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MAD - Artist - Round 4 - #1's have been posted (4 Viewers)

I hate not having a song I know someone else loves higher. In this case, I believe that @Dr. Octopus said this was his favorite Ringo song, but hey, #9 Ringo isn’t bad either, right?
I’m sure I responded in the thread but, Yes it’s my favorite Ringo song and just one of my favorite songs.

Ringo isn’t a great vocalist but I can’t imagine anyone pulling this off better than him, as he just delivers it so sweetly.

Although I’m sure Paul would have done fine with it if he wasn’t nice enough to help his mate out.
 

#8 - Dream On - Christian Falk featuring Robyn



Producer - Christian Falk
Writer - Christian Falk, Robyn and Klas Åhlund
Chart Positions - Sweden #42, UK #29
Album - People Say (By Christian Falk) and Robyn (US Bonus edition)
Year - 2006
Collaborator History - Christian Falk has been acknowledged as Robyns main mentor. It is the last time we will see his name in the credits. Plenty more from Klas Åhlund

Key Lyric - Thugs and badmen
Punks and lifers
****ed up interns
Pigs and snitches

Notes - This song was originally a duet with Ola Salo on the Christian Falk album. His vocals were removed for the international version as an extra track on Robyns Robyn album. The lyrics are fairly stupid by my interpretation. The spotify version may contain the vocals with Ola Salo. The version with just Robyn is vastly superior.
Next up - A track from the Body Talk series which I didn’t rate very highly. In fact it surprised me when it was released as a single. But I have grown to like it over the years.
 
The Clashkupcho1Safe European Home
Safe European Home (the 2nd and final from 1978's Give 'Em Enough Rope) opens with what sounds like a gunshot (at least to me, and I think it's reflective of the experience that led them to write the song; "I'd stay and be a tourist but I can't take the gun play") and takes off from there. The Clash are still at their punkiest, not yet delving into all of the other musical styles that they'd end up exploring over the next few years.

The meaning behind this song is made clear by a story The Clash have told about a writing trip to Jamaica gone wrong. Singer Joe Strummer and guitarist Mick Jones were sent to Jamaica for two weeks in December 1977 to write songs for their upcoming second album, which would become Give ‘Em Enough Rope.

Let's just say that the trip wasn't much fun for the boys. :D

Well, I just got back an I wish I never leave now
(Where'd ya' go?)
Who that Martian arrival at the airport, yeah?
(Where'd ya' go?)
How many local dollars for a local anesthetic?
(Where'd ya' go?)
The Johnny on the corner wasn't very sympathetic
(Where'd ya' go?)

I went to the place where every white face
Is an invitation to robbery
An' sitting here in my safe European home
Don't wanna go back there again
 
MADs playlists punish hubris like ancient Greek gods. Just after I posted how well I'd been keeping up with the playlists, I got stuck on the #10s due to a combination of bad weather, elder care commitments and listening to bands we were going to see live. I ended up skipping the #9s entirely but am back with the #8s and enjoying them.

We saw X again last night; Mrs. Eephus is over in Berkeley tonight for night two but I'm staying home baking cookies. I don't know how many times I've seen them in total since 1981 but yesterday was my third X show of the year and the eighth post-pandemic. It's always a fun night out and we know the band, crew and regulars well enough that it's like old home week now.

I'll take a stab at their top 31 one of these countdowns but the whole playlist will probably be shorter than one post of Pecorino's prog list.
 
Still catching up, and finally listened to the #11 playlist. Other than my own song:
  • Favorites already known to me:
    • Journey - Separate Ways
    • Motley Crue - Girls, Girls, Girls -- guilty pleasure song
  • Favorites new to me:
    • Walkmen - Wake Up
    • The Pretty Reckless - Kill Me
    • Lindsey Stirling - We Three Gentlemen
    • Our Lady Peace - Will the Future Blame Us
    • My Morning Jacket - Circuital
    • Radiohead - Exit Music (For a Film)
Great playlist. Somehow I'm still three playlists behind...
 
Marr #8 / Collaboration #3 - Electronic - "Get the Message" (1991)

"Get the Message" is the second song in the countdown from Electronic, Marr's post-Smiths collaboration with Bernard Sumner of New Order. This one is from their self-titled debut album and was also released as the group's second single after "Getting Away with It". The latter song is probably better known as Electronic's signature song but I chose "Get the Message" instead because Johnny's hand is more obvious and it sounds less like a Pet Shop Boys song.

The song channels Johnny's love for dance music but retains the familiar ringing guitar sound of his work the Smiths. Marr wrote the music and recorded it himself in his home studio and Sumner added some lyrics about a woman who was spending too much of his money. The programmed breakbeat drum fills and backing vocals from Primal Scream's Denise Johnson date the song as coming from a period when "Madchester" was the center of the UK music scene just as Seattle was in the USA.

 
Eddie VedderTau837Not for You

"Not for You" is the third track on Pearl Jam’s third studio album, "Vitalogy" (1994). The song peaked at #12 on the Billboard Album Rock Tracks chart and #38 on the Billboard Modern Rock Tracks chart.

Written by Eddie, the song channels frustration, rebellion, and defiance, serving as both a personal and cultural statement. It is widely interpreted as a critique of the commercialization of music and the loss of personal connection between the artist, their art, and the audience. Eddie, who was known for his discomfort with Pearl Jam's skyrocketing fame in the early '90s, uses this song to voice his frustration.

The lyrics express Eddie's disillusionment with the industry’s focus on profit over art. The song underscores the importance of integrity and staying true to one’s values, rather than succumbing to outside pressures. Eddie conveys a desire to preserve the sacredness of music and art, ensuring it remains untainted by mainstream interference. At many concerts, Eddie would dedicate the song to those who "take something sacred and screw it up," referencing the music industry’s role in commodifying art.

Eddie said this about the song:

These attitudes out there...that it's the industry's music... And it's not. It's mine. And it's yours. Whoever's listening to it. It's mine and it's yours. And everybody in between, they're the distributors. I think that something like a music channel can be very powerful. Sometimes they think they're the ones who decide what's heard. I think that's a dangerous situation. And, I think, what's more dangerous is that they think it belongs to them. That's probably what "Not for You" is about.

"Not for You" is a stripped-down, straightforward rock song with a grungy, mid-tempo groove that highlights Pearl Jam’s roots in alternative rock. Stone Gossard and Mike McCready deliver a gritty, steady riff that drives the song’s intensity. Jeff Ament’s bass and Dave Abbruzzese’s drumming provide a strong, unrelenting rhythm that gives the song a sense of urgency. Eddie’s delivery is powerful and impassioned, with a raw edge that conveys his anger and frustration. His voice rises from calm to a shout, reflecting the emotional arc of the song.

The song received praise for its honesty and the band’s refusal to compromise their principles. Critics highlighted the song as a standout track on Vitalogy for its defiant tone and stripped-down arrangement.

In summary, "Not for You" is a powerful anthem of frustration and defiance, showcasing Pearl Jam’s commitment to staying true to their art and values. With its bold message and grungy energy, it continues to resonate as a timeless expression of rebellion against conformity and commercialization.
 
CandleboxMt.ManYou
Eddie VedderTau837Not for You
So which is it gonna be?
I like it when there are these odd back to back titles. A couple ago there was the LH/REM combo of Ends of the Earth and It's the End of the World as we Know It. There have been a handful of others too.
I never know if people look at the titles. There is another quality combo in the 7s, so I made that the title. There would have been 2 if not for The Clash in between.
 
Random thoughts on the #8s:

Loved Safe European Home, and remember liking the other from the album a bit too. Give 'em Enough Rope will be one of my listens during Thursday's match.
I have so many Yes albums that I need to now give a good headphone listen to now. Total Mass Retain was also great. Occasionally they step over my noodling/wankery threshold, but I have like the songs way more than I had expected.
I Would Hurt A Fly was the other title I was liking for the playlist. I love the tale of two halves of the song here, and loved the buildup to the rockin' 2nd 1/2
I lied (or just forgot) in the other post. I listened to 2 Marr albums, and Electronic was the other one. I really liked that album, and Get the Message was one of the stand outs for me.
You are right jwb - Too Young to Fall in Love is better than Wild Side. I have forgotten how good that album is as a whole.
Tim Maia continues to impress. I listened to Azul Da Cor Do Mar a few times.
My favorite stretch of the playlist for nostalgia reasons is the REM -> Radiohead --> Candlebox --> Vedder run of songs. It sounds like High School and College. I've been tempted to move Our Lady Peace down to complete the cyle.
Lemons Never Forget got the nod for the playlist title because I thought it was a funny name, and because after Massachusetts I had listened to Horizontal for my Bee Gees album and really liked it.
Like Doc Oc, Six O' Clock was one of my favorites by Ringo too.

Another great playlist top to bottom!
 
8. I Live for the Weekend
Album: Progressions of Power (1980)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Gil Moore
Chart History: UK #59
Video?: No
Lyrical category: Rocking out

As I've said previously, Progressions of Power is the most "metal" Triumph album, and nowhere is that more apparent than on its opener, "I Live for the Weekend," which may be the fastest and hardest-rocking song they ever recorded.

The warmup riffs of the first 30 seconds are straight out of Judas Priest, and then all hell breaks loose when Rik Emmett begins a solo, building up so much momentum that it continues as fills in between each line of Gil Moore's first verse. Even the chorus, normally a huge part of a Triumph song, is dispensed with quickly so that we can get back to more Emmett solos. The longest one, smack in the middle of the song, reminds me of Ritchie Blackmore. At about the 4-minute mark, Moore breaks out his best Rob Halford impersonation -- maybe just so that he can be heard above the guitars. The ending is very metal, with both guitar and vocal screaming before the song ends with a thud.

This may be Triumph's simplest song lyrically, as it's basically "I like to rock out and party on the weekend, here's some more guitar solos."

"I Live for the Weekend" was not released as a single in the US, but some FM stations (though none I listened to) adopted a tradition of playing it at 5 PM every Friday. However, it was released as a single in the UK and became the band's most successful track there, likely aided by its similarity to the New Wave of British Heavy Metal acts that were hot at the time, and by Triumph touring the country to promote Progressions of Power, which they never did for any other album. In fact, the only times Triumph performed outside the US or Canada were the Progressions of Power UK tour in 1980, a festival in the UK in 1981 and a festival in Sweden in 2008.

Not surprisingly, a track as barnburning as this found its way into the band's live show, appearing in every show on the Progressions of Power tour and the first leg of the Allied Forces tour. After that, it appeared only a handful of times until it was brought back for the Edge of Excess tour. It was also played at both 2008 reunion shows.

Live version from Cleveland in 1981, aired on the King Biscuit Flower Hour: https://www.youtube.com/watch?v=6KltLtH88u4
Live version from Dallas in 1984-ish: https://www.youtube.com/watch?v=de8pZ76m-Qw
Live version from Milwaukee in 1993: https://www.youtube.com/watch?v=kVeN2xXvfqs
Live version from Sweden Rock Festival in 2008: https://open.spotify.com/track/3LANy0x7pLBjdpeQqNpvtM?si=c5bc6476bbc44ed3

At #7, the song that served as the centerpiece of Triumph's live show and likely had a lot to do with how fast their reputation grew in their early years.
 
8.

Song: Either Way
Artist: Wilco
Album: Sky Blue Sky
Year: 2007


Maybe you still love me, maybe you don't
Either you will or you won't
Maybe you just need some time alone
I will try to understand
Everything has its plan
But either way, I'm gonna stay right for you



Frustrated by the lack of radio airplay received by previous Wilco albums, the band decided to branch out into television advertising. Wilco had previously licensed songs for Telefónica Moviles, and Jeff Tweedy appeared in a series of advertisements for Apple Computer. In May 2007, Volkswagen began running a pair of commercials with "You Are My Face" and bonus track "The Thanks I Get" playing in the background. The band commented on their website that "we feel okay about VWs. Several of us even drive them." The band licensed six songs for the campaign (including this song, Either Way). The move was met with criticism from both fans and popular media – personally as far as I'm concerned the more Wilco, the better.
 
The move was met with criticism from both fans and popular media – personally as far as I'm concerned the more Wilco, the better.

To speak more to why i never understood the whole "sell out" thing when it comes to band's trying to increase their popularity (this is still a business for these musicians) - I have two friends who poked at me all the time about my love for such an "average" band (Wilco) - but after the show The Bear used a bunch of Wilco songs in its soundtrack, those two now are fans of Wilco, and they freely admit it's because of the additional exposure.

We all "sell out" to some extent in our chosen professions - and I'm not sure that settling for a small and loyal fanbase should be the goal. Every band should want to be a "Taylor Swift". :shrug:
 
I was waiting for a good time in the thread to mention this (didn't want to interfere with write-ups and discussions right after a new playlist was posted), and the two Tweedy posts in a row made me think this is the time to do it.

Jeff Tweedy recently played at my wedding reception.

OK, OK, not exactly. Let me back up.

OH and I decided a couple of months ago to get a marriage license. We didn't have in mind a particular day or place to do it, but figured we'd get married again. Kinda thought we'd do the same as last time and get married by the judge at the county clerk's office. Then I thought, hey we have a lot of friends around here, and surely one or more of them are ordained to perform weddings. OH reached out to his friend group and learned his friend Scott could perform the marriage. As to timing, we were already planning to go to the Letters to Santa Charitable Gala on November 23, and since Scott was on the board of the organization, we asked if he'd be there. Might as well do it when we were going to be in the same place anyway.

Backing up once again, Letters to Santa is the brainchild of Steve Albini and his wife Heather Whinna. Each year they deliver to needy families in the Chicago area Christmas gifts and a no-strings-attached $10,000 each. It was inspired by Heather having seen at the post office that they received letters to Santa, mostly not from children but from adults reaching out as a last gasp for help. Heather, Steve, and a bunch of others (including for many years Jeff Tweedy) just show up out of the blue and deliver all of this on Christmas Day. If you watched Ted Lasso, you'll see that they used this in the show! More about Letters to Santa.

Heather was formerly the manager at Second City, and until recently they would do a 24-hour improv marathon as their big fundraiser. A couple of years ago, due to issues with Second City, they changed that to a gala with various performers, this year at the Brookfield Zoo. The show this year featured a whole lot of Jeff Tweedy and the Second City case, along with performances by Kim Deal and Fred Armisen. Once OH's friend Scott agreed to do the wedding at the Gala, we went through several iterations of what was going to happen. At one point, I foolishly agreed that we could have the ceremony during the show, as a fundraiser/improv. Luckily, later that plan was changed, which was a relief because it would have been really embarrassing. Instead, we held the ceremony at the event just before the official show started. Since OH's friend Scott had previously been a Second City guy, we agreed to do the ceremony as an improv. :lmao:

And thus, this became our wedding reception. :lol:

No, you needn't watch all three hours of this, but I highly recommend the highly touching video talk by Steve (RIP) here, the truly hilarious bit by Fred Armisen here, and of course any/all of the Jeff Tweedy and Kim Deal parts (they came and went throughout the show and also did one song together). Not going to link any Tweedy in case it would spoiler Dr. O's list. :)
 
Eddie VedderTau837Not for You

"Not for You" is the third track on Pearl Jam’s third studio album, "Vitalogy" (1994). The song peaked at #12 on the Billboard Album Rock Tracks chart and #38 on the Billboard Modern Rock Tracks chart.

Written by Eddie, the song channels frustration, rebellion, and defiance, serving as both a personal and cultural statement. It is widely interpreted as a critique of the commercialization of music and the loss of personal connection between the artist, their art, and the audience. Eddie, who was known for his discomfort with Pearl Jam's skyrocketing fame in the early '90s, uses this song to voice his frustration.

The lyrics express Eddie's disillusionment with the industry’s focus on profit over art. The song underscores the importance of integrity and staying true to one’s values, rather than succumbing to outside pressures. Eddie conveys a desire to preserve the sacredness of music and art, ensuring it remains untainted by mainstream interference. At many concerts, Eddie would dedicate the song to those who "take something sacred and screw it up," referencing the music industry’s role in commodifying art.

Eddie said this about the song:

These attitudes out there...that it's the industry's music... And it's not. It's mine. And it's yours. Whoever's listening to it. It's mine and it's yours. And everybody in between, they're the distributors. I think that something like a music channel can be very powerful. Sometimes they think they're the ones who decide what's heard. I think that's a dangerous situation. And, I think, what's more dangerous is that they think it belongs to them. That's probably what "Not for You" is about.

"Not for You" is a stripped-down, straightforward rock song with a grungy, mid-tempo groove that highlights Pearl Jam’s roots in alternative rock. Stone Gossard and Mike McCready deliver a gritty, steady riff that drives the song’s intensity. Jeff Ament’s bass and Dave Abbruzzese’s drumming provide a strong, unrelenting rhythm that gives the song a sense of urgency. Eddie’s delivery is powerful and impassioned, with a raw edge that conveys his anger and frustration. His voice rises from calm to a shout, reflecting the emotional arc of the song.

The song received praise for its honesty and the band’s refusal to compromise their principles. Critics highlighted the song as a standout track on Vitalogy for its defiant tone and stripped-down arrangement.

In summary, "Not for You" is a powerful anthem of frustration and defiance, showcasing Pearl Jam’s commitment to staying true to their art and values. With its bold message and grungy energy, it continues to resonate as a timeless expression of rebellion against conformity and commercialization.
Awesome song.

Whenever I am hanging out at home eating a delicious treat and my dogs get too close to my tasty snack, I summon up my best Eddie Vedder voice and reprimand them with a stern “DIS IS NOT FO YOUUUUIII!!”

Side note, I discovered today that this is a great walking song. It’s got a steady, heavy beat that sets the perfect brisk pace for me. There were a couple cars, however, that wondered why I flipped them the double bird. This song coming up right after You by Candlebox had some tremendous F You! offerings.
 
I was waiting for a good time in the thread to mention this (didn't want to interfere with write-ups and discussions right after a new playlist was posted), and the two Tweedy posts in a row made me think this is the time to do it.

Jeff Tweedy recently played at my wedding reception.

OK, OK, not exactly. Let me back up.

OH and I decided a couple of months ago to get a marriage license. We didn't have in mind a particular day or place to do it, but figured we'd get married again. Kinda thought we'd do the same as last time and get married by the judge at the county clerk's office. Then I thought, hey we have a lot of friends around here, and surely one or more of them are ordained to perform weddings. OH reached out to his friend group and learned his friend Scott could perform the marriage. As to timing, we were already planning to go to the Letters to Santa Charitable Gala on November 23, and since Scott was on the board of the organization, we asked if he'd be there. Might as well do it when we were going to be in the same place anyway.

Backing up once again, Letters to Santa is the brainchild of Steve Albini and his wife Heather Whinna. Each year they deliver to needy families in the Chicago area Christmas gifts and a no-strings-attached $10,000 each. It was inspired by Heather having seen at the post office that they received letters to Santa, mostly not from children but from adults reaching out as a last gasp for help. Heather, Steve, and a bunch of others (including for many years Jeff Tweedy) just show up out of the blue and deliver all of this on Christmas Day. If you watched Ted Lasso, you'll see that they used this in the show! More about Letters to Santa.

Heather was formerly the manager at Second City, and until recently they would do a 24-hour improv marathon as their big fundraiser. A couple of years ago, due to issues with Second City, they changed that to a gala with various performers, this year at the Brookfield Zoo. The show this year featured a whole lot of Jeff Tweedy and the Second City case, along with performances by Kim Deal and Fred Armisen. Once OH's friend Scott agreed to do the wedding at the Gala, we went through several iterations of what was going to happen. At one point, I foolishly agreed that we could have the ceremony during the show, as a fundraiser/improv. Luckily, later that plan was changed, which was a relief because it would have been really embarrassing. Instead, we held the ceremony at the event just before the official show started. Since OH's friend Scott had previously been a Second City guy, we agreed to do the ceremony as an improv. :lmao:

And thus, this became our wedding reception. :lol:

No, you needn't watch all three hours of this, but I highly recommend the highly touching video talk by Steve (RIP) here, the truly hilarious bit by Fred Armisen here, and of course any/all of the Jeff Tweedy and Kim Deal parts (they came and went throughout the show and also did one song together). Not going to link any Tweedy in case it would spoiler Dr. O's list. :)

congrats you two crazy kids!
 
I was waiting for a good time in the thread to mention this (didn't want to interfere with write-ups and discussions right after a new playlist was posted), and the two Tweedy posts in a row made me think this is the time to do it.

Jeff Tweedy recently played at my wedding reception.

OK, OK, not exactly. Let me back up.

OH and I decided a couple of months ago to get a marriage license. We didn't have in mind a particular day or place to do it, but figured we'd get married again. Kinda thought we'd do the same as last time and get married by the judge at the county clerk's office. Then I thought, hey we have a lot of friends around here, and surely one or more of them are ordained to perform weddings. OH reached out to his friend group and learned his friend Scott could perform the marriage. As to timing, we were already planning to go to the Letters to Santa Charitable Gala on November 23, and since Scott was on the board of the organization, we asked if he'd be there. Might as well do it when we were going to be in the same place anyway.

Backing up once again, Letters to Santa is the brainchild of Steve Albini and his wife Heather Whinna. Each year they deliver to needy families in the Chicago area Christmas gifts and a no-strings-attached $10,000 each. It was inspired by Heather having seen at the post office that they received letters to Santa, mostly not from children but from adults reaching out as a last gasp for help. Heather, Steve, and a bunch of others (including for many years Jeff Tweedy) just show up out of the blue and deliver all of this on Christmas Day. If you watched Ted Lasso, you'll see that they used this in the show! More about Letters to Santa.

Heather was formerly the manager at Second City, and until recently they would do a 24-hour improv marathon as their big fundraiser. A couple of years ago, due to issues with Second City, they changed that to a gala with various performers, this year at the Brookfield Zoo. The show this year featured a whole lot of Jeff Tweedy and the Second City case, along with performances by Kim Deal and Fred Armisen. Once OH's friend Scott agreed to do the wedding at the Gala, we went through several iterations of what was going to happen. At one point, I foolishly agreed that we could have the ceremony during the show, as a fundraiser/improv. Luckily, later that plan was changed, which was a relief because it would have been really embarrassing. Instead, we held the ceremony at the event just before the official show started. Since OH's friend Scott had previously been a Second City guy, we agreed to do the ceremony as an improv. :lmao:

And thus, this became our wedding reception. :lol:

No, you needn't watch all three hours of this, but I highly recommend the highly touching video talk by Steve (RIP) here, the truly hilarious bit by Fred Armisen here, and of course any/all of the Jeff Tweedy and Kim Deal parts (they came and went throughout the show and also did one song together). Not going to link any Tweedy in case it would spoiler Dr. O's list. :)
OMG congrats!

That is the most Chicago way to get married!
 
I thought I posted this earlier, but apparently not. So let me get to the #9s before I fall further behind there. There’s a lot to love, but I’m still limiting myself to “some”.

Selected (and Shuffled) Favorites:
Standing On the Verge of Getting It On - P-Funk
Nightswimming - R.E.M. Definitely a strong Top 3 candidate for me.
Rock the Casbah - The Clash
Karma Police - Radiohead. Might make for a good username… Nah.
Going Against Your Mind - Built To Spill
Indestructible - Robyn
Death By Rock and Roll - The Pretty Reckless
Heart of the Sunrise - Yes
Hollywood Park - The Airborne Toxic Event
I Will Wait By The River - Lord Huron

Shuffle Adventures:
By a slight edge, I’m going with Ryan Star’s “Bullet” which shared a slow and somewhat rustic feeling with “Some Roads” from Fred Eaglesmith
 
8's

Known
: Crue, Whitney, REM, Radiohead, Candlebox, Pearl Jam

Caught My Attention
Built to Spill: I Would Hurt a Fly
Johnny Marr: Get the Message
Triumph: I Live For The Weekend
Our Lady Peace: Clumsy
Airborne Toxic Event: Faithless
Fred Eaglesmith: Kansas (Fred is not really in my wheelhouse but this song was fantastic, could really feel the emotion he was throwing down)
 
I thought I posted this earlier, but apparently not. So let me get to the #9s before I fall further behind there. There’s a lot to love, but I’m still limiting myself to “some”.

Selected (and Shuffled) Favorites:
Standing On the Verge of Getting It On - P-Funk
Nightswimming - R.E.M. Definitely a strong Top 3 candidate for me.
Rock the Casbah - The Clash
Karma Police - Radiohead. Might make for a good username… Nah.
Going Against Your Mind - Built To Spill
Indestructible - Robyn
Death By Rock and Roll - The Pretty Reckless
Heart of the Sunrise - Yes
Hollywood Park - The Airborne Toxic Event
I Will Wait By The River - Lord Huron

Shuffle Adventures:
By a slight edge, I’m going with Ryan Star’s “Bullet” which shared a slow and somewhat rustic feeling with “Some Roads” from Fred Eaglesmith
Ironically, not in my top 20.
 
The Bee GeeszamboniLemons Never Forget
In just about all of the artist countdowns, there are a few songs that I didn’t initially think I’d rate that high but just kept migrating towards the top of my list. “Lemons Never Forget” is one of the two Bee Gees songs that apply in this case - the other one is coming up in a few picks.

Off the same Horizontal album as “Massachusetts”, the pick immediately before, “Lemons” is another very Beatle-esque tune with a trippy vibe and experimental sounds and textures. An interesting blend of guitar, strings, and harmonized vocals that was very much reminiscent of the late 1960s.

It wasn’t just the sound that shouted out to the Beatles. According to Barry, the lyrics were a jab at Apple Records (note the word “apple” appears a few times) given the well-documented issues with the Beatles at the time. Per Barry: "It was all over the industry that Apple was in disarray and that the Beatles were breaking up…It was a was a bit of a send up on Apple."
 
9s- possibly the best overall so far. Even the songs I don’t list I enjoyed, they just aren’t necessarily songs I feel a need to play repeatedly in the future. My liked list is more of a future playlist than just songs I enjoyed. Solid A

Known likes
Rock the casbah - a top 3 clash imo
Death by rock and roll
Wild side
Night swimming - another REM song I like but had forgotten
Karma police - one of the best RH songs
Release

New likes
Juveniles
Bullet
Going against your mind
Hollywood Park
The answer
 
I thought I posted this earlier, but apparently not. So let me get to the #9s before I fall further behind there. There’s a lot to love, but I’m still limiting myself to “some”.

Selected (and Shuffled) Favorites:
Standing On the Verge of Getting It On - P-Funk
Nightswimming - R.E.M. Definitely a strong Top 3 candidate for me.
Rock the Casbah - The Clash
Karma Police - Radiohead. Might make for a good username… Nah.
Going Against Your Mind - Built To Spill
Indestructible - Robyn
Death By Rock and Roll - The Pretty Reckless
Heart of the Sunrise - Yes
Hollywood Park - The Airborne Toxic Event
I Will Wait By The River - Lord Huron

Shuffle Adventures:
By a slight edge, I’m going with Ryan Star’s “Bullet” which shared a slow and somewhat rustic feeling with “Some Roads” from Fred Eaglesmith
Ironically, not in my top 20.
Arrest this man!
 
The Bee GeeszamboniLemons Never Forget
In just about all of the artist countdowns, there are a few songs that I didn’t initially think I’d rate that high but just kept migrating towards the top of my list. “Lemons Never Forget” is one of the two Bee Gees songs that apply in this case - the other one is coming up in a few picks.

Off the same Horizontal album as “Massachusetts”, the pick immediately before, “Lemons” is another very Beatle-esque tune with a trippy vibe and experimental sounds and textures. An interesting blend of guitar, strings, and harmonized vocals that was very much reminiscent of the late 1960s.

It wasn’t just the sound that shouted out to the Beatles. According to Barry, the lyrics were a jab at Apple Records (note the word “apple” appears a few times) given the well-documented issues with the Beatles at the time. Per Barry: "It was all over the industry that Apple was in disarray and that the Beatles were breaking up…It was a was a bit of a send up on Apple."
Is the other one the one that we talked about over PM?
 
I thought I posted this earlier, but apparently not. So let me get to the #9s before I fall further behind there. There’s a lot to love, but I’m still limiting myself to “some”.

Selected (and Shuffled) Favorites:
Standing On the Verge of Getting It On - P-Funk
Nightswimming - R.E.M. Definitely a strong Top 3 candidate for me.
Rock the Casbah - The Clash
Karma Police - Radiohead. Might make for a good username… Nah.
Going Against Your Mind - Built To Spill
Indestructible - Robyn
Death By Rock and Roll - The Pretty Reckless
Heart of the Sunrise - Yes
Hollywood Park - The Airborne Toxic Event
I Will Wait By The River - Lord Huron

Shuffle Adventures:
By a slight edge, I’m going with Ryan Star’s “Bullet” which shared a slow and somewhat rustic feeling with “Some Roads” from Fred Eaglesmith
Ironically, not in my top 20.
Arrest this man!
I don't hear any buzzing.
 
The Bee GeeszamboniLemons Never Forget
In just about all of the artist countdowns, there are a few songs that I didn’t initially think I’d rate that high but just kept migrating towards the top of my list. “Lemons Never Forget” is one of the two Bee Gees songs that apply in this case - the other one is coming up in a few picks.

Off the same Horizontal album as “Massachusetts”, the pick immediately before, “Lemons” is another very Beatle-esque tune with a trippy vibe and experimental sounds and textures. An interesting blend of guitar, strings, and harmonized vocals that was very much reminiscent of the late 1960s.

It wasn’t just the sound that shouted out to the Beatles. According to Barry, the lyrics were a jab at Apple Records (note the word “apple” appears a few times) given the well-documented issues with the Beatles at the time. Per Barry: "It was all over the industry that Apple was in disarray and that the Beatles were breaking up…It was a was a bit of a send up on Apple."
Is the other one the one that we talked about over PM?
Yes indeed
 
Candlebox #8
Song: You
Album: Candlebox (1993)


(Music video) Candlebox - You (Official Music Video)
(Live Version 1) Candlebox - You (Live)
(Live Version 2) CANDLEBOX - You (Live)
(acoustic version) Candlebox - You (Acoustic) - Blue Note - Honolulu - 1-12-2023

I'll never know, I'll never care, I'll never believe
My people, I'll tell you... what I say
I'll never lie, I'll never try, I'll never cry for you people
I'll push you, push you away
As you lonely people keep on running 'round my door
Yes, you lonely people keep on begging, beg for more



Due to circumstances beyond my control, I’ve been limited on alternate versions of recent songs. So here’s 2 live versions and an acoustic to help make up for that. Anyway,“You” is arguably the second best-known song on the debut album (with the other… yet to show up). Because of that, I don’t know if you need much introduction to this song.

Still, there’s a lot to appreciate here, obviously. Starting from the top, that little guitar hook combining with Kevin Martin’s vocals in a way that may send you instantly (mentally) going back to the 90s. “You” is up-tempo, fast and fierce at times while keeping things slow enough to appreciate the music and lyrics.

As far as a bit of the story behind the song, let me quote Kevin Martin (via the wiki) again. "I had stolen money from my parents to buy drugs and I had a real problem when I was in high school. On my 18th birthday I went to see Midnight Oil and Peter Garrett just floored me as a frontman. I woke up the next morning and said, 'That's it,' and I quit. I paid my parents back and I haven't done drugs since. Well, I don't consider mushrooms and anything that's organic or natural to be a drug. So I still smoke pot every now and then. So that song's really about just saying goodbye to that dependency.”


Next on the countdown, more from Happy Pills. Since it’s this high, you could say I think that it is suitable.
 
Okay, ranking all-time Texas music artists in 31-songs is a fool's errand. I thought about trying to separate this into a chalk list and a deep cut list, but it would still come up (way) short - and it would be woefully short on write-ups too - cause that's who I am. So, moving to the back burner. Sorry. I'll revisit when I kick off my bicycle tour of all 254 Texas counties. ... saving for the retiremnt thread.

Gonna do something more fun instead. My playlist will consist of 31 songs that include the name of a Texas town or city in the title. Plan to limit use to one per (except Amarillo gets two for sure), and I might pull in other proper noun locales to help the playlist along (looking at you, Red River). Hopefully for some of you this will play out like the end of a Romper Room episode, where the host (me) holds up the magic mirror and calls out your town.
 
The move was met with criticism from both fans and popular media – personally as far as I'm concerned the more Wilco, the better.

To speak more to why i never understood the whole "sell out" thing when it comes to band's trying to increase their popularity (this is still a business for these musicians) - I have two friends who poked at me all the time about my love for such an "average" band (Wilco) - but after the show The Bear used a bunch of Wilco songs in its soundtrack, those two now are fans of Wilco, and they freely admit it's because of the additional exposure.

We all "sell out" to some extent in our chosen professions - and I'm not sure that settling for a small and loyal fanbase should be the goal. Every band should want to be a "Taylor Swift". :shrug:
I will admit I was one of these knuckleheads to a point in my youth. I think some of it is fans being greedy and wanting to keep it their own. Some it's as though it cheapens the music if an artist dares use their music for something like that, or it becomes mainstream. That all changed the more I read about artists and the b.s. they put up with. For example, I was reading the Carrie Brownstein autobiography and was shocked the conditions she said she was living in despite being 3-4 albums into their career and getting noticed. I will be talking about this more with the Opeth countdown and the things that Mikeal said they dealt with or what fans did and said after they switched gears a bit.

I know I wouldn't want to be living with friends and eating Ramen after putting out a few albums. By all means - sell those songs to whoever is buying if that's what it take for you.
 
still catching up...

11's

Unknown Favs:

The Weather- Built to Spill
- at this point I'm going to assume I'm going to love the rest of playlist
Wake Up- The Walkmen- my fav from them thus far. really enjoyed this one.
Dark Road - Annie Lennox- very pretty song
I Will Be Back One Day- Lord Huron- think they are my 2nd favorite new to me artist this round

Known Favs:

Separate Ways- Journey-
One of my favorite music videos of all time. There are a bunch of spoofs of this video on youtube as well
Girls,Girls,Girls- Motley Crue- (instinctively reaches for wallet looking for Dollar bills)
Exit Music (for a Film)- Radiohead- so good, top 10 for me
Indifference- Pearl Jam- My favorite song this round. Forgot how damn great this one is

Honorable Mention: Kill Me- The Pretty Reckless- This girl freakin rocks man

on to the 10s
 

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