For all of the phases and lineup changes they had during the years 1964-1974 , the Temptations were remarkably consistent as hitmakers. Seems like they ALWAYS had at least one record on the charts and they were all really freaking good. I probably love more singles by them than any other artist.
Motown usually paired performers with one main producing/writing team - HDH with the Supremes & the Tops, etc.... - and the Temptations best early records were Smokey sessions and songs. Moving into the second half of the 60s, Norman Whitfield was handed a few of the keys and he turned to a formula that brought David Ruffin forward in a series of records that emphasized lost love and suffering. Some were hard-charging up-tempo numbers like the fantastic "(I Know I'm) Losing You" and some were ballads like this record.
There have been many great singers chosen already in this draft and there are many more that will be chosen. But, for my money, David Ruffin's performance here ranks with anything ever put on wax. He went solo shortly afterwards and never really got going.
Others considered:
"My Girl". I hope this gets overplayed for the next million years, because it deserves every spin. If you don't smile when this plays, you have no heart.
"......Losing You". There were at least two pretty great covers (Rare Earth & Faces), but I'm going with the original because great horn lines beat guitars.
"I'm Gonna Make You Love Me" (w/Supremes). Eddie Kendricks is the greatest falsetto singer in rock history (I think he was actually called a high tenor since he had no natural lower register, but go with me on this). He slays on this duet with Diana Ross.
"I Can't Get Next To You". All 5 Tempts sing lead on this one, with Dennis Edwards (Ruffin's replacement) being the 1A. Sly Stone's influence is all over this one and most of their other hits of the period.
"Just My Imagination". One last showcase for Kendricks before he, too, went solo. The Stones cover is an abomination - fight me.
"Papa Was A Rolling Stone". That deeper-than-deep bass and Miles-influenced trumpet make this a great record before the singing even starts. But, the singing! All 5 take turns, Edwards being the star again (Kendricks clone Damon Harris being a close runner-up).