On the eve of my band's debut, time for one more write-up:
The Seldom Scene: Setting the Stage
The DC area has always been a melting pot within the melting pot that is the United States, due to the constant influx of politicians and the assorted lobbyists and members of the industry that has grown up around the administration of our country. The proximity of the Appalachians to the Nation's Capital allowed the genre exposure to yet another level of new listeners--young, urban professionals. In the 60s, The Country Gentlemen captivated these audience with their catalog of traditional bluegrass along with more current folk and even contemporary pop sprinkled in, creating the next evolution of the genre:
urban/progressive bluegrass, which some even called
newgrass. It gave due tribute to the genre's roots while also reaching out to appeal to new audiences. Combined with lead singer/mandolinist John Duffey's showmanship (not on par with Roy Clark's, mind you, but nevertheless a welcome change from their stoic predecessors), bluegrass was exciting and somewhat relevant to the young hipsters of the time.
Duffey's departure from the Gentlemen diminished the band's showmanship but not their talent, as their reputation and position as the vanguard of the genre ensured they continued to attract the best, like-minded musicians. Nevertheless, when Duffey was convinced to join a new band made up from a group of part-time musicians with full-time jobs that got together for jam sessions the way other suburban dads may get together for poker or golf, The Seldom Scene hit the ground running and quickly stood shoulder to shoulder with the Country Gentlemen in terms of popularity.
Duffey was able to talk the owner of a local venue (The Red Fox Inn in Bethesda, MD) to let them play there on the slowest night of the week, turning it into standing room only. From there, they moved to other local spots, including DC's
The Cellar Door and Arlington's
The Birchmere, where they eventually took up residency. Not bad for a bunch of guys with day jobs.
I personally believe that another reason they resonated with younger, less 'Appalachian' fans is that they themselves were not hillbillies in the traditional sense; none of them had a particularly 'country' or twangy accent, they dressed in modern casual clothes and again, held full-time jobs. One was a mathematician , one was a cartographer, one was a graphic artist, one was a physician. Only Duffey had a non-traditional job (musical instrument repair). They weren't bumpkins, which I can't help but think helped cut through some of the prejudices folks had about "hillbilly" music.
I can't speak to the culture writ large at the time of the band's birth, all I know is that during this time, my parents' record collection contained selections from Simon and Garfunkel, Peter Paul and Mary, Jim Reeves and Chet Akins as the 'contemporary' section of their collection, though I don't remember hearing any of them played much around the house. In fact, the only place I remember hearing music with them was in the car when we went places, though being a young child with undiagnosed ADHD and/or autism spectrum issues, I didn't really pay much attention.
Until my father discovered bluegrass.
Even for that time, what he liked was considered 'old-school' country, and I'm talking pre-Hank Williams (Senior), so what was current country at the time didn't appeal to him. I'm still not clear about where he first heard bluegrass, but I know that the DC area NPR station, WAMU, featured it prominently in their weekly schedule. From then on, there wasn't a trip in the car we didn't take, whether it was to the grocery store or a vacation trip towing our travel trailer, that didn't have bluegrass playing.
It's this brief period in the early 70's where the countdown, and my journey with The Seldom Scene begins.