Koya said:
jamny said:
Daywalker said:
The car ride with Phillip and the Jewish scientist reached rare territory for tv/film.
You have a lead, that you are bizarrely rooting for, and in that moment you want him to die. You agree with the scientist. Phillip is a monster.
Such a mixed bag of emotions with this show. I almost wish Noah Emmerich wasn't a philanderer and more of a guy to get behind. Would really enhance the dynamic of the show.

You keep seeing them both get pushed to a point where you think they'll change but they continue to follow orders. Good point on Beeman. I guess the writers are keeping us unsure of who to get behind. I get the sense that at some point they're going to become double agents and work for the US.
That's the joy of this show.
There are no good guys. Except some of the random innocent characters who get caught up in this. Even Beeman has his weaknesses in letting down his family.In the end, we are rooting for the bad guys. But even at their worst, theirs is a noble cause, albeit the negative image of ours. And perhaps this is where we have the only true innocents and the place where even as noble soldiers for their country, how can put two protagonists raise their kids to be the very American image that runs completely counter to that noble cause itself. They are raising their own children to become the enemy.
And that is why I refer to pace. It's the pace of plot and character development. Of emotional tugs of not knowing who to root for. It's not about the fights and action but about the intruigue, suspends and twists.
And in that way it's unlike any tv I've seen. You got some of it in the Sopranos by rooting for murderers, but the rules and roles were far more clear. There was still a code to live by and a general attempt to not cross certain lines. Those lines aren't just blurred in The Americans, they are completely dissolved.
You could also say that there are no bad guys among the main characters. I find Phil, Liz, Stan, Sandra, Nina, Martha - hell, even Gaad & Arkady - to be sympathetic. These people are all doing what they think is the right thing, but are really just caught up in something they have very little control over while trying to live "normal" lives. The showrunners are walking a very narrow tightrope between the program being more character-driven or more plot-driven. And they're doing a pretty damned good job of it so far. I care about all of these people and find their (re)actions to be really believable for the most part. The spy stuff gets, IMO, a little silly sometimes but what the hell do I know. One of the creators is ex-CIA, IIRC. I guess I'm more into the characters than I am the machinations of early-80s espionage - which makes it a richer viewing for me. Watching these guys & gals interact is the main reason I keep watching
I thought the conversation between Martha & Elizabeth was hilarious and a little sad. Russell's reactions to Martha talking about how wild Clark is in bed were priceless.
Stan is in an awful position here and I expect the writers to tighten the screws on him.
I think Richard Thomas is doing a fine job in a sort of a hidden-gem type of way. I hope they flesh him out a little more.
Nina is so #######ed hot, it hurts.
I don't watch every TV show currently airing, but I'd have a hard time believing any are better-done than this one is now. It's running along like a finely tuned Jag.