I've had free access to a movie library lately, so I wanted to check out some films that I was curious about, but could really never bring myself to pay to see.
They Wait - Good old fashioned Chinese ghost story, complete with the old guy with the store that sells frog lips and cricket feet. The story is well told, with a nice pace and some good acting. This is one of those curl up on the couch with a bowl of popcorn horror/thrillers. Worth a look
Rescue Dawn - Pilot is shot down during the Vietnam War and this is the story of his capture and incarceration in a POW camp. While it was good to see Professor Faraday and Dr. Marvin Candle get some work outside of the "Lost" set, I just didn't dig this flick. It felt like the movie tried to play it down the middle, trying to relay the tortuous conditions while still maintaining a kind of breezy 'Hogan's Heroes' atmosphere. Bale is always watchable, but the director doesn't reel him in when he's going over the top at certain points. A mild disappointment
In Hell - Low grade, even for Van Damme standards. In prison for killing the man that raped his wife, JCVD gets involved in the prison fight ring circuit. Watched it only to see the acting efforts of Lawrence Taylor (!) as JCVD's introspective cell mate. LT's got a career playing Black Frankenstien if he wants it, but should otherwise stay on the other side of the camera. Can't even rate it, because it delivers what it promises (which admittedly isn't much). If you like generic Van Damme flicks, this is in your ballpark.
Ticker - What a yawner. Dennis Hopper is the brilliant bomb maker with an Irish accent 5% of the time, Tom Sizemore is the cop trying to bring him down, and Steven Segal is the zen like Bomb Squad captain who just wants to do his job. Will Sizemore's partner die in his arms?? Will the bombmaker get his come-uppance? Will we see a "IS IT THE BLUE WIRE OR THE YELLOW WIRE???" scene? It's even worse than you can imagine.
The Covenant Hay Carumba! Dawson's Creek shot in the dark with techno-metal playing instead of soft rock. I really don't know who they made this movie for. There's not enough horror for that crowd, and there's not enough magic for the 'Witches and Warlocks' crowd. It revolves around a group of teens with magic powers, who 'ascend' to even greater powers on their 18th birthday. There's a very thinly veild anti-drug message, as the more you use your powers the more addictive it becomes...and the more toll it takes on your body and soul. Some good effects with spiders, but other than that there's not much here.
Player 5150 - Thought for sure this would be my cup of tea reading the setup. An Investment Banker / Stock Trader has some success taking risks on the job, but we find that's not the only place he gambles. Unfortunately, he's not that successful gambling on football games. The script and the storyline are ok, but some bad casting decisions and some inept direction keep distracting you from what's happening on-screen. Christopher McDonald does what he can with the role as the heavy, but he's the wrong kind of menacing here. His resume carries a little too much weight for us to believe he does the things he does. The lead actor really sinks the project though. You either need somebody with an edge to handle the up-and-down roller coaster ride of being a big stakes gambler / action junkie, or you need someone that we truly buy as a truly nice guy that just tragically gets in over his head. From my perspective he kept the material at a distance and didn't connect with the role.
Next - Nick Cage is Vegas nightclub magician Frank Cadillac, a man that can see two minutes into his future...well, unless the movie finds it more convenient to have him see farther into the future....or unless they think it would move the story along better if he were able to see into other people's futures....but I digress. The FBI is chasing a villian straight out of '24' who wants to detonate a nuclear bomb on US soil. Julianne Moore is the lone FBI agent that thinks Frank Cadillac's powers can save them. She chases, he runs. Everything about this movie is ridiculous. Let's start with the casting decisions. Cage wasn't a bad thought, as he can play that cheeky wink in the camera type with the best of them. Alright, so let's get someone he could realistically romance....um....Jessica Biel does not jump to the top of that list. Next, let's get a square-jawed, no-nonsense, tough-talking, sharp shooting. gritty-as-hell FBI agent....um.....nope, Julianne Moore isn't climbing up that ladder. Biel is horrific of course, but Moore is uncharacteristically bad. Cage and his hair are over the top and out of control for the entirety of the picture. The awkward scene where he uses his power to manipulate Biel would be cruel if you weren't too busy laughing at his doe-eyed approach and his horse teeth. There's a lot of car crashes and explosions, but they get repetitive and the CGI during the avalanche scene is pretty brutal. I must admit, it's one of those 'so bad it's good' movies that if you can turn off your brain for 90 minutes it's kinda good summer popcorn fun. Ugh, can't believe I'm doing this, but it's worth seeing with your own eyes.