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Middle-aged Dummies are back and bursting at the "themes" to get going! Full theme ahead! (8 Viewers)

"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
interesting.... I love Nigel. first tune I'd heard of theirs... still love it. wouldn't have thought it would be their biggest listen.

I always liked this one too- as a slower tempo tune

 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
I think Dear God was more popular in the US as well. It's the first XTC song I think of.
 
Thanks for the XTC discourse this morning because it sent me to Spotify to see if the two Apple Venus albums were streaming. They never have been available and definitely weren't there when I considered the band for MADs round 3 but miracle of miracles, they're there now



I have them on CD somewhere but haven't listened to them in at least a decade.
 
Round 19 - Wicked Game - HIM
HIM is a FInnish Gothic Rock band from Helsinki. Mikko Viljami "Linde" Lindström is on guitar. Juhana "Pätkä" Rantala is on drums. Oskari "Oki" Kymäläinen also on guitar.

This band is living the umlaut life.

And I'm pretty sure everyone knows this is a cover. Sorry, KP. They will be showing up again sometime in the future.
This is an interesting cover but it's hard to compete with Isaak's vocals.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)
 
Round 19 - Wicked Game - HIM
HIM is a FInnish Gothic Rock band from Helsinki. Mikko Viljami "Linde" Lindström is on guitar. Juhana "Pätkä" Rantala is on drums. Oskari "Oki" Kymäläinen also on guitar.

This band is living the umlaut life.

And I'm pretty sure everyone knows this is a cover. Sorry, KP. They will be showing up again sometime in the future.
This is an interesting cover but it's hard to compete with Isaak's vocals.
I find Isaak's vocals rather annoying. For me, this is better.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
 
Round 19 - Wicked Game - HIM
HIM is a FInnish Gothic Rock band from Helsinki. Mikko Viljami "Linde" Lindström is on guitar. Juhana "Pätkä" Rantala is on drums. Oskari "Oki" Kymäläinen also on guitar.

This band is living the umlaut life.

And I'm pretty sure everyone knows this is a cover. Sorry, KP. They will be showing up again sometime in the future.
This is an interesting cover but it's hard to compete with Isaak's vocals.
I find Isaak's vocals rather annoying. For me, this is better.
There was a stretch in SF where every single lady there thought they had a chance with him. And considering how omnipresent and active he was (like Matt Dillon during a period in the late 80s in NYC), they weren't wrong.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
100%. One thing that really jumps out is that people don't listen to albums, or at least not the 2nd half. Listens numbers really drop on the last stretch of songs on so many albums.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
100%. One thing that really jumps out is that people don't listen to albums, or at least not the 2nd half. Listens numbers really drop on the last stretch of songs on so many albums.
In the streaming world. albums have become front loaded.
 
Round 19 - Wicked Game - HIM
HIM is a FInnish Gothic Rock band from Helsinki. Mikko Viljami "Linde" Lindström is on guitar. Juhana "Pätkä" Rantala is on drums. Oskari "Oki" Kymäläinen also on guitar.

This band is living the umlaut life.

And I'm pretty sure everyone knows this is a cover. Sorry, KP. They will be showing up again sometime in the future.
This is an interesting cover but it's hard to compete with Isaak's vocals.
I find Isaak's vocals rather annoying. For me, this is better.
There was a stretch in SF where every single lady there thought they had a chance with him. And considering how omnipresent and active he was (like Matt Dillon during a period in the late 80s in NYC), they weren't wrong.

I've posted this before but the mother of one of ditkaburgers' grade school friends dated Isaak in the 80s. She reported that he was extremely well hung.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
100%. One thing that really jumps out is that people don't listen to albums, or at least not the 2nd half. Listens numbers really drop on the last stretch of songs on so many albums.
In the streaming world. albums have become front loaded.
Even older stuff, like Journey, when i'd look as i was listening there was a drop off.

I glad album option is there, so people can listen how they want. I hated other options that were basically radio stations i paid for.

Now, if only the artists got more more for being on Spotify...
 
Selections:

31. If You Tolerate This Your Children Will Be Next - Manic Street Preachers

30. Hear The Drummer Get Wicked - Chad Jackson

29. Pick Up The Pieces - Average White Band

28. Virtual Insanity – Jamiroquai

27. Another Chance - Roger Sanchez

26. Living On My Own - Freddie Mercury

25. Sharp Dressed Man - ZZ Top

24. Better Off Alone - Alice Deejay

23. Love Is The Drug - Roxy Music

22. By The Time I Get To Arizona - Public Enemy

21. I Kissed A Girl - Katy Perry

20. Goddess On A Hiway - Mercury Rev

19. Dark Therapy - Echobelly



Incorrect guesses:

Songs that give advice

Bands That Have Never Been in My Kitchen

Songs by artists who have headlined Glastonbury

Songs featuring the Mellotron

Fear mongering

Song titles that could be part of geometry proofs

Bands who have a member whose first or last name is a James Bond reference

Bands with family members

Songs that reference a location in another country

Songs that have nine or more words in the title

Songs that mention famous streets

Bands who had a member mysteriously disappear, get declared dead, but no body has ever been found

Songs that reference footballguys user names

Songs without a guitar

Song titles that are commands

First two words of song titles in order of lyrics from The Youngbloods’ Get Together

Songs about resilience in the face of adversity

Songs about the importance of progress

Songs to make people overthink and speculate about an imaginary theme that doesn't really exist

31 songs that MADs submitted in prior MAD rounds, but judge disqualified because the submitting MAD failed to get the long-form birth certificate of all band members before submitting

Songs NOT produced by Todd Rundgren

Artists without umlauts

Songs Sam Rockwell has danced to in a movie

Songs about navigating and adapting to a constantly changing world

Songs credited to more than one songwriter

UK top ten singles

Singles released by UK artist/bands

31 British Isles Songs That Did Not Appear in the MAD British Isles Countdown

Non-guitar driven songs

Songs in 4/4 time

Broadway shows

Songs that all charted in the same six countries:
UK
Australia
Germany
France
Ireland
Netherlands

Songs under 5 minutes

Songs where artists let out excessive vocalizations of the “ahh,” “ooh,” “dee,” etc. variety

A break up and starting over

Things that will drive a bunch of middle aged dummies who are trying to find a pattern go crazy

Stages in Rustoluem’s marriage

Guinness World Records

Songs that can qualify for other people’s themes

Songs by people with facial hair

All songs use an instrument with keys

Songs that are the narrative arc of a divorce

Addiction

Songs with 125 BPM or more

Songs that sample other songs on the list

Songs representing different Nicholas Cage movies / characters

Songs

This is your life, Krista

Something to do with Tina Turner/abused women

Jimi Hendrix

Detailing Britney Spears’ descent into madness

Addiction ... to love

Songs in A Minor

The plot to Thelma and Louise

Kourtney Kardashian

Songs about a major change in someone's life
Songs with a subject you should see a therapist about.
 
jwb – songs that sound great on a decent 2-channel system

Rise - Herb Alpert

Good old Herb Alpert should be on every audiophile's list. From a Taste of Honey from the album Whipped Cream and Other Delights (with its legendary cover) to the title track of the Casino Royale (1967) soundtrack (which is renowned in Audiophile circles). This one is more modern (1979), and you've all likely heard it. When all my friends were getting married in the late 80's / 90's, this was a popular reception song when the Bridesmaids and Groomsmen were introduced (I haven't been to a wedding in many years - do they still use this one?) This is one of several instrumentals on my list. Don't need to comment much on why it's here - it'll be apparent if you have a good system / headphones.
Herb Alpert and Doc Severinsen. Oh, yeah. Very nice to hear one of the greats.
 
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"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
I've definitely noticed with other bands that their top streamer is not necessarily what us middle-aged dummies would think is their most popular song.

In some cases it's because the top streamer was used in a video game or a popular playlist or something else that the younger folk caught on to.

Airplay from 40 years ago definitely has nothing to do with it.
 
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.

At the suggestion of its director, the song's music video was filmed at double-speed and then slowed down, to make the musicians appear "more graceful". Partridge recalled: "That one was done really quickly, in Shepperton Studios while we were rehearsing for the English Settlement tour. And so that's us rehearsing.




:wub:

THANK YOU! for picking this tune and not one of their probably "bigger" tunes... my favorite of theirs.

eta: interesting to see it IS their biggest tune, at least in the UK. I feel like Dear God hit bigger here in the US, but I could be wrong about that.

Their first 3 or 4 albums are amazing.
On Spotify, Nigel has 61M listens, Dear God has 34m. Senses has 19.9.

Never was a huge fan of Nigel. I don't get why it has 3x more listens than Senses.
You will drive yourself crazy if you attempt to understand the Spotify listens, trust me. ;)

I think a lot of the song streams data for legacy bands like XTC is driven by placement on Spotify-curated playlists. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.
I've definitely noticed with other bands that their top streamer is not necessarily what us middle-aged dummies would think is their most popular song.

In some cases it's because the top streamer was used in a video game or a popular playlist or something else that the younger folk caught on to.

Airplay from 40 years ago definitely has nothing to do with it.
Talking to my son and kids around his age at work, I think NBA 2k had the most influence on that group. They seem to listen to nothing but rap, and most was on those games.

I do get surprised from time to time too, and I am sure the opposite is true for them as well. I have 2 employees in that age range that now come up to me for "metal homework". :lol:
 
Now, if only the artists got more more for being on Spotify...

Another thing I did a deep dive with AI on. This is part of a solution in development that started a 9 month discussion longer than most of the novels some of you are ranking.

Third, cut out middlemen where possible. Labels and distributors often take 50% or more of royalties before artists see a dime. A new platform could partner directly with artists via blockchain or smart contracts—think transparent, instant payouts logged on a public ledger. Audius, a decentralized streaming site, does this already, letting artists upload and get paid in crypto without a label skimming the top. It’s not perfect (crypto’s volatile, and onboarding’s tricky), but it proves the concept: sidestep the traditional gatekeepers, and artists keep more.
To attract business from Spotify, the site needs a unique hook. Pair fair pay with artist-friendly features: detailed analytics, direct fan engagement (think Bandcamp-style messaging), or even equity stakes for early adopters, like Resonate’s co-op structure. Marketing could hammer the “ethical streaming” angle—consumers love supporting underdogs when it’s easy and feels righteous. Add a discovery algorithm that prioritizes indie acts over algorithm-chasing pop, and you’ve got a platform that stands out.
Funding’s the rub.

Don't fret the crypto angle. AI's made that incredibly simple.
It led me to what I think may be a brilliant idea...

Your idea of having listeners pay upfront—like staking in crypto—and then charging per stream is a brilliant twist. It flips the subscription model on its head, incentivizes mindful listening, and could stretch that money further for casual users while ensuring artists get paid more directly...

For artists, it’s a win because every stream pays that $0.01 (the number they're advocating) directly to them. No pro-rata pool nonsense where your money gets diluted by Ed Sheeran’s billions of streams. If I stake $45 and listen to an indie band 100 times, they get $1 straight up, not $0.30 - 0.50 like on Spotify. Scale that to just 10,000 fans, and that’s $10,000—real money, not crumbs.

Yeah? Would you pay upfront a bit more than your monthly payment then watch your account dwindle as you listen before recharging if the artists got what they want? Your deposit could last longer than 3 months but would be designed to never cost more than Spotify on a monthly basis. So at a specific date with enough use you could earn unlimited free listening for awhile.
 
#19: BETTER THAN EZRA - IN THE BLOOD

For MAD31 possibilities of 90s bands that I loved a small part of but never explored much more I have been working on: Toad the Wet Sprocket, Soul Asylum, The Goo Goo Dolls, and Better than Ezra. Guess which one of the 4 qualified for my theme? I was glad though, because I have been listening to them consistently for decades, but it was only the Friction Baby album. I think it was one of those random albums that we had after @MrsKarmaPolice and I pooled our cds and got an apartment. I didn't by a ton of cds after that, so it was a lot of exploring some of those that sticks out. That is why I know a random Our Lady Peace album as well. Desperately Wanting and King of New Orleans are two of those "repeater" songs for me, absolutely love them. I feel I have taken them before though, and I had forgotten how Good the album before it was and that led me to this pick. They are a little lower in the countdown because I have yet to have that "wow" moment as I slowly go through the other albums. They just put one out last year as well.

Recommended listening: I stand by Friction Baby being very underrated. I crossed the album off my list, trying to stick to theme. If I went here, Hung the Moon and Scared, Are You? are the other two that are favorites. Yes, @Yo Mama - The Killer Inside was the other one I was thinking as well. I went with the song I air drum to the most this time. A song from the new album that stood out and reminded me the MAD31 crew was Grateful. I think a lot of you will really like that one too.


And a shout out to @Pip's Invitation. Probably a little of what is going through your head when you read my posts?


Next: My top 20 are all bands that I have considered doing a MAD31 for, or at least have a good working playlist for on the side as I dig through stuff that grabs my attention. We start on a stretch of about 10 artists that I would be surprised would hit 1M if you added up all their listens, and for this we are going to be rocking a bit more. For #18, we head to Nashville....
 
Again lots to love in the #20s. We’re past that as I’m catching up. So I’ll just get to it!

Known Numbers:
Sixteen Tons - Tennessee Ernie Ford
Give A Little Bit - Supertramp
New York Groove - Ace Frehley
Always Something There To Remind Me - Naked Eyes
Goddess on a Hiway - Mercury Rev

Total Surprises:
Up Rose the Mountain- Grotus
Mesmerized - Faith Evans
All Uncovered - The Watchmen
Keep On Moving - Soul II Soul
Perfect Sound Forever - Jeff Rosenstock

Go Figure

Back 2 back time again! This time around I’ve got to go with Outkast’s “Wheelz of Steel”, which grooved right into “Disco Dancer” from Kiki Gyan.
 
Selections:

31. If You Tolerate This Your Children Will Be Next - Manic Street Preachers

30. Hear The Drummer Get Wicked - Chad Jackson

29. Pick Up The Pieces - Average White Band

28. Virtual Insanity – Jamiroquai

27. Another Chance - Roger Sanchez

26. Living On My Own - Freddie Mercury

25. Sharp Dressed Man - ZZ Top

24. Better Off Alone - Alice Deejay

23. Love Is The Drug - Roxy Music

22. By The Time I Get To Arizona - Public Enemy

21. I Kissed A Girl - Katy Perry

20. Goddess On A Hiway - Mercury Rev

19. Dark Therapy - Echobelly



Incorrect guesses:

Songs that give advice

Bands That Have Never Been in My Kitchen

Songs by artists who have headlined Glastonbury

Songs featuring the Mellotron

Fear mongering

Song titles that could be part of geometry proofs

Bands who have a member whose first or last name is a James Bond reference

Bands with family members

Songs that reference a location in another country

Songs that have nine or more words in the title

Songs that mention famous streets

Bands who had a member mysteriously disappear, get declared dead, but no body has ever been found

Songs that reference footballguys user names

Songs without a guitar

Song titles that are commands

First two words of song titles in order of lyrics from The Youngbloods’ Get Together

Songs about resilience in the face of adversity

Songs about the importance of progress

Songs to make people overthink and speculate about an imaginary theme that doesn't really exist

31 songs that MADs submitted in prior MAD rounds, but judge disqualified because the submitting MAD failed to get the long-form birth certificate of all band members before submitting

Songs NOT produced by Todd Rundgren

Artists without umlauts

Songs Sam Rockwell has danced to in a movie

Songs about navigating and adapting to a constantly changing world

Songs credited to more than one songwriter

UK top ten singles

Singles released by UK artist/bands

31 British Isles Songs That Did Not Appear in the MAD British Isles Countdown

Non-guitar driven songs

Songs in 4/4 time

Broadway shows

Songs that all charted in the same six countries:
UK
Australia
Germany
France
Ireland
Netherlands

Songs under 5 minutes

Songs where artists let out excessive vocalizations of the “ahh,” “ooh,” “dee,” etc. variety

A break up and starting over

Things that will drive a bunch of middle aged dummies who are trying to find a pattern go crazy

Stages in Rustoluem’s marriage

Guinness World Records

Songs that can qualify for other people’s themes

Songs by people with facial hair

All songs use an instrument with keys

Songs that are the narrative arc of a divorce

Addiction

Songs with 125 BPM or more

Songs that sample other songs on the list

Songs representing different Nicholas Cage movies / characters

Songs

This is your life, Krista

Something to do with Tina Turner/abused women

Jimi Hendrix

Detailing Britney Spears’ descent into madness

Addiction ... to love

Songs in A Minor

The plot to Thelma and Louise

Kourtney Kardashian

Songs about a major change in someone's life
Mental illness
 
Single (Named) Lady #20 - Rapsody feat. GZA and D'Angelo - "Ibtihaj" (2019)
Full name: Marlanna Evans

Rapsody is originally from a small town in North Carolina. She didn't start rapping until she was a student at NC State (@Tau837 ) but her career took off quickly after being discovered by 9th Wonder. She made her solo debut in 2012 and has released four albums and as many mixtapes since then. Earlier this month, she won a Grammy for best melodic rap performance, a category that I'd never heard of before.

"Ibtihaj" is the only song in my countdown that has a woman's name. It's named after champion fencer Ibtihaj Muhammed who won gold for the USA in the 2016 Olympics. She also gained notoriety for wearing a hijab while competing. The song is a homage to GZA's "Liquid Swords" from which it takes its chorus and beat. GZA must have approved because he takes the second verse. The lyrics include shout outs to a bunch of hip hop acts including Roxanne Shante, Flavor Flav and DJ Premier. I love the multitracked harmonies of D'Angelo on the hook which gives the song a bit of a Funkadelic feel.

The beginning of the video is Rapsody performing on the steps of a Harlem brownstone with some long lime green extensions. About halfway through, it switches to a dark soundstage where Roxanne Shante is dressed like a sparkly queen. There are also some fencers there because Ibtihaj. Rapsody next appears wearing a bucket hat and a Detroit Pistons shirt. GZA comes in and does his verse on a red and black striped stage. The video continues with a mishmash of shots from the previous four setups and ends with some women in colorful hijab unfurling a banner in support of Sudanese freedom fighters.

Your description had me intrigued, so I played the video and cut it off quickly because it was the beat from GZA's "Liquid Swords"

Now when the emcees came . . .

Now back to the Rapsody video. Interesting look and subject matter.
 
kupcho1 – rain

Box of Rain - Grateful Dead
So now ya know, rain comes in boxes.

I'm typically lukeward on the Dead, but this song just resonates with me.

Look out of any window
Any morning, any evening, any day
Maybe the sun is shining
Birds are winging or rain is falling from a heavy sky

This song was my entry into the Dead. I've never gotten into the jammier stuff, but have never looked back when it comes to their 1970 studio output, which is finite of course, but still excellent. This song resonates with me also. It's probably the most realistic yet hopeful way to look at a father's death that I have heard recorded.
 
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19. La Disco - Giorgio Moroder

From one of the masters of the genre of disco comes this, with a genre name right in the pocket. Considered an "architect" of the genre (even more than El Floppo is an architect of the scarfy dancey genre?) according to Spotify, here's a sunny excursion into dancing. The four on the floor is apparent, as is the click on the track for easy dancing. En français, no less.
 
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. A lot more users listen to "Essential New Wave" or "Alternative 80s" than any of XTCs albums. I don't get it because I've always been an albums guy but this is the musical world we live in.

I'm a discover-from-compilations-in-the-nineties-punk-world-guy, so discovering music that way totally makes sense to me. It's one of the few things I have in common with the youth of today.
 
Don Quixote – Afrobeat

Love Affair (Spotify) - SJOB Movement (Nigeria)

When I was looking at my Afrobeat playlist that I’ve been pulling together over the years on iTunes, this was the first one listed in it, meaning that this was the song that made me decide that I needed to start pulling together a playlist to keep track of some of my favorites, since I had not really organized them and was just adding one by one. I think SJOB Movement is a bit off the beaten track as a common Afrobeat starting point, but they made some of the most accessible Afrobeat coming out of Nigeria in the 1970s. I found a good write-up of them here:


Prince Bola Agbana might hardly be the most immediately recognizable name in the constellation of Nigerian music stars, but for a significant portion of the last half-century he labored in the shadows, dutifully serving as one of the key movers in its development: An in-demand session musician. An early and respected exponent of funk. A catalyst in the retrofit of juju into a modern pop genre. Most of all, though, he is recognized as the founder, leader, drummer and principal vocalist of the SJOB Movement.

SJOB: Sam, Johnnie, Ottah, Bola. For a moment in the mid-1970s, they were le dernier cri in modern Nigerian music, representing the next step in the evolution of afro rhythms, and a new paradigm for the band economy. Their first album, 1976’s A Move in the Right Direction, was a minor sensation and was swiftly followed by Friendship Train in 1977. Then it appeared that the movement stopped moving, and SJOB disappeared from the scene…

Okosuns’ approach to the afro style smoothed out some of Fela’s rough edges and arty abstraction, presenting a more easily palatable, populist iteration of afrobeat that quickly enthroned him as Nigeria’s most popular music star. It was widely acknowledged that one of the essential ingredients of Sonny Okosuns’ appeal was the whip-smart keyboard work of Johnnie Woode, becoming a trademark of Okosuns’ records and live shows. Other frequent stalwarts of Okosuns’ band, Ozziddi, were bassist Ehima “Blackie” Ottah and guitarist Samuel “Spark” Abiloye.
 
@KarmaPolice

I did pretty well getting Yambag's E-J. This is what I sent verbatim for G-J, and I had Exodus's Fabulous Disaster for E. I used question marks when thinking a little more off the beaten path but still felt a selection after the question mark was plausible. This is what I wrote him.

"G) Guns N' Roses - who else? GWAR?
H) Helmet (Helloween?)
I) Iron Maiden
J) Judas Priest"

So yeah, the only band I missed there was Helmet. We'll see as the countdown progresses where we diverge.
 
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GTA #19 - Big Daddy Kane - Warm It Up Kane (Playback FM, SA)

Playback FM's a pretty cool station playing golden age hip hop and old school stuff from the East Coast, hosted by Chuck D, he of Public Enemy fame, the track of theirs coming in at number 2 of my list for this particular station and only just missing out. I've gone with Big Daddy Kane, referenced by rockaction earlier in thread, Widely regarded as one of the best and most influential MC's of all time, Kane's track here is the pick of the playlist and a fine track off of his second album, a classic piece of late 80's hip hop very much fitting into the game's themes.

Up in the next three or four picks will be peak "that's played in GTA?" tracks. We have classical, we have country, and we have two very different tracks written specifically for the game. If the last few tracks haven't been to your taste, which is fair and expected given how the countdown has been constructed, then you may well get better results over the next week.
 
@KarmaPolice

I did pretty well getting Yambag's E-J. This is what I sent verbatim for G-J, and I had Exodus's Fabulous Disaster for E. I used question marks when thinking a little more off the beaten path but plausible. This is what I wrote him.

"G) Guns N' Roses - who else? GWAR?
H) Helmet (Helloween?)
I) Iron Maiden
J) Judas Priest"

So yeah, the only band I missed there was Helmet. We'll see as the countdown progresses where we diverge.
Nice! You were definitely on the right track on a lot of them, and I think you will be right with several more as well.

After a rocky start, I've gotten the 5 of the last 5. GWAR was a last second dart I thought would be funny but not true. However, my next guess was incorrect so the streak is over.
 
krista4 – Chicagoland

Gary – Shellac

Artist connection to Chicago (1-5 scale): 5 - Well, duh. Steve was Chicago. He might not have been born here, but he was Chicago. And he gets a five automatically now that he has a street named after him here.
Song connection to Chicago (1-10 scale): 3 - From an interview with Steve: "t's about the steel magnate for whom the town of Gary, IN, is named. Most of the lyrics for that song are taken from a book of labour and communist folk songs. It's called The Big Red Songbook. There's a song, the lyrics to which were written by T-Bone Slim, and they were in that book and the song is called 'Gary' and it's about Gary, IN, and its namesake." Gary is part of the Chicago Metropolitan Statistical Area, so it kinda qualifies, but most people don't really think of it as "Chicagoland." It's its own thing. Close enough for a 3, but not more than that.
Total: 8
 
#19 songs

Yambag – Metal songs from 1988-1992 that became the gateway into the world of music for a young Yambag

Painkiller - Judas Priest

Summary: Judas Priest are an English heavy metal band formed in Birmingham in 1969. They have sold over 50 million albums and are frequently ranked as one of the greatest metal bands of all time. Judas Priest have also been referred to as one of the pioneers of the new wave of British heavy metal movement, and are cited as a formative influence on various metal subgenres, including speed metal, thrash metal, power metal, and the hard rock/glam metal scene of the 1980s.

Times Seen Live in Concert: 2 = 1990 (with Testament and Megadeth), 2004 (with Ozzy and Slayer)

Personal Connection: I have a strange history with Judas Priest. Besides hearing a few older songs here and there, which did not really peak my interest, my true introduction was the Painkiller album. It honestly blew me away, but for some reason, I never really went back to older albums or continued with newer ones. I’m not quite sure why, but I still love this album start to finish.

Other songs to consider: See Raging Weasel’s Round 3 MAD31 list as it is way better than what I could pick out!

I had the same intro to Priest, but not quite as strong of a reaction. I thought of them for my list because I remember having the album, but I think it was one I just listened to a couple songs off of, so I ended up crossing them off. Night Crawler was one that I remember liking a lot. Priest was and is still too much of a blind spot for me, even after RW's 31. I need to dig into all the albums soon.

ETA: I was listening to the album as I typed that and A Touch of Evil is also fantastic. Pretty sure those are the ones on @Raging weasel 's countdown as well.
 
Theme: 31 Best Albums of 1984

19. Seven Seas by Echo and the Bunnymen

Album: Ocean Rain
Released: May 4



Ocean Rain is like if The Doors were singing sea shantys in the style of a gypsy band accompanied by a 35 piece orchestra. Needless to say this album was a major swerve for the post punk band. After 3 pretty straightforward rock albums, this must have caught critics off guard. Our last group, The Blue Nile, were critical darlings but struggled to sell records. Ocean Rain was the opposite. It immediately hit the number 4 spot in the UK and broke through international markets all while getting a lukewarm to frigid reception from critics. This time the fans were right and the critics eventually came around with it making the top half of NME's 500 Best Albums of All Time in 2013.

The first side is pretty good but it's side 2 of this LP that really makes the record. Side 2 opens with their most iconic song, The Killing Moon, which segues into my selection of Seven Seas.

Stab a sorry heart
with your favourite finger
paint the whole world blue
and stop your tears from stinging
 
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Single (Named) Lady #19 - Rihanna - "Kiss It Better" (2016)
Full name: Robyn Rihanna Fenty

Rihanna probably doesn't need an introduction but I'll keep it brief. She's originally from Barbados and started off her career with a bang hitting #2 on the main US chart in 2005. She's since gone from strength to strength and has been recognized as the biggest selling female artist of the 21st century. She's a bit of a musical chameleon who's changed her sound and style multiple times in her career.

"Kiss It Better" is the second single from her eighth album Anti. It's one of the more rockish songs in her catalog thanks to the wailing guitar of Nuno Bettencourt from Extreme. The guitar hovers above a lush landscape of synths and RiRi's sultry vocals. I started off my list with her better known "Umbrella" but the more I listened to her, the hook of "Kiss It Better" got stuck in my head.

The video is a sexy number filmed in black and white with Rihanna alternately writhing on the floor and floating above it. I think everybody on this board knows about my love for dice and I commend the video's use of them in the beginning.
 
🥰

eta: it's been a very long wait since Anti, but she's been dropping hints here and there that R9 (9th album is in the works) with a never before heard approach. She said something about forgetting everything she's done and doing something fresh. She's also doing a voice over for the coming smurfs movie this year with reports she's written a few songs.
 
🥰

eta: it's been a very long wait since Anti, but she's been dropping hints here and there that R9 (9th album is in the works) with a never before heard approach. She said something about forgetting everything she's done and doing something fresh. She's also doing a voice over for the coming smurfs movie this year with reports she's written a few songs.
Smurfs gonna smurf
 
#, Please # 19
Song: 96 Tears
Artist: ? & the Mysterians
Year: 1966


(Youtube version) 96 Tears
(Live version) Question Mark & The Mysterians - 96 Tears

4 Lines:
And when the sun comes up
I'll be on top
You'll be right down there
Lookin' up

Number Theory:

Full credit to Frank Rodriguez on the organ for his performance here. No doubt it was a big reason for this song skyrocketing up the characters. “96 tears” was recorded in Bay City, Michigan, along with the B-side “Midnight Hour”. Actually, “96 tears” appeared on 3 of the 4 albums from the artist, though a large part of the rerecording was the band’s inability to access their masters due to change(s) in ownership. The 30 year gap in between played a part too

Why 96? There’s some theory that it was originally “69 tears” (nice?) but changed to be more radio friendly. However, Rudy Martinez (aka Question Mark) insists that 96 has a “deep, philosophical meaning. Though, to my knowledge, he never explained further. Then again, the band was obviously meant to be mysterians… er, I mean, mysterious.

Significant Digits:
Off album#: 1
Track #: 12
Hit the charts in 8 countries. Including #1 in the Billboard Hot 100, #1 in Canada Top Singles, and #3 in Brazil.

Artist crossover with other playlists: 12
(Known: 6) Van Halen (x2) currently in the lead (?)

Next on the countdown, I doubt I can describe the song better than the title does. The artist hammered it.
 
krista4 – Chicagoland

Gary – Shellac

Artist connection to Chicago (1-5 scale): 5 - Well, duh. Steve was Chicago. He might not have been born here, but he was Chicago. And he gets a five automatically now that he has a street named after him here.
Song connection to Chicago (1-10 scale): 3 - From an interview with Steve: "t's about the steel magnate for whom the town of Gary, IN, is named. Most of the lyrics for that song are taken from a book of labour and communist folk songs. It's called The Big Red Songbook. There's a song, the lyrics to which were written by T-Bone Slim, and they were in that book and the song is called 'Gary' and it's about Gary, IN, and its namesake." Gary is part of the Chicago Metropolitan Statistical Area, so it kinda qualifies, but most people don't really think of it as "Chicagoland." It's its own thing. Close enough for a 3, but not more than that.
Total: 8
For me Gary, Indiana evokes The Music Man. It doesn't seem like Chicago at all. It's the place you drive through to get someplace decent.
 
krista4 – Chicagoland

Gary – Shellac

Artist connection to Chicago (1-5 scale): 5 - Well, duh. Steve was Chicago. He might not have been born here, but he was Chicago. And he gets a five automatically now that he has a street named after him here.
Song connection to Chicago (1-10 scale): 3 - From an interview with Steve: "t's about the steel magnate for whom the town of Gary, IN, is named. Most of the lyrics for that song are taken from a book of labour and communist folk songs. It's called The Big Red Songbook. There's a song, the lyrics to which were written by T-Bone Slim, and they were in that book and the song is called 'Gary' and it's about Gary, IN, and its namesake." Gary is part of the Chicago Metropolitan Statistical Area, so it kinda qualifies, but most people don't really think of it as "Chicagoland." It's its own thing. Close enough for a 3, but not more than that.
Total: 8
For me Gary, Indiana evokes The Music Man. It doesn't seem like Chicago at all. It's the place you drive through to get someplace decent.

It always makes me think of the Jacksons.

I also remember my dad talking the Chicago Skyway to Gary when we went on family vacations to points east. This was back when the steel mills were still open so there were smells I wasn't familiar with.
 

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