-me-up, as, well, this one is intense. It was a bit hard to rank, as tough to call a song about lynching as a “favorite”, but it ranks high in terms of sending chills up my spine.

Nina Simone said of “Strange Fruit”: "That is about the ugliest song I have ever heard. Ugly in the sense that it is violent and tears at the guts of what white people have done to my people in this country."

This song was most famously recorded by Billie Holiday in 1939 and became the anthem of the anti-lynching movement. Nina Simone’s version was released at the height of the civil rights movement.

Holiday’s version is great and powerful too, but Nina Simone’s version differentiated a bit. Similar to some of her other covers that have appeared in my list, she removed instrumentation besides her on the piano (gone is the trumpet in Holiday’s), leaving little for a listener to think about other than the lyrics. She really draws out the lyrics too, such as the way she holds the word “leaves” in “for the leeeeaaavvves to drop” for about 10 seconds.

As rock indicated, Nina Simone’s version was another song of hers sampled by Kanye West, in his song “Blood on the Leaves.”
 
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#14 Interstate (off FIzzy Fuzzy Big & Buzzy, 1996)

Well out here on the border
Ain't nobody asking questions
No I don't need a miracle
But I could use a push in the right direction


(Youtube Version) Interstate
(Live Version) The Refreshments - Interstate (Taste of AZ, 1998)

The title’s in the lyrics three times, though each time it’s blink and you’ll miss it. Or whatever the audio version of that is. It’s definitely a song more memorable for its hook and some of the lyrics than the title. But that's talk for the next section.

Why I chose this:
For a while, this vied for my favorite song by The Refreshments. Still three of those to go, so it’s not like it’s fallen too far. Even before I knew (all) the lyrics, there were parts that simply stuck with me. The soft smooth guitar work. The dual harmonies (and four-part vocals) kicking in now and again. The sense of adventure. A lot of images in the words, if that makes sense to you.

What I’m saying is that I’m reaching the point in the countdown where I love a lot of the song and have trouble narrowing down things to talk about that are more innovative than saying that I obviously enjoy the song, and hope you do too. That said, I (obviously) really enjoy this song. I hope you do too.
 
Known-to-me favorites from #16:

Marrakesh Express
Space Oddity
Play Guitar -- on the Philly FM stations they played this with the S-word unbleeped
Gasoline
Shine
Quiet Man
Letter from an Occupant

Re two artists that usually appear on these lists for me:
I can take or leave the studio version of Don't Come Around Here No More, but it was amazing live.
And She Was isn't good enough to overcome the extent to which it was overplayed.
 
16. The Modern World
Album: This Is the Modern World (1977)
Released as a single? Yes (UK #36)

This Is the Modern World, The Jam's second album, was mostly received as a lesser iteration of In the City, but its quasi-title track and lead single is every bit as good as the best tracks from the debut. It's a thumper informed by the early Who, but a controlled one with a memorable melody. The album version's lyric "I don't give two f#cks about your review" was replaced on the single version with "I don't give a damn about your review". Lyrically it's more of "the kids are alright and the authorities suck."

This is the modern world that I've learnt about
This is the modern world we don't need no one
To tell us what's right or wrong


As mentioned above, This Is the Modern World was given short shrift by the music press upon its release and to this day is considered the weakest of The Jam's six albums. Technically that is true, but more because of the strength of the other five. Contrary to its reputation, it is not a rehash of In the City. While it has some bangers reminiscent of the ones on the debut, it also shows The Jam trying to extend their musical palette, with more varied tempos and arrangements than seen on In the City. It was also the apex of Bruce Foxton's songwriting contributions to the band, as he contributed two songs to it, as well as the A-side of a non-album single released a few months after the LP. The more radical changes would come the following year, but this album shows The Jam were always trying out new things.

Top of the Pops appearance in November 1977 (clean version): https://www.youtube.com/watch?v=nm1X6y2hXX8
1977 live version from the compilation album 1977: https://www.youtube.com/watch?v=HjReRUqIXsw
Fire and Skill 1977 disc: https://www.youtube.com/watch?v=1mbworkonqo
Fire and Skill 1978 disc: https://www.youtube.com/watch?v=FeCL3n9N0es
Fire and Skill 1979 disc: https://www.youtube.com/watch?v=GZQ1AWIhXMI
Fire and Skill 1980 disc: https://www.youtube.com/watch?v=-cEwu2LNQMA
1979 live version that appears on the deluxe edition of Setting Sons: https://www.youtube.com/watch?v=5fIelIdn00U

Cover #16: Big Bird
Appeared in 1981 live sets and on the Dig the New Breed live album (1982)
Writer: Eddie Floyd
Original or most famous version: Eddie Floyd

R&B singer Eddie Floyd wrote this song soon after the death of his Stax labelmate Otis Redding, as he was waiting in London for a plane to fly him to Redding's funeral. (The song predates the existence of the Sesame Street character by more than a year.) The Jam introduced it to their live sets on their first tour with a horn section, but the arrangement is more chaotic and amped-up than most of the overt R&B attempts from the band's final years.

At #15, a bodacious album track that was performed on one of the band's few US TV appearances.
 
Known-to-me favorites from #15:

The Girl Wants to Be with the Girls
When the Circus Comes -- mostly know the Phish cover version but I have heard the original
4 + 20
Changes
Hand to Hold Onto
Four Walled World
Century City
Jackie, Dressed in Cobras -- a rare Dan Bejar New Pornographers song I have seen performed live. Bejar doesn't usually tour with the New Pornographers, but his main band Destroyer opened for NP when they were promoting Twin Cinema and I saw them in Philly. During NP's set Bejar appeared at various intervals to sing a few of his NP songs, including this one.
 
15. Private Hell
Album: Setting Sons (1979)
Released as a single? No

Titanically intense, Private Hell is one of the standouts from Setting Sons and an excellent example of the beefier, postpunk-influenced sound The Jam favored between 1979 and early 1981. Paul Weller's guitar cuts and slashes thrillingly as the rhythm section locks in tightly, It doesn't appear to be part of the original concept of Setting Sons (a trio of childhood friends who go off to war and grow apart afterward), but it shares those songs' theme of people bearing little resemblance to their younger selves as they age:

Closer than close
You see yourself
A mirrored image
Of what you wanted to be
As each day goes by
A little more
You can't remember
What it was you wanted, anyway
The fingers feel the lines
They prod the space
Your ageing face
The face that once was so beautiful
Is still there, but unrecognisable
Private Hell
Private Hell
The man that you once loved
Is bald and fat
And seldom in
Working late as usual
Your interest has waned
You feel the strain
The bed springs snap
On the occasions he lies upon you
Close your eyes and think of nothing but
Private Hell
Private Hell


Despite never being released as a single, the song was a live favorite for the second half of the band's career, sometimes closing shows and occupying the last track of their first officially released live album, Dig the New Breed. It was also one of two songs the band performed in one of its few US TV appearances, on Fridays, ABC's SNL knockoff. And Weller continues to perform it live occasionally, as does From the Jam featuring Bruce Foxton and Rick Buckler.

Fridays appearance: https://www.youtube.com/watch?v=AybWSdEbafA
Dig the New Breed version: https://www.youtube.com/watch?v=dkx_7xpJKUA
1979 live version that appears on the Setting Sons deluxe edition: https://www.youtube.com/watch?v=93o7-cea7ns
Fire and Skill 1980 disc: https://www.youtube.com/watch?v=UrqlsiIGLek
Fire and Skill 1982 disc: https://www.youtube.com/watch?v=MGWsDCUwouc
Demo version that appears on the Setting Sons super deluxe edition: https://www.youtube.com/watch?v=TK9a-0peTBs

Cover #15: I Got You (I Feel Good)
Demo of unknown-to-me origin that first appeared on the Extras compilation (1992)
Writer: James Brown
Original or best known version: James Brown

You'd think this would go in the "never should have tried it" pile with Stand By Me, but The Jam's take on the James Brown classic is surprisingly not bad. Given the presence of horns, it's probably from their later period where their takes on R&B were getting tighter and more refined, and Weller conveys passion and urgency in his vocal without trying to copy Brown's style (which would have failed miserably).

At #14, the only Jam song that Paul Weller thinks is "perfect".
 
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13.
Lonely Ol' Night- John Mellencamp
From Scarecrow Album


Our 4th of 6 songs that will come from the Scarecrow album is "Lonely Ol' Night" It was another major hit for John peaking at #6 on billboards. I love everything about this song... the drums on this track are amazing and the lyrics " She calls me baby... she calls everybody baby" so good. the themes of loneliness in this one is very relatable... "I know exactly what he means..." In retrospect I probably underranked this one... should have made top 10. I thinkthat just speaks to how good the rest of his catalog is... at least to me.

The title and hook were lifted from dialogue in the 1963 movie Hud. When Brandon De Wilde's character asks, "It's a Lonesome old night, isn't it?" Paul Newman replies, "Ain't they all?"
 
Known-to-me favorites from #14:

When Doves Cry
Crosseyed and Painless -- I took it in the Jukebox draft and ranked it #3 the International Countdown. Bonus points for being one of Phish's best covers. I've always considered the "rap" section to be more "spoken word" because I can't conceive of David Byrne as a rapper.
Ronnie and Neil -- yes, people have sent me the link to this on several occasions over the years.
Helplessly Hoping -- one of the first CSN(Y) songs I heard because it was included on the So Far compilation that my parents played all the time when I was very young.
All the Young Dudes
Getaway Car
Caligulove
Jackson Cannery
 
Mike ShinodaJust Win BabyBreaking The Habit

This is the 1st song I have in my top 31 from the Linkin Park Meteora album.

Meteora was Linkin Park's second studio album. It debuted at #1 on the Billboard 200, and is the 8th best selling album of the 21st century. Chester said this about the album:

We knew what we wanted, and we knew how to execute to a certain degree. However, we were also just going for it. We didn’t really care about what anybody else was doing. We also didn’t care whether or not the songs fit together stylistically as a whole or a collection of songs. It was more like, "This riff is sick!" Then, we’d just scream over it, and the next song would be a mid-tempo ballad and you’d sing the way that song needed to be sang. We were testing. We were students in college. We were in the lab, and we happened to stumble across something everybody liked and it worked. I think Meteora was an extension of that.

I also thought these quotes by Chester and Mike were interesting:

Lyrically, the album contains elements including depressing emotions, anger, and recovery. Explaining to MTV, Bennington said: "We don't talk about situations, we talk about the emotions behind the situations. Mike and I are two different people, so we can't sing about the same things, but we both know about frustration and anger and loneliness and love and happiness, and we can relate on that level." In the same interview, Shinoda explained it as: "What we really wanted to do was just push ourselves and push each other to really find new ways to be creative." He continued: "We wanted each sample that was in each song to be something that might perk your ear – something that you might not have ever heard before."

As for the song, Breaking The Habit became the 5th consecutive single from Meteora to reach #1 on the Billboard Modern Rock Tracks chart, a feat unmatched by any other artist in the history of that chart. It also reached #1 on the Billboard Mainstream rock Tracks chart. This song was an exception from the normal style of their songs up to this point in their careers, as it did not include any distorted guitar riffs or any rapping vocals from Mike, a style they would further explore on later albums.

About the song lyrics:

A common misconception about the song is that it was written by lead singer Chester Bennington due to his struggles with substance abuse. Band member Mike Shinoda began composing the song before he met Bennington... Shinoda showed the lyrics he wrote to Bennington, who read them and teared up, relating to the words to a point where he had difficulty performing the song live for almost a year after the release of Meteora

In 2020, Metal Hammer ranked the top 25 Linkin Park songs of all time and ranked Breaking The Habit at #7. Here is an excerpt from their writeup on the song:

Chester Bennington once identified Breaking The Habit as his favourite Linkin Park song, admitting that when he first read the lyrics he felt that Shinoda was “singing my life.”

In 2021, Kerrang ranked the top 20 Linkin Park songs of all time and ranked Breaking The Habit at #15. Here is an excerpt about the song from that ranking:

A fast-paced, genre-melding prototype of the next LP era – with numerous layers to the sound and far more slickly-deployed production than before – at its core this became a reckoning on the personal cycle of self-destruction. Chester, at one point, even identified the track as a favourite Linkin Park song, feeling a deep personal connection with Shinoda’s troubled lyrics.

In 2017, Billboard ranked the top 15 Linkin Park songs of all time and ranked Breaking The Habit at #6. Here is an excerpt about the song from that ranking:

The song whose half-time drum-n-bass beat made a lot of ears not previously attuned to Linkin Park perk up for at least three minutes. The song’s skittering beat and wire-taut guitar picking made something inscrutable out of one of the band’s most Incubus-like melodies, while the lack of any Mike Shinoda rapping was an early sign that the band would not allow themselves to be consumed by established formula.
 
Beastie BoysYo MamaRoot Down

John MellencamptuffnuttLonely O' Night


Mike ShinodaJust Win BabyBreaking The Habit

hris CornellRaging WeaselSet It Off

Josh HommetitusbrambleFeel Good Hit Of The Summer

Tom PettyZegras11Free Fallin'
What a loaded round!
 
Talking Heads
#13 Girlfriend is Better


... is my second selection from the 1983 album Speaking in Tongues. From Pitchfork:
A jubilant momentum rises throughout “Girlfriend Is Better,” but its base—a sauntering line from Weymouth, sci-fi synth radiation from guest Bernie Worrell of Parliament-Funkadelic—is set quickly. This bedrock allows for Byrne’s hoarse, scattered shouting to reach velocity above while still feeling controlled.

Talking Heads frequently used guest musicians and usually to great effect. The synth here from Worrell just sparkles. This is the 3rd longest song on my list (and at 5:45 we're nowhere near as long as some we've seen), but doesn't feel long (at least to me) as the instrumental segments are stellar.

I got a girlfriend that's better than that
She has the smoke in her eyes
She's coming up, going right through my heart
She's gonna give me surprise

I think it's right, better than this
I think you can if you like
I got a girlfriend with bows in her hair
And nothing is better than that (is it?)
 
Talking Heads
#13 Girlfriend is Better


... is my second selection from the 1983 album Speaking in Tongues. From Pitchfork:
A jubilant momentum rises throughout “Girlfriend Is Better,” but its base—a sauntering line from Weymouth, sci-fi synth radiation from guest Bernie Worrell of Parliament-Funkadelic—is set quickly. This bedrock allows for Byrne’s hoarse, scattered shouting to reach velocity above while still feeling controlled.

Talking Heads frequently used guest musicians and usually to great effect. The synth here from Worrell just sparkles. This is the 3rd longest song on my list (and at 5:45 we're nowhere near as long as some we've seen), but doesn't feel long (at least to me) as the instrumental segments are stellar.

I got a girlfriend that's better than that
She has the smoke in her eyes
She's coming up, going right through my heart
She's gonna give me surprise

I think it's right, better than this
I think you can if you like
I got a girlfriend with bows in her hair
And nothing is better than that (is it?)
This is one of my favorites from them. Love the sound on this one.
 
Talking Heads
#13 Girlfriend is Better


... is my second selection from the 1983 album Speaking in Tongues. From Pitchfork:
A jubilant momentum rises throughout “Girlfriend Is Better,” but its base—a sauntering line from Weymouth, sci-fi synth radiation from guest Bernie Worrell of Parliament-Funkadelic—is set quickly. This bedrock allows for Byrne’s hoarse, scattered shouting to reach velocity above while still feeling controlled.

Talking Heads frequently used guest musicians and usually to great effect. The synth here from Worrell just sparkles. This is the 3rd longest song on my list (and at 5:45 we're nowhere near as long as some we've seen), but doesn't feel long (at least to me) as the instrumental segments are stellar.

I got a girlfriend that's better than that
She has the smoke in her eyes
She's coming up, going right through my heart
She's gonna give me surprise

I think it's right, better than this
I think you can if you like
I got a girlfriend with bows in her hair
And nothing is better than that (is it?)
This is one of my favorites from them. Love the sound on this one.
I'll never be confused with a Talking Heads fan, but very much agree. I didn't think they'd get a heart from me in this exercise, but they just did.
 
14.

  • Song: Ronnie and Neil
  • Album: Southern Rock Opera
  • Released: 2001
  • Lead Vocals: Patterson Hood


13.

  • Song: Guitar Man Upstairs
  • Album: Southern Rock Opera
  • Released: 2001
  • Lead Vocals: Mike Cooley


Southern Rock Opera was the group’s break-out album, and started the bands fascination with the “duality of the South” – trying to convince it’s audience that the South is not all red-neck racists and gun nuts. Lynrd Skynyrd and Neil Young are main characters throughout the album geared towards telling us not to believe everything we’ve heard. There was no feud between Young and the Southern rock legends, in fact Young was a pallbearer at Van Zant’s funeral.

Ronnie and Neil sets up this story that will continue throughout the double album.

Guitar Man Upstairs is a typical Cooley rocker.
 
Selected favorites from the #13s . I probably could’ve done this yesterday but decided to enjoy a rollercoaster day of football instead. It helped that I knew I’d have today off to catch up. Anyway, this lineup was full of great songs. It was hard to make choices, so I ended up including a (dirty) dozen for songs. We’ll see if this continues, but there’s a lot of strength here, and I know more to come. So I wouldn’t be surprised.

Familiar songs:
Free Fallin’ - Tom Petty - My wife’s favorite Petty song. Especially since she travelled through this section of California often.
Lonely Ol’ Night - John Mellencamp
Disciplined Breakdown - Collective Soul
Girlfriend is Better - Talking Heads - small preference towards the Stop Making Sense version, but that might be ‘cheating’
Since You Been Gone - Rainbow
Warning - Incubus

New discoveries:
Borne on the FM Waves of the Heart - Against Me!
War on the East Coast - The New Pornographers
There’s Always Someone Cooler Than You - Ben Folds
Feel It - Royksopp
Beat Surrender - The Jam
Tight Rope - Nathaniel Rateliff & The Night Sweats

Shuffle Adventures
Shuffle had Prince lead into Thin Lizzy and then Beastie Boys. A bit of a mix in style, but the music still flowed very well for me.
 
Beastie BoysYo MamaRoot Down

John MellencamptuffnuttLonely O' Night


Mike ShinodaJust Win BabyBreaking The Habit

hris CornellRaging WeaselSet It Off

Josh HommetitusbrambleFeel Good Hit Of The Summer

Tom PettyZegras11Free Fallin'
What a loaded round!
Interesting. I just saw this post, and I had a very similar thought when entering tonight's playlist for most of those same bands. :popcorn:
 
#12's PLAYLIST
#12 -
PrinceRamsay Hunt ExperienceRaspberry Beret
Tanya DonellyplinkoMoon River
Henry Mancini/Audrey Hepburn cover, Sing Me To Sleep: Indie Lullabyes, 2011
Talking Headskupcho1(Nothing But) Flowers
Sia FurlerScoresmanCalifornia Dreamin
Los LoboseephusThe Fear
The Seldom SceneCharlie SteinerBig Rig
Kid RocksnellmanTennessee Mountain Top (NSFW)
Against Me!scorchyI Was A Teenage Anarchist
MastodonKarmaPolice Halloween
Neko CaseMister CIAMaybe Sparrow
Faith No MoreJBBreakfastClubCollision
black midiJuxtatarot953
Nina SimoneDon QuixoteBacklash Blues, from Nina Simone Sings the Blues
Beastie BoysYo MamaHey Ladies
Drive-By TruckersDr. OctopusWhen He's Gone
Jimmy Buffet-OZ-Like my dog
The JamPip's InvitationIn the Crowd
RöyksoppJMLs secret identity12 - Never Ever feat Susanne Sundfør
Nick Cave and the Bad SeedssalterifficThe Hammer Song
CSNYjwbLaughing
Roger ClyneMt. ManWinter In Your Heart
David BermanThe Dreaded MarcoPunks in the Beerlight
David BowieBinky the DoormatHang Onto Yourself
Pointer SistersMrs. RannousSend Him Back

IncubusMAC_32Nowhere Fast
John MellencamptuffnuttCrumblin' Down

Sufjan Stevens Ilov80sVideo Game
Mike ShinodaJust Win BabyBurning In The Skies
Chris Cornell Raging Weasel I Am the Highway
Josh Hommetitusbramble3's & 7's
Nathaniel Rateliff & The Night SweatsAAABatteriesTime Stands
Kim MitchellSullieDog and a Bone
Thin LizzyzamboniWarriors
Collective SoulfalguyGel
Tears for FearsJohn Maddens LunchboxI Believe (Vocals Roland)
Cheap TrickFairWarningCalifornia Man
John Prinelandrys hatChristmas In Prison

Ben FoldsHov34Army
Tom PettyZegras11You Wreck Me
Scott Hutchison snevenelevenIf You Were Me
The New PornographersNorthern VoiceFake Headlines
John Lee HookerDrIan MalcolmBig Legs, Tight Skirt

A lot of fun.
Rainbow Sam Quentin All Night Long
Pyotr Ilyich TchaikovskyzazaleConcert Fantasia in G Major, Op. 56: I. Quasi Rondo: Andante mosso
 
Nathaniel Rateliff & The Night SweatsAAABatteriesTight Rope

Not sure if we have any Leon Russell fans in here but this is a very recent cover of Russell’s Tight Rope. I love this cover so hard - it’s quirky and fun.

That Leon Russell tribute album that came out this year is pretty good (as tribute albums go).

I wonder what Leon would have thought of the cover of "Superstar" by U.S. Girls and Bootsy Collins.

 
13. Big Rig

This is the first of two songs from the The New Seldom Scene Album (1976).

FWIW, this song was written by Greg 'Fingers' Taylor, an aspiring singer/songwriter who also collaborated with Jimmy Buffett and was part of The Coral Reefer Band. Buffett's version and the Seldom Scene version were on albums released in the same year.
 
I've been delinquent on Los Lobos writeups this time around but I do have to mention we saw the band over the weekend at the Fillmore.

They played two nights with entirely different set lists to celebrate their 50th anniversary as a band. It's a remarkable achievement to stay together that long with the same four core members who've played together as Los Lobos since high school. Steve Berlin who joined in 1982 is the new guy. They added a second drummer back in the 90s to perform their more rhythmically complex stuff--original drummer (and lyricist) Louie Perez moved to the front of the stage as a third guitarist. It was cool to see Louie back behind the trap for a few numbers on Saturday.

It was a special night. David Hildalgo played Jerry Garcia's alligator Strat for much of the show. There was also a champagne toast to celebrate their anniversary. Since we were up at the barrier, we were given a little to join in the toast.
 
Los LoboseephusThe Fear

Since I'm here and the #12s were just posted, I'll do a brief writeup of "The Fear".

It's a cover of a song by James Mercer that was part of The Shins' 2018 Record Store Day release. It contained two different versions of the song by The Shins plus this one by Los Lobos. Los Lobos' version is sung by David Hidalgo; it doesn't stray too far from the original but the strings give it a bit of Mariachi flavor and the harmony vocals are unique in Los Lobos catalog.
 
#12 Winter in Your Heart (off No More Beautiful World, 2007)

The sun is dyin' to see you
The clouds are begging to part
Spring is waiting on you
Is it still Winter in your heart?


(Youtube Version) Winter In Your Heart
(Live Version. Please forgive quality; few to no live versions of this song in particular) Winter in Your Heart - Roger Clyne and the Peacemakers

I’ll quote Clyne once again for a bit of background to this song. He’s said that “It's about a breakup with a dear, dear friend over the most mundane of reasons. And it was my petition to reconcile.” It’s a song that apparently went through more revisions than most do, until it simply left right enough.

Why I chose this:

This song might be the closest thing to a ballad on this countdown (if not in RCPM music in general). Soft, slow, and with a romantic overtone. Certainly I enjoy it for more than its stylistic trappings, though. The slow beat is still very catchy to me, and the vocals increased in volume (and intensity) in parts is something that simply sticks with me. I think this song also has a really strong finish with the last minute or so, which only helped push it up my list.
 
Saxophonist Mars Williams of the Psychedelic Furs passed away today after a battle with cancer.

He joined the Furs in 1983 after a stint in The Waitresses (he didn't get a songwriter's credit on "Christmas Wrapping") and toured with them up until a couple of weeks ago.
 
#12's PLAYLIST
#12 -
PrinceRamsay Hunt ExperienceRaspberry Beret
12? oh man. Top 3 for me.
Easily. Looking forward to see whats ahead of it.
Have we seen My Name is Prince AND I am Funky, when it comes to funk I am a junky yet?

My name is Prince and I am funky (You can't stop Prince)
My name is Prince the one and only (You can't stop Prince)
I did not come 2 funk around (You can't stop Prince)
'Till I get your daughter I won't leave this town
 
Pointer Sisters - Send him Back

From Wikipedia:

It was while supporting Bishop at a nightclub appearance in 1971 that the sisters were signed to a recording contract with Atlantic Records. The resulting singles that came from their Atlantic tenure failed to become hits, but the sisters were enjoying their fledgling recording career. One recording has become a Northern Soul classic: "Send Him Back" (Atlantic 45 2893). Concentrated at Wigan Casino around 1973–1974, Northern soul was an underground music scene comprising American 45 rpm records released at the same time as Tamla Motown and imported into the United Kingdom.
 

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