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MAD's ROUND 2!! # 1's have been posted!! (3 Viewers)

Selected favorites from the #4s . To celebrate the 4s, let’s go 4 categories deep. And this will be still leaving some very good songs off, because things are just that packed! Shuffled, per usual.


Familiar songs:
Little Sister - QotSA/Josh Homme
Like a Stone - Audioslave/Chris Cornell
Boom Boom - John Lee Hooker
A Pirate Looks at Forty - Jimmy Buffett
Here Comes My Girl - Tom Petty

New discoveries:
Spanish Pipedream - John Prine
Don’t Get Too Close - Nathaniel Rateliff
Man - Neko Case
Snow is Falling in Manhattan - Purple Mountains/David Berman
Drunk in the Morning - Kid Rock

Dig the Vibe corner
Not only Tchaikovsky (as always), but also Sufjan Stevens, Royksopp and The Seldom Scene hit us with strong instrumentals!

Shuffle Adventures:
Shuffle hit me with a rather “heavy” block, putting Faith no more followed by black midi and Mastodon, in that order. Maybe not completely leather jackets and devil signs, but still rockin’
 
#3's PLAYLIST
#3 -
PrinceRamsay Hunt ExperienceI Could Never Take the Place of Your Man
Tanya DonellyplinkoSweet Ride
Feed the Tree B-side, 1993
Talking Headskupcho1This Must Be the Place (Naive Melody)
Sia FurlerScoresmanDusk Till Dawn (ZAYN featuring Sia)
Los LoboseephusLa Venganza de Los Pelados (feat. Café Tacvba)
The Seldom SceneCharlie SteinerIn the Midnight Hour
Kid RocksnellmanWasting Time (NSFW)
Against Me!scorchyThrash Unreal
MastodonKarmaPolice Hearts Alive
Neko CaseMister CIATimber
Faith No MoreJBBreakfastClubEpic
black midiJuxtatarotDethroned
Nina SimoneDon QuixoteI Wish I Knew How It Would Feel to be Free, from Silk & Soul
Beastie BoysYo MamaSo What’Cha Want
Drive-By TruckersDr. OctopusOutfit
Jimmy Buffet-OZ-Love and Luck
https://www.youtube.com/watch?v=r6GWkVmX8FI
The JamPip's InvitationFuneral Pyre
RöyksoppJMLs secret identity3 - If You Want Me feat Susanne Sundfør
Nick Cave and the Bad SeedssalterifficCabin Fever!
CSNYjwbAlmost Cut my Hair
Roger ClyneMt. ManAmericano
David BermanThe Dreaded MarcoTrains Across the Sea
David BowieBinky the DoormatSuffragette City
Pointer SistersMrs. RannousSisters Are Doing It For Themselves

IncubusMAC_32A Certain Shade Of Green
John MellencamptuffnuttJack & Diane

Sufjan Stevens Ilov80sDrawn to the Blood
Mike ShinodaJust Win BabyCrawling
Chris Cornell Raging Weasel Show Me How to Live
Josh HommetitusbrambleThe Lost Art of Keeping a Secret
Nathaniel Rateliff & The Night SweatsAAABatteriesAnd It's Still Alright
Kim MitchellSullieRock N' Roll Duty
Thin LizzyzamboniCowboy Song
Collective SoulfalguyPrecious Declaration
Tears for FearsJohn Maddens LunchboxWoman in Chains (Vocals Roland and Oleta Adams)
Cheap TrickFairWarningShe's Tight
John Prinelandrys hatSpeed of the Sound of Loneliness

Ben FoldsHov34Landed
Tom PettyZegras11American Girl
Scott Hutchison snevenelevenState Hospital
The New PornographersNorthern VoiceAvalanche Alley
John Lee HookerDrIan MalcolmTerraplane Blues

This one comes in as "Roy Rogers," but it's John Lee doing the singing.
Rainbow Sam Quentin Catch the Rainbow
Pyotr Ilyich TchaikovskyzazaleString Quartet No. 1 in D Major, Op. 11, TH 111: I. Moderato e semplice
 
3. Funeral Pyre
Writers: Paul Weller, Rick Buckler and Bruce Foxton
Album: Non-album single (1981)
Released as a single? Yes (UK #4)

Another tune that is as incendiary as its title, Funeral Pyre is a testament to how big The Jam had become in the UK by early 1981. It is three-and-a-half minutes of noise and rage, without any sugarcoating. Not exactly what most acts would try to send up the charts. But because it was The Jam and it was 1981, Funeral Pyre nonetheless hit UK #4.

One of only two songs credited to the entire band (the other is Music for the Last Couple, a mostly instrumental Sound Affects album track), Funeral Pyre begins with a pounding bass-and-drums intro (likely the reason for the co-writing credits for Bruce Foxton and Rick Buckler) and is soon joined by Paul Weller's slashing guitar and yelping vocal. It's not all scorched-earth post-punk, though, as Foxton's basslines are highly melodic and the chord changes give the song a distinctiveness that sets it apart from other screeds of the time. The track is even a bit funky in its own way.

The song is about going scorched-earth, literally and figuratively, as a result of the powers-that-be stacking the deck against everyone else:

We feast on flesh and drink on blood
Live by fear and despise love in a crisis
(What with today's high prices)
Bring some paper and bring some wood
Bring what's left of all your love for the fire
We'll watch the flames grow higher
But if you get too burnt, you can't come back home

Well I feel so old, when I feel so young
Well, I just can't grow up to meet the demands


When The Guardian released a list of Paul Weller's 30 best songs, they ranked Funeral Pyre #25. They said:

"Pigeonholed as traditionalists, the Jam don’t get enough credit for being experimental. Funeral Pyre has almost no tune, just sprawling guitar noise, a relentless fusillade of drums and a furious, still-relevant lyric. “As I was standing by the edge / I could see the faces of those who led / Pissing theirselves laughing.” A single, incredibly."

Not surprisingly, it was also a standout live, check out at least one concert version below. I would not be surprised if the band thought that with this song, they had taken post-punk raging as far as it could go, as their next single was Absolute Beginners (#31 on this list), which began their transformation into a band that put their R&B/soul influences in the forefront -- the final phase of their brief career.

Music video: https://www.youtube.com/watch?v=rFrrNhsGZp4
Remixed version that appears on the Snap! compilation: https://www.youtube.com/watch?v=-A4ZuRUXyOg
Live Jam version: https://www.youtube.com/watch?v=00hJmONW86U
Fire and Skill 1981 disc: https://www.youtube.com/watch?v=uJLYoIznQJg
Radio 1 appearance, included on The Jam at the BBC: https://www.youtube.com/watch?v=YL1B-eHbeYs

Cover #3: Disguises
B-side of Funeral Pyre (1981)
Writer: Pete Townshend
Original or best known version: The Who

Well, this is a happy coincidence: Funeral Pyre's A-side and B-side share the same entry. Disguises is one of Pete Townshend's most psychedelic songs. It first appeared on the 1966 EP Ready Steady Who and American collectors would most likely have it on the Magic Bus -- The Who on Tour compilation album (which was not live). The song was one of several Townshend wrote for a concept album about parents being able to choose their baby's gender; only this song and "I'm a Boy" survived. The Who's recording is notable for its extensive use of reverb and feedback, and of Keith Moon's use of almost Eastern rhythms, kind of like what Ringo Starr did on Tomorrow Never Knows from the same year. The Jam's cover retains that vibe but, in keeping with their post-punk leanings at the time, is more skeletal and sparse. It was the perfect way to unite their biggest influence with their current scene. Their version of Disguises also appears on the Extras compilation and the Direction Reaction Creation box set.

At #2, the song that cemented The Jam's status at the top of the UK music food chain after the breakthrough of The Eton Rifles.
 
Known-to-me favorites from #3:

I Could Never Take the Place of Your Man
This Must Be the Place (Naive Melody) -- Mr. Cerebral gets emotional and the results are stunning. I saw him perform this live with Arcade Fire.
Epic
So What 'Cha Want
Almost Cut My Hair -- the extended version on the CSN box set is even better https://www.youtube.com/watch?v=FK3TIYG9mqM
Suffragette City
Jack & Diane
Show Me How to Live
Cowboy Song
Woman in Chains
She's Tight
American Girl -- also my #3 Petty
Catch the Rainbow
 
Beastie Boys #3 - So What'cha Want
Album - Check Your Head (1992)

Peacockin'
Ad-Rock: 0, MCA: 0, Mike D: 1, Beastie Boys: 0, Greater NYC: 0

Name Rockin'
Eddie Harris, Spoonie Gee, Dr. Spock, Vincent the Cleaner

Rhyme Squawkin'
You scream and you holler 'bout my Chevy Impala
But the sweat is getting wet around the ring around your collar


Yo Mama Talkin'
This song has all the things I love about the Beastie Boys crammed into one song - it’s in your face, it’s raw, it’s got funk and it rocks, it’s got samples and musicianship, it’s got incredible DJing and production. Classic hip-hop that takes things to a whole new level and in a whole new direction. Speaks to the awesomeness of my top 2 that this is “only” number 3.
 
Tears for Fears
#3- Woman in Chains feat Oleta Adams

Appears - The Seeds of Love
Year - 1989
UK Highest Chart Position - #26 and #57 on reissue
US Highest Chart Position - #36
Key Lyric -
Trades her soul as skin and bones
Sells the only thing she owns, oh oh
Woman in chains
Woman in chains

Notes
1- Phil Collins plays drums on this track. “The studio cut features Phil Collins on drums. "Tears for Fears just wanted me to do that big drum thing from 'In the Air Tonight'..." Collins recalled. "'We want you to come in here in a big way.”
He only drums from 3:32 minutes in until the end.


2- The song is not directly about empowering women, as it has come to be known. It’s a very personal song for Roland about his mother.
“During a 2021 interview with the Louder website, when asked if the song is the feminist anthem it’s usually read as, Orzabal replied: "Um... it was really about my mother. At one point in her life she was a stripper. My father and she ran an entertainment agency from a council house in Portsmouth. So she would go out to strip, and my father would send a driver out with her to spy on her. If she talked to another man, when she came back he would beat her up. So it's about domestic abuse."

3- One day in a two date stop during the Songs from Big Chair tour, keyboardist Ian Stanley popped in to the Peppercorn Duck Club in the Hyatt Hotel in Kansas City. The next day he brought Roland and Curt to hear this singer he had heard the previous night. Oleta Adams.

4- The band approached Adams after her performance and promised to work together in the future. I am sure small town singers hear this all the time, but while working on the Seeds of Love album they contacted Adams and got her to sing co-lead on two tracks, as well as backing vocals and piano on a couple more. She also was the opening act on their Seeds of Love tour remaining on stage to play Piano, backing vocals and lead on her two TFF tracks during their set time.

5- Adams did sing the national anthem in 1984 at game 2 of the ALC Series featuring the Kansas City Royals in Kansas City. This was on the back of two solo albums that were self funded and had minor local success

6- Following her work with the band she was offered a solo deal by the same record company as the band and recorded the Circle of One LP promptly. Minor success in the UK followed with the Rhythm of Life and Circle of One tracks. Once the first Gulf “war” broke out, she got lucky when her track “Get Here” was used prominently. It was a cover of a Brenda Russell song, which Adams heard in a record store in Sweden. It reached the top 5 in the UK and the US. Her only hit in the US. She continued having moderate success in the UK with 12 charting singles between 1990 and 1996

7- She actually subsequently collaborated with Brenda Russell on a movie soundtrack song, reunited with Roland for a TFF track on Raoul and the Kings of Spain, joined them on stage in Kansas in 2004 and has recorded 10 solo albums in total. Add in 4 grammy nominations and that chance encounter worked out quite well for her.

Where to find
The Hurting - 5
Songs from the Big Chair - 5
The Seeds of Love - 2
Elemental - 1
Raoul and the Kings of Spain - 1
Everybody Loves a Happy Ending - 5
Ready Boy and Girls - 1
The Tipping Point - 4
Greatest Hits only - 1
B- Sides - Other/Non Album Songs - 4

Year
1981 - 2
1982 - 1
1983 - 5
1984 - 1
1985 - 3
1986 - 1
1989 - 2
1993 - 1
1995 - 2
2004 - 5
2014 - 1
2017 - 1
2021 - 1
2022 - 3

Next up an album track that was never released as a single. But its highly emotional and personal. It was used on a 2000’s track by a very prominent artist as the basis for a tribute to his own mother
 
Röyksopp
3 - If You Want Me feat Susanne Sundfør

Year - 2022
Appears on - Profound Mysteries 1
Vocalist - Susanne Sundfør
Key Lyric - The quiet in this room
All this suffocating gloom
When the darkness pulls me in
I am drowning

Notes
1- Like all the songs she appears on, Sundfør lifts what could have been an average track into something remarkable.


2- This is the only representative from the first Profound Mysteries I LP. There are some nice moments including another from Alison Goldfrapp (Impossible) that just missed the cut. Collaborations with Pixx, Astrid S and Beki Mari are in the 32-50 area

3- from mxdwn.com
The song, “If You Want Me,” features the art pop and electronica singer-songwriter Susanne Sundfør. She has traversed genres throughout her time as an artist with roots in folk music, a style she returned to in her latest album Music for People in Trouble. In her collaboration with Röyksopp, she adds an ethereal mood to the track that draws from her earlier work and complements Röyksopp’s latest project in tone. Like other Profound Mysteries songs, it is very introspective and thought-provoking. Sundfør sings about her weariness in life: “All the things that might have been/There were signs I should have seen/Oh, these thoughts will weigh me down/’Til I’m broken.”
She describes her solace as someone else, an unknown “you” who she isn’t certain will remain by her side: “Draw the line out in the sand/If you want me, here I am.”

Running Vocal Count
Röyksopp - 8
Robyn - 5
Susanne Sundfør - 5
Karin Dreijer - 2
Maurissa Rose - 1
Gunhild Ramsay Kovacs - 1
Alison Goldfrapp - 1
Jamie Irrepressible - 1
Karen Harding - 1
Kate Havnevik - 1
Erlend Øye
Sample - 1
Instrumental - 4

Where to find
Melody A.M - 2
The Understanding - 2
Röyksopp’s Night Out - 2
Back to Mine Series - 1
Junior - 3
Senior - 1
Late Night Tales Series - 2
Do It Again EP - 3
The Inevitable End - 2
Profound Mysteries I - 1
Profound Mysteries II - 2
Profound Mysteries III - 5
Other/Non Album Songs - 3

Year
1999 - 1
2001 - 1
2002 - 1
2005 - 2
2006 - 2
2007 - 1
2009 - 3
2010 - 1
2013 - 2
2014 - 4
2016 - 2
2022 - 9

Next up we have another early track. it’s astonishing in it’s simplicity
 
Jimmy Buffet-OZ-Love and Luck

Another song that reminds me a lot of when I started dating my wife (John Mellencamp is a big part of that soundtrack). My top 3 are particularly sentimental.

First released on boats, beaches, bars and ballads, the boxed set I spent way too much time listening to from my junior year in HS through college.

“Borrowed heavily” from a song written by Jocelyne Beroard and J.C. Naimro entitled "Kole, Sere" Kole sere" is Caribbean Creole for "love and luck." "Gris gris" is a voodoo charm, usually a small bag containing several odd items chosen with the individual and the purpose in mind, and normally intended to bring good luck. There’s mild controversy whether Jimmy “wrote” the song.

So talk to me I'll listen to your story
I've been around enough to know
That there's more than meets the eye
Everybody needs a little good luck charm
A little gris gris keeps you safe from harm
Rub yours on me, and I'll rub mine on you
Luckiest couple on the avenue

Mysteries don't ever try to solve them
We're just players in a game
And no one's keeping score

So have your fun
Go ahead and tell your story
Find yourself a lover
Who will glue you to the floor

Kole sere kole sere
Kole sere kole sere
Kole sere kole sere
Kole sere kole sere
 
#3 - Pointer Sisters - Sisters Are Doing It For Themselves - Natalia and the Sisters

Natalia is from Belgium. This obviously a cover of the Eurythmics song. It features Anita, Ruth, and Issa. Issa is Ruth's daughter and replaced June.

Alas, this is not on Spotify. @KarmaPolice , please replace this with Taj Mahal featuring the Pointer Sisters "Little Red Hen Blues".
The switch was already in there, hence the name of the title of the playlist. All my hard work and humor only funny to me going unnoticed. ;)
 
PrinceRamsay Hunt ExperienceI Could Never Take the Place of Your Man
This is my #1 for Prince. I'm happy it ranked this high, but I ain't gonna lie, a little disappointed as well that it wasn't your top song.
(For some reason this version (from The Hits/The B-Sides) doesn't sound as clean as the one on the remastered version 2020 Sign O' The Times.)
 
Talking Heads
#3 This Must Be the Place (Naive Melody)


As I mentioned in my write-up on #18 Love Comes to Town, Talking Heads do not have many love songs in their catalog. However, This Must Be the Place (Naive Melody) absolutely qualifies. From faroutmagazine:

As he explained during his self-interview in the special features of the Stop Making Sense concert film, “I don’t think I’ve ever done a real love song before. Mine always had a sort of reservation, or a twist. I tried to write one that wasn’t corny, that didn’t sound stupid or lame the way many do. I think I succeeded; I was pretty happy with that.” That song was ‘This Must Be The Place (Naive Melody)’, perhaps the one true-blue heartfelt love song in the Talking Heads canon.

Quite simply, it's just a beautiful song.

I'm just an animal looking for a home and
Share the same space for a minute or two
And you love me 'til my heart stops
Love me 'til I'm dead
 
Talking Heads
#3 This Must Be the Place (Naive Melody)


As I mentioned in my write-up on #18 Love Comes to Town, Talking Heads do not have many love songs in their catalog. However, This Must Be the Place (Naive Melody) absolutely qualifies. From faroutmagazine:

As he explained during his self-interview in the special features of the Stop Making Sense concert film, “I don’t think I’ve ever done a real love song before. Mine always had a sort of reservation, or a twist. I tried to write one that wasn’t corny, that didn’t sound stupid or lame the way many do. I think I succeeded; I was pretty happy with that.” That song was ‘This Must Be The Place (Naive Melody)’, perhaps the one true-blue heartfelt love song in the Talking Heads canon.

Quite simply, it's just a beautiful song.

I'm just an animal looking for a home and
Share the same space for a minute or two
And you love me 'til my heart stops
Love me 'til I'm dead
Great tune - always think of the movie Wall Street when I hear it.

 
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Thin LizzyzamboniCowboy Song
A few picks ago, I mentioned “Róisín Dubh (Black Rose): A Rock Legend" was about the most Irish thing they did. This one is probably among the least Irish, but one of their all-timers with another blistering outro solo.

Always wished the show Yellowstone used this as its theme song.
 
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3.


  • Song: Outfit
  • Album: Decoration Day
  • Released: 2003
  • Lead Vocals: Jason Isbell

The closest the Truckers ever came to a hit single, this simple story about a father’s advice to his rock star son, laid the groundwork to Isbell being one of the best songwriters working today.


You wanna grow up to paint houses like me
A trailer in my yard 'til you're 23
You wanna feel old after 42 years
Keep dropping the hammer and grinding the gears

Well, I used to go out in a Mustang
A 302 Mach One in green
Me and your mama made you in the back
And I sold it to buy her a ring

And I learned not to say much of nothing
So I figured you already know
But in case you don't or maybe forgot
I'll lay it out real nice and slow

Don't call what you're wearing an outfit
Don't ever say your car is broke
Don't worry about losing your accent
A Southern man tells better jokes

Have fun, but stay clear of the needle
Call home on your sister's birthday
Don't tell 'em you're bigger than Jesus, don't give it away
Don't give it away

Five years in a St. Florian foundry
They call it Industrial Park
Then hospital maintenance and Tech School
Just to memorize Frigidaire parts

But I got to missing your mama
And I got to missing you too
And I went back to painting for my old man
And I guess that's what I'll always do

So don't let 'em take who you are, boy
And don't try to be who you ain't
And don't let me catch you in Kendale
With a bucket of a wealthy man's paint

Don't call what you're wearing an outfit
Don't ever say your car is broke
Don't sing with a fake British accent
Don't act like your family's a joke

Have fun, and stay clear of the needle
Call home on your sister's birthday
Don't tell them you're bigger than Jesus, don't give it away
Don't give it away
 
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David BermanThe Dreaded MarcoTrains Across the Sea
This is my favorite Silver Jews song. I've got a real good idea what one of the next two are, and maybe both if they are from the same album.

Half hours on earth, what are they worth
I don't know

In 27 years, I've drunk fifty thousand beers
and they just wash against me
like the sea into a pier
 
3.
Jack and Diane- John Mellencamp
from American Fool Album


Our last Song from American Fool, is simply one of his best. In fact Jack and Diane is Mellencamp's signature song and his only #1 single. From the great riiff to the amazing drum break... this "little ditty" is great. And don’t forget those hand claps, which were originally used in the studio so the players could keep time but were kept in the finished product to memorable effect. Whether you love or hate Mellencamp, you cant deny that this one is iconic.

Mellencamp on the song: "It was 1980, and I was down in Miami again, making a record. We had spent $300,000, and I had three songs done. The record company was not happy. Finally the president of the company came down and was like, "You're spending money like crazy!" He went nuts. The three songs were "Jack & Diane," "Hurts So Good" and "Hand to Hold On To." He hated them. Hated them! He said, "We expect you to become the next Neil Diamond. What is this ****?"

"Jack & Diane" was originally about race. I was playing nightclubs and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it. He said, "Maybe if you put some horns on this song and really build the chorus up, then maybe you have a shot. But take the race thing out."

I took his advice and made Jack a football star. I think people, particularly in the Midwest, really identified with these characters. I can't tell you how many people have come up to me and said, "I'm Jack and I'm Diane. You wrote about my life." To me, that's a successful song.

"Life goes on...long after the thrill of living is gone" has there ever been a more true rock lyric?
 
#3 Americano! (off Americano!, 2004)

I can burn like a wildfire
Disappear like a ghost
A dagger in my cloak
I'm a rich and gracious host


(Youtube Version) Americano
(Live Version) Roger Clyne and the Peacemakers - Americano

Why I chose this:
Scorpion Sting! This is another song that should grab you early, fast-paced and hard-charging. Some catchy hooks and great instrument work here, combined with another character-driven story in the vocals. Though my ranking tend to always fluctuate a bit, I just love this one too much to not put it high most of the time.

It’s not necessarily the same character as in “Banditos” (and a few songs to come…) but Clyne admitted that it could be. That same outlaw flair, only aged a bit. A character who knows he’s responsible for a lot of bad things and is repetent about it, to the point of prayer. Yet a character who still keeps making those sort of choices. Whether it’s flaws, stubbornness, desperation, or a mix of all three.

At #2 We continue the story songs, with a song I could see at least one other artist on the playlist having done.
 
Almost Cut my Hair

Probably my favorite of Crosby's many excellent contributions. It's basically him saying "yea, I'm a hippie with long hair. Deal." He said about the lyrics "It was the most juvenile set of lyrics I've ever written ... but it has a certain emotional impact, there's no question about that."

Two things of note: no harmony vocals - it's all Crosby. And Neil is playing on a song that isn't his, which is somewhat rare. That moves this one into one of their harder / more rock-focused offerings.
 
Unless I missed something along the way I think I know the top 2 Rateliff songs and have to say I love them both! I am getting old and I do enjoy a good drink at times but think I know what's coming
 
Mike ShinodaJust Win BabyCrawling

This is the 4th song I have included in my top 31 from Linkin Park's Hybrid Theory album, their 1st studio album. The song peaked at #8 on the Billboard Hot Rock and Alternative Songs chart. It won the 2002 Grammy for Best Hard Rock Performance.

The song that first drew me to listen to Linkin Park is my #1 in this countdown, but this song was the one that really clinched for me how much I liked their music. Up to that point, I had not really heard any music like Linkin Park, and I loved it.

Chester said this about the song:

"Crawling has caused me the most trouble live more than any other song. Just because it’s that one long note the whole time... There are definitely moments on every record where at the end I go "why... did I... do that?", you know? Crawling was that one for me on Hybrid Theory."

"Crawling is a really like... a really emotional song, it's got a lot of deep lyrics. It's kind of like admitting something that you don't really like to admit, which is, you know, having a problem with yourself. You know what I mean? And sometimes you have to like learn how to deal with living inside your own skin and being the person that you are. And that's not something to be ashamed of or anything like that. It's just something that isn't always peachy. You know what I mean? You're not always gonna be exactly the person that you wanna be or the person that you thought you were. You know? You gotta live with yourself for the rest of your life."

"It's easy to fall into that thing — 'poor, poor me', that's where songs like 'Crawling' come from: I can't take myself. But that song is about taking responsibility for your actions. I don't say 'you' at any point. It's about how I'm the reason that I feel this way. There's something inside me that pulls me down."

Brad Delson said this about Chester's vocals on the song:

"What happened when Chester joined the group, we moved from 'Hey, these are the kind of singing parts we want,' to 'Wow, these are singing parts that we never even thought of,' because his range and versatility are such that, like 'Crawling,' who would think to write that melody? You couldn't because there are very few people in the world that could probably sing that. So that's an example of when I say he really expanded our writing ability in the sense that he has such a range vocally. He really was kind of the final piece of the puzzle, and he brings vocal talent that, when we were looking for a second vocalist, we didn't see anything close to his talent in anybody else."

In 2020, Metal Hammer ranked the top 25 Linkin Park songs of all time and ranked Crawling at #3. Here is an excerpt from their writeup on the song:

The second single to be released from Hybrid Theory, Crawling won Linkin Park a Grammy in 2002 in the Best Hard Rock Performance category. Rolling Stone describe the anthem as “claustrophobic” and “burbling”, listing it as one of Linkin Park’s most essential songs.

Live, Crawling has featured guest appearances from the likes of Aaron Lewis, Chris Cornell and Fred Durst. The video, starring model Katelyn Rosaasen, centred on a young girl seemingly suffering abuse, and was filmed in Los Angeles. Katelyn, who had also appeared in videos by The Offspring and N*Sync amongst others, claimed it was her favourite starring role in any music video.

The video, which stars the band performing in a spooky house, has notched up over 100 million views on YouTube, and the track itself has currently claimed a cool 89 million streams on Spotify.

In 2021, Kerrang ranked the top 20 Linkin Park songs of all time and ranked Crawling at #7. Here is their writeup on the song from that ranking:

‘There’s something inside me that pulls beneath the surface / Consuming, confusing…’ The second single from Hybrid Theory felt like the first really deep dive into the damage underlying the songwriting. A reckoning on guilt and self-loathing, it sees Chester attempting to come to terms with the demons of his past: namely a teenage abuse of methamphetamine, with its tendency to conjure hallucinations, anxiety and the unsettling sensation of something moving beneath his skin. Although the singer would note in later years that the song remained difficult to perform live, the anthemic quality – and lyrics left open enough to carry fans’ projections of their more everyday angst – ensured it became a favourite and 2002 winner of the Best Hard Rock Performance Grammy.

In 2023, Loudwire ranked all of the Linkin Park singles to that point and ranked Crawling at #5. Here is their writeup on the song from that ranking:

Chester Bennington does the heavy lifting here, showing vulnerability in the verses as he shares his own internal struggle of feeling a loss of control over his substance abuse. That vulnerability gives way to extreme angst in the chorus as he belts, “Crawling in my skin / These wounds they will not heal.”

The song was the second single from the band’s breakout Hybrid Theory album and would earn them their first Grammy Award for Best Hard Rock Performance.

The band remixed the Hybrid Theory version of this song for their remix album Reanimation. That version of the song is here, and features Aaron Lewis (Staind). This is one of their best remixes IMO, love it.
 
#3 - Pointer Sisters - Sisters Are Doing It For Themselves - Natalia and the Sisters

Natalia is from Belgium. This obviously a cover of the Eurythmics song. It features Anita, Ruth, and Issa. Issa is Ruth's daughter and replaced June.

Alas, this is not on Spotify. @KarmaPolice , please replace this with Taj Mahal featuring the Pointer Sisters "Little Red Hen Blues".
The switch was already in there, hence the name of the title of the playlist. All my hard work and humor only funny to me going unnoticed. ;)
I don't check the playlists. I'm not sure how.

I will need some help to figure out how to set up my SIsters playlist, though. Time to learn new stuff.
 
3. Midnight Hour

The last of three songs from the 20th Anniversary Album and the first taste of Lou Reid's vocals. While I'm not a fan of the twang in his voice and it makes the band sound more like a 'generic' bluegrass band, he does have the right energy. Despite the lineup changes and time passed, they still sounded as fresh as when they debuted 20 years before this album.

For context, I was finally finishing college when this album came out, and the band was falling back into my rearview mirror. Neither I nor my father had much interest in seeing this lineup, and I hate to admit it, but I think Lou Reid's quasi-hillbilly twang was part of it. Starling's voice had a little country sound to it where Rosenthal's was more neutral, but Reid just was a bridge too far for us and I think took away some of what made the 'Scene more unique: they were more suburban than backwoods, which expanded their appeal. I acknowledge that's unfair, but the heart wants what the heart wants.

Coming up next, another time jump, and more lineup changes.
 
John Lee HookerDrIan MalcolmTerraplane Blues
This one comes in as "Roy Rogers," but it's John Lee doing the singing.


Been away a while, I apologize.

Yeah, this one's just so cool. It's all a car metaphor as these blues things go, and the slow way he proceeds through this thing is just really great, and its also late in his career, so that voice has really been whittled down to its bare essentials. Blues guys often sound better as they get old, and he's no exception. Happy holidays.
 
Neko CaseMister CIATimber
This is where it all began for me. 1997 or 1998, I'm pulling into the parking lot at work and this song comes on the radio. I was in love! Had to wait for a few more song to play before I heard the DJ credt her for the song. Probably took a few more months to track down the CD (times were hard back then).

Anyway, this song takes me back, and it takes me away.
 
David BermanThe Dreaded MarcoTrains Across the Sea
This is my favorite Silver Jews song. I've got a real good idea what one of the next two are, and maybe both if they are from the same album.

Half hours on earth, what are they worth
I don't know

In 27 years, I've drunk fifty thousand beers
and they just wash against me
like the sea into a pier
Yeah, I'm sure you're right about one of them. The other will possibly be a surprise for you but not if you recall our previous discussions prior to starting this countdown.
 
Röyksopp
3 - If You Want Me feat Susanne Sundfør

Year - 2022
Appears on - Profound Mysteries 1
Vocalist - Susanne Sundfør
Key Lyric - The quiet in this room
All this suffocating gloom
When the darkness pulls me in
I am drowning

Notes
1- Like all the songs she appears on, Sundfør lifts what could have been an average track into something remarkable.


2- This is the only representative from the first Profound Mysteries I LP. There are some nice moments including another from Alison Goldfrapp (Impossible) that just missed the cut. Collaborations with Pixx, Astrid S and Beki Mari are in the 32-50 area

3- from mxdwn.com
The song, “If You Want Me,” features the art pop and electronica singer-songwriter Susanne Sundfør. She has traversed genres throughout her time as an artist with roots in folk music, a style she returned to in her latest album Music for People in Trouble. In her collaboration with Röyksopp, she adds an ethereal mood to the track that draws from her earlier work and complements Röyksopp’s latest project in tone. Like other Profound Mysteries songs, it is very introspective and thought-provoking. Sundfør sings about her weariness in life: “All the things that might have been/There were signs I should have seen/Oh, these thoughts will weigh me down/’Til I’m broken.”
She describes her solace as someone else, an unknown “you” who she isn’t certain will remain by her side: “Draw the line out in the sand/If you want me, here I am.”

Running Vocal Count
Röyksopp - 8
Robyn - 5
Susanne Sundfør - 5
Karin Dreijer - 2
Maurissa Rose - 1
Gunhild Ramsay Kovacs - 1
Alison Goldfrapp - 1
Jamie Irrepressible - 1
Karen Harding - 1
Kate Havnevik - 1
Erlend Øye
Sample - 1
Instrumental - 4

Where to find
Melody A.M - 2
The Understanding - 2
Röyksopp’s Night Out - 2
Back to Mine Series - 1
Junior - 3
Senior - 1
Late Night Tales Series - 2
Do It Again EP - 3
The Inevitable End - 2
Profound Mysteries I - 1
Profound Mysteries II - 2
Profound Mysteries III - 5
Other/Non Album Songs - 3

Year
1999 - 1
2001 - 1
2002 - 1
2005 - 2
2006 - 2
2007 - 1
2009 - 3
2010 - 1
2013 - 2
2014 - 4
2016 - 2
2022 - 9

Next up we have another early track. it’s astonishing in it’s simplicity
This song was beautiful.
 

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