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MAD's ROUND 2!! # 1's have been posted!! (9 Viewers)

11. The Butterfly Collector
Album: Non-album B-side (1979); appears on certain US pressings of All Mod Cons (1978)
Released as a single? B-side of Strange Town (but A-side in the US)

The Butterfly Collector is a highly compelling song that deserved better than relegation to a B-side. However, in the US, it was more than that. The US issue of the Strange Town/Butterfly Collector single was flipped over and The Butterfly Collector was promoted as the A-side. And for the second US pressing of All Mod Cons in 1979, Polydor swapped in The Butterfly Collector as track 1 of side 2, replacing Billy Hunt. So clearly, the sentiment from the suits was that this song had a better chance of becoming a US hit than most Jam songs.

And there's no reason it couldn't have been with better promotion and luck. The opening guitar-and-vocal-only passage is attention-grabbing, and when the bass and drums kick in just before the 40-second mark, they are joined by an incredible chorus melody that is instantly memorable. The rest of the song repeats the pattern until the end, when we get two chorus melodies back-to-back followed by a final guitar-and-vocal-only passage. Simple, clean and catchy -- there's no reason why we Yanks couldn't have embraced this if we weren't so obsessed with disco and Yacht Rock at the time.

The lyrics pertain to a woman who has spent her life using people but it's now come back to bite her because she has aged and lost her sex appeal. Might seem a little misogynistic now but I doubt it raised any eyebrows back then.

And you started looking much older
And your fashion sense is second-rate like your perfume
But to you in your little dream world
You're still the queen of the butterfly collectors

As you carry on 'cause it's all you know
You can't light a fire, you can't cook or sew
You get from day to day by filling your head
But surely you must know the appeal between your legs
Has worn off


This is one of only three Jam songs that Paul Weller played the only time I saw him, in NYC in 2008. And it was the only one that appeared in his regular set. The other two are coming later.

Live Jam version: https://www.youtube.com/watch?v=wMx4FTkuwsc
Fire and Skill 1982 disc: https://www.youtube.com/watch?v=35gUW-VKgIw
Acoustic version from Days of Speed, Weller's live album from the tour where he first started playing Jam songs again: https://www.youtube.com/watch?v=WA9PXLNLNAA
Weller performed it with Noel Gallagher at the Teenage Cancer Trust benefit in 2010: https://www.youtube.com/watch?v=KObNG4B_yuo

Garbage has covered this: https://www.youtube.com/watch?v=QJ8HUdJfVYQ

Cover #11: Pity Poor Alfie/Fever
B-side of The Bitterest Pill (I Ever Had to Swallow) (1982)
Writers: Paul Weller / Eddie Cooley and John Davenport
Original or best known version: Little Willie John

The B-side of The Jam's next-to-last single, The Bitterest Pill (I Ever Had to Swallow), combines a Weller original that was worked on during sessions for The Gift and a cover of Little Willie John's signature song, which has also been performed by Peggy Lee, Elvis, Madonna, Christina Aguilera, Michael Buble and Beyonce, among others. Both parts of the medley are dominated by horns, but the glue is the rhythm that they share. A YouTube commenter put it better than I could: "Sublime work, a distinct sound and terrific reach. This pairing is like a shot and a beer, different and yet so similar."

At #10, the band lets its funk flag fly.
 
Röyksopp
11 - Only this Moment feat Kate Havnevik

Year - 2005
Appears on - The Understanding
Vocalist - Kate Havnevik
Key Lyric - Only this moment
Holds us together
Lost in confusion
Feelings are out there
Scared of devotion
Doubting intentions
Deep down inside I know our love will die

Notes
1- From Oldtimemusic
Only This Moment is a captivating song by the Norwegian electronic music duo, Röyksopp. Released in 2005, this track resonates with listeners through its haunting melodies and thought-provoking lyrics. The song explores themes of fleeting moments, lost love, and the simultaneous beauty and sadness of existence. With its introspective atmosphere and rich musical composition, Only This Moment has become a favorite among fans of electronic and ambient music

2- The video for this track evokes the May1968 riots in France which “The events of May 1968 continue to influence French society. The period is considered a cultural, social and moral turning point in the nation's history”
There were great fears this 7 week protest would lead to another French Revolution. Political manoeuvring by Charles De Gaulle who at first “fled the country” led to increased political power, but a damaged reputation

3- Kate Havnevik is a norwegian singer. This is the start of her career which her wiki page says “Her music has been prominently featured in TV shows such as Grey's Anatomy, The O.C., and The West Wing.”

Running Vocal Count
Röyksopp - 6
Robyn - 4
Susanne Sundfør - 3
Karin Dreijer - 2
Maurissa Rose - 1
Gunhild Ramsay Kovacs - 1
Alison Goldfrapp - 1
Jamie Irrepressible - 1
Karen Harding - 1
Kate Havnevik - 1
Instrumental - 3

Where to find
Melody A.M - 0
The Understanding - 2
Röyksopp’s Night Out - 1
Back to Mine Series - 1
Junior - 2
Senior - 1
Late Night Tales Series - 1
Do It Again EP - 2
The Inevitable End - 2
Profound Mysteries I - 0
Profound Mysteries II - 1
Profound Mysteries III - 5
Other/Non Album Songs - 3

Year
1999 - 0
2001 - 0
2002 - 1
2005 - 2
2006 - 1
2007 - 1
2008 - 0
2009 - 2
2010 - 1
2013 - 1
2014 - 4
2016 - 2
2022 - 6

Next up we start the top 10 with a trip right back to the beginning
 
Tears for Fears
#11 - Suffer the Children

Appears - The Hurting
Year - 1981, 1983 and 1985 (Counted as 1981)
UK Highest Chart Position - #52 in 1985
US Highest Chart Position - Not released
Key Lyric - And all this time he's been getting you down
You ought to pick him up when there's no one around
And convince him
Just talk to him
'cause he knows in his heart you won't be home soon
He's an only child in an only room
And he's dependent on you
Oh, he's dependent on you

Notes
1- Written and sung by Tears For Fears' Roland Orzabal, this is a wake-up call to parents who are emotionally neglecting their children. At the time, Orzabal and Smith were proponents of primal therapy, created by psychologist Arthur Janov, who took the nurture stance on the nature vs. nurture debate. He believed that children were born as blank slates and all of their traits, including their fears, were a result of their upbringing. "We were really big on this at the time," Orzabal explained in the liner notes of the 1999 remastered album. "We really thought that children were born innocent and good and holy… When you've got kids of your own you realize how bloody difficult it is. But it's that kind of thing – saying look at what you're doing with your child."

2- "Suffer the Children" was the first song we did together when we left Graduate. It was our very first experimentation with sequencers and drum machines, with a guy called David Lord, who worked with Peter Gabriel and different people down in Bath. So that was actually the first song we did as Tears For Fears.
— Curt Smith

3- The song was later re-recorded by producers Chris Hughes and Ross Cullum for inclusion on the band's debut album The Hurting in 1983. This recording is distinct from the original 7" version by the subtraction of an extra Curt Smith-sung lyric at the beginning of the song. Both the original version and re-recording of the song notably feature Orzabal's wife Caroline on a "child vocal" during the bridge.

4- In 1985, following the massive success of the band's second album Songs from the Big Chair, Phonogram Records reissued the single complete with a new variation of the original picture sleeve. Featuring the same formats and track listings as the original 1981 release, the single was moderately successful, barely missing the UK top 50.

5- Sunie Fletcher of Record Mirror called the song an "OMD-ish ditty", adding, "I don't doubt their sincerity, but kind thoughts do not a pop song make, nor well-meant words a hit. Still, it makes a change from exegesis."

Where to find
The Hurting - 4
Songs from the Big Chair - 2
The Seeds of Love - 0
Elemental - 1
Raoul and the Kings of Spain - 1
Everybody Loves a Happy Ending - 5
Ready Boy and Girls - 1
The Tipping Point - 2
Greatest Hits only - 1
B- Sides - Other/Non Album Songs - 4

Year
1981 - 2
1982 - 0
1983 - 5
1984 - 0
1985 - 1
1986 - 1
1989 - 0
1993 - 1
1995 - 2
2004 - 5
2014 - 1
2017 - 1
2021 - 0
2022 - 2

Next up, we start the top 10 with a really emotional song from the Tipping Point album
 
Selected favorites from the #11s. Short and sweet (and shuffled per usual) this time as I’m too stuffed with food to feel like writing much.


Familiar songs:
Love the One You’re With - Stephen Stills/CSNY
Dancing in the Moonlight - Thin Lizzy
Listen - Collective Soul
Stop This Game - Cheap Trick

New discoveries:
Dead End Friends - Them Crooked Vultures/Josh Homme
Crazy as a Loon - John Prine
Ricochet - Faith No More
Runnin’ Out of Fools - Neko Case
Four Women - Nina Simone
Roll On - Kid Rock
 
#10's PLAYLIST
#10 -
PrinceRamsay Hunt ExperienceWhen You Were Mine
Tanya DonellyplinkoBroken
Twister: Music From The Motion Picture Soundtrack, 1996
Talking Headskupcho1Take Me to the River
Sia FurlerScoresmanFire Meet Gasoline
Los LoboseephusThe Neighborhood
The Seldom SceneCharlie SteinerBy the Side of the Road
Kid RocksnellmanTimes Like These
Against Me!scorchyUp the Cuts
MastodonKarmaPolice Clandestiny
Neko CaseMister CIAStar Witness
Faith No MoreJBBreakfastClubZombie Eaters
black midiJuxtatarotDangerous Liaisons
Nina SimoneDon QuixoteWhy (The King of Love is Dead) (Westbury), from ‘Nuff Said! (12:52 version)
Beastie BoysYo MamaShadrach
Drive-By TruckersDr. OctopusDecoration Day
Jimmy Buffet-OZ-Kick it in second wind
The JamPip's InvitationPrecious
RöyksoppJMLs secret identity10 - So Easy (Vocal sample from Gals and Pals - Blue on Blue)
Nick Cave and the Bad SeedssalterifficGhosteen
CSNYjwbOn the Beach
Roger ClyneMt. ManTributary Otis
David BermanThe Dreaded MarcoThat's Just The Way That I Feel
David BowieBinky the DoormatRebel Rebel
Pointer SistersMrs. RannousNightline

IncubusMAC_32Drive
John MellencamptuffnuttAuthority Song

Sufjan Stevens Ilov80sTonya Harding (in Eb major)
Mike ShinodaJust Win BabyNobody's Listening
Chris Cornell Raging Weasel Light My Way
Josh HommetitusbrambleSuture Up Your Future
Nathaniel Rateliff & The Night SweatsAAABatteriesI'm on Your Side
Kim MitchellSullieLove Ties
Thin LizzyzamboniMassacre
Collective SoulfalguyHollywood
Tears for FearsJohn Maddens LunchboxRivers of Mercy (Vocals Roland)
Cheap TrickFairWarningCome On, Come On
John Prinelandrys hatFish and Whistle

Ben FoldsHov34Magic
Tom PettyZegras11Listen To Her Heart
Scott Hutchison snevenelevenThe Modern Leper
The New PornographersNorthern VoiceSing Me Spanish Techno
John Lee HookerDrIan MalcolmBoogie Chillen

Very early - his first real well-known track.
Rainbow Sam Quentin Lady of the Lake
Pyotr Ilyich TchaikovskyzazaleSymphony No. 5 In E Minor, Op. 64, TH.29: 1. Andante - Allegro con anima
 
Beastie Boys #10 - Shadrach
Album - Paul's Boutique (1989)

Peacockin'
Ad-Rock: 0, MCA: 1, Mike D: 0, Beastie Boys: 0, Greater NYC: 0

Name Rockin'
Al, Shadrach, Meshach, Abednego, Putney Swope, Jacoby & Meyers, Rambo, JD Salinger, Charles Dickens, the (KFC) Colonel, Harry S. Truman, Alfred E. Newman, Jerry Lee Swaggert, Jerry Lee Falwell, Mario Andretti

Rhyme Squawkin'
More Adidas sneakers than a plumber's got pliers
Got more suits than Jacoby & Meyers


Yo Mama Talkin'
Such a great song. Some of the best Name Rockin’ of the entire playlist.
 
10.

  • Song: Decoration Day
  • Album: Decoration Day
  • Released: 2003
  • Lead Vocals: Jason Isbell

Singer/songwriter Jason Isbell lent his guitar, voice, and songwriting to the Truckers from 2001 to 2007, and one the first songs he contributed was the title track for 2003’s Decoration Day. It is a sombre tale (and a true one from Isbell’s own family history) of a southern family feud and a cycle of violence that the narrator is trying to escape. The song waivers between angry, sad, and even hopeful, carried by Isbell’s gravel-toned delivery and some guitar solos following in the excellent tradition of Southern rock.
 
10.

  • Song: Decoration Day
  • Album: Decoration Day
  • Released: 2003
  • Lead Vocals: Jason Isbell

Singer/songwriter Jason Isbell lent his guitar, voice, and songwriting to the Truckers from 2001 to 2007, and one the first songs he contributed was the title track for 2003’s Decoration Day. It is a sombre tale (and a true one from Isbell’s own family history) of a southern family feud and a cycle of violence that the narrator is trying to escape. The song waivers between angry, sad, and even hopeful, carried by Isbell’s gravel-toned delivery and some guitar solos following in the excellent tradition of Southern rock.
My #1 DBT song.
 
Love the One You’re With

Wouldn't blame anyone for thinking it's a CSN tune, as Crosby and Nash both sing on it, and the chorus has that CSN sound. But it's technically Stills solo, and it was his biggest hit. I'm guessing the whole monogamy thing is tough for a rock star, and Stills basically lays it right out there. Sorry babe, you're not here, and she is. You understand, right?
 
On the Beach

Both Neil solo tunes come from the CSNY 74 box set. I have probably listened to this version of On the Beach 1000x, and it never gets old. I love the guitar interplay between Neil and Stills. This is an excellent Neil song on its own, but this version is on another level.
 
Sufjan's song about John Wayne Gacy is more well known but I opted to not include and instead go with the lesser known ode to Tonya Harding

Triple axel on high
A delightful disaster
You jumped farther and faster
You were always so full of surprises
 
10. By the Side of the Road

This is the first and only song from their Baptizing album (1978).

Yet another cover song, this staple in their live act was taken from the catalog of gospel singer-songwriter Alfred Brumley, who also wrote I'll Fly Away, a favorite of my mother's.

It is at this time in their history that they experienced their first major shake-up: Dr. Starling stepped away to devote more time to his medical practice and was replaced by someone who was well known by the band.

Cue spotlight #6: guitarist and singer Phil Rosenthal (2nd from the right in my avatar, red shirt, tan pants).

Phil had already made his mark with the band five years earlier, when they recorded his song Muddy Water (#20 on my list and one that several of you seemed to like), which was a hit with the fans and become a part of their live set. I referenced him in my write-up for that song but didn't want to spotlight him until he was official. Duffey liked to rib him about his Jewish heritage, calling him their 'Kosher Connection', and Phil took it in good humor. In all aspects, Phil was a spot-on replacement for Starling as a singer and guitarist and had good chemistry with the rest of the band. He stayed with the band for nine years, the bulk of which overlapped with the times I saw them live. His songs have been recorded by such famous artists as Nick Cave, Bill Monroe and Johnny Cash, and he currently performs as part of a trio with his son and daughter.
 
I’ve liked all of the Tanya Donelly incarnations’ songs, but I think this was my favorite so far (Who knows what I really thought of a song I heard once 2 months ago 😛?)

Los Lobos was a band I probably knew 5-6 songs and 2 of them were covers - but I’ve loved a lot of their stuff and feel I’ll squeeze some listens in down the road.

I liked the earlier Sia songs better than the pop stuff but I will say her voice alone makes her pop stuff better than whatever pop music has managed to find its way into my listening world.
 
Talking Heads
#10 Take Me to the River


Hey, I finally get to join the covers party! When I first heard this song, I was completely unaware that it was a cover of an Al Green song. And once I found that out, I thought the song had to be really, really old. Not quite, as Talking Heads did their version only 4 years after Green released the original.

From Pitchfork:
“Take Me to the River,” their first Top 40 hit, is ground zero for this duality [both art-rock and dance music]. At the time, various white fools were reinterpreting Reverend Green’s 1974 album-cut-turned-Syl-Johnson-hit, ranging from the horrid (Foghat) to the decent (Levon Helm); none of them come near Talking Heads’ singular take. A soul song that walks the line between the sacred and the profane is not something you’d expect a singer who typically yelped quotidian paranoia to excel at, yet David Byrne’s idiosyncratic vocal phrasings—his pauses, his stretched-out crooning and strained falsetto, his “yayayayayaya” that sounds like it’s coming toward you—forever changed the way people hear “Take Me to the River.” And Byrne isn’t even the cover’s main power source, Weymouth is. Their version is one big, throbbing bass loop—the fastest, possibly only route to a sexy Talking Heads song.

From Songfacts:
The song is about a baptism, a topic that jelled with Al Green, who later became an ordained minister. You wouldn't think a New York City-based art-rock band could pull off a gospel-tinged song by a Southern soul singer, but Talking Heads kept the spiritual feel of the song while putting their own spin on it - lead singer David Byrne doesn't sound like a traditional vocalist and could inhabit a character quite believably.

I don’t know why i love you like I do
After all the changes you put me through
You stole my money and my cigarettes
And I haven’t seen the worst of it yet
 
Talking Heads
#10 Take Me to the River


Hey, I finally get to join the covers party! When I first heard this song, I was completely unaware that it was a cover of an Al Green song. And once I found that out, I thought the song had to be really, really old. Not quite, as Talking Heads did their version only 4 years after Green released the original.

From Pitchfork:
“Take Me to the River,” their first Top 40 hit, is ground zero for this duality [both art-rock and dance music]. At the time, various white fools were reinterpreting Reverend Green’s 1974 album-cut-turned-Syl-Johnson-hit, ranging from the horrid (Foghat) to the decent (Levon Helm); none of them come near Talking Heads’ singular take. A soul song that walks the line between the sacred and the profane is not something you’d expect a singer who typically yelped quotidian paranoia to excel at, yet David Byrne’s idiosyncratic vocal phrasings—his pauses, his stretched-out crooning and strained falsetto, his “yayayayayaya” that sounds like it’s coming toward you—forever changed the way people hear “Take Me to the River.” And Byrne isn’t even the cover’s main power source, Weymouth is. Their version is one big, throbbing bass loop—the fastest, possibly only route to a sexy Talking Heads song.

From Songfacts:
The song is about a baptism, a topic that jelled with Al Green, who later became an ordained minister. You wouldn't think a New York City-based art-rock band could pull off a gospel-tinged song by a Southern soul singer, but Talking Heads kept the spiritual feel of the song while putting their own spin on it - lead singer David Byrne doesn't sound like a traditional vocalist and could inhabit a character quite believably.

I don’t know why i love you like I do
After all the changes you put me through
You stole my money and my cigarettes
And I haven’t seen the worst of it yet
I’d imagine this will do well in Krista’s cover rankings.
 
Known-to-me favorites from #10:

When You Were Mine
Take Me to the River
On the Beach (CSNY live version) -- I ranked this #18 in my Neil countdown. What I said there:

18. On the Beach (On the Beach, 1974)
A song about being one of the last survivors after the apocalypse, inspired by the Nevil Shute book and Stanley Kramer film of the same name, this is simply stunning and has passages that sound like they could be written about today's pandemic: "The world is turnin, I hope it don't turn away"; "I need a crowd of people, but I can't face them day to day"; "I head for the sticks with my bus and friends, I follow the road though I don't know where it ends"; and one of my very favorite lines of his, "Though my problems are meaningless, that don't make them go away."
The mellow blues arrangement, which is as chilling and compelling as the lyrics, befits the influence of the honeyslides consumed during recording. The solos could get searing on the CSNY 1974 tour; even though C, S and N all HATED the On the Beach songs (too much of a downer, man), they didn't complain when Neil put them in the setlists and gave them their all.
It has been played only 5 times since that tour. On the 1999 solo tour, Neil broke it out for the first time in 24 years after someone lobbied for it at a backstage meet-and-greet. Such occasions are very special, as there are only 14 known live performances.
This is the song I mentioned that made me emotional when writing about it even though there is no intense personal story that goes with it. (No, those emotions haven't gone away as we've climbed higher.) I think it's because this song really was a case of "my little secret". The album was out of print in the '80s and '90s and almost none of my peers had heard it, as radio ignored it. In high school, a friend and I pooled money to buy old vinyl copies of Time Fades Away and On the Beach. I didn't have a record player, so he kept the vinyl and I copied them to cassette. That's what Gen X-ers had to do to hear this material until one got broadband (OTB finally came out on CD in 2003; I don't know if TFA ever did because Neil hates it.) The theme of isolation, backed by the musical equivalent of a long sigh, really spoke to an introverted teen/twentysomething who was in his own head all the time. It wasn't until 1998 that I found other people who loved this as much as I did.
OK, maybe there is an intense personal story that goes with it.

Rebel Rebel
Authority Song
Light My Way
Listen to Her Heart
Sing Me Spanish Techno
Lady of the Lake
 
Talking Heads
#10 Take Me to the River


Hey, I finally get to join the covers party! When I first heard this song, I was completely unaware that it was a cover of an Al Green song. And once I found that out, I thought the song had to be really, really old. Not quite, as Talking Heads did their version only 4 years after Green released the original.

From Pitchfork:
“Take Me to the River,” their first Top 40 hit, is ground zero for this duality [both art-rock and dance music]. At the time, various white fools were reinterpreting Reverend Green’s 1974 album-cut-turned-Syl-Johnson-hit, ranging from the horrid (Foghat) to the decent (Levon Helm); none of them come near Talking Heads’ singular take. A soul song that walks the line between the sacred and the profane is not something you’d expect a singer who typically yelped quotidian paranoia to excel at, yet David Byrne’s idiosyncratic vocal phrasings—his pauses, his stretched-out crooning and strained falsetto, his “yayayayayaya” that sounds like it’s coming toward you—forever changed the way people hear “Take Me to the River.” And Byrne isn’t even the cover’s main power source, Weymouth is. Their version is one big, throbbing bass loop—the fastest, possibly only route to a sexy Talking Heads song.

From Songfacts:
The song is about a baptism, a topic that jelled with Al Green, who later became an ordained minister. You wouldn't think a New York City-based art-rock band could pull off a gospel-tinged song by a Southern soul singer, but Talking Heads kept the spiritual feel of the song while putting their own spin on it - lead singer David Byrne doesn't sound like a traditional vocalist and could inhabit a character quite believably.

I don’t know why i love you like I do
After all the changes you put me through
You stole my money and my cigarettes
And I haven’t seen the worst of it yet
I’d imagine this will do well in Krista’s cover rankings.
It's on my long list. I'm probably not the only one.
 
10. Nina Simone, Why? (The King of Love is Dead) (Live from the Westbury Music Fair) (from ‘Nuff Said, 1968)

We want to do a tune
Written for today, for this hour
For Dr. Martin Luther King
We've stated before that the whole program is dedicated to his memory
But this tune is written about him, and for him and so
We had yesterday to learn it and so we'll see


The history has a lot of the appeal of this one to me. Imagine it is April 7, 1968. Martin Luther King was assassinated three days earlier, on April 4th. You are in the audience at the Westbury Music Fair — Nina Simone gives that intro and then starts in:

Once upon this planet earth
Lived a man of humble birth
Preaching love and freedom for his fellow man

He was dreaming of a day
Peace would come to earth to stay
And he spread this message all across the land

Turn the other cheek he’d plead
Love thy neighbor was his creed
Pain humiliation death, he did not dread

With his Bible at his side
From his foes he did not hide
It’s hard to think that this great man is dead (Oh yes)

Will the murders never cease
Are they men or are they beasts?
What do they ever hope, ever hope to gain?

Will my country fall, stand or fall?
Is it too late for us all?
And did Martin Luther King just die in vain?…

This song was written by Nina Simone’s bassist, Gene Taylor, in the immediate aftermath of hearing the news of MLK’s death. The lyrics hit a lot of the uncertainty in that immediate aftermath — “did Martin Luther King just die in vain?” “Folks, you better stop and think/because we are heading for the brink.” “What will happen now that the King of love is dead?”

Nina Simone adds some monologue and sermonizing as well (“We can't afford any more losses… They're shooting us down one by one…”). To be able to speak to the moment, with such raw emotion, anger, and poignancy, and giving a performance like this three days after MLK’s death is just incredible to me.
 
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10. Nina Simone, Why? (The King of Love is Dead) (Live from the Westbury Music Fair) (from ‘Nuff Said, 1968)

We want to do a tune
Written for today, for this hour
For Dr. Martin Luther King
We've stated before that the whole program is dedicated to his memory
But this tune is written about him, and for him and so
We had yesterday to learn it and so we'll see


The history has a lot of the appeal of this one to me. Imagine it is April 7, 1968. Martin Luther King was assassinated three days earlier, on April 4th. You are in the audience at the Westbury Music Fair — Nina Simone gives that intro and then starts in:

Once upon this planet earth
Lived a man of humble birth
Preaching love and freedom for his fellow man

He was dreaming of a day
Peace would come to earth to stay
And he spread this message all across the land

Turn the other cheek he’d plead
Love thy neighbor was his creed
Pain humiliation death, he did not dread

With his Bible at his side
From his foes he did not hide
It’s hard to think that this great man is dead (Oh yes)

Will the murders never cease
Are they men or are they beasts?
What do they ever hope, ever hope to gain?

Will my country fall, stand or fall?
Is it too late for us all?
And did Martin Luther King just die in vain?…

This song was written by Nina Simone’s bassist, Gene Taylor, in the immediate aftermath of hearing the news of MLK’s death. The lyrics hit a lot of the uncertainty in that immediate aftermath — “did Martin Luther King just die in vain?” “Folks, you better stop and think/because we are heading for the brink.”

Nina Simone adds some monologue and sermonizing as well (“We can't afford any more losses… They're shooting us down one by one…”). To be able to speak to the moment, with such raw emotion and poignancy, and giving a performance like this three days after MLK’s death is just incredible to me.
Like your first round selection, Nina has added class and sophistication to our pallets and I’ve really like what I’ve heard so far. I look forward to this playlist.

I still listen to the Jorge Ben playlist in the morning once in a while - actually it’s been a while so Sunday morning sounds good for it.
 
10. Precious
Album: The Gift (1982)
Released as a single? Yes (UK #1; double A-side with Town Called Malice)

This funk romp is the lesser-known part of a double A-side that became The Jam's third UK #1 single in 1982. It makes use of everything Paul Weller was obsessed with at the time -- chugging rhythms, wah-wah guitars, horns and plaintive but anguished vocals. Yes, it's a different beast from what P-Funk and their imitators were churning out, but it's every bit as moving (pun intended) as that material. It is one of the rare examples of extended instrumental passages in the Jam discography, but there is no wankery going on here, just foot-stomping grooves.

Partly based on Pigbag's instrumental Papa's Got a Brand New Pigbag, Precious finds Weller fully immersing himself in R&B, and finding the perfect vocal approach for it. He'll never be able to sing like James Brown and doesn't try to; his emotive wail is well-matched to a tale of a man so much in love that it is causing him grief:

Your precious love - that means so much
Will it ever stop or will I just lose touch
What I want to say - but my words just fail
Is that I need it so I can't help myself
Like a hungry child - I just help myself
And when I'm all full up - I go out to play

But I don't mean to bleed you dry
Or take you over for the rest of your life
It's just that I need something solid in mine
Believe me, baby!


Two different versions of Precious helped the double A-side get to #1. The album version appears on the conventional single and an extended version appears on the 12-inch single version. The extended version is basically the same as the regular except the funk groove keeps going for about another minute after the regular version fades out. Both versions of the single were counted together to achieve the #1 position, which was controversial at the time. More on that when we get to the other side, which did the heavier lifting for chart performance.

12-inch single version (about a minute longer than album version): https://www.youtube.com/watch?v=LHObldXdjSc
Radio edit (about a minute shorter than album version): https://www.youtube.com/watch?v=6F27lRAnAzE
Top of the Pops appearance: https://www.youtube.com/watch?v=WmyRVEnHefo
Live Jam version: https://www.youtube.com/watch?v=a9pI34N7mQw
Fire and Skill 1981 disc: https://www.youtube.com/watch?v=njeo9VKsy80
In 2019 Weller performed both parts of the double A-side with Curtis Mayfield's Move On Up sandwiched in between them (starts at 2:58): https://www.youtube.com/watch?v=rvS1hNJHc5k

Cover #10: Get Yourself Together
Recorded during the Sound Affects sessions (1980); appears on the deluxe edition of that album and on the Extras compilation (1992); Weller re-did the vocals in 1992 in advance of its appearance on Extras
Writers: Steve Marriott and Ronnie Lane
Original or best known version: Small Faces

The Who was not the only Mod-related influence on The Jam; they were also obsessed with Small Faces. This punchy, rollicking tune was never released as a single but is one of Small Faces' most-beloved songs. It appeared on their second self-titled UK album and their first US album, There Are But Four Small Faces. The Jam's version crunches a little bit harder than the original but is otherwise pretty faithful to it. The band attempted it during the Sound Affects sessions and occasionally played it live between then and the end of their run; one performance, more R&B-oriented than the studio take, appears on the 1982 disc of Fire and Skill: https://www.youtube.com/watch?v=5YnOWLo3l7o.

At #9, the song that started it all.
 
10. Nina Simone, Why? (The King of Love is Dead) (Live from the Westbury Music Fair) (from ‘Nuff Said, 1968)

We want to do a tune
Written for today, for this hour
For Dr. Martin Luther King
We've stated before that the whole program is dedicated to his memory
But this tune is written about him, and for him and so
We had yesterday to learn it and so we'll see


The history has a lot of the appeal of this one to me. Imagine it is April 7, 1968. Martin Luther King was assassinated three days earlier, on April 4th. You are in the audience at the Westbury Music Fair — Nina Simone gives that intro and then starts in:

Once upon this planet earth
Lived a man of humble birth
Preaching love and freedom for his fellow man

He was dreaming of a day
Peace would come to earth to stay
And he spread this message all across the land

Turn the other cheek he’d plead
Love thy neighbor was his creed
Pain humiliation death, he did not dread

With his Bible at his side
From his foes he did not hide
It’s hard to think that this great man is dead (Oh yes)

Will the murders never cease
Are they men or are they beasts?
What do they ever hope, ever hope to gain?

Will my country fall, stand or fall?
Is it too late for us all?
And did Martin Luther King just die in vain?…

This song was written by Nina Simone’s bassist, Gene Taylor, in the immediate aftermath of hearing the news of MLK’s death. The lyrics hit a lot of the uncertainty in that immediate aftermath — “did Martin Luther King just die in vain?” “Folks, you better stop and think/because we are heading for the brink.”

Nina Simone adds some monologue and sermonizing as well (“We can't afford any more losses… They're shooting us down one by one…”). To be able to speak to the moment, with such raw emotion and poignancy, and giving a performance like this three days after MLK’s death is just incredible to me.
Like your first round selection, Nina has added class and sophistication to our pallets and I’ve really like what I’ve heard so far. I look forward to this playlist.

I still listen to the Jorge Ben playlist in the morning once in a while - actually it’s been a while so Sunday morning sounds good for it.
Glad enjoying it and the Jorge Ben list as well. Just added a Christmas (or “Natal”) song to the end of that playlist recently.
 
#10 Tributary Otis (off The Bottle & Fresh Horses, 1997)

And you got thirsty too
So you come to my well
And the only thing you brought was your thousand yard stare


(Youtube Version) Tributary Otis - YouTube
(Live Version) Roger Clyne & The Peacemakers - Tributary Otis (Refreshments Cover), 08/31/2019, Las Vegas, Nevada

This is not the greatest river in the world; this is just a tributary. This song was inspired by the EP River Otis by Dead Hot Workshop. Which may not be a big surprise given that it name drops the album in the song as well as alluding to it in the title. For what it’s worth, I’ve listened to the EP and enjoyed it; you can see how it might have served as inspiration. I’ll leave any full review for the surely inevitable Dead Hot Workshop playlist.

Why I chose this:
Of course, in the late 90s and early 2000s when I was listening to this often, I didn’t know River Otis existed (and mostly knew Dead Hot Workshop from “Down Together”). Then it was ‘just’ a slow solemn song with a great melody and lyrics that stuck with me. This is the first song on the album, and it sets a tone for it. It would’ve been easy to carbon copy “Banditos” and move on, but this is a different direction while still fitting in with much of the previous album.
 
Mike ShinodaJust Win BabyNobody's Listening

This is the 2nd song I included in my top 31 from the Linkin Park album Meteora. I love the use of the flute in the song, which is actually a shakuhachi. The song’s lyrics capture the frustration that comes with trying to speak up in a world that often doesn’t listen.

In the album booklet, the band wrote:

"One of the band's many goals in writing Meteora was to take their sampled sounds to the next level. However, in creating more interesting samples, a new challenge arose: To make the wide variety of sample-based elements feel like they belonged together. At first, this song's Japanese flute loop created a mood that was far different from any other song on which the band was working, and made the track feel too distant from the rest of the album. Mike and Chester decided that the singing vocals would have to somehow connect the song to the rest of the recordings. The following day, Chester's performance gave this seemingly incongruent song balance, transforming it into an essential track on the album."

Mike admitted to have quoted Jay-Z in the song:

"I have been a fan of Jay’s work from day one. one of my favorite songs is "Brooklyn's Finest"–I even quoted it on our song "Nobody’s Listening" from Meteora." At the beginning of the song, Mike raps, "Yo, peep the style and the kids checking for it. The number one question is "how could you ignore it?"" which is derived from Jay-Z & The Notorious B.I.G. on "Brooklyn's Finest" which says, "A-yo, peep the style and the way the cops sweat us (Uh-huh). The number one question is can the Feds get us? (Uh-huh)"

The Fort Minor mixtape We Major included this remix of this song by Green Lantern. Crossover for this countdown because it heavily samples No One Knows by Queens Of The Stone Age.
 
Hey pretty baby, get high with me
We can go to my sister's if we say we'll watch the baby
Look on your face yanks my neck on the chain
And I would do anything (I would do anything)
To see you again
So I've fallen behind
 
Thanks for this. Going to be in Philly in a few weeks on business and may have a handful hours to kill. Always like checking out record stores when I can for super cheap used merchandise and may check it out if nearby.
 
Known-to-me favorites from #10:

When You Were Mine
Take Me to the River
On the Beach (CSNY live version) -- I ranked this #18 in my Neil countdown. What I said there:

18. On the Beach (On the Beach, 1974)
A song about being one of the last survivors after the apocalypse, inspired by the Nevil Shute book and Stanley Kramer film of the same name, this is simply stunning and has passages that sound like they could be written about today's pandemic: "The world is turnin, I hope it don't turn away"; "I need a crowd of people, but I can't face them day to day"; "I head for the sticks with my bus and friends, I follow the road though I don't know where it ends"; and one of my very favorite lines of his, "Though my problems are meaningless, that don't make them go away."
The mellow blues arrangement, which is as chilling and compelling as the lyrics, befits the influence of the honeyslides consumed during recording. The solos could get searing on the CSNY 1974 tour; even though C, S and N all HATED the On the Beach songs (too much of a downer, man), they didn't complain when Neil put them in the setlists and gave them their all.
It has been played only 5 times since that tour. On the 1999 solo tour, Neil broke it out for the first time in 24 years after someone lobbied for it at a backstage meet-and-greet. Such occasions are very special, as there are only 14 known live performances.
This is the song I mentioned that made me emotional when writing about it even though there is no intense personal story that goes with it. (No, those emotions haven't gone away as we've climbed higher.) I think it's because this song really was a case of "my little secret". The album was out of print in the '80s and '90s and almost none of my peers had heard it, as radio ignored it. In high school, a friend and I pooled money to buy old vinyl copies of Time Fades Away and On the Beach. I didn't have a record player, so he kept the vinyl and I copied them to cassette. That's what Gen X-ers had to do to hear this material until one got broadband (OTB finally came out on CD in 2003; I don't know if TFA ever did because Neil hates it.) The theme of isolation, backed by the musical equivalent of a long sigh, really spoke to an introverted teen/twentysomething who was in his own head all the time. It wasn't until 1998 that I found other people who loved this as much as I did.
OK, maybe there is an intense personal story that goes with it.

Rebel Rebel
Authority Song
Light My Way
Listen to Her Heart
Sing Me Spanish Techno
Lady of the Lake

thanks ...otherwise how could we know?
 
Thanks for this. Going to be in Philly in a few weeks on business and may have a handful hours to kill. Always like checking out record stores when I can for super cheap used merchandise and may check it out if nearby.
Cool. My friend's store is in a suburb about 45 minutes west of Philly. But many of the places mentioned in the article are in the city itself.
 
Röyksopp
10 - So Easy (Vocal sample from Gals and Pals - Blue on Blue)

Year - 1999
Appears on - Melody A.M.
Vocalist - Vocal sample from Gals and Pals - Blue on Blue
Key Lyric - Blue on blue,
Heartache on heartache.
Blue on blue,
Now that we are through.

Notes
1- So Easy" is a song by Norwegian duo Röyksopp, released as their first single. It was first made available in 1999, with only 500 copies made and distributed. It was later re-released on Röyksopp's debut album Melody A.M. "So Easy" contains instrumental and vocal samples from a 1960s cover version of the Burt Bacharach/Hal David song "Blue on Blue" recorded by a Swedish vocal group called Gals and Pals. The sampled lyrics are "Blue on blue, heartache on heartache/Blue on blue, Now that we are through."

2- So Easy" was used in displays between programs on Nickelodeon UK and Channel 4, as well as in British television adverts for T-Mobile (now EE). After the song was featured in these commercials, the single was re-released, with the group's hit "Remind Me" as the A-side and "So Easy" as the B-side.

3- Thorbjørn Brundtland commented on the song "With regard to all the positive reactions So Easy has received, one can wonder if we really have talent, or if it is just luck."

4- The debut album - Melody A.M. was met with universal acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 81, based on 21 reviews.

5- from hackmusictheory
A great example of a super memorable bass line, which doesn’t steal any attention away from the lead melody, can be found in the song “So Easy” by Norwegian electronic duo, Röyksopp. If you haven’t heard this song, have a quick listen, it’s the opening track on their brilliant album “Melody A.M.” from 2001. The song actually begins with both their bass line and lead melody playing, and while the lead is crazy catchy, the bass below is 100% memorable as well, without ever taking any attention away from the lead melody. It’s truly brilliant!

6- On the So Easy outro, one voice mentions "I have some frequencies for you. 600. 150. 400" and the other voice says "400? I'll be right over".
This has confounded fans over the hears, had some really technical arguments about frequencies.

Heres the bands take
This the 2 of us having a conversation and its not a sample as such. We understand that this has really struck a chord in peoples imagination, which we like. This whole passage has meaning to the 2 of us but our explanation/answer might not be 'as good' as you would hope it to be. To me it would be like David Lynch explaining every little aspect of his movies, that would kill it for me. We hope you feel the same way ;)

Running Vocal Count
Röyksopp - 6
Robyn - 4
Susanne Sundfør - 3
Karin Dreijer - 2
Maurissa Rose - 1
Gunhild Ramsay Kovacs - 1
Alison Goldfrapp - 1
Jamie Irrepressible - 1
Karen Harding - 1
Kate Havnevik - 1
Sample - 1
Instrumental - 3

Where to find
Melody A.M - 1
The Understanding - 2
Röyksopp’s Night Out - 1
Back to Mine Series - 1
Junior - 2
Senior - 1
Late Night Tales Series - 1
Do It Again EP - 2
The Inevitable End - 2
Profound Mysteries I - 0
Profound Mysteries II - 1
Profound Mysteries III - 5
Other/Non Album Songs - 3

Year
1999 - 1
2001 - 0
2002 - 1
2005 - 2
2006 - 1
2007 - 1
2008 - 0
2009 - 2
2010 - 1
2013 - 1
2014 - 4
2016 - 2
2022 - 6

Next up we see our final collaboration with Robyn. Want a ballad? Its here. Want an uptempo track? We got that too
 

Album: Havana Daydreamin'
Released: 1976

One o'clock in mornin'
People pilin' in thru the door
Drinks are still comin' and I'm barely hummin'
And the audience is screamin' for more

Somebody's locked in the bathroom
Manager can't find the key
I pity that man but from where I stand
It's lookin' like the prisoner is me

Chorus:
So won'tcha kick it in now second wind
We got two more hours to go
Losin' any more hope of scorin' any more coke
And we still gotta do another show

A mainstay on my running / race list since I started making playlists. Just a fun, motivational song with a good upbeat feel.
 
10.
Authority Song- John Mellencamp
from Uh-Huh Album


"Growing up leads to growing old and then to dyin', and dyin' to me don't sound like all that much fun" I've always loved those lyrics!

Authority Song is another top 20 hit from the Uh-Huh album (peaking at #15.) Even though this one is just a rewrite of "I fought the Law" ... I have always loved this song. from the opening guitar riff.. this one just rocks. I grew up getting into alot of trouble and and Ive rarely backed down from a fight so this one has kinda always suited my attitude. Listening to it now... reminds me of youthful rebellion... now we are just old with mortgages and taxes lol... guess authority does always win!
 
10.
Authority Song- John Mellencamp
from Uh-Huh Album


"Growing up leads to growing old and then to dyin', and dyin' to me don't sound like all that much fun" I've always loved those lyrics!

Authority Song is another top 20 hit from the Uh-Huh album (peaking at #15.) Even though this one is just a rewrite of "I fought the Law" ... I have always loved this song. from the opening guitar riff.. this one just rocks. I grew up getting into alot of trouble and and Ive rarely backed down from a fight so this one has kinda always suited my attitude. Listening to it now... reminds me of youthful rebellion... now we are just old with mortgages and taxes lol... guess authority does always win!
One of those many ‘80s songs that’s as memorable for the video as it is for the song itself.

Peak mullet Mellencamp.
 
10.
Authority Song- John Mellencamp
from Uh-Huh Album


"Growing up leads to growing old and then to dyin', and dyin' to me don't sound like all that much fun" I've always loved those lyrics!

Authority Song is another top 20 hit from the Uh-Huh album (peaking at #15.) Even though this one is just a rewrite of "I fought the Law" ... I have always loved this song. from the opening guitar riff.. this one just rocks. I grew up getting into alot of trouble and and Ive rarely backed down from a fight so this one has kinda always suited my attitude. Listening to it now... reminds me of youthful rebellion... now we are just old with mortgages and taxes lol... guess authority does always win!
My favorite song of his.
 
Tears for Fears
#10 - Rivers of Mercy

Appears - The Tipping Point
Year - 2022
UK Highest Chart Position - Did Not Chart
US Highest Chart Position - Did Not Chart
Key Lyric -Drop me in rivers of mercy, yeah
Bring out the dead tonight and bathe them in your sacred light to
Wash away the pain (Wash away the pain)

Notes
1- “Rivers of Mercy” is the centerpiece of the record, weaving lyrically from a bleak picture of our world to a more hopeful vision of the victory of divine love. Orzabal sings, “I too often see the world through a veil of tears,” naturally evoking in Catholics the homophone “vale of tears” from the Salve Regina. Theological richness proceeds from there, as the singer longs for healing from “manna from heaven” and immersion in “the infinite sea.” Orzabal asks, “Dare I imagine some faith and understanding?” as the track builds from a piano ballad to a throw-back ’80s groove with haunting backing vocals before finishing in a soaring, multi-instrumental prayer. Press the back button and play this one a few extra times.

2- from variety
“Rivers of Mercy,” one of your new songs, feels like it really embodies Tears for Fears. Throughout all your albums, there’s an overarching theme to the lyrics. It’s songs about yearning and searching and questioning, and trying to find something. Talk a little about “Rivers of Mercy.”

Orzabal: It’s an interesting song. I think it probably has the most to do with the atmosphere of “Woman in Chains” as anything we’ve ever tried since, so that’s a lovely thing, a lovely feat to achieve.

It is strange, because it has such a calm and serene mood, but it was put together around the times of the BLM [Black Lives Matter] protests and the rage in the world. And you know, we were in lockdown number one here in England, and it coincided with the most incredible Mediterranean weather. And being sort of imprisoned in this lovely garden in the beautiful countryside of the West Country in England was amazing. But you turn on your TV, or you put on your computer, and you see all this crazy stuff going on.

So we used the sounds of the sirens and the gunshot [at the beginning of the song]. And then we evolve into this beautiful mood of redemption and forgiveness. Which is, of course, when you feel that rage, the last thing you want to do is actually forgive anyone. But unfortunately, that’s kind of the only way out, or else the rage will just continue and continue.

Where to find
The Hurting - 4
Songs from the Big Chair - 2
The Seeds of Love - 0
Elemental - 1
Raoul and the Kings of Spain - 1
Everybody Loves a Happy Ending - 5
Ready Boy and Girls - 1
The Tipping Point - 3
Greatest Hits only - 1
B- Sides - Other/Non Album Songs - 4

Year
1981 - 2
1982 - 0
1983 - 5
1984 - 0
1985 - 1
1986 - 1
1989 - 0
1993 - 1
1995 - 2
2004 - 5
2014 - 1
2017 - 1
2021 - 0
2022 - 3

Next up, we stay with the Tipping Point album and our last track from this century. The top 8 will be all 80s
 
10.
Authority Song- John Mellencamp
from Uh-Huh Album


"Growing up leads to growing old and then to dyin', and dyin' to me don't sound like all that much fun" I've always loved those lyrics!

Authority Song is another top 20 hit from the Uh-Huh album (peaking at #15.) Even though this one is just a rewrite of "I fought the Law" ... I have always loved this song. from the opening guitar riff.. this one just rocks. I grew up getting into alot of trouble and and Ive rarely backed down from a fight so this one has kinda always suited my attitude. Listening to it now... reminds me of youthful rebellion... now we are just old with mortgages and taxes lol... guess authority does always win!
My favorite song of his.
Possibly mine also. Top 3,anyway.
 
🤔 I really wasn’t expecting to see the Twister soundtrack cover in this thread / playlists.
I actually had that CD :bag:
 
Selected favorites from the #10s. I’ve (not entirely intentionally) developed a pattern where roughly every 5 lists are in playlist order. Thus I continue that here. Anyway, the rounds are, not surprisingly, getting packed with excellent stuff.


Familiar songs:
Take Me to The River - Talking Heads
Shadrach - Beastie Boys
Rebel Rebel - David Bowie
Drive - Incubus
Authority Song - John Mellencamp

New discoveries:
Broken - Belly/Tanya Donelly
Decoration Day - Drive-By Truckers
That’s Just the Way I Feel - Purple Mountains/David Berman
I’m On Your Side - Nathaniel Rateliff
Boogie Chillen - John Lee Hooker
 

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