10. Allied Forces
Album: Allied Forces (1981)
Writers: Rik Emmett, Mike Levine and Gil Moore
Lead vocals: Gil Moore
Chart History: Did not chart
Video?: Yes
Lyrical categories: Rocking out / Vaguely political
Rik Emmett has said that Triumph's Progressions of Power album was "too heavy for AM radio." It was an interesting choice, then, to make the heaviest song from the follow-up album its first single.
Triumph introduced the world to Allied Forces, which would go on to become its most popular album and the one widely considered to be its best, via its title track, a stomper with militaristic precision and a lyrical theme to match. I presume the strategy was to retain the people who jumped on board with Progressions of Power, before trying to broaden the audience with subsequent releases. Despite the Allied Forces single being issued the same month that MTV launched, and a video being made for it, I don't remember ever seeing it (and didn't know it existed until doing research for this countdown; it oozes '80s-ness), but I remember the videos for three other songs from the album being played constantly. The song did not chart and I don't recall ever hearing it on the radio in Philly.
But "Allied Forces" quickly became an integral part of Triumph's live set, for good reason. It fades in with monstrous riffs and then somehow manages to build up even more momentum. Gil Moore's drums thrash, Mike Levine's bass punches and Rik Emmett's guitars shred -- the track has everything a fan of the era's hard rock could want. The first part of the guitar solo is notable for Moore singing over it, something that was rarely done on Triumph tracks, and the second part of it builds up speed and totally screams at its apex. After a final verse and chorus, we get a thrilling coda with Emmett popping crunchy riffs while Moore bellows "control ... control ... control," which builds into one final frenzied guitar-and-voice dual wail, and a final declaration of "taking control!"
The song imagines that, instead of countries with military might taking control of the world, the "allied forces" of rock and roll have. Had the Rolling Stone writer who accused Triumph of being fascists actually listened to the song (a stipulation that I do not grant), then they missed the line "strategic weapons are something we DON'T need." Indeed, the song addresses how society doesn't give young people what they need and makes them frustrated -- a theme hit upon by any number of Rolling Stone's critical darlings.
Youth culture in overdrive
And mass frustration
Too much, too little, too late
Class alienation
Denim armies working
Consolidate the might
War games, maneuvers
Rehearsals in the night
On the album, "Allied Forces" has a lead-in called "Air Raid," a sound-effects track notable for being the only Triumph composition solely credited to Levine. This YouTube file combines them:
https://www.youtube.com/watch?v=7HAUCbMD95w
"Allied Forces" is one of the few non-early Triumph songs known to have debuted in concert before being released on an album (its first documented appearance is February 1981, 6 months before its release as a single and 7 months before its release on an album), and it never left the setlist once it first appeared (it continued to be played after Emmett left and during the 2008 reunion shows), usually appearing in the first half of the show. Oddly, while it appears on the original vinyl version of the Stages live album, it was cut from the CD version, and for whatever reason, Spotify uses the CD version, so the Stages version of "Allied Forces" is missing from there as well. It is so identified with Triumph's live shows that Emmett has played it at his solo shows, even though it was a Moore vocal.
Despite its failure to chart, the band considers "Allied Forces" a "greatest hit" and it opens their most popular compilation album, Greatest Hits Remixed.
Video:
https://www.youtube.com/watch?v=lN1ghbBVNgo
Live version from Cleveland in 1981, aired on the King Biscuit Flower Hour:
https://www.youtube.com/watch?v=qUyZSF9Gfx4
Live version from Baltimore in 1982, aired on MTV:
https://youtu.be/gA-BAF_Zz6E?t=870 and with a reprise that closes the set:
https://youtu.be/gA-BAF_Zz6E?t=3056
Live version from Ottawa in 1982:
https://youtu.be/O2TLUhfbrm4?t=612
Live version from the US Festival in 1983:
https://open.spotify.com/track/7tTV1pXTyEgoxCpvfZsfxN?si=c4c1afa5675e414a
Live version from Stages (recorded in San Diego per the intro):
https://www.youtube.com/watch?v=SvUzv9ruIY0
Live version from LA in 1985:
https://youtu.be/2lHorImmLDw?t=1097
Live version from Montreal in 1985:
https://www.youtube.com/watch?v=ZI-hsMQ6uu8
Live version from Detroit in 1986, aired on FM radio:
https://youtu.be/JKuhMqVVXQE?t=609
Live version from Halifax in 1987, included on the A Night of Triumph DVD:
https://www.youtube.com/watch?v=VtcJ4t5Us_I
Live version from Sweden Rock Festival in 2008:
https://open.spotify.com/track/6JQ8GdpglOQRO2PIuUL1DW?si=c53ad325852244a5
At #9, another tribute to the power of rock and roll, and my highest-ranking song from Thunder Seven.