It IS lame...I mean, I can see what he might be saying but it's a stretch to say Lewis was just doing a John Huston imitation...LaSalle is way offbase here.
I'm not so sure. This is from a
Time Out interview with DDL...
'A few people have asked me if I modelled the voice on [actor-director] John Huston,' Day-Lewis says, pre-empting my question. 'I didn't. But I did listen to some tapes of Huston's voice, among others. And there was something about the vigour of Huston's language that appealed to me.' It's a comparison that's fuelled further by similarities between 'There Will Be Blood' and Huston's own 'The Treasure of the Sierra Madre'.
Anderson did say something about the influence of Huston's films, more specifically, "The Treasure of the Sierra Madre" too. DDL certainly wasn't aping Huston but the similarities are there nonetheless. I think most of us have seen DDL in enough films to accept the performance from him as being authentic. I would wager that most filmgoers did not even register the influence of Huston on either PT or DDL. Huston's a throwback to another generation after all.
The film itself is a throwback of sorts. Like I mentioned in my post, the obvious influence of Kubrick, Malick and Altman is there. It's delight in that regard for someone that subscribes to auteur theory. I also cannot find much fault in the work that Dano does as the young Preacher Sunday. It's just the way the role was written as much as anything. The film, for me, is really found in this
scene late in the film with Plainview and his brother. It's really the key to his character.