But the focus [of the album] goes back to the message on “We People Who Are Darker Than Blue,” by which point Dad had already presented three of the best songs he’d ever written. “Blue” blew them out of the water. It starts as a slow blues, as he confronts society’s expectations of black people. “We’re just good for nothing they all figure,” he sings, “A boyish, grown up, shiftless jigger.” (As Andrew Young said, “It’s ‘jigger’ but he meant ******.’”) He confronts black people’s feelings of self-worth relating to skin color, singing, “High yellow girl, can’t you tell / You’re just the surface of our dark, deep well?” Perhaps most powerfully, he confronts the white world’s version of history, singing, “Pardon me, brother, as you stand in your glory / I know you won’t mind if I tell the whole story.”
Then, the song stops and shifts abruptly. Master Henry’s congas take control as the rhythm section pushes into fast, syncopated funk. And when my father sings, “If your mind could really see / You’d know your color the same as me,” it is clear how far he’d grown beyond his work with the Impressions. No longer was there a choice of colors [oops, spoiler alert]; now there was only one. Black.
He even pointed to the song as evidence of why he chose to go on his own. “Songs like ‘We People Who Are Darker Than Blue’ transcended the roster of the Impressions,” he said. “[It was] more of what was in my head during those times.” The polyrhythmic, Latin-tinged breakdown highlighted another aspect of his music that transcended the Impressions. “It was the ’70s,” my father said. “Time to get away from just R&B and be freer as to the happenings around me.”
Sam [Gooden] and Fred [Cash] were surprised by the power of the new songs. To this day, they debate the meaning of “We People Who Are Darker Than Blue.” In an interview in 2008, Sam said, “I took it as a person that was very, very angry … The thing I got from it was, ‘Are you going to let them do it to you?’ Who? Are you going to let who do it to you?” Fred, providing the obvious answer: “At the time, he was talking about white folks … He ain’t talking about black folks. Get up, go out, do something for yourself. That’s what I took that meaning as.”