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MAD - Artist - Round 4 - #1's have been posted (12 Viewers)

The Bee GeeszamboniEvery Christian Lion Hearted Man Will Show You
One of the least "Bee Gees" songs among casual fans, "Every Christian Lion Hearted Man Will Show You" showcases their early embracement of the psychedelic movement of the mid-1960s. The song starts with the brothers doing a monk-like chanting of "Oh solo dominique" (which they learned as kids) with the backdrop of the Mellotron - played by multi-instrumentalist Maurice. A bit reminiscent of the Yardbirds "Still I'm Sad", I suppose. Before kicking into the chorus, drummer Colin Petersen does some Ringo-like fills that sound like something from “Rain” or “Tomorrow Never Knows.” All in all, a pretty weird tune and I probably could have placed this one lower, but I admire the band's longstanding willingness to try anything out. And this was a hallmark of their early sound, so there's that.
 
The 16's
Known and liked songs

Carnival
Same Old Situation
I'm Every Woman
Hunger Strike
I'm the Greatest

New to me likes
I See You
Else
She Makes Me (Feel Alright)
Lose You Now
Blinding Light Show/Moonchild
Pappillon
E-Bow the Letter
Vexatious
You’re pretty well-versed in Triumph. You’d never heard Blinding Light Show/Moonchild? :eek:
Unless it was live in concert, I ve never heard anything from their first album. I thought Rock and Roll Machine was their first album.
 

#14 - The Lonely Island featuring Robyn - Go Kindergarten​


Producer - TODAY
Writer - Andy Samberg, Akiva Schaffer, Jorma Taccone, Vinay Vyas, Justin Davey, Joseph Simmons, Daryl McDaniels, Russell Simmons
Chart Positions - #5 US Comedy Charts
Album - The Wack Album
Year - 2013
Collaborator History - TODAY is the production name of the songwriters on this track, Vinay Vyas and Justin Davey.
I couldnt find any info about how the Collaboration between Robyn and the Lonely Island came about, but this isnt the only time they will work together

Key Lyric -
Fellas, whip your **** out – whip, whip your **** out
Indiana Jones and whip your ****in' **** out
Now punch your friend – punch, punch your friend
Get on the ****in' floor and punch your best friend
Make your butt look flat – make that **** flap
Use the art of perspective, or hide it in a hat
Go stupid, get stupid – because we said to do it
Go dumb, eat garbage – we goin' kindergarten

Notes - The songwriter credits include Run DMC. A sample of the song Dumb Girl was used.
Robyn is in fine form playing it straight to the ludicrous lyrics
. She even camps it up the video, which features Paul Rudd and Puff Daddy.

Next up - Lets go to a collaborator we have seen before and go there again. This time we will add an Indie darling to the mix.
 
#14 Parliament - "P-Funk (Wants To Get Funked Up)"

Somebody said "is there funk after death?"
I said "7UP"

:shrug:


George Clinton's Mission Statement.

The conceit is that P-Funk has landed on Earth and taken over the radio airwaves in order to get everyone funky. High Lit, in other words.

I don't even know how many times I've listened to this over almost 50 years. There's **** going on here I still can't figure out. There's a damned sax (sorry @krista4 ) & trombone solo in it somewhere, but I can never remember where until I hear that part again. Bernie's keys are all over this thing. The chorus is one of the greatest I've ever heard, with the band and singers just losing their minds. The bass really does sound like it's from outer space. The horns are like Glenn Miller on PCP. Vocals are straight out of church. The percussion is out of this world. And, in the middle of it all, is George Clinton meandering around the track extolling the virtues of funk.

I have other Parliament records coming, but this is essential to understanding what they were doing.

Next, Bootsy on a cool-assed motorcycle.
 
Eddie VedderTau837Corduroy

"Corduroy" is a song featured on Pearl Jam's third studio album, "Vitalogy." Despite the lack of a commercial single release, the song reached #22 on the Billboard Mainstream Rock Tracks chart and #13 on the Billboard Modern Rock Tracks chart.

"Corduroy" is a deeply personal song for Eddie, reflecting his struggles with fame and the commodification of his identity during the band's meteoric rise to success. The song critiques how fame and materialism can distort an artist's work and personal life. This is evident in lines like: "They can buy, but can't put on my clothes." This lyric refers to an incident where a corduroy jacket Vedder frequently wore was replicated and sold commercially, symbolizing the loss of control over his identity.

Eddie expresses his determination to remain true to himself despite external pressures: "I don't want to take what you can give." The song captures Vedder's discomfort with the expectations placed on him as a public figure, portraying a yearning for personal freedom and simplicity.

Eddie has said this about the song:

It is about a relationship but not between two people. It's more one person's relationship with a million people. ...that song was based on a remake of the brown corduroy jacket that I wore. I think I got mine for 12 bucks, and it was being sold for like $650. The ultimate one as far as being co-opted was that there was a guy on TV, predictably patterned, I guess, after the way I was looking those days, with long hair and an Army T-shirt. They put this new character on a soap opera, so there was a guy, more handsome than I, parading around on General Hospital. And the funny thing is, that guy was Ricky Martin.

Musically, the song opens with a jangly, tension-filled guitar riff that builds into a powerful and emotionally charged chorus. The interplay between the rhythm and lead guitars creates a layered sound that transitions from restrained to explosive. Jeff Ament's driving bassline anchors the track, providing a solid foundation for its emotional intensity. Eddie’s impassioned delivery of the vocals captures the frustration and vulnerability in the lyrics, making the song both relatable and cathartic.

"Corduroy" is a highlight of Pearl Jam’s live shows and has been performed at almost every concert since its release, a total of 612 live performances. Live renditions often extend the song, featuring extended jams and audience participation.

"Corduroy" has been praised for its honest lyrics, powerful instrumentation, and emotional resonance. It is often regarded as one of Pearl Jam’s best songs, and it stands as a testament to Pearl Jam’s artistic integrity and Vedder’s ability to articulate the complexities of fame and identity. Its blend of heartfelt lyrics, dynamic structure, and emotional intensity has solidified its place as one of the band's defining songs.
 
14. Queen of the Night (The Bodyguard: Original Soundtrack, 1992)

Whitney gets co-writing credit on this last single released from The Bodyguard soundtrack. It reached #17 on the Billboard Pop Airplay chart, #36 on the Hot 100 Airplay chart and #1 on the Hot Dance Club Play chart.

TBH, I don't remember this one when it came out, though I concede I may have just tuned it out because I wasn't into its style. Nevertheless, her voice once again draws me in and blows me away. I truly would listen to her sing the phone book.
 
The Clashkupcho1Charlie Don't Surf
I assume everyone knows the origin of the title of this song. From songfacts: Charlie Don't Surf is a line of dialogue spoken by the character Colonel Kilgore, a US cavalry officer obsessed with surfing played by Robert Duvall in the 1979 film Apocalypse Now.

I love the beginning of the song, with a plink or two of piano leading into about a minute's worth of synth noodling until the drumbeat comes crashing in and the song starts in earnest.

There's also an MAD-adjacent story related to Tears for Fears
Singer Joe Strummer told an interesting story to Musician magazine in 1988 about how he proved that popular 1980s group Tears for Fears stole a line from "Charlie Don't Surf" for the title of their hit "Everybody Wants To Rule The World." He was apparently in a restaurant and saw Roland Orzabal, lead songwriter for Tears for Fears, and told him that "you owe me a fiver," explaining that the name of their hit song was an exact lift of the first line of the middle eight in "Charlie Don't Surf." According to Strummer, Orzabal simply reached into his pocket and gave him a five pound note, effectively admitting that this had been the case.

It's a one a way street in a one horse town
One way people starting to brag around
You can laugh, put them down
These one way people gonna blow us down
 
Johnny MarrEephusBilly Bragg--Greetings to the New Brunette
:penalty:

It's cheating to be able to pull such good songs for one artist.
I have no doubt that the Johnny Marr playlist (🤞 it is shared) will be one of, if not the best, playlists this round.
 
Candlebox #14
Song: Don’t You
Album: Candlebox (1993)


(Youtube version) Don't You
(Live version) Candlebox - Don't You (Live 2008)

Ohh, I don't need to know how, yes
And I don't need to blow out your candle
It's only burnin' at both ends



I didn’t really think about it while I was ranking the songs, but “Don’t You” keeps up the energy that “Best Friend” had. Or maybe that’s the other way around, considering this song was released first? 3 minutes and 12 seconds, and rarely lets up during that time, with every band member shining during the song. It’s one I could put higher, but there’s a lot of great stuff coming, certainly including from this album.

Kevin Martin’s talked about “Don’t You” being fueled by feelings of betrayal and longing. Of a fractured relationship, of heartbreak. There’s some bitterness and accusation in the lyrics, a sense of “you know what you did… don’t you?”.


Next on the countdown, we keep the higher tempo songs coming, with this one being more on the sly.
 
indsey Stirling-oz-You’re a mean one Mr grinch
It’s Christmas time!

Starting off with one of the best holiday classic characters. In this, possibly the sexiest version ever, try to forget that Sabrina is just 18. At least Lindsey is 31 at the time.

I took my wife to see Lindsey live last Christmas, which was probably more for me than her. She puts on a fun show.

The next 8 songs are all holiday themed, from two albums. Mostly covers. If i timed this right, the last Christmas song will drop right before the 25th. Then it’s on to my top 5!
 
The Clashkupcho1Charlie Don't Surf
I assume everyone knows the origin of the title of this song. From songfacts: Charlie Don't Surf is a line of dialogue spoken by the character Colonel Kilgore, a US cavalry officer obsessed with surfing played by Robert Duvall in the 1979 film Apocalypse Now.

I love the beginning of the song, with a plink or two of piano leading into about a minute's worth of synth noodling until the drumbeat comes crashing in and the song starts in earnest.

There's also an MAD-adjacent story related to Tears for Fears
Singer Joe Strummer told an interesting story to Musician magazine in 1988 about how he proved that popular 1980s group Tears for Fears stole a line from "Charlie Don't Surf" for the title of their hit "Everybody Wants To Rule The World." He was apparently in a restaurant and saw Roland Orzabal, lead songwriter for Tears for Fears, and told him that "you owe me a fiver," explaining that the name of their hit song was an exact lift of the first line of the middle eight in "Charlie Don't Surf." According to Strummer, Orzabal simply reached into his pocket and gave him a five pound note, effectively admitting that this had been the case.

It's a one a way street in a one horse town
One way people starting to brag around
You can laugh, put them down
These one way people gonna blow us down
I mentioned that story on the Tears for Fears rundown. Quite funny.
The version I had i think was a Fish N Chip shop, not a restaurant, although i guess both can be true.
Very cool of Strummer.
 
14.


Song: Open Mind
Artist: Wilco
Album: The Whole Love
Year: 2011


I could base my whole existence
Upon the cherry strands of your gold hair
I would ask almost insist upon
Treating you kind and fair

Oh I can only dream of the dreams we’d have
How our hearts would be entwined
If you would let me be the one to open up your mind


Open Mind is the highlight of a mostly forgettable album. The lyrics are sublime and the phrasing is unique. Such a pretty song.
 
Great,now Im 2 full playlists behind. :frown:

Follow Me Down is another number one single by The Pretty Reckless and the final 2 will be coming up shortly.
I saw that The Pretty Reckless will be the openers for AC/DC this tour so may check that out if it doesn't cost a fortune for tickets.
Is Axl singing with them again?
 
14.


Song: Open Mind
Artist: Wilco
Album: The Whole Love
Year: 2011


I could base my whole existence
Upon the cherry strands of your gold hair
I would ask almost insist upon
Treating you kind and fair

Oh I can only dream of the dreams we’d have
How our hearts would be entwined
If you would let me be the one to open up your mind


Open Mind is the highlight of a mostly forgettable album. The lyrics are sublime and the phrasing is unique. Such a pretty song.
This was the song that I stated had a similar melody to the single @Eephus shared with the Tweedy / rousy team-up.
 
Great,now Im 2 full playlists behind. :frown:

Follow Me Down is another number one single by The Pretty Reckless and the final 2 will be coming up shortly.
I saw that The Pretty Reckless will be the openers for AC/DC this tour so may check that out if it doesn't cost a fortune for tickets.
Is Axl singing with them again?
Nope, Brian Johnson is back.
 
#14: JOURNEY - LIGHTS


Holy hell - another fantastic video from the guys. I didn't watch this one until today, so that was a nice surprise. As I posted the other day, this was a tune that Perry had been tickering with before getting thrust upon the guys in the band by the management. I am pretty sure it's the song that he and Neal tinkered with and finished when they first got together and became one of their first hits. It gets the kick *** solo ratings bump over the other couple slower songs we had in the teens.

Next: somebody else gets squeezed and a song that is played .2% as much as the hit on the same album. Spotify listeners are weird.
 
#14: JOURNEY - LIGHTS

The Peanuts Gang does a spot-on cover of this:

 
The 16's
Known and liked songs

Carnival
Same Old Situation
I'm Every Woman
Hunger Strike
I'm the Greatest

New to me likes
I See You
Else
She Makes Me (Feel Alright)
Lose You Now
Blinding Light Show/Moonchild
Pappillon
E-Bow the Letter
Vexatious
You’re pretty well-versed in Triumph. You’d never heard Blinding Light Show/Moonchild? :eek:
Unless it was live in concert, I ve never heard anything from their first album. I thought Rock and Roll Machine was their first album.
It was for us Americans — and this song is on that version of the album.
 
Marr #14 / Collaboration #5 - Billy Bragg - "Greetings to the New Brunette" (1986)

Johnny met Billy Bragg at the Jobs For Change free concert in 1984 to publicize the Greater London Council's efforts to fight unemployment in Thatcherite London. They immediately bonded over their mutual love of guitars, Motown and left wing politics and soon became great mates. Bragg's first two LPs had been true solo efforts with him singing and playing guitar but he wanted to expand his sound for his third album Talking with the Taxman About Poetry. Bragg brought Johnny into the studio to play on a couple of songs produced by Smiths producer John Porter. It was Marr's first session outside of the Smiths which eventually led to increased tensions within the band.

"Greetings to the New Brunette" is an absolute charmer of a tune. I'm pretty sure it's Billy doing the acoustic strumming with Johnny contributing fills and embellishments on the electric and slide guitars. As usual, Johnny's touch is light; he brings a lot to the song without ever overshadowing Bragg's humorous lyrics about the new brunette named Shirley. They liked the song so much they recorded a different, more rocking version in 1992 entitled "Shirley" with Marr playing all the instruments.

 
#14: JOURNEY - LIGHTS


Holy hell - another fantastic video from the guys. I didn't watch this one until today, so that was a nice surprise. As I posted the other day, this was a tune that Perry had been tickering with before getting thrust upon the guys in the band by the management. I am pretty sure it's the song that he and Neal tinkered with and finished when they first got together and became one of their first hits. It gets the kick *** solo ratings bump over the other couple slower songs we had in the teens.

Next: somebody else gets squeezed and a song that is played .2% as much as the hit on the same album. Spotify listeners are weird.
THIS has the best Perry-isms.
 
#14: LORD HURON - SECRET OF LIFE


Another tune with a bit more of a bounce for the playlist. Vide Noir grew on me more during research as I hit tracks like this and the couple others yet to come. It's a nice change of pace for them in the series of albums, it just didn't reach the highs of the other one and I listen to that one when I am in the mood for Lord Huron.

Next: a stunning guest voice and some country twang
 
14. Waiting from Beaucoups of Blues (1970)

Previously ranked #16 - prior write-up below

I’ve mentioned a few times how much Ringo loves country music; you could see this even from his song choices in the Beatles catalog. And I’ve also mentioned how well-suited his voice is to country, where a flat vocal can work better. His second studio album, Beaucoups of Blues, was the realization of a longtime dream to record a country & western record. It began when Ringo was helping George on All Things Must Pass; Ringo sent his car to pick up steel guitarist Pete Drake from the airport, and Drake noticed Ringo’s large selection of C&W tapes. Drake invited Ringo to Nashville, promising that he could have his friends write a whole album of songs and record them with Ringo within a week.

In Nashville, Drake assembled a cast of dozens, including Nashville’s top session musicians and big names such as Charlie Daniels, Jerry Reed, Charlie McCoy, and the Jordanaires. There were so many local performers working on this record that, as one of them described it: “The sessions went until at least 1 a.m, but it was 2 or 3 in the morning before we got out of there. It took that long just to say goodnight to everybody.” Many of the participants were initially skeptical of what it would be like to work with a Beatle, thinking Ringo was going to be a jerk. They obviously didn’t know Ringo! Instead, it was a two-day session that everyone involved described as pure joy due to Ringo’s charm and professionalism. By the way, that is not a typo – they completed it all in a marathon two-day session, recording five songs in the morning and five at night each day.

Beaucoups of Blues was fairly well received by critics and the public upon release, but it has grown in its influence over the years, now being acknowledged by some as helping to introduce country to rock ‘n’ roll and serve as a precursor to alt-country. Charlie Daniels has called it an “important record that helped legitimize country in the rock world.” I think it’s a great little record, with Ringo enjoying himself even more than he always does. Ringo didn’t play drums on any of these songs, except for the late-night jam sessions, one of which made it onto the bonus tracks as “Nashville Jam.” I’ll have one more selection from the album on the countdown, but I like the whole record.
 
Last edited:
The 16's
Known and liked songs

Carnival
Same Old Situation
I'm Every Woman
Hunger Strike
I'm the Greatest

New to me likes
I See You
Else
She Makes Me (Feel Alright)
Lose You Now
Blinding Light Show/Moonchild
Pappillon
E-Bow the Letter
Vexatious
You’re pretty well-versed in Triumph. You’d never heard Blinding Light Show/Moonchild? :eek:
Unless it was live in concert, I ve never heard anything from their first album. I thought Rock and Roll Machine was their first album.
It was for us Americans — and this song is on that version of the album.
Not sure I ever had or heard those albums.
 
The 16's
Known and liked songs

Carnival
Same Old Situation
I'm Every Woman
Hunger Strike
I'm the Greatest

New to me likes
I See You
Else
She Makes Me (Feel Alright)
Lose You Now
Blinding Light Show/Moonchild
Pappillon
E-Bow the Letter
Vexatious
You’re pretty well-versed in Triumph. You’d never heard Blinding Light Show/Moonchild? :eek:
Unless it was live in concert, I ve never heard anything from their first album. I thought Rock and Roll Machine was their first album.
It was for us Americans — and this song is on that version of the album.
Not sure I ever had or heard those albums.
Canada got:

Triumph (1976)

Side 1:
24 Hours a Day
Be My Lover
Don't Take My Life
Street Fighter
Street Fighter (Reprise)

Side 2:
What's Another Day of Rock 'N Roll
Easy Life
Let Me Get Next to You
Blinding Light Show/Moonchild

Rock & Roll Machine (1977)

Side 1:
Takes Time
Bringing It on Home
Little Texas Shaker
New York City Streets, Part 1
New York City Streets, Part 2

Side 2:
The City: War March/El Duende Agonizante/Minstrel's Lament
Rocky Mountain Way
Rock & Roll Machine

America and the rest of the world got:

Rock & Roll Machine (1978)

Side 1:
Takes Time
Bringing It on Home
Rocky Mountain Way
Street Fighter
Street Fighter (Reprise)

Side 2:
24 Hours a Day
Blinding Light Show/Moonchild
Rock & Roll Machine
 
14. Somebody's Out There
Album: The Sport of Kings (1986)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Rik Emmett
Chart History: US Hot 100 #27, US Mainstream Rock #9, Canada #84
Video?: Yes
Lyrical category: Love/lust/breakup (with a touch of inspirational/hockey coach)

And here is where the histories of Triumph and Journey converge. "Somebody's Out There," the first single from The Sport of Kings, sounds very much like the kind of rockers that Journey was churning out in the mid-80s, and after heavy promotion from MCA, became the band's highest-charting song on the Billboard Hot 100, hitting #27, and spawning a video that was played relentlessly on MTV.

As I mentioned earlier, The Sport of Kings is by far the most commercial Triumph album and was the result of demands by the record label to go after the masses, not just the loyal fans and the FM radio crowd. The plans at one point even included making Rik Emmett the exclusive lead singer and focusing all the marketing on him, but that's where the band ended up drawing the line.

Despite the use of outside writers and synth-playing session musicians, most of the way through the recording, the suits at MCA still didn't think there was a surefire hit among the material, and asked the band to try to write one. Emmett came up with "Somebody's Out There" promptly; it was the last song recorded for the album.

The chords and synths in the song's intro are unmistakably mid-80s, but once Emmett starts singing, the song becomes very much of a piece with the more melodic tracks the band recorded between Just a Game (1979) and Thunder Seven (1984). The guitars soar, the chorus is catchy and memorable and Emmett's guitar solo is one of his most melodic.

As with most Sport of Kings songs, this one fits into the love/lust/breakup category, but it may be the most hopeful song the band ever wrote. The verses draw on the inspirational/hockey coach category as they encourage people to find it in themselves to pursue what they want, and the chorus assures them that love will arrive.

All the fear of the future
All the loneliness inside
When the moment of truth arrives, hey
You can run but you can't hide

Somebody's out there, somewhere
Waiting for someone to come their way
Somebody's out there, somewhere
I will somehow be somebody's someone
Some day

This is the first of five Triumph songs to have appeared in the Worldwide Countdown; simsarge ranked it #11.

Having crossed over to AM radio and made waves on MTV in the post-Thriller era, Triumph was poised for more mainstream success, but it was not to be. The choice for second single, "Just One Night," was the band's one attempt at a power ballad, and it fell flat with both the masses and the diehard fans, despite being co-written by Journey's Neal Schon, of all people. But you gotta think, if it was any good, Schon would have kept it for Journey or one of his other projects.

Aside from some FM radio play for "Tears in the Rain" (#19 in this countdown), that was the end of Triumph as a major commercial force, as they refused to play the promotion game with the follow-up album Surveillance and then Emmett left the band.

"Somebody's Out There" was played live on the Sport of Kings and Surveillance tours, always in the second spot after "Tears in the Rain," just like on the album. Despite its legacy as Triumph's highest-charting U.S. single, it did not appear in any of their reunion shows, perhaps because Emmett to this day has bitter memories of the Sport of Kings album and the process of making it. (Though he has played it at some of his solo shows.)

Video (you can tell the band underwent an image makeover because Mike Levine is not wearing a hockey jersey): https://www.youtube.com/watch?v=XTR8WXFliRM
Live version from Detroit in 1986, broadcast on FM radio: https://youtu.be/JKuhMqVVXQE?t=334
Live version from Halifax in 1987, included on the A Night of Triumph DVD: https://www.youtube.com/watch?v=VzDXsoNjIDM

At #13, right after we say goodbye to The Sport of Kings, we say hello to Allied Forces, Triumph's best-selling and arguably best album, with the first song I ever heard by the band.
 
14. Somebody's Out There
Album: The Sport of Kings (1986)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Rik Emmett
Chart History: US Hot 100 #27, US Mainstream Rock #9, Canada #84
Video?: Yes
Lyrical category: Love/lust/breakup (with a touch of inspirational/hockey coach)

And here is where the histories of Triumph and Journey converge. "Somebody's Out There," the first single from The Sport of Kings, sounds very much like the kind of rockers that Journey was churning out in the mid-80s, and after heavy promotion from MCA, became the band's highest-charting song on the Billboard Hot 100, hitting #27, and spawning a video that was played relentlessly on MTV.

As I mentioned earlier, The Sport of Kings is by far the most commercial Triumph album and was the result of demands by the record label to go after the masses, not just the loyal fans and the FM radio crowd. The plans at one point even included making Rik Emmett the exclusive lead singer and focusing all the marketing on him, but that's where the band ended up drawing the line.

Despite the use of outside writers and synth-playing session musicians, most of the way through the recording, the suits at MCA still didn't think there was a surefire hit among the material, and asked the band to try to write one. Emmett came up with "Somebody's Out There" promptly; it was the last song recorded for the album.

The chords and synths in the song's intro are unmistakably mid-80s, but once Emmett starts singing, the song becomes very much of a piece with the more melodic tracks the band recorded between Just a Game (1979) and Thunder Seven (1984). The guitars soar, the chorus is catchy and memorable and Emmett's guitar solo is one of his most melodic.

As with most Sport of Kings songs, this one fits into the love/lust/breakup category, but it may be the most hopeful song the band ever wrote. The verses draw on the inspirational/hockey coach category as they encourage people to find it in themselves to pursue what they want, and the chorus assures them that love will arrive.

All the fear of the future
All the loneliness inside
When the moment of truth arrives, hey
You can run but you can't hide

Somebody's out there, somewhere
Waiting for someone to come their way
Somebody's out there, somewhere
I will somehow be somebody's someone
Some day


This is the first of five Triumph songs to have appeared in the Worldwide Countdown; simsarge ranked it #11.

Having crossed over to AM radio and made waves on MTV in the post-Thriller era, Triumph was poised for more mainstream success, but it was not to be. The choice for second single, "Just One Night," was the band's one attempt at a power ballad, and it fell flat with both the masses and the diehard fans, despite being co-written by Journey's Neal Schon, of all people. But you gotta think, if it was any good, Schon would have kept it for Journey or one of his other projects.

Aside from some FM radio play for "Tears in the Rain" (#19 in this countdown), that was the end of Triumph as a major commercial force, as they refused to play the promotion game with the follow-up album Surveillance and then Emmett left the band.

"Somebody's Out There" was played live on the Sport of Kings and Surveillance tours, always in the second spot after "Tears in the Rain," just like on the album. Despite its legacy as Triumph's highest-charting U.S. single, it did not appear in any of their reunion shows, perhaps because Emmett to this day has bitter memories of the Sport of Kings album and the process of making it. (Though he has played it at some of his solo shows.)

Video (you can tell the band underwent an image makeover because Mike Levine is not wearing a hockey jersey): https://www.youtube.com/watch?v=XTR8WXFliRM
Live version from Detroit in 1986, broadcast on FM radio: https://youtu.be/JKuhMqVVXQE?t=334
Live version from Halifax in 1987, included on the A Night of Triumph DVD: https://www.youtube.com/watch?v=VzDXsoNjIDM

At #13, right after we say goodbye to The Sport of Kings, we say hello to Allied Forces, Triumph's best-selling and arguably best album, with the first song I ever heard by the band.

It sounded a lot like a Journey song
 
ditkaburgers says she's planning to submit a list for krista's themed countdown. It's going to be something boy band related so be still our beating hearts.

In allyship with her and to keep the pop grooves coming, I'm going with Single (Named) Ladies - women who perform as mononyms. There will be divas, fly girls and millennial bedroom pop artists but no surnames (except for women who use them exclusively).
 
Was just looking at some MAD-influenced year wraps… I principally use Apple Music, which said that I was top 100 listener of Tim Maia and The Impressions, as well as Top 500 of Curtis Mayfield. Lots of time spent building those playlists, I guess.

I mostly just use Spotify to listen to the MAD playlists… my top artist on Spotify was Fanny and it said I was top 0.2% listener. Blue October was also in my top 5 and I got a video message from them in my Spotify Wrapped.
 
ok really trying to catch up here...

17's

Known Favs:

Leave it- Yes-
I have a limited knowledge of band, but have always liked this one
Wilco- What Light- always thought this one sounds like a Bob Dylan song
BeeGees- To Love somebody- Might be my #1 from them

Unknown Favs:

Rough Edges- Fred Eaglesmith-
Continues to impress
Gideon- My Morning Jacket- enjoyed this one quite a bit, Listened to it a few times now
Love is Lock- The Walkmen- another good one by them

Honorable Mention- I will Always love you- Whitney Houston- You know your a powerhouse when you you do a Dolly song BETTER than Dolly

on to the 16s
 
We’re hitting the back half with the #14s, and things are ramping up. I decided to go back to a known/new split this time. Expect it to not last, so you’re not disappointed. But speaking of being far from disappointing: (both lists are shuffled)

Known Songs:
The National Anthem - Radiohead
Corduroy - Pearl Jam (/Eddie Vedder)
Somebody’s Out There - Triumph
Lights - Journey. I'm definitely a sucker for this one.
You’re a Mean One, Mr. Grinch - Lindsay Stirling & Sabrina Carpenter. And yes, I mean that I knew this version of it.

New Favorites:
Queen of the Night - Whitney Houston
Wordless Chorus - My Morning Jacket
All Our Songs - Built To Spill
A Festa Do Santo Rios - Tim Maia
I Will Be Something - Stage (/Ryan Star)

Shuffle Adventures
This one goes out to the powerful combo of The Pretty Reckless’ “Follow Me Down” mixing strongly with another band I’ve grown to love, Airborne Toxic Event and their song “Welcome to Your Wedding Day”
 
Yo Mama’s Theme Draft Theme

Drew Carey rummages around in a brightly-colored hat while the teams of Wayne Brady / Colin Mochrie and Ryan Stiles / Greg Proops anxiously await. Drew pulls out a carefully folded piece of paper and reads:

World’s Worst Super Heroes
(Audience laughs approvingly)

I will be ranking songs with titles that sound like horrible super heroes. In my writeups, I will be discussing the strengths and weaknesses of these musical heroes based on their names and possibly the lyrics of the songs.

For example, if I were to be choosing the song Tarzan Boy by Baltimora (which I’m not because it’s a horrible song and he might actually be a decent hero), I would list out the strengths that make him a potentially good hero and all the weaknesses that make him the worst.

My list is almost complete, but I keep thinking of new heroes to join my league of ineptitude.
My list for this is now over 60 - lots of MAD and MAD-adjacent artists. My whittling doesn’t appear to be working too well.
 
Yo Mama’s Theme Draft Theme

Drew Carey rummages around in a brightly-colored hat while the teams of Wayne Brady / Colin Mochrie and Ryan Stiles / Greg Proops anxiously await. Drew pulls out a carefully folded piece of paper and reads:

World’s Worst Super Heroes
(Audience laughs approvingly)

I will be ranking songs with titles that sound like horrible super heroes. In my writeups, I will be discussing the strengths and weaknesses of these musical heroes based on their names and possibly the lyrics of the songs.

For example, if I were to be choosing the song Tarzan Boy by Baltimora (which I’m not because it’s a horrible song and he might actually be a decent hero), I would list out the strengths that make him a potentially good hero and all the weaknesses that make him the worst.

My list is almost complete, but I keep thinking of new heroes to join my league of ineptitude.
My list for this is now over 60 - lots of MAD and MAD-adjacent artists. My whittling doesn’t appear to be working too well.
I'm probably not helping here.
 
Yo Mama’s Theme Draft Theme

Drew Carey rummages around in a brightly-colored hat while the teams of Wayne Brady / Colin Mochrie and Ryan Stiles / Greg Proops anxiously await. Drew pulls out a carefully folded piece of paper and reads:

World’s Worst Super Heroes
(Audience laughs approvingly)

I will be ranking songs with titles that sound like horrible super heroes. In my writeups, I will be discussing the strengths and weaknesses of these musical heroes based on their names and possibly the lyrics of the songs.

For example, if I were to be choosing the song Tarzan Boy by Baltimora (which I’m not because it’s a horrible song and he might actually be a decent hero), I would list out the strengths that make him a potentially good hero and all the weaknesses that make him the worst.

My list is almost complete, but I keep thinking of new heroes to join my league of ineptitude.
My list for this is now over 60 - lots of MAD and MAD-adjacent artists. My whittling doesn’t appear to be working too well.
I'm probably not helping here.
That’s the truth. I’m sure there will be some great ones I overlook.
 
I will confirm that my theme will be: Songs from Artists NOT on Shuke's list.

I thought it was just a funny nod to Shuke's list and the time he puts into the music there. After thinking more and looking at his list it fit well. It will be partly springboarding off his list and suggesting stuff I think he and everybody will like. Partly it will be me unloading a lot of MAD31 ideas and playlists at once. Many of the bands I had lists for or at least had listened to a couple albums from recently were ones not on his list. Win - win. So far we are looking at a heavy dose of 70s rock and/or modern bands that sound like 70s rock and riot grrrl songs. Sprinkled in will be some pop, rap, metal, and maybe even some reggae. 😱
 
I’ve been working some on the TV Show Theme Song Theme that I was going for. A bit concerned that may be more fun for thinking about a ranking than actually listening to on a playlist, and not sure how I feel about that. Anyway, I guess can keep it in pencil. Do have some other ideas that thinking about if not feeling it by the time it comes around.
 
I’ve been working some on the TV Show Theme Song Theme that I was going for. A bit concerned that may be more fun for thinking about a ranking than actually listening to on a playlist, and not sure how I feel about that. Anyway, I guess can keep it in pencil. Do have some other ideas that thinking about if not feeling it by the time it comes around.
The hard thing with that list is that the more you listen to some songs, the more they will be Movin’ On Up in the rankings order.
 

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