Zegras11
Footballguy
just a ****ing great song
The Cure Juxtatarot From the Edge of the Deep Green Sea
A Forest - 2006 Remaster
The Cure · Seventeen Seconds (Deluxe Edition) · Song · 1980open.spotify.com
just a ****ing great song
The Cure Juxtatarot From the Edge of the Deep Green Sea
A Forest - 2006 Remaster
The Cure · Seventeen Seconds (Deluxe Edition) · Song · 1980open.spotify.com
This is a timeless song and will be covered for as long as people make records. Setzer and his band kick all kinds of *** on their version.@falguy - Here's hoping this is the other song from the album you were hoping for.
Brian Setzer Orchestra - Jump Jive An' Wail - Music by Louis Prima
This one also has a video. Looks like a fun party.
I was in Junior High (I guess it's called Middle School now) when this came out. A few friends and I would say the vocal countdown every time we entered class. None of us were named Steve, Andy, or Mick but we didn't care. An all-time banger.The Sweet
#4 - Ballroom Blitz
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Producer - Phil Wainman
Writer - Nicky Chinn, Mike Chapman
Chart Positions - UK #2, Australia #1, Germany #1, US #5
Album - Desolation Boulevard US Edition
Year - 1973/1975
Lead Vocal - Brian Connolly
Steve Priest Vocal - Lead Chip Ins “Oh, I see a man in the back as a matter of fact
His eyes was as red as the sun
And the girl in the corner that no one ignores
'Cause she thinks she's the passionate one.”
And
“And the man in the back is ready to crack
As he raises his hands to the sky
And the girl in the corner is everyone's mourner
She could kill you with a wink of her eye”
Notes - Are you ready Steve? Uh-huh
Andy? Yeah
Mick? Okay
Alright fellas, let's go!
Ballroom Blitz is an interesting one. It was released in the UK in 1973 and sandwiched between two other UK #2’s, our #5 and #6 songs Hell Raiser and Teenage Rampage. Fox on the Run was released in March of 1975 in the UK and was another #2 smash. Would love to know which songs held off all 5 or 6 of these Sweet songs at #2.
Anyway someone at Capitol records, finally twigged that there were monster hits in the US if we do this right. Sweet had a #3 song in the US with Little Willy in 1972. Then one other stalled at #70, but nothing else while they were huge in the UK. Peak UK years were 1972 to 1975. In the US….nothing. The US label repackaged the Desolation Boulevard LP keeping only 3 tracks from the UK version. In came Ballroom Blitz and the rerecorded version of Fox on the Run. Not the Chinny/Chap version.
Capitol records knew Fox on the Run would be a hit, but led Desolation Boulevard with Ballroom Blitz in June of 1975.
The US version of the LP contains my #3, #4, #7, #13, #14, #18 and #25 tracks.
No You Don’t was unlucky to miss out, but Pat Benatar did a wonderful cover a few years later.
The other two tracks could easily have been replaced with Teenage Rampage and Hell Raiser or my #1 track.
Blitz has often been covered, including for Waynes World by the lovely Tia Carrera. Desolation Boulevard should have been a monster LP, but the ears that listened dominated Glam Metal in the 80s.
Next Up - Probably their most well known song. It was the #1 song for the entire year of 1975 in Australia and 7th for the entire decade.
Originally on their 2000 release consent to treatment. This is another of theirs where the live version kicks the studio version’s @ss. The best version imo is from argue with a tree
Blue October -OZ- Independently Happy - Live, Argue with a tree
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You have choice Steiner - broken ice, or broken neck.4. Rock 'n' Roll Over You (The Other Side of Life, 1986)
Another song from the The Other Side of Life Album. Those with a keen memory may recall this song's inclusion in a key scene in The Karate Kid Part II.
This is a timeless song and will be covered for as long as people make records. Setzer and his band kick all kinds of *** on their version.@falguy - Here's hoping this is the other song from the album you were hoping for.
Brian Setzer Orchestra - Jump Jive An' Wail - Music by Louis Prima
This one also has a video. Looks like a fun party.
The Brian Setzer Orchestra covered the song on their 1998 album The Dirty Boogie. In 1999, Setzer's cover won the Grammy Award for Best Pop Performance by a Duo or Group with Vocals at the 41st Grammy Awards.
Sweet sassy mollasy, I finally made the playlist title! The 90th time is the charm.
Belle and Sebastian kupcho1 Unnecessary Drama
Title says Deep Green Sea, link is for Forest. Either way, both are amazing and on any given day, in the running as my #1.just a ****ing great song
The Cure Juxtatarot From the Edge of the Deep Green Sea
A Forest - 2006 Remaster
The Cure · Seventeen Seconds (Deluxe Edition) · Song · 1980open.spotify.com
At live shows Joziah usually tells the story of this song where he and Tink were sitting around messing with a cheap imitation Ovation guitar his kids found in the garbage. It only had 3 strings, but Joziah started playing four simple notes, which quickly morphed into an original Slambovian Christmas song. At shows, he often dedicates it to the light in everyone which sums up the Circus and what they stand for: peace, love, hope, kindness, dreams, wonder and joy.4's PLAYLIST
The Slambovian Circus of Dreams Yambag Every Little Light
Every Little Light
The Slambovian Circus Of Dreams · Every Little Light · Song · 2019open.spotify.com
People get ready
Curtis Mayfield Don Quixote People Get Ready, by The Impressions
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“People Get Ready” plays like a meditation, a hymn, a love letter to the fathomless strength and endless struggle of Negroes in America. It opens with a haunting, hummed melody that sends chills up the spine. Johnny’s arrangement is masterful—pizzicato strings and lilting violin lines weaving around plinking chimes. Once Curtis begins singing, it is clear he’d found a way to merge the movement’s vast hope with the fierce sadness and pain Negroes experienced trying to make that hope a reality.
My father intended “People Get Ready” to reach far back in history, even as it kept an eye on the future. His lyrics brought the coded messages of old Negro spirituals into the turbulent ’60s. When he sang about a train to Jordan, everyone fighting for their rights in Mississippi, Alabama, Florida, and Georgia knew what he meant. Everyone who had migrated to Chicago, New York, Baltimore, Philadelphia, and California knew it too.
It was the same train that formed the Underground Railroad during slavery; it was the train that brought Annie Bell [his grandmother who encouraged his love of music] and millions like her to northern cities during the Great Migration; it was the movement train my father’s generation boarded, determined to get to a better place or die trying.
Like “Keep On Pushing,” the song had heavy gospel roots. “Lyrically you could tell it’s from parts of the Bible,” Dad said.
“There’s no room for the hopeless sinner who would hurt all mankind just to save his own / Have pity on those whose chances grow thinner, for there’s no hiding place against the kingdom’s throne.” It’s an ideal. There’s a message there. I couldn’t help myself for it. And it was also my own teachings, me talking to myself about my own moral standards. As a kid, sometimes you have nobody to turn to. I could always go back to some of the sermons and talk to myself in a righteous way. I had heard preachers speak of how there is “no hiding place.” If you’ve been around enough preachers, you’ll see how their words are in the song in one form or another. I wanted to bring a little gospel into the drive for reality with the song, and it also lent a pride to those who were oppressed and trying to define themselves on another level.
That's the one! Love it. Great choice!@falguy - Here's hoping this is the other song from the album you were hoping for.
Brian Setzer Orchestra - Jump Jive An' Wail - Music by Louis Prima
This one also has a video. Looks like a fun party.
As I suspect is the case with many suburban kids who grew up in the 80s, I heard the Beck/Stewart version first.People get ready
Curtis Mayfield Don Quixote People Get Ready, by The Impressions
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There's a train a-coming
You don't need no baggage
You just get on board
All you need is faith
To hear the diesels humming
Don't need no ticket
You just thank the Lord
People get ready
For the train to Jordan
Picking up passengers
From coast to coast
Faith is the key
Open the doors and board them
There's room for all
Among the loved the most
MLK called this song the unofficial anthem of the movement. Mayfield wrote it in 1965 at a time of high conflict. Malcolm X was just assassinated, and the radicals and the more mainstream leaders of the movement were divided on the proper approach. Mayfield got in a spiritual mood, and drew on his gospel upbringing. Todd Mayfield writes in Traveling Soul:
“People Get Ready” plays like a meditation, a hymn, a love letter to the fathomless strength and endless struggle of Negroes in America. It opens with a haunting, hummed melody that sends chills up the spine. Johnny’s arrangement is masterful—pizzicato strings and lilting violin lines weaving around plinking chimes. Once Curtis begins singing, it is clear he’d found a way to merge the movement’s vast hope with the fierce sadness and pain Negroes experienced trying to make that hope a reality.
My father intended “People Get Ready” to reach far back in history, even as it kept an eye on the future. His lyrics brought the coded messages of old Negro spirituals into the turbulent ’60s. When he sang about a train to Jordan, everyone fighting for their rights in Mississippi, Alabama, Florida, and Georgia knew what he meant. Everyone who had migrated to Chicago, New York, Baltimore, Philadelphia, and California knew it too.
It was the same train that formed the Underground Railroad during slavery; it was the train that brought Annie Bell [his grandmother who encouraged his love of music] and millions like her to northern cities during the Great Migration; it was the movement train my father’s generation boarded, determined to get to a better place or die trying.
Like “Keep On Pushing,” the song had heavy gospel roots. “Lyrically you could tell it’s from parts of the Bible,” Dad said.
“There’s no room for the hopeless sinner who would hurt all mankind just to save his own / Have pity on those whose chances grow thinner, for there’s no hiding place against the kingdom’s throne.” It’s an ideal. There’s a message there. I couldn’t help myself for it. And it was also my own teachings, me talking to myself about my own moral standards. As a kid, sometimes you have nobody to turn to. I could always go back to some of the sermons and talk to myself in a righteous way. I had heard preachers speak of how there is “no hiding place.” If you’ve been around enough preachers, you’ll see how their words are in the song in one form or another. I wanted to bring a little gospel into the drive for reality with the song, and it also lent a pride to those who were oppressed and trying to define themselves on another level.
It has been covered over the years by many artists. Most famously, I mentioned earlier that Bob Marley and the Wailers were heavily influenced by The Impressions. Perhaps their best well-known is “One Love/People Get Ready,” which contains an interpolation of this one. Jeff Beck’s and Rod Stewart’s version another famous cover of it.
Seeing Other People, the 4th song off of 1998's If You're Feeling Sinister,
Someone picked it for the British Isles countdown. Was it you?Seeing Other People, the 4th song off of 1998's If You're Feeling Sinister,
This is my #1 Belle and Sebastian - had hoped it would appear!
Someone picked it for the British Isles countdown. Was it you?Seeing Other People, the 4th song off of 1998's If You're Feeling Sinister,
This is my #1 Belle and Sebastian - had hoped it would appear!
Was always hoping for a duet between Dio and Rick Springfield on each other's same-titled tunes.
Ronnie James Dio Mt. Man Don't Talk to Strangers
Another reason to hate DMB??I'm overwhelmed by this playlist. So many classics, so many (great) new hearts, but only 3 medals.
The 4's
Medal Stand
Gold DMB- Jimi Thing, Tau's coming through in the clutch with the heavy hitters, but is there enough time to catch the front runners?
Silver Belle & Sebastian- Unnecessary Drama, what a banger
Bronze Brian Setzer- Jump Jive & Wail, echo
Honorable Mention Oingo Boingo & Fanny rivaled some previous medal winners, several out of medal contention (Iron & Wine, Roxy, Mazzy Star, JJW, Andrew Bird, Steve Albini) put up stellar efforts, and it pained me to leave Ballroom Blitz off the stand
Medal Count
Tea Party - 4 gold, 1 silver, 3 bronze (17)
STP - 3 gold, 2 silver, 3 bronze (16)
DMB- 3 gold, 2 silver, 2 bronze (15)
Fanny - 3 gold, 1 silver, 3 bronze (14)
Blue October - 3 gold, 1 silver, 1 bronze (12)
The Doors - 3 gold, 1 silver (11)
The Beach Boys - 2 gold, 2 silver, 1 bronze (11)
The Slambovian Circus of Dreams - 2 gold, 1 silver, 2 bronze (10)
Oingo Boingo - 1 gold, 1 silver, 1 bronze (6)
Brian Setzer - 2 silver, 2 bronze (6)
Jerry Jeff Walker - 1 gold, 1 silver (5)
Susanna Hoffs - 1 gold, 2 bronze (5)
Roxy Music - 2 silver, 1 bronze (5)
Mazzy Star - 1 gold, 1 bronze (4)
Dio - 2 silver (4)
Belle & Sebastian - 2 silver (4)
April Wine - 1 silver, 2 bronze (4)
Iron & Wine- 1 silver, 1 bronze (3)
Sweet - 1 silver, 1 bronze (3)
Strand of Oaks - 1 silver (2)
Judas Priest - 1 silver (2)
Mitski - 1 silver (2)
Steve Albini - 1 silver (2)
EWF- 1 bronze (1)
Curtis Mayfield- 1/2 bronze (0.5)
The Cure- 1/2 bronze (0.5)
Based on what he shared in the DMB thread he may not have enough bullets left in the chamber. There's 2 more from Table, but unless one of them is the right curveball I don't think it'll medal. There's 1 more from Streets, which depending on the pick has a shot at medaling, but I don't have a good guess what he has up his sleeve...and even if he picks right it still may not be enough without the one from Table. They're 2 points back, Tea Party's sitting on the tiebreaker right now, and there's at least one from STP with a good shot at medaling. That said, this round showed the best from my knowns still doesn't mean they'll net any hardware. Wouldn't have guessed Belle & Sebastian medals when I logged in this morning, but here we are!Another reason to hate DMB??
Alabama Song (Whisky Bar)
Seven Roads
Seven Roads - First Version
Fanny · First Time In A Long Time: The Reprise Recordings · Song · 2002open.spotify.com
This was my favorite of theirs so far. Great song.Sweet sassy mollasy, I finally made the playlist title! The 90th time is the charm.
Belle and Sebastian kupcho1 Unnecessary Drama
Unnecessary Drama is the 2nd off of A Bit of Previous (2022). I don't know if anyone's noticed, but there's a pretty good spread on the release years of my top 10 (not spoilery).
1990s: 3
2000s: 3
2010s: 2
2020s: 2
I think this is indicative of how consistenly good they've been over the years. Anyway, I think they're good.
As for the lyrics, I think this one says it all
There's an array of douchebags lining up to play their stupid parts
And definitely watch this video, if only to opine on whether Stu's eyeliner game is as good as JD's.
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I really liked this song too.4. Seven Roads
Album: Fanny (1970)
Writers: Jean Millington, June Millington and Alice de Buhr
Lead vocals: Jean Millington with June Millington and Nickey Barclay
This is another song that made my jaw drop when I first heard it. On Seven Roads, the closer to Fanny's debut album, the blues are deep, the riffs are huge and the sexual longing is palpable. This may be the most Cream-like track on an album that features a cover of Badge. Hell, it's a lot closer to Sunshine of Your Love than anything Eric Clapton did after 1969. It is definitive proof that a quartet of talented female rock musicians could hold their own in 1970 with the best of their male peers, even beating some of them at their own game.
June Millington's guitar riffs in this song are as nasty and as memorable as anything played by Clapton and the other blues-inspired "classic rock" guitarists, and toward the middle of the song they become unexpectedly swinging. The organ solos by Nickey Barclay could pass for the work of Deep Purple's Jon Lord. Why this didn't catch on with FM radio, I have no idea. Honestly, Occam's Razor tells us the answer is sexism. It's probably that plus the promotion folks at Reprise not taking the band seriously enough.
As with many blues-rock songs of the day, the lunging of the rhythms are matched by raw power and sexuality in the lyrics and vocals. The singing -- Jean Millington alone on the first verse, joined by June and Barclay for most of the rest of the song -- is aggressive and full of swagger, and the lyrics depict a woman with insatiable desire, which may have frightened the hell out of some male listeners of the time.
I ain’t nothing with nobody
I ain’t nothing with no man
I ain’t nothing with nobody
I ain’t nothing with no man
Come and take me for a lover
Come and take me all alone
Love the man, love the lover
Love the flesh, love the bone
Two versions of Seven Roads exist. The "First Version," which appears on the "official version" of the debut and is included on the playlist, is about 30 seconds longer than the "Second Version," which appears on the Canadian version of the debut. The organ intro is cut from the "Second Version," otherwise they are identical. One of them was released as a single in Germany. What does not exist, unfortunately, is any evidence that this song was performed in concert. Something this powerful HAD to have been brought to the stage, but little documentation and even less footage of Fanny concerts from 1970 and 1971, when this tune would have been most likely to appear in setlists, survives.
At least I'm not completely alone regarding the genius of this song. Someone named Pete Pardo made a Youtube video last year ranking the Fanny albums. He ranked the debut highest in large part due to this song. https://www.youtube.com/watch?v=tOZXqBRfeFI
"Second Version": https://open.spotify.com/track/0s852otTJOe0IvZotDUqQJ?si=599f9c56fb0145d1
At #3, another tour de force that matches the most powerful rock songs of its day, and my highest-ranking tune from Fanny Hill.
I think you’ll like our top 3 but that’s probably true for all our musicians.Overall, I've not ruled out Blue October yet as when they hit, they've hit hard, but this looks like a 4 horse race. We'll see where things land next week...
Dave Matthews Tau837 Jimi Thing
Jimi Thing
Provided to YouTube by RCA/LegacyJimi Thing · Dave Matthews BandUnder the Table and Dreaming (Expanded Edition)â 1994 RCA Records, a division of Sony Music E...www.youtube.com
Good luck! You might also be able to find the newly released Beat-Club recordings from 1971-72. I cannot recommend those enough.Seven Roads
Seven Roads - First Version
Fanny · First Time In A Long Time: The Reprise Recordings · Song · 2002open.spotify.com
Going to a few record stores tomorrow. Fanny is at the top of my list thanks to this thread - hoping to score some old vinyl from them. I've liked everything I've heard.
Saw STP in concert last night, they were very very good. Played Purple in its entirety, encored with Plush, Dead and Bloated, Crackerman and Sex Type Thing.STP #4 - Big Empty
Album - Purple (1994)
I mentioned before that I loved and completely overplayed Core when it came out, but Purple was the album that made me a huge STP fan. This was the song that kicked off that fandom.
It was released as a single in conjunction with the original The Crow movie before the album came out, and it blew me away. It was an early look at the unique direction and range the band would move into, building off their hard-rocking debut.
Love this song.
Awesome - I was debating trying to catch them this tour but this definitely makes me want to go now.Saw STP in concert last night, they were very very good. Played Purple in its entirety, encored with Plush, Dead and Bloated, Crackerman and Sex Type Thing.STP #4 - Big Empty
Album - Purple (1994)
I mentioned before that I loved and completely overplayed Core when it came out, but Purple was the album that made me a huge STP fan. This was the song that kicked off that fandom.
It was released as a single in conjunction with the original The Crow movie before the album came out, and it blew me away. It was an early look at the unique direction and range the band would move into, building off their hard-rocking debut.
Love this song.